THE PENNY READING.

THE PENNY READING.

(ANNALS OF A QUIET NEIGHBOURHOOD.)

Distinguished Amateur Vocalist (both Serious and Comic). "I can't say you have a very appreciative Public up here! I never sang 'Vilikins and his Dinah' better—but Nobody laughed a bit!"

Horrid Boy. "Oh, but they did when you sang 'The Death of Nelson.' I saw them!"


THE INFANT PHENOMENON.

What will he play? Oh! young New Year,

Precocious power and baby skill

To Music's zealots are strangely dear;

The tiny fingers that thump and trill,

That sweep the keyboard with splendid speed,

Like rattling rain-drops, or fairy-feet,

Are sure of flattery's fullest meed,

And praise is sweet.

An early début, my little man!

The dimpled digits you swiftly spread

The sounding octaves can scarcely span,

The pedals hardly your toes can tread.

Yet here you are, and the public ear

Is all agog for the opening chords,

With breathless mingling of hope and fear,

Too deep for words.

The Future's Music before you stands,

Time at your elbow is prompt to turn.

'Twill tax the force of your infant hands,

Prodigies even have much to learn.

Mozart, or Hoffmann, or Liszt, of course,

You may turn out in your own new line;

May give us freshly the fire and force

Of Rubinstein.

The hour, young Hopeful, seems something scant

In present promise of Harmony;

Our leading music is militant.

Touch us a stave in a cheerful key!

We have abundance of crash and blare,

Drums and trumpets make angry noise;

Most of us long for a Lydian air,

O, best of boys!

Something Arcadian, manly-sweet,

Blending notes of the lyre and flute;

Pastoral Symphony gaily fleet,

Moaning chords in the minor mute.

Something stirring to lift the heart,

Something merry to move the toes;

Melody pure with a mirthful start

And a moving close.

Charges, marches, bugle-blasts,

Clarion-calls to the onset, tire;

Martial music a sadness casts,

Too long blown, e'en on hearts of fire.

Still the trumpet, and drop the drum!

Bid the fife for a moment cease!

Boy, we'll bless you if you'll but strum

The notes of Peace.

Wagner-worry of key and string

Has its power, and holds its place;

Touch to-day, boy, the chords that sing

Of love and gladness, of mirth and grace.

The future's Music you fain must play?

True! Yet turn ere a chord is struck.

A bumper, boy, to a brighter day!

Here's health and luck!


UNCOMMON.

Mr. Punch lately learned to his extreme astonishment and delight that he is one of the independent Electors of the Ward of Farringdon Without. He gathered this important information from the receipt of a highly illustrated card from one of the numerous candidates to represent him in that illustrious body the Court of Common Council, during the coming year, soliciting the honour of his vote and interest.

The Candidate in question described at length his various qualifications for the office he sought. He kindly informed Mr. Punch that he was a Citizen, a Loriner—whatever that mysterious occupation may mean—and a People's Caterer, and any doubt that might have been entertained with regard to the especial business for, which he catered was at once removed by the perusal of the last line of his canvassing card, which, after kindly informing Mr. Punch that he had no less than sixteen votes at his disposal, finished with the remarkable request, "Kindly Plump for your Little Sausage Maker!"

Naturally wondering why a little Sausage Maker should be considered as so peculiarly eligible for the office of Common Councilman, that every elector should plump for him, Mr. Punch again examined the mysterious card, and found on its back a graphic representation of a race for the "Pork Sausage Derby," showing the Candidate, mounted on a decidedly thoroughbred Pig, coming in an easy winner with the rest nowhere, amid the chorus of the surrounding multitude.

Doubting whether a Large Tripe Dresser, or a Middle-sized Mutton-Pieman, would not have equal claims upon his Plumper to that of a Little Sausage Maker, Mr. Punch decided to take no part in the Election for Common Councilmen until the real meaning of the word "Common" is better understood than it evidently is at present by some aspirants to the Office in question.

THE INFANT PHENOMENON.

THE INFANT PHENOMENON.

Little 1888. "WHAT SHALL I PLAY?"

Father Time. "THE 'MUSIC OF THE FUTURE,' MY DEAR, OF COURSE"!!!

