By-and-bye, as the new form of life fell into working order, it became evident that these chiefs, with their vassals, were a power in themselves, and by combination might interfere with, if not overthrow, the authority of the king himself. Their continued quarrels amongst themselves were the only protection the king had against them, but gradually that ceased, and a time came when there was no occupation for the superfluous valor of the country; retainers lay about castleyards in all the mischief of idleness, drunken and clamorous; the kings not yet firmly seated on their thrones looked about for some current into which they might divert this dangerous spirit. The condition of things in the states themselves was bad enough; the laws were feebly administered; it was vain for injured innocence to appeal against the violence of power; the sword was the only lawgiver, and strength the only opinion. Women were violated with impunity, houses burned, herds stolen, and even blood shed without any possibility of redress for the injured. This state of things was the foundation of chivalry. {164} Instinctively led, or insidiously directed to it, strong men began to take upon themselves the honor of redressing grievances, the injured woman found an armed liberator springing up in her defence, captives were rescued by superior force, injuries avenged, and the whole system--by the encouragement of the petty kings who saw in this rising feeling a vent for the idle valor they so much dreaded--soon consolidated itself, was embellished and made attractive by the charm of gallantry, and the rewards accorded to the successful by the fair ladies who graced the courts. Things went on well, and that dangerous spirit which threatened to overturn royalty now became its greatest ornament. In process of time it again outgrew its work, and with all the advantages of organization and flatteries of success, it once more became the tenor of the crowned heads of Europe. At this crisis, however, an event occurred which, in all probability, though it drained Europe of half her manhood, saved her from centuries of bloodshed and anarchy; that event was the banishment of the Christians and the taking of Jerusalem by the Saracens. Here was a grand field for the display of chivalry. Priestly influence was brought to bear upon the impetuous spirits of these chevaliers, religious fervor was aroused, and the element of religious enthusiasm infused into the whole organization; fair ladies bound the cross upon the breasts of their champions, and bid them go and fight under the banners of the Mother of God. The whole continent fired up under the preaching of Peter the Hermit; all the rampant floating chivalry of Europe was aroused, flocked to the standards of the church, and banded themselves together in favor of this Holy War; whilst the Goth, the Vandal, and the Lombard, sitting on their tottering thrones, encouraged by every means in their power this diversion of the prowess they had so much dreaded, and began to see in the troubles of Eastern Christianity a fitting point upon which to concentrate the fighting material of Europe out of their way until their own position was more thoroughly consolidated. The Crusades, however, came to an end in time, and Europe was once more deluged with bands of warriors who came trooping home from Eastern climes changed with new ideas, new traditions, and filled with martial ardor. But now the Goth, the Vandal, and the Lombard had made their position secure, and the knights and chieftains fell back naturally upon their old pursuit of chivalry, took up arms once more in defence of the weak and injured against the strong and oppressive. That valor which had fought foot to foot with the swarthy Saracen, had braved the pestilence of Eastern climes and the horrors of Eastern dungeons, soon enlisted itself in the more peaceable lists of the joust and tournament, and went forth under the inspiration of a mistress's love-knot to do that work which we material moderns consign to the office of a magistrate and the arena of a quarter sessions.

It was in this later age of chivalry, when the religious element had blended with it, and it was dignified with the traditions of religious championship, that the deeds were supposed to be done which form the subject of those wonderful romances;--that was more properly the perfection of the institution; its origin lay, as we have seen, much further back.

As regards the difference between the work and influence of chivalry and monasticism, it is the same which always must exist between the physical and the moral--the one was a material and the other was a spiritual force. The orders of chivalry included all the physical strength of the country, its active material; but the monastery included all its spiritual power and thinking material. Chivalry was the instrument by which mighty deeds were done, but the intellect which guided, directed, and in {165} fact used that instrument was developed and matured in the seclusion of the cloister. By the adoption of a stringent code of honor as regards the plighted word, and a gallant consideration toward the vanquished and weak, chivalry did much toward the refinement of social intercommunication and assuaging the atrocities of warfare. By the adoption, also, of a gentle bearing and respectful demeanor toward the opposite sex, it elevated woman from the obscurity in which she lay, and placed her in a position where she could exercise her softening influence upon the rude customs of a half-formed society; but we must not forget that the gallantry of chivalry was, after all, but a glossing over with the splendors of heroism the excrescences of a gross licentiousness--a licentiousness which mounted to its crisis in the polished gallantry of the court of Louis XIV. Monasticism did more for woman than chivalry. It was all very well for preux chevaliers to go out and fight for the honor of a woman's name whom they had never seen; but we find that when they were brought into contact with woman they behaved with like ruthless violence to her whatever her station may have been--no matter whether she was the pretty daughter of the herdsman, or the wife of some neighboring baron, she was seized by violence, carried off to some remote fortress, violated and abandoned. Monasticism did something better, it provided her when she was no longer safe, either in the house of her father or her husband, with an impregnable shelter against the licentious pursuit of these preux chevaliers; it gave her a position in the church equal to their own; she might become the prioress or the lady abbess of her convent; she was no longer the sport and victim of chivalrous licentiousness, but a pure and spotless handmaiden of the Most High--a fellow-servant in the church, where she was honored with equal position and rewarded with equal dignities--a far better thing this than chivalry, which broke skulls in honor of her name, whilst it openly violated the sanctity of her person. It may be summed up in a sentence. Monasticism worked long and silently at the foundation and superstructure of society, whilst chivalry labored at its decoration.

When we mention the fact that the history of the mere literary achievements of the Benedictine order fills four large quarto volumes, printed in double columns, it will be readily understood how impossible it is to give anything like an idea of its general work in the world in the space of a short summary. That book, written by Zeigelbauer, and called "Historia Rei Literariae Ordinis Sancti Benedicti," contains a short biography of every monk belonging to that order who had distinguished himself in the realms of literature, science, and art. Then comes Don Johannes Mabillon with his ponderous work, "Acta Sanctorum Ordinis Sancti Benedicti." These two authorities gave a minute history of that marvellous institution, of whose glories we can only offer a faint outline.

The Benedictines, after the death of their founder, steadily prospered, and as they prospered, sent out missionaries to preach the truth amongst the nations then plunged in the depths of paganism. It has been estimated that they were the means of converting upwards of thirty countries and provinces to the Christian faith. They were the first to overturn the altars of the heathen deities in the north of Europe; they carried the cross into Gaul, into Saxony and Belgium; they placed that cross between the abject misery of serfdom and the cruelty of feudal violation; between the beasts of burden and the beasts of prey--they proclaimed the common kinship of humanity in Christ the Elder Brother.

Strange to say, some of its most distinguished missionaries were natives of our own country. It was a {166} Scottish monk, St. Ribanus, who first preached the gospel in Franconia--it was an English monk, St. Wilfred, who did the same in Friesland and Holland in the year 683, but with little success--it was an Englishman, St. Swibert, who carried the cross to Saxony, and it was from the lips of another Englishman, St. Ulfred, that Sweden first heard the gospel--it was an Englishman and a Devonshire man, St. Boniface, who laid aside his mitre, put on his monk's dress, converted Germany to the truth, and then fell a victim to the fury of the heathen Frieslanders, who slaughtered him in cold blood. Four Benedictine monks carried the light of truth into Denmark, Sweden, and Gothland, sent there in the ninth century by the Emperor Ludovicus Pius. Gascony, Hungary, Lithuania, Russia, Pomerania, are all emblazoned on their banners as victories won by them in the fight of faith; and it was to the devotion of five martyr monks, who fell in the work, that Poland traces the foundation of her church.

It is a remarkable fact in the history of Christianity, that in its earliest stage--the first phase of its existence--its tendency was to elevate peasants to the dignity of apostles, but in its second stage it reversed its operations and brought kings from their thrones to the seclusion of the cloister--humbled the great ones of the earth to the dust of penitential humility. Up to the fourth century Christianity was a terrible struggle against principalities and powers: then a time came when principalities and powers humbled themselves at the foot of that cross whose followers they had so cruelly persecuted. The innumerable martyrdoms of the first four centuries of its career were followed by a long succession of' royal humiliations, for, during the sixth, seventh, eighth, and ninth centuries, in addition to what took place as regards other orders, no less than ten emperors and twenty kings resigned their crowns and became monks of the Benedictine order alone. Amongst this band of great ones the most conspicuous are the Emperors Anastasius, Theodosius, Michael, Theophilus, and Ludovicus Pius. Amongst the kings are Sigismund of Burgundy, Cassimir of Poland, Bamba of Spain, Childeric and Theodoric of France, Sigisbert of Northumberland, Ina of the West Saxons, Veremunde of Castille, Pepin of Italy, and Pipin of Acquitaine. Adding to these their subsequent acquisitions, the Benedictines claim up to the 14th. century the honor of enrolling amongst their number twenty emperors and forty-seven kings: twenty sons of emperors and forty-eight sons of kings--amongst whom were Drogus, Pipin, and Hugh, sons of Charlemagne; Lothair and Carlomen, sons of Charles; and Fredericq, son of Louis III. of France. As nuns of their order they have had no less than ten empresses and fifty queens, including the Empresses Zoa Euphrosyne, St. Cunegunda, Agnes, Augusta, and Constantina; the Queens Batilda of France, Elfreda of Northumberland, Sexburga of Kent, Ethelberga of the West Saxons, Ethelreda of Mercia, Ferasia of Toledo, Maud of England. In the year 1290 the Empress Elizabeth took the veil with her daughters Agnes, queen of Hungary, and the Countess Cueba; also Anne, queen of Poland, and Cecily, her daughter. In the wake of these crowned heads follow more than one hundred princesses, daughters of kings and emperors. Five Benedictine nuns have attained literary distinction--Rosinda, St. Elizabeth, St. Hildegardis, whose works were approved of by the Council of Treves, St. Hiltrudis, and St. Metilda.

For the space of 239 years 1 month and 26 days the Benedictines governed the church in the shape of 48 popes chosen from their order, most prominent among whom was Gregory the Great, through whose means the rule was introduced into England. Four of these pontiffs came from the original {167} monastery of Monte Cassino, and three of them quitted the throne and resumed the monastic life--Constantine II., Christopher I., and Gregory XII. Two hundred cardinals had been monks in their cloisters--they produced 7,000 archbishops, 15,000 bishops, fifteen of whom took off their mitres, resumed their monks' frock, and died in seclusion; 15,000 abbots; 4,000 saints. They established in different countries altogether 87,000 monasteries, which sent out into the world upwards of 15,700 monks, all of whom attained distinction as authors of books or scientific inventors. Rabanus established the first school in Germany. Alcuin founded the University of Paris, where 30,000 students were educated at one time, and whence issued, to the honor of England, St. Thomas à Becket, Robert of Melun, Robert White, made cardinal by Celestine II., Nicholas Broakspear, the only Englishman ever made Pope, who filled the chair under the title of Adrian IV., and John of Salisbury, whose writings give us the best description of the learning both of the university and the times. Theodore and Adrian, two Benedictine monks, revived the University of Oxford, which Bede, another of the order, considerably advanced. It was in the obscurity of a Benedictine monastery that the musical scale or gamut--the very alphabet of the greatest refinement of modern life--was invented, and Guido d'Arezzo, who wrested this secret from the realms of sound, was the first to found a school of music. Sylvester invented the organ, and Dionysius Exiguus perfected the ecclesiastical computation.

England in the early periods of her history contributed upwards of a hundred sons to this band of immortals, the most distinguished of whom we will just enumerate--St. Cuthbert, bishop of Lindisfarne, whose life Bede has written, and whose "Ordinationes" and "De Vita Monastica" have reached to our times. St. Benedict Biscop, the founder of the monasteries of St. Peter and St. Paul, at Wearmouth and Jarrow, a nobleman by birth, and a man of extraordinary learning and ability, to whom England owes the training of the father of her ecclesiastical history, the Venerable Bede. St. Aldhelm, nephew of King Ina, St. Wilfrid, St Brithwald, a monk of Glastonbury, elevated to the dignity of Archbishop of Canterbury, which he held over thirty-seven years. His works which have come down to us are a "Life of St. Egwin, bishop of Worcester," and the "Origin of the Monastery of Evesham." Tatwin, who succeeded him in the archbishopric. Bede the Venerable, who was skilled in all the learning of the times, and; in addition to Latin and Greek, was versed in Hebrew; he wrote an immense number of works, many of which are lost, but the best known are the greater portion of the "Saxon Chronicle," which was continued after his death as a national record; and his "Ecclesiastical History," which gives to England a more compendious and valuable account of her early church than has fallen to the lot of any other nation. He was also one of the earliest translators of the Scriptures, and oven on his death-bed dictated to a scribe almost up to the final moment; when the last struggle came upon him he had reached as far as the words, "But what are they among so many," in the sixth chapter of St. John's Gospel, and the ninth verse. St. Boniface, already alluded to as the apostle of Germany, was a native of Devonshire. He was made Archbishop of Mentz, but being possessed with an earnest longing to convert the heathen Frieslanders, he retired from his archbishopric, and putting on his monk's dress took with him no other treasure than a book he was very fond of reading, called "De Bono Mortis," went amongst these people, who cruelly beat him to death in the year 755; and the book stained with his blood {168} was cherished as a sacred relic long after. Alcuin, whom we have already mentioned as the founder of the University of Paris, was a Yorkshireman, and was educated under Bede. He lived to become the friend of Charlemagne, and next to his venerable master was the greatest scholar and divine in Europe; he died about the year 790. John Asser, a native of Pembrokeshire, is another of these worthies. It is supposed that Alfred endowed Oxford with professors, and settled stipends upon them, under his influence, he being invited to the court of that monarch for his great learning. He wrote a "Commentary" upon Boethius de Consolatione Philosophiae, the "Life of King Alfred," and the "Annals of Great Britain." St. Dunstan, a monk of Glastonbury, the best known of all these great Englishmen, died Archbishop of Canterbury; but as we shall have much to say of him hereafter we pass on to St. Ethelwold, his pupil, also a monk at Glastonbury, distinguished for his learning and piety, for which he was made abbot of the Monastery of Abingdon, where he died in the year 984. Ingulphus, a native of London, was made Abbot of Croyland, in Lincolnshire, in the year 1075. A history of the abbey over which he presided has been attributed to him, but its authenticity has been gravely disputed. Alfric, a noted grammarian. Florence, of Worcester, was another great annalist, who in his "Chronicon ex Chronici" brings the history down to the year 1119, that in which he died; his book is chiefly valuable as a key to the "Saxon Chronicle." William, the renowned monk of Malmesbury, the most elegant of all the monastic Latinists, was born about the time of the Norman Conquest. His history consists of two parts, the "Gesta Regum Anglorum," in five books, including the period between the arrival of the Saxons and the year 1120. The "Historia Novella," in three books, brings it down to the year 1142. He ranks next to Bede as an historic writer, most of the others being mere compilers and selectors from extant chronicles. He also wrote a work on the history of the English bishops, called "De Gestis Pontificum Anglorum," in which he speaks out fearlessly and without sparing: also a treatise on the antiquity of Glastonbury Abbey, "De Antiquitate Glastoniensis Ecclesiae;" his style is most interesting, and he is supposed to have written impartially, separating the improbable from the real, and gives us what can readily be appreciated as a fair and real picture of the state of things, more especially of the influence and policy of the Norman court, and the opening of the struggle between the two races. Eadmer was another contemporaneous celebrity with William of Malmesbury; he was the author of a history of his own times, called "Historia Novorum sive Sui Secula," which is spoken of very highly by William of Malmesbury; it contains the reigns of William the Conqueror and Rufus, and a portion of that of Henry I., embracing a period extending from 1066 to 1122. Matthew Paris, another historian who lived about the year 1259, closes our selection from the long list of British worthies who were members of the Benedictine order.

When we reflect that all the other monastic systems, not only of the past, but even of the present day, are but modifications of this same rule, and that it emanated from the brain, and is the embodiment of the genius of the solitary hermit of Monte Cassino, we are lost in astonishment at the magnitude of the results which have sprung from so simple an origin. That St. Benedict had any presentiment of the future glory of his order, there is no sign in his rule or his life. He was a great and good man, and he produced that comprehensive rule simply for the guidance of his own immediate followers, without a thought beyond. But it was blessed, {169} and grew and prospered mightily in the world. He has been called the Moses of a favored people; and the comparison is not inapt, for he lead his order on up to the very borders of the promised country, and after his death, which, like that of Moses, took place within sight of their goal, they fought their way through the hostile wilds of barbarism, until those men who had conquered the ancient civilizations of Europe lay at their feet, bound in the fetters of spiritual subjection to the cross of Christ. The wild races of Scandinavia came pouring down upon southern Europe in one vast march of extermination, slaying and destroying as they advanced, sending before them the terror of that doom which might be seen in the desolation which lay behind them; but they fell, vanquished by the power of the army of God, who sallied forth in turn to reconquer the world, and fighting not with the weapons of fire and sword, but, like Christian soldiers, girt about with truth, and having on the breastplate of righteousness, they subdued these wild races, who had crushed the conquerors of the earth, and rested not until they had stormed the stronghold, and planted the cross triumphantly upon the citadel of an ancient paganism. Time rolled on, and the gloom of a long age of darkness fell upon a world whose glory lay buried under Roman ruins. Science had gone, literature had vanished, art had flown, and men groped about in vain in that dense darkness for one ray of hope to cheer them in their sorrow. The castle of the powerful baron rose gloomily above them, and with spacious moat, dense walls, and battlemented towers, frowned ominously upon the world which lay abject at its feet. In slavery men were born, and in slavery they lived. They pandered to the licentiousness and violence of him who held their lives in his hands, and fed them only to fight and fail at his bidding. But far away from the castle there arose another building, massive, solid, and strong, not frowning with battlemented towers, nor isolated by broad moats; but with open gates, and a hearty welcome to all comers, stood the monastery, where lay the hope of humanity, as in a safe asylum. Behind its walls was the church, and clustered around it the dwelling-places of those who had left the world, and devoted their lives to the service of that church, and the salvation of their souls. Far and near in its vicinity the land bore witness to assiduous culture and diligent care, bearing on its fertile bosom the harvest hope of those who had labored, which the heavens watered, the sun smiled upon, and the winds played over, until the heart of man rejoiced, and all nature was big with the promise of increase. This was the refuge to which religion and art had fled. In the quiet seclusion of its cloisters science labored at its problems and perpetuated its results, uncheered by applause and stimulated only by the pure love of the pursuit. Art toiled in the church, and whole generations of busy fingers worked patiently at the decoration of the temple of the Most High. The pale, thoughtful monk, upon whose brow genius had set her mark, wandered into the calm retirement of the library, threw back his cowl, buried himself in the study of philosophy, history, or divinity, and transferred his thoughts to vellum, which was to moulder and waste in darkness and obscurity, like himself in his lonely monk's grave, and be read only when the spot where he labored should be a heap of ruins, and his very name a controversy amongst scholars.

We should never lose sight of this truth, that in this building, when the world was given up to violence and darkness, was garnered up the hope of humanity; and these men who dwelt there in contemplation and obscurity were its faithful guardians--and this was more particularly the case with that great order whose foundation we {170} have been examining. The Benedictines were the depositaries of learning and the arts; they gathered books together, and reproduced them in the silence of their cells, and they preserved in this way not only the volumes of sacred writ, but many of the works of classic lore. They started Gothic architecture--that matchless union of nature with art--they alone had the secrets of chemistry and medical science; they invented many colors; they were the first architects, artists, glass-stainers, carvers, and mosaic workers in mediaeval times. They were the original illuminators of manuscripts, and the first transcribers of books; in fine, they were the writers, thinkers, and workers of a dark age, who wrote for no applause, thought with no encouragement, and worked for no reward. Their power, too, waxed mighty; kings trembled before their denunciations of tyranny, and in the hour of danger fled to their altars for safety; and it was an English king who made a pilgrimage to their shrines, and prostrate at the feet of five Benedictine monks, bared his back, and submitted himself to be scourged as a penance to his crimes.

Nearly fourteen hundred years have rolled by since the great man who founded this noble order died; and he who in after years compiled the "Saxon Chronicle" has recorded it in a simple sentence, which, amongst the many records of that document, we may at least believe, and with which we will conclude the chapter--"This year St. Benedict the Abbot, father of all monks, went to heaven."




From The Month.

SAINTS OF THE DESERT,

BY THE REV. J. H. NEWMAN, D.D.


1. Some old men came to Abbot Antony, who, to try their spirits, proposed to them a difficult passage of Scripture.

As each in turn did his best to explain it, Antony said: "You have not hit it."

Till Abbot Joseph said: "I give it up."

Then cried Antony: "He has hit it; for he owns he does not know it."


2. When the Abbot Arsenius was at the point of death, his brethren noted that he wept. They said then: "Is it so? art thou too afraid, O father?"

He answered: "It is so; and the fear that is now upon me has been with me ever since I became a monk."

And so he went to sleep.


3. Abbot Pastor said: "We cannot keep out bad thoughts, as we cannot stop the wind rushing through the door; but we can resist them when they come."


4. Abbot Besarion said, when he was dying: "A monk ought to be all eye, as the cherubim and seraphim."


5. They asked Abbot Macarius how they ought to pray.

The old man made answer: "No need to be voluble in prayer; but stretch forth thy hands frequently, and say, 'Lord, as thou wilt, and as thou knowest, have mercy on me.' And if war is coming on, say, 'Help!' And he who himself knoweth what is expedient for thee, will show thee mercy."


6. On a festival, when the monks were at table, one cried out to the servers, "I eat nothing dressed, so bring me some salt."

Blessed Theodore made reply: "My brother, better were it to have even secretly eaten flesh in thy cell than thus loudly to have refused it."


7. An old man said: "A monk's cell is that golden Babylonian furnace in which the Three Children found the Son of God."




{171}

[ORIGINAL]

CHRISTINE:

A TROUBADOUR'S SONG,

IN FIVE CANTOS.

BY GEORGE H. MILES. [Footnote 34]


[Footnote 34: Entered according to Act of Congress, in the year 1886, by Lawrence Kehoe, in the Clerk's Office of the District Court of the United States for the Southern District of New York.]

(Continued)


THE THIRD SONG.

I.


  Fronting the vine-clad Hermitage,--
  Its hoary turrets mossed with age,
  Its walls with flowers and grass o'ergrown,--
      A ruined Castle, throned so high
      Its battlements invade the sky,
  Looks down upon the rushing Rhone.
  From its tall summits you may see
  The sunward slopes of Côte Rotie
  With its red harvest's revelry;
  While eastward, midway to the Alpine snows,
  Soar the sad cloisters of the Grande Chartreuse.

  And here, 'tis said, to hide his shame,
  The thrice accursed Pilate came;
  And here the very rock is shown.
      Where, racked and riven with remorse,
      Mad with the memory of the Cross,
  He sprang and perished in the Rhone.
  'Tis said that certain of his race
  Made this tall peak their dwelling place.
  And built them there this castle keep
  To mark the spot of Pilate's leap.

{172}
  Full many the tale of terror told
      At eve, with changing cheek,
  By maiden fair and stripling bold,
  Of these dark keepers of the height
  And, most of all, of the Wizard Knight,
      The Knight of Pilate's Peak.
  His was a name of terror known
      And feared through all Provence;
  Men breathed it in an undertone.
      With quailing eye askance,
  Till the good Dauphin of Vienne,
      And Miolan's ancient Lord,
  One midnight stormed the robber den
      And gave them to the sword;
  All save the Wizard Knight, who rose
  In a flame-wreath from his dazzled foes;
  All save a child, with golden hair.
  Whom the Lord of Miolan deigned to spare
      In ruth to womanhood,
  And she, alas, is the maiden fair
      Who wept in the walnut wood.

  But who is he, with step of fate,
  Goes gloomily through the castle gate
       In me morning's virgin prime?
  Why scattereth he with frenzied hand
  The fierce flame of that burning brand,
      Chaunting an ancient rhyme?
  The eagle, scared from her blazing nest,
  Whirls with a scream round his sable crest.
  What muttereth he with demon smile.
  Shaking his mailed hand the while
      Toward the Chateau of La Sône,
  Where champing steed and bannered tent
  Gave token of goodly tournament,
      And the Golden Dolphin shone?
  "Woe to the last of the Dauphin's line,
  When the eagle shrieks and the red lights shine
      Bound the towers of Pilate's Peak!
  Burn, beacon, burn!"--and as he spoke
  From the ruined towers curled the pillared smoke,
  As the light flame leapt from the ancient oak
      And answered the eagle's shriek.
  Man and horse down the hillside sprang
  And a voice through the startled forest rang--
      "I ride, I ride to win my bride.
      Ho, Eblis! to thy servants side;
            Thou hast sworn no foe
            Shall lay me low
  Till the dead in arms against me ride."

{173}

II.

  Deliciously, deliciously
      Cometh the dancing dawn,
  Christine, Christine comes with it,
      Leading in the morn.
          Beautiful pair!
      So cometh the fawn
          Before the deer.
  Christine is in her bower
      Beside the swift Isère
  Weaving a white flower
      With her dark brown hair.
      Never, O never,
          Wandering river.
      Though flowing for ever,
          E'er shalt thou mirror
      Maiden so fair!

  Hail to thee, hail to thee,
      Beautiful one;
  Maiden to match thee,
      On earth there is none.
  And there is none to tell
      How beautiful thou art:
  Though oft the first Rudel
      Has made the Princes start,
  When he has strung his harp and sung
      The Lily of Provence,
  Till the high halls have rung
      With clash of lifted lance
  Vowed to the young
      Christine of France.

      Ah, true that he might paint
  The blooming of thy cheek.
  The blue vein's tender streak
      On marble temple faint;
      Lips in whose repose
      Ruby weddeth rose.
      Lips that parted show
      Ambushed pearl below:
  Or he may catch the subtle glow
      Of smiles as rare as sweet,
  May whisper of the drifted snow
      Where throat and bosom meet.
  And of the dark brown braids that flow
      So grandly to thy feet.
      Ah, true that he may sing
      Thy wondrous mien.

{174}
  Stately as befits a queen,
  Yet light and lithe and all awing
      As becometh Queen of air
  Who glideth unstepping everywhere.
  And he might number e'en
      The charms that haunt the drapery--
  Charms that, ever changing, cluster
  Round thy milk-white mantle's lustre,--
      Maiden mantle that is part of thee.
      Maiden mantle that doth circle thee
          With the snows of virgin grace;
  Halo-like around thee wreathing,
  Spirit-like about thee breathing
          The glory of thy face.

  But these dark eyes, Christine?
      Peace, poet, peace,
      Cease, minstrel, cease!
  But these dear eyes, Christine?
      Mute, O mute
      Be voice and lute!
  O dear dark eyes that seem to dwell
  With holiest things invisible,
      Who may read your oracle?
  Earnest eyes that seem to rove
      Empyrean heights above,
  Yet aglow with human love.
      Who may speak your spell?
  Dear dark eyes that beam and bless,
  In whose luminous caress
  Nature weareth bridal dress,--
  Eyes of voiceless Prophetess,
      Your meanings who may tell!
          O there is none!
      Peace, poet, peace.
      Cease, minstrel, cease,
          For there is none!
  O eyes of fire without desire,
      O stars that lead the sun!
          But minstrel cease,
          Peace, poet, peace.
      Tame Troubadour be still;
          Voice and lute
          Alike be mute,
      It passeth all your skill!

      Sooth thou art fair,
      O ladye dear.
          Yet one may see
  The shadow of the east in thee;

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          Tinting to a riper flush
          The faint vermilion of thy blush;
          Deepening in thy dark brown hair
          Till sunshine sleeps in starlight there.
  For she had scarce seen summers ten,
      When erst the Hermit's call
      Sent all true Knights from bower and hall
  Against the Saracen.
  Young, motherless, and passing fair,
  The Dauphin durst not leave her there,
      Within his castle lone,
  To kinsman's cold or casual care,
      Not such as were his own:
  And so the sweet Provençal maid
  Shared with her sire the first Crusade.
  And you may hear her oft,
  In accents strangely soft.
  Still singing of the rose's bloom
      In Sharon,--of the long sunset
      That gilds lamenting Olivet,
  Of eglantines that grace the gloom
      Of sad Gethsemane;
  And of a young Knight ever seen
  In evening walks along the green
      That fringes feeble Siloë.

  Young, beautiful, and passing fair--
  The ancient Dauphin's only heir,
      The fairest flower of France,--
  Knights by sea and Knights by land
  Came to claim the fair white hand,
      With sigh and suppliant lance;
          And many a shield
          Displayed afield
  The Lily of Provence.
      Ladye love of prince and bard
      Yet to one young Savoyard
          Swerveless faith she gave--
      To the young knight ever seen
      When moonlight wandered o'er the green
          That gleams o'er Siloë's wave.
  And he, blest boy, where lingers he?
      For the Dauphin hath given slow consent
      That, after a joyous tournament,
  The stately spousals shall be.

  Christine is in her bower
      That blooms by the swift Isère,
  Twining a white flower
      With her dark brown hair.

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      The skies of Provence
      Are bright with her glance,
  And nature's matin organ floods
      The world with music from the myriad throats
      Of the winged Troubadours, whose joyous notes
  Brighten the rolling requiem of the woods.
      With melody, flowers, and light
          Hath the maiden come to play,
      As fragile, fair, and bright
          And lovelier than they?
      O no, she has come to her bower
          That blooms by the dark Isère
      For the bridegroom who named the first hour
          Of day-dawn to meet her there:
      But the bridal morn on the hills is born
          And the bridegroom is not here.
      Hie thee hither, Savoyard,
      On such an errand youth rides hard.
      Never knight so dutiful
      Maiden failed so beautiful:
          And she in such sweet need,
          And he so bold and true!--
  She will watch by the long green avenue
      Till it quakes to the tramp of his steed;
  Till it echoes the neigh of the gallant Grey
        Spurred to the top of his speed.

  In the dark, green, lonely avenue
      The Ladye her love-watch keepeth,
  Listening so close that she can hear
      The very dripping of the dew
          Stirred by the worm as it creepeth;
              Straining her ear
          For her lover's coming
              Till his steed seems near
          In the bee's far humming.
      She stands in the silent avenue,
          Her back to a cypress tree;
      O Savoyard once bold and true,
          Late bridegroom, where canst thou be?
      Hark! o'er the bridge that spans the river
          There cometh a clattering tread,
      Never was shaft from mortal quiver
          Ever so swiftly sped.
              Onward the sound,
              Bound after, bound,
          Leapeth along the tremulous ground.

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  From the nodding forest darting.
  Leaves, like water, round them parting.
      Up the long green avenue,
      Horse and horseman buret in view.
  Marry, what ails the bridegroom gay
      That he strideth a coal black steed,
  Why cometh he not on the gallant Grey
      That never yet failed him at need?
  Gone is the white plume, that clouded his crest,
  And the love-scarf that lightly lay over his breast;
  Dark is his shield as the raven's wing
  To the funeral banquet hurrying.
  Came ever knight in such sad array
  On the merry morn of his bridal day?
  The Ladye trembles, and well she may;
  Saints, you would think him a fiend astray.
  A plunge, a pause, and, fast beside her.
  Stand the sable horse and rider.
  Alas, Christine, this shape of wrath
  In Palestine once crossed thy path;
  His arm around thy waist, I trow,
  To bear thee to his saddle-bow.
      But thy Savoyard was there.
  In time to save, tho' not to smite,
  For the demon fled into the night
      From Miolan's matchless heir.
  Alas, Christine, that lance lies low--
      Lies low on oaken bier!

  Low bent the Wizard, till his plume
  O'ershadowed her like falling doom:
  She feels the cold casque touch her ear,
  She hears the whisper, hollow, clear,--
  "From Acre's strand, from Holy Land,
  O'er mountain crag, through desert sand,
  By land, by sea, I come for thee.
  And mine ere sunset shalt thou be!
  Dost know me, girl?"
              The visor raises--
  God, 'tis the Knight of Pilate's Peak!
      As if in wildered dream she gazes,
  Gazing as one who strives to shriek.
  She cannot fly, or speak, or stir,
  For that face of horror glares, at her
      Like a phantom fresh from hell.
  She gave no answer, she made no moan;
  Mute as a statue overthrown.
  Her fair face cold as carved stone,
      Swooning the maiden fell.

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  The sun has climbed the golden hills
  And danceth down with the mountain rills.
  Over the meadow the swift beams run
  Lifting the flowers, one by one,
  Sipping their chalices dry as they pass,
  And kissing the beads from the bending grass.
  The Dauphin's chateau, grand and grey,
  Glows merrily in the risen day;
  His castle that seemeth ancient as earth,
  Lights up like an old man in his mirth.
  Through the forest old, the sunbeams bold
      Their glittering revel keep,
  Till, in arrowy gold, on the chequered wold
      In glancing lines they sleep.
  And one sweet beam hath found its way
  To the violet bank where the Ladye lay.
  O radiant touch! perchance so shone
  The hand that woke the widow's son.

  She sighs, she stirs; the death-swoon breaks;
      Life slowly fires those pallid lips;
  And feebly, painfully, she wakes,
      Struggling through that dark eclipse.
  Breathing fresh of Alpine snows,
  Breathing sweets of summer rose.
  Murmuring songs of soft repose,
  The south wind on her bosom blows:
  But she heeds it not, she hears it not;
      Fast she sits with steady stare.
      The dew-drops heavy on her hair,
      Her fingers clasped in dumb despair,
          Frozen to the spot:
  While o'er her fierce and fixed as fate,
  The fiend on his spectral war-horse sate.
  A horrible smile through the visor broke,
  And, quoth he,
              "I but watched till my Ladye woke.
  Get thee a flagon of Shiraz wine,
  For the lips must be red that answer mine!"
  Cleaving the woods, like the wind he went.
  His face o'er his shoulder backward bent,
  Crying thrice--"We shall meet at the Tournament!"

      Clasping the cypress overhead,
      Christine rose from her fragrant bed.
      And a prayer to Mother Mary sped.
      Hold not those gleaming skies for her
      The same unfailing Comforter?
      And those two white winged cherubim,
      She once had seen, when Christmas hymn
          Chimed with the midnight mass,
      Scattering light through the chapel dim,
          Alive in me stained glass--

{179}
  What fiend could harm a hair of her.
  While those arching-wings took care of her?
  And our Ladye, Maid divine,
  Mother round whose marble shrine
  She wreathed the rose of Palestine
      So many sinless years,
  Will not heaven's maiden-mother Queen
      Regard her daughter's tears!
  Yes!--through the forest stepping slow,
  Tranquil mistress of her woe,
      Goeth the calm Christine;
  And but for yonder spot of snow
  Upon each temple, none may know
      How stem a storm hath been.
  For never dawned a brighter day,
  And the Ladye smileth on her way,
  Greeting the blue-eyed morn at play
      With earth in her spangled green.
          A single cloud
          Stole like a shroud
  Forth from the fading mists that hid
  The crest of each Alpine pyramid;
  Unmovingly it lingers over
  The mountain castle of her lover;
      While over Pilate's Peak
  Hangs the grey pall of the sullen smoke,
  Leaps the lithe flame of the ancient oak
      And the eagle soars with a shriek.
  Full well she knew the curse was near.
  But that heart of hers had done with fear.
  By St. Antoine, not steadier stands
      Mont Blanc's white head in winter's whirl
      Than that calm, fearless, smiling girl
  With her bare brow upturned and firmly folded hands.

      Back to her bower so fair
          Christine her way, is wending;
      Over the dark Isère
          Silently she's bending,
      Thus communing with the stream.
      As one who whispers in a dream:
      "Waters that at sunset ran
      Round the Mount of Miolan;
      Stream, that binds my love to me,
      Whisper where that lover be;
      Wavelets mine, what evil things
      Mingle with your murmurings;
      Tell me, ere ye glide away.
      Wherefore doth the bridegroom stay?
      Hath the fiend of Pilate's Peak
      Met him, stayed him, slain him--speak!

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  Speak the worst a Bride may know,
  God hath armed my soul for woe;
  Touching heaven, the virgin snow
  Is firmer than the rock below.
  Lies my love upon his bier,
  Answer, answer, dark Isère!
  Hark, to the low voice of the river
  Singing 'Thy love is lost for ever!'
  Weep with all thy icy fountains,
  "Weep, ye cold, uncaring mountains,
      I have not a tea!
  Stream, that parts my love from me,
  Bear this bridal rose with thee;
  Bear it to the happy hearted,
  Christine and all the flowers have parted!"

  They are coming from the castle,
      A bevy of bright-eyed girls,
  Some with their long locks braided,
      Some with loose golden curls.
  Merrily 'mid the meadows
      They win their wilful way;
  Winding through sun and shadow,
      Rivulets at play.
  Brows with white rosebuds blowing,
      Necks with white pearl entwined.
  Gowns whose white folds imprison
      Wafts of the wandering wind.
  The boughs of the charmèd woodland
     Sing to the vision sweet.
  The daisies that crouch in the clover
      Nod to their twinkling feet.
  They see Christine by the river,
      And, deeming the bridegroom near,
  They wave her a dewy rose-wreath
      Fresh plucked for her dark brown hair.
  Hand in hand tripping to meet her,
      Birdlike they carol their joy.
  Wedding soft Provençal numbers
      To a dulcet old strain of Savoy.

{181}
THE GREETING.

  Sister, standing at Love's golden gate.
          Life's second door--
      Fleet the maidentime is flying.
      Friendship fast in love is dying,
  Bridal fate doth separate
      Friends evermore.

  Pilgrim seeking with thy sandalled feet
          The land of bliss;
      Sire and sister tearless leaving,
      To thy beckoning palmer cleaving--
  Truant sweet, once more repeat
          Our parting kiss.

  Wanderer filling for enchanted isle
          Thy dimpling sail;
      Whither drifted, all uncaring.
      So with faithful helmsman faring,
  Stay and smile with us, awhile,
          Before the gale.

  Playmate, hark! for all that once was ours
          Soon rings the knell:
      Glade and thicket, glen and heather,
      Whisper sacredly together;
  Queen of ours, the very flowers
          Sigh forth farewell.

  Christine looked up, and smiling stood
  Among the choral sisterhood:
  But some who sprang to greet her, stayed
  Tiptoe, with the speech unsaid;
  And, each the other, none knew why.
  Questioned with quick, wondering eye.
  One by one, their smiles have flown.
  No lip is laughing but her own;
  And hers, the frozen smile that wears
  The glittering of unshed tears.
  "Ye nave sung for me, I will sing for ye,
      My sisters fond and fair."
  And she bent her head till the chaplet fell
      Adown in the deep Isère.


THE REPLY.

      Bring me no rose-wreath now:
  But come when sunset's first tears fall.
  When night-birds from the mountain call--
          Then bind my brow,

      Roses and lilies white--
  But tarry till the glow-worms trail
  Their gold-work o'er the spangled veil
          Of falling night

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      Twine not your garland fair
  Till I have fallen fast asleep;
  Then to my silent pillow creep
          And leave it there--

      There in the chapel yard!--
  Come with twilight's earliest hush,
  Just as day's last purple flush
          Forsakes the sward.

      Stop where the white cross stands.
  You'll find me in my wedding suit,
  Lying motionless and mute,
          With folded hands.

      Tenderly to my side:
  The bridegroom's form you may not see
  In the dim eve, but he will be
          Fast by his bride.

      Soft with your chaplet move.
  And lightly lay it on my head:
  Be sure you wake not with rude tread
          My jealous love.

      Kiss me, then quick away;
  And leave us, in unwatched repose,
  With the lily and the rose
          Waiting for day!


  But hark! the cry of the clamorous horn
  Breaks the bright stillness of the morn.
  From moated wall, from festal hall
  The banners beckon, the bugles call,
  Already flames, in the lists unrolled
  O'er the Dauphin's tent, the Dolphin gold.
  A hundred knights in armor glancing.
  Hurry afield with pennons dancing,
  Each with a vow to splinter a lance
  For Christine, the Lily of Provence.
          "Haste!" cried Christine;
      "Sisters, we tarry late.
      Let not the tourney wait
          For its Queen!"
      And, toward the castle gate,
  They take their silent way along the green.