If it were not for offending only your Ladyship, here, Madam, I might give the fullest liberty to my muse to delineate the finest of women, by drawing your Ladyship's character, and be in no hazard of being deemed a flatterer; since flattery lyes not in paying what's due to merit, but in praises misplaced.
Were I to begin with your Ladyship's honourable birth and alliance, the field's ample, and presents us with numberless great and good Patriots that have dignified the names of Kennedy and Montgomery: Be that the care of the herauld and historian. 'Tis personal merit, and the heavenly sweetness of the fair, that inspire the tuneful lays. Here every Lesbia must be excepted, whose tongues give liberty to the slaves, which their eyes had made captives. Such may be flatter'd; but your Ladyship justly claims our admiration and profoundest respect: for, whilst you are possest of every outward charm in the most perfect degree, the never-fading beauties of wisdom and piety, which adorn your Ladyship's mind, command devotion.
"All this is very true," cries one of better sense than good nature, "but what occasion have you to tell us the sun shines, when we have the use of our eyes, and feel his influence?"—Very true; but I have the liberty to use the Poet's privilege, which is, "To speak what every body thinks." Indeed, there might be some strength in the reflection, if the Idalian registers were of as short duration as life: but the bard, who fondly hopes immortality, has a certain praise-worthy pleasure in communicating to posterity the fame of distinguished characters.——I write this last sentence with a hand that trembles between hope and fear: But if I shall prove so happy as to please your Ladyship in the following attempt, then all my doubts shall vanish like a morning vapour:—I shall hope to be classed with Tasso and Guarini, and sing with Ovid,
| "If 'tis allowed to Poets to divine, One half of round eternity is mine." |
| Madam, |
| Your Ladyship's most obedient, |
| and most devoted servant, |
| ALLAN RAMSAY. |
| Edinburgh, June, 1725. |
TO THE
COUNTESS OF EGLINTOUN,
WITH THE FOLLOWING PASTORAL.
TO
JOSIAH BURCHET, ESQ.,
SECRETARY OF THE ADMIRALTY,
WITH THE FIRST SCENE OF THE GENTLE SHEPHERD.
| The nipping frosts, the driving snaw, Are o'er the hills and far awa'; Bauld Boreas sleeps, the Zephyres blaw, And ilka thing Sae dainty, youthfou, gay, and bra', Invites to sing. |
| Then let's begin by creek of day, Kind muse skiff to the bent away, To try anes mair the landart lay, With a' thy speed, Since Burchet awns that thou can play Upon the reed. |
| Anes, anes again beneath some tree Exert thy skill and nat'ral glee, To him wha has sae courteously, To weaker sight, Set these[57] rude sonnets sung by me In truest light. |
| In truest light may a' that's fine In his fair character still shine, Sma' need he has of sangs like mine To beet his name; For frae the north to southern line, Wide gangs his fame. |
| His fame, which ever shall abide, Whilst hist'ries tell of tyrants pride, Wha vainly strave upon the tide T' invade these lands, Where Britain's royal fleet doth ride, Which still commands. |
| These doughty actions frae his pen,[58] Our age, and these to come, shall ken, How stubborn navies did contend Upon the waves, How free-born Britons faught like men, Their faes like slaves. |
| Sae far inscribing, Sir, to you, This country sang, my fancy flew, Keen your just merit to pursue; But ah! I fear, In giving praises that are due, I grate your ear. |
| Yet tent a poet's zealous pray'r; May powers aboon, with kindly care, Grant you a lang and muckle skair Of a' that's good, Till unto langest life and mair You've healthfu' stood. |
| May never care your blessings sowr, And may the muses, ilka hour, Improve your mind, and haunt your bow'r; I'm but a callan: Yet may I please you, while I'm your Devoted Allan. |
THE PERSONS.
MEN.
|
Sir William Worthy. Patie, the Gentle Shepherd, in love with Peggy. Roger, a rich young shepherd, in love with Jenny. Symon, } two old shepherds, tenants to Sir William. Glaud, } Bauldy, a hynd engaged with Neps. |
WOMEN.
|
Peggy, thought to be Glaud's niece. Jenny, Glaud's only daughter. Mause, an old woman, supposed to be a witch. Elspa, Symon's wife. Madge, Glaud's sister. |
SCENE.—A Shepherd's Village, and Fields some few miles from Edinburgh.
Time of Action within twenty hours.
|
First act begins at eight in the morning. Second act begins at eleven in the forenoon. Third act begins at four in the afternoon. Fourth act begins at nine o'clock at night. Fifth act begins by day light next morning. |
THE
GENTLE SHEPHERD.
ACT FIRST.
SCENE I.
| Beneath the south-side of a craigy beild, Where crystal springs the halesome waters yield, Twa youthful shepherds on the gowans lay, Tenting their flocks ae bonny morn of May. Poor Roger granes, till hollow echoes ring; But blyther Patie likes to laugh and sing. |
Patie and Roger.
SANG I.—The wawking of the fauld.
Patie sings.
My Peggy is a young thing,
Just enter'd in her teens,
Fair as the day, and sweet as May,
Fair as the day, and always gay.
My Peggy is a young thing,
And I'm not very auld;
Yet well I like to meet her, at
The wawking of the fauld.
My Peggy speaks sae sweetly,
Whene'er we meet alane,
I wish nae mair to lay my care,
I wish nae mair of a' that's rare.
My Peggy speaks sae sweetly,
To a' the lave I'm cauld;
But she gars a' my spirits glow
At wawking of the fauld.
My Peggy smiles sae kindly,
Whene'er I whisper love,
That I look down on a' the town,
That I look down upon a crown.
My Peggy smiles sae kindly,
It makes me blyth and bauld;
And naething gi'es me sic delight,
As wawking of the fauld.
My Peggy sings sae saftly,
When on my pipe I play;
By a' the rest it is confest,
By a' the rest that she sings best.
My Peggy sings sae saftly,
And in her sangs are tauld,
With innocence, the wale of sense,
At wawking of the fauld.
Patie.
SANG II.—Tune, Fy gar rub her o'er wi' strae.
ACT I.—SCENE II.
| A flowrie howm between twa verdant braes, Where lasses use to wash and spread their claiths, A trotting burnie wimpling thro' the ground, Its channel peebles, shining, smooth and round; Here view twa barefoot beauties clean and clear; First please your eye, next gratify your ear, While Jenny what she wishes discommends, And Meg with better sense true love defends. |
Peggy and Jenny.
Jenny.
SANG III.—Tune, Polwart on the Green.
SANG IV.—Tune, O dear mother, what shall I do?
SANG V.—Tune, How can I be sad on my wedding-day?
SANG VI.—Tune, Nansy's to the green-wood gane.
|
I yield, dear lassie, you have won, And there is nae denying, That sure as light flows frae the sun, Frae love proceeds complying. For a' that we can do or say 'Gainst love, nae thinker heeds us, They ken our bosoms lodge the fae That by the heartstrings leads us. Peg. Alake! poor prisoner! Jenny, that's no fair, That ye'll no let the wee thing tak the air: Haste, let him out, we'll tent as well's we can, Gif he be Bauldy's or poor Roger's man. Jen. Anither time's as good,—for see the sun Is right far up, and we're no yet begun To freath the graith;—if canker'd Madge our aunt Come up the burn, she'll gie's a wicked rant: But when we've done, I'll tell ye a' my mind; For this seems true,—nae lass can be unkind. |
| [Exeunt. |
End of the First Act.
ACT SECOND.
SCENE I.
|
A snug thack-house, before the door a green; Hens on the midding, ducks in dubs are seen. On this side stands a barn, on that a byre; A peat-stack joins, and forms a rural square. The house is Gland's;—there you may see him lean, And to his divot-seat invite his frien'. |
Glaud and Symon.
Glaud.
SANG VII.—Tune, Cauld kail in Aberdeen.
SANG VIII.—Tune, Mucking of Geordy's byar.
Enter Madge.
ACT II.—SCENE II.
|
The open field.—A cottage in a glen, An auld wife spinning at the sunny end.— At a medium distance, by a blasted tree, With falded arms, and haff rais'd look, ye see |
| Bauldy his lane. |
Bauldy.
ACT II.—SCENE III.
|
A green kail-yard, a little fount, Where water poplan springs; There sits a wife with wrinkled-front, And yet she spins and sings. |
SANG IX.—Tune, Carle an the King come.
Mause sings.
Enter Bauldy.
ACT II.—SCENE IV.
|
Behind a tree, upon the plain, Pate and his Peggy meet; In love, without a vicious stain, The bonny lass and chearfu' swain Change vows and kisses sweet. |
SANG X.—Tune, The Yellow-hair'd Laddie.
SANG XI.—To its own Tune.
ACT THIRD.
SCENE I.
SANG XII.—Tune, Happy Clown.
ACT III.—SCENE II.