 


DOLL-CE DOMUM.

One of the prettiest and most seasonable sights we have seen for a long while was the display of toys collected by the proprietor of Truth from the readers of that entertaining periodical, exhibited in Willis's Rooms before distribution amongst the children of our hospitals and work-houses. The dolls (there were thousands and thousands of them) seemed to be bidding the fashionable world adieu before entering, like so many Sisters of Mercy, upon a mission of tender charity to the sick poor. There was a private view on Sunday, a week before Christmas Day, and those who examined the treasures revealing the glories of Regent Street and the Lowther Arcade, could not help thinking "Mr. Labouchere must have a heart as good as his head, and be a very kind man au fond." We wonder whether that confirmed cynic, the proprietor of Truth, would make the same admission?


The reasons given in the correspondence published in the Times of last Thursday for discharging Mr. Highton from his offices in connection with the Westminster Play seem to us inadequate. Instead of his work tending to lower the tone of the performance, surely its effect would obviously be to Highton it.


Of course Smith and Kilrain passed their Boxing-Day together.


TO PUT IT BROADLY.

"TO PUT IT BROADLY."

Improvised Butler (to Distinguished Guest). "Will ye take anny more Drink, Sor?"


ROBERT ON THE FRENCH TUNG.

I begins to feel as how the older one gits the more a little bother seems to worry him. There was a time when I could look bothers in the face with the same carm look as I lissens to a gent when he tries to perswade me as how as that port isn't '47 Port, but them times is gorn I'm afeard, never to return.

My present bother came upon me amost like a moderate size thunderbolt, and was summut in this way. The Manager of one of my best Hotels took me into his privet room, one day larst week, and had sum werry sollem tork with me. He was werry kind, and werry considerate, but he was also werry furm, and what he said was summut like this:—

"You see, Robert," said he, "things is a changing in Hotels as is amost all other things, and all things as is jest a leetle old fashoned and a leetle rusty, as it were, must be jest pollished up a bit, and made a little fresher like. Now take our Hotel, for xample. See what lots of forren gents comes and stays here, and many on 'em so orful ignorant that they carnt not hardly speak a word of Inglish! Well, if they arsks one of our Hed Waiters a plain common question in French, which they all on 'em seems to know how to tork, they natrally expecs a anser. Now, what French do you know?"

I confess I was so taken aback at the suddenness of the question, that I was amost speechless. But I pulled myself together, like a man and a Hed Waiter, and said, "Not werry much, Sir, but when I was in Brussels two years ago, witch, I bleeves is sumwheres in France, I lernt jest a few words from the gassons at the Flarnders Hotel, witch I have treasured up in fond memory, and may find usefool sumtimes." "Oh," said he, "I didn't know you had travelled, so perhaps you will be able to manage."

I didn't think it worth while to tell him that I had only been in Brussells two days, and that it rained all the time, as I was told it amost always does there, hence so many Brussells Sprouts, but I at wunce made up my mind to strike up a closer acquaintence with one of our yung French Waiters to himprove myself in his tung, and himprove him in ours. And I'm getting on quite wunderfool. Why, ony yesterday a forren gent said to me, "Encore de Pulley, Gasson!" to which I at wunce replied, "Be hanged! Mossoo," and took him some. I was a good deal emused at his calling me a boy, but my young French friend told me as it was only their way, and didn't mean no offense, so I forguv him. But wot a langwidge! to encore a biled chicking as if it was a comick song! Of course I sumtimes makes mistakes, who woodn't? Last Munday, for instance, a forrener asked me for some raisins, and of course I took him some and some armonds with 'em, but he larfed quite artily, and kindly sed, "I sink as you calls 'em grapes," but wot ignorance, not to know one from the other!

I find too, werry much to my discumfort and worry, that I am xpected to bussel about jest as if I was the mere boy as the French gents calls me, witch is of coarse so werry different to what I have for so many years bin akustomed to in the dear, old, quiet, respecktable City, that I sumtimes wunders whether I shall be able to stand it for long. Another thing too as I misses terribly, is the hutter habsence of Toastes. No loyal Toastes, nor no Army and Navy and Wolluntears, and no blushing Churchman's helth, nor no Lord Mayor's helth, but dreckly as they've dun their dinner away they goes to the Play or some such frivolus emusement, insted of setting for ours and ours over their wine, and lissening with rapshure to the long speaches, as full of wit as they is of wisdom, which has made us what we are, the sollemest, and the most respectablest, and the most diningoutest peeple in Urope, and the best frends to the pore hardworking Waiters of any other nation.

What a glorious free-drinking race we must have bin in days gone by! How one's respect rises up when one hears of a digneterry of the Church who lived to the green old age of 80, becoz he always drunk a bottle of old port every day of his life from his youth upwards. How artily I wish I coud afford to foller his brillyant xampel! and so gain the profound admiration of my fellow men, as he did. Why, to such a man his dinner must have bin to him the one great object of his life, as it ort to be to every reel Gentleman. My son William, who is a good calculator, tells me that this trewly reverend Diwine must have drunk a hole Pipe of Port ewery two years of his life! What a time of it his rewerend Butler must have had! Robert.


SWIVELLERIANISM.

From the Police Reports we have discovered that there is a Society called "The Social Trumps." What a Swivellerian title! The dispute which made these trumps Police Court Cards turned on a question of money, and the Magistrate, Mr. Lushington (could there have been a more significantly appropriate name for a justice having to decide a Swivellerian case?) recommended the Social Trumps to settle their little difficulty amicably among themselves. We hope the Trumps went and had a jolly blow out together, enlivened with songs about "The Rosy" and "Glorious Apollo," and sentiments to the effect that none of them "might ever want a friend or a bottle to give him." The "Social Trumps" must be enjoying their Christmas festivities. Their Christmas, of course, is The King of Trumps.


INTERIORS AND EXTERIORS. No. 56.

INTERIORS AND EXTERIORS. No. 56.

MR. PUNCH'S NEW YEAR'S DAY RECEPTION.


CHRISTMAS CRIMES.

(Dedicated to the unfortunate Concocters of Sensational Leading Articles.)

"A merry Christmas! And why not a Merry Christmas, we should like to be informed? Is it not far better to be joyous and mirthful than to be——" (&c. Supply vigorous epithets here). "A black-souled tyrant like Cæsar Borgia could, no doubt, spend his Yule-tide in——" (&c., &c. Invent some revolting anecdote about Cæsar B.) "Yet even those insufficiently clad progenitors of ours, the ancient Druids, seem to have understood as though by instinct the solemn nature of the season which to-day ushers in, and in what Mr. Freeman——" (or was it Lord Tennyson? Never mind—chance it!)—"calls the 'dateless dawn of history,' they first employed the mistletoe bough for ritual, and perhaps even for osculatory, purposes, and habitually gave themselves an extra coat of paint on the 25th of each recurrent December. And who can blame them?" (Recollect that interrogatories, addressed to nobody in particular, add force to a style.) "What though our modern Yule-tide ceremonies are a mere survival of——" (Here bring in anything you know about the Roman Saturnalia, say something pretty about holly being Scandinavian, and that "Waits" were quite common in Athens in Sophocles' time, especially on the stage. Then go on triumphantly and truculently, as if you had proved your point down to the ground)—"What difference does it make? It is the great holiday of the Winter——" (This will be a novel idea to most of your readers.) "For the children, who gather round the cheerful fire, and listen to the ghost-story invented by some eloquently mendacious uncle, the season positively sparkles and scintillates with happiness."

"How exquisitely pleasant it is to hear the childish voices," &c., &c. (to any amount).

"Even for the elders, too, there is a mirth and joy about the Sacred Season, as they calmly retire to their beds just when the row down-stairs is becoming unbearable, and locking their doors, look carefully round the room to see that the jug is filled in readiness for the midnight serenaders of this blissful time.

"When Dickens drew his immortal picture of——" (&c., &c. Here gush at length about Gabriel Grubb, Tiny Tim, and anybody suitable, from The Christmas Chimes or Carols), "or when Washington Irving depicted the more than feudal merry-makings at"——(&c., &c. Try to cook up as much about Bracebridge Hall as you think the public will stand. Perhaps a few practical words at the end would be advisable, as follows):—

"And after our traditional Yule-tide offerings are over; after the preposterous claims of the postman and the lamp-lighter have been liquidated by liquor or satisfied by sixpences; then can we forget that besides this private bounty we also have a duty to our country? Lives there the man with soul so dead, Whose heart within him has not bled, And who, quite promptly has not fled, at mention of that grandest of Nineteenth Century inspirations, the Jubilee Imperial Institute? The Imperial Institute is——" (Here mention what it is. If you don't quite know, you can count upon none of your readers being any the wiser. Then add appeals for cash, a few more Yule-tide common-places, and a general and genial wind-up.)


When a judgment is re-versed, ought not the original to have been in rhyme?


NOTICE.—Rejected Communications or Contributions, whether MS., Printed Matter, Drawings, or Pictures of any description, will in no case be returned, not even when accompanied by a Stamped and Addressed Envelope, Cover, or Wrapper. To this rule there will be no exception.


Illustration: INDEX

INDEX


  1. Absurd to a Degree, 13
  2. Actor's Progress (The), 203
  3. Adam Slaughterman, 88
  4. Addio, Adelina! 286
  5. Advice Gratis, 246
  6. Albert Hall Concert, 244
  7. All in Play, 49, 88, 100, &c.
  8. All the Difference, 82, 222
  9. "All the Talents," 300
  10. Almost too Good to be True, 251
  11. Alteram Partem, 278
  12. Amen! 253
  13. American China, 146
  14. American Chorus, 249
  15. Another "Butler;" or, A Thorne in his side, 301
  16. Another Chance for Joe and Jesse, 215
  17. Arms and the (Police) Man, 17
  18. 'Arry at the Sea-side, 111
  19. 'Arry on Angling, 45
  20. 'Arry on his Critics, 280
  21. 'Arry on Law and Order, 249
  22. 'Arry on Ochre, 169
  23. Artist's Holiday (The), 94
  24. At Hawarden, 226
  25. At Home with Atoms, 114
  26. At the Lyceum, 26
  27. At the Naval Review, 30
  28. At the Oval, 61
  29. Autumn Lay (An), 189
  30.  
  31. Babes in the Christmas Wood (The), 267
  32. Backing Baco, 126
  33. Bacon Again, 288
  34. Bacon v. Shakspeare, 286
  35. Bad News for Tea-Drinkers, 192
  36. Ballade of the House (A), 82
  37. Ballade of the Timid Bard, 185
  38. Ballet (The), 97
  39. Bard at Henley (The), 5
  40. Barr Drink (A), 137
  41. Bartlett's Baby, 214
  42. Battle of the Way (The), 157
  43. "Bearing of it lies in the Application" (The), 219
  44. Bicyclists of England (The), 145
  45. Big Work and Little Hands, 184
  46. Bishop and Port, 254
  47. Black Affair at Hayti (A), 217
  48. Blessings in Disguise, 29
  49. Bob Sawyer Redivivus, 179
  50. Bogey in Bond Street, 190
  51. "Bon Voyage!" 93
  52. Bounties to Foreigners, 205
  53. Boy and the Bear (The), 142
  54. Brigand's Doom (The), 129
  55. Burly Gentleman (A), 232
  56. Burning Question (A), 96
  57. By a Canterbury Belle, 69
  58. By George! 231
  59.  
  60. Case-o'-my-Banker, 118
  61. Chairs to Mend, 190
  62. Change, 75
  63. Change of Name, 106
  64. Channel Talk, 81, 191
  65. "Charles our Friend," 222
  66. Chess-shire Cheese (A), 58
  67. Chimes (The), 294
  68. Christmas Crimes, 310
  69. "Christmas is Coming!" 243
  70. Circular Note (A), 293
  71. Circus Performances, 117
  72. Clear as Crystal; or, All about it, 29
  73. Cloud of Yachts (A), 193
  74. "Cold id by Doze," 196
  75. Complaint of the Cockney Clerk (The), 167
  76. Confessor's Costume (A), 244
  77. Conscientious Apparition (The), 298
  78. Conventional Politeness, 210
  79. Cornet and Piano, 301
  80. Correct Card (The), 62
  81. Country Cousin's Vade Mecum (The), 46
  82. Court Circular (The), 40
  83. Crossing the Bar, 165
  84. Cry from the Counting-house (A), 285
  85.  
  86. Dark Look-out (A), 17
  87. Day Out (A), 26
  88. Dear Departed (The), 298
  89. Derby and Gladstone, 203
  90. Despatch with Economy, 38
  91. Difficult Navigation, 54
  92. Disputed Will (A), 273
  93. Doll-ce Domum, 309
  94. Down-y Philosopher (A), 261
  95. Dramatic Oratorio (A), 269
  96. Drury Lane with Pleasure, 113
  97. Duke's Motto (The), 123
  98. Dustman and the Barge-Owner (The), 239
  99.  
  100. 'Eat of Discussion (The), 145
  101. Echoes from St. James's Palace, 178
  102. Elegant Extracts by Eminent Men, 61
  103. End of the Jubilee (The), 62
  104. End of the Summer (An), 133
  105. Epitaph (An), 40
  106. Essence of Parliament, 11, 23, 35, &c.
  107. Euthanasia, 203
  108. Eviction, 74
  109. Extra Special, 246
  110.  
  111. Father of the Man (The), 123
  112. Ferdinand and Ariel, 76
  113. "Finis Coronat Opus," 76
  114. Fire and Water, 78
  115. First in the Field, 112
  116. Fishers (The), 219
  117. Fistic Crack, Smith (The), 286
  118. Fling at Fair Traders, 277
  119. Floreat Maschera! 3
  120. Fly and the Farmers (The), 106
  121. For an Irish Trip, 118
  122. Foreign Language Competition, 70
  123. Forest Talk, 166
  124. Foul is Fair, 40
  125. Founded on Fact, 291
  126. Four Noble Burglars (The), 216
  127. From a Country Cousin, 303
  128. From Mr. Henry Irving's Note-Book, 201
  129. Furnishing Fictionists, 292
  130. Future Position of the Army (The), 276
  131.  
  132. Garden, Lane, and Market, 5
  133. Garden Talk, 153
  134. Gentle Johnny Bull, 208
  135. Gentle Shepherd! 173
  136. "Gesta Grayorum," 16
  137. Gladstone Bait (The), 230
  138. "Glass Falling!" 66
  139. Gog and Magog at the Ball, 9
  140. Gold and Steel, 158
  141. "Good Gun" (A), 90
  142. Grandolph's Teachings, 21
  143. Grasp your Thistle, 161
  144. Great News for the Impecunious, 141
  145. Great Thirst Land (The), 40
  146.  
  147. Havoc! 61
  148. Hazard of A-dye (The), 66
  149. Heavy Lightning, 145
  150. Henry Mayhew, 53
  151. Hibernia to the Queen, 9
  152. Hints for the Unemployed, 202
  153. Hint to the Howlers (A), 113
  154. His First Appearance at the Café des Ambassadeurs, 218
  155. Holiday Hints, 105
  156. "Homes in the Hills," 102
  157. "Home, Sweet Home!" 12
  158. House and Home, 129
  159. How Then? 166
  160. How to Escape the Fog, 258
  161. Humility, 221
  162. Hydropathic Art, 278
  163. Hygienic, 153
  164.  
  165. Imperial Institutors, 204
  166. Important Summing-Up (An), 255
  167. In Convocation, 24
  168. Infant Phenomenon (The), 306
  169. Ingratitude of Grandolph (The), 227
  170. Insurer's Phrase-Book (The), 77
  171. In their Crackers, 297
  172. In the Nick of Time, 292
  173. Invitation (An), 87
  174. Irish Net Profit, 108
  175. "Irish Prosecutions," 183
  176.  
  177. Jack's Response, 38
  178. Jaw-holding, 220
  179. Jenny Lind, 219
  180. Jest in Earnest, 63
  181. Jills in Office, 4
  182. Joe's Jaunt, 189
  183. Jupiter Tonans! 102
  184.  
  185. Kept In, 250
  186. Knight Thoughts, 197
  187.  
  188. Ladies' Law, 65
  189. Lady Godiva and her Portraits, 14
  190. Laissez-Faire, 110
  191. Land Measure, 73
  192. Lane and Garden, 33
  193. Larks and the Roses (The), 261
  194. Larks for Legislators, 34
  195. Last of the Go-he-cans (The), 221
  196. Last (Signal) Man (The), 162
  197. Last Visit (but One) to the Academy (The), 9
  198. Latest Addition to Fairy Land, 250
  199. Latest and Best from Berlin (The), 270
  200. Latest from Lord's (The), 2
  201. Latest Street Improvement, 15
  202. Lawful (?) Latitude, 84
  203. Lay of Lawrence Moor! 292
  204. Learned Protest (A), 297
  205. Learning the Language, 117
  206. Legion of Dishonour (The), 182
  207. Lesson for the Day (The), 242
  208. Lesson of the Royal Review (The), 28
  209. Letter-Bag of Toby, M.P., 173, 184, 196, &c.
  210. Lichfield House of Call (A), 180
  211. Light from the Wind, 133
  212. Lighting the Dublin Beacon, 258
  213. Line for Browning (A), 237
  214. Literary Find (A), 252
  215. Loaded with Presents, 174
  216. "Long expected come at Last!" 5
  217. Lord Mayor's Day in Dublin (A), 170
  218. Lord Salisbury's Shakspeare, 273
  219. Lords and Ladies, 21
  220. Lost Record (The), 130
  221.  
  222. Magazines in Bulk, 205
  223. Making it Easy, 42
  224. Manners and Customs of the City of London, 228
  225. Marble Arch (The), 73
  226. "Margarine," 34
  227. May in November, 242
  228. Measure for Measure, 96
  229. Medical New Year's Day (The), 166
  230. Messenger of Peace (The), 186
  231. "Mi Lor Maire," 240
  232. Mixed Pickles; or, A Very Late Party, 14
  233. More Advice Gratis, 130
  234. More Jills in Office, 17
  235. More Realism, 221
  236. More Reminiscences, 232
  237. Morning's Reflections (The), 157
  238. Mr. Gladstone on the Fifth of November, 208
  239. Mr. Punch's Manual for Young Reciters, 25, 37, 64, &c.
  240. Muse in Manacles (The), 192
  241. "My Lawyer," 26
  242. Mysterious Paper (A), 225
  243.  
  244. Nappy Holiday (A), 228
  245. Necessary Explanation (A), 278
  246. Negative Results, 238
  247. Ne Plus Ulster, 191
  248. New, and Bad, "Hatch" (The), 6
  249. New North-West Passage (The), 174
  250. New Quixote (The), 194
  251. New Sixpence (The), 274
  252. Newton and the Apple, 18
  253. New Version, 231
  254. New Wersion of an Old Song (A), 72
  255. New Year Mems, 305
  256. New Year's Card (A), 302
  257. Not a "Deus ex Machinâ," 150
  258. (Not at all) Bad Homburg, 155
  259. (Not so) Bad Homburg, 143
  260. Nottingham v. Sunderland, 201
  261. Novel Reader's Vade Mecum (The), 105
  262. Nu Dikshonary (The), 165
  263. Nuggets in North Wales, 304
  264.  
  265. O'Brien's Breeches, 274
  266. Obviously, 237
  267. Octopus of Romance and Reality (The), 171
  268. Official Object Lessons, 22
  269. Of the Maske-aline Gender, 28
  270. Old Doggerel Adapted, 22
  271. Oldest Sketching Club in the World (The), 270
  272. "On his Own Hook!" 114
  273. On the Stump, in Two Senses, 141
  274. On the Wing, 138
  275. On the Wrong Scent, 270
  276. Open Question, 264
  277. Operatic Confusion, 1
  278. Our Advertisers, 149, 197, 209
  279. Our Booking-Office, 165, 180, 192, &c.
  280. Our Christmas Booking-Office, 281
  281. Our Debating Club, 245, 268
  282. Our Exchange and Mart, 49, 69
  283. Our Ignoble Selves, 121
  284. Our Theatrical Picture-Posters, 275
  285.  
  286. Palace of (Advertising) Art (The), 263
  287. Papers from Pumphandle Court, 241
  288. Parliamentary Ballyhooly (The), 62
  289. Parliamentary Notices, 61
  290. Paving the Way for him, 22
  291. "Paying their Shot," 147
  292. Peccant Member (The), 114
  293. Philosopher's Stone (The), 252
  294. Philosophy at the Popping-Crease, 25
  295. Piccadilly Players, 293
  296. Plea for the Birds (A), 125
  297. Pleasant Traveller's Conversation-Book (The), 73
  298. Plentiful Lac (The), 226
  299. Pluck of Gggrrandddolllmann's Camp (The), 285
  300. Point of Law (A), 161
  301. Poor Old England! 162
  302. Powers that be (The), 245
  303. Pretty Centenarian (A), 122
  304. Pretty Kettle of Fish (A), 154
  305. Price of Support (The), 85
  306. Private Banker's Pæan (The), 77
  307. Privileged Pistols, 73
  308. Pro Bono Publico, 197
  309. Professor at the Dinner-Table (The), 287
  310. Progressive Programme (A), 193
  311. Promenading, 246
  312. Protest (A), 186
  313.  
  314. Queen at Hatfield (The), 26
  315. Quite a Little Holiday, 179, 193
  316. Quite Chrismassy, 281
  317. Quite English, 134
  318. "Quite English, you know," 282
  319.  
  320. Raleigh too Bad, 6
  321. Rapture, 93
  322. Rasher Theory of Bacon (A), 278
  323. Rather Mixed, 232
  324. Real Grievance Office (The), 170
  325. Real "Inky Flood" (A), 110
  326. Real Sporting Event (A), 118
  327. Reasons Why, 246
  328. Recent Prize-Fight (The), 303
  329. Regular Cell (A), 137
  330. "Re-Joyce!" 278
  331. Reminiscence of the Naval Review (A), 52
  332. Richard Jeffries, 93
  333. Rise in Balloons (A), 89
  334. Robert at Lillie Bridge, 159
  335. Robert at Kilburn, 255
  336. Robert at Marlow, 125
  337. Robert at the Academy, 13
  338. Robert at the American Exhibition, 10
  339. Robert at the Guildhall Ball, 33
  340. Robert at the Ministerial Bankwet, 81
  341. Royalty at the Palace, 4
  342. Robert at Spithead, 57
  343. Robert on Lord Mayor's Day, 237
  344. Robert on Luxury, 206
  345. Robert on Spelling, 183
  346. Robert on the French Tung, 309
  347. "Room and Verge," 75
  348. Roses in December, 289
  349. Row in the Gallery (A), 221
  350.  
  351. Sailor's Slip (The), 57
  352. Salubrities Abroad, 65, 76, 86, &c.
  353. Sardou and Sara, 258
  354. Scarcely Worth While, 25
  355. Scarletina at Truro, 225
  356. Schoolmaster of the Future (The), 234
  357. Sea-Dreams, 70
  358. Seeing his Way, 39
  359. Shakspeare Up Again, 289
  360. Shakspearian Question (The), 274
  361. Shows Views, 185, 208, 220, &c.
  362. Shrimp Cure (The), 240
  363. Sidonian Shakspeare, 46
  364. Sigh of the Season (The), 106
  365. Social Romance, 304
  366. Society Sibyls, 279
  367. Some More Official Jills, 50
  368. Some Notes at Starmouth, 97, 120, 132, &c.
  369. Something to Swallow, 303
  370. Song by Sir Abel Handy, 24
  371. Songs at Stamboul, 21
  372. Soothing Song for August (A), 69
  373. So Seasonable, you know, 245
  374. Sound Opinion (A), 285
  375. "Special" Reasons, 243
  376. Stable Companion (A), 167
  377. Straight Tip (The), 277
  378. Strange Adventures of Ascena Lukin-glass, 109
  379. Strictly Private, 232
  380. Studies from Mr. Punch's Studio, 41, 204
  381. Summer Boating Song, 58
  382. Summer Soliloquy (A), 108
  383. Suspiria, 229
  384. Swivellerianism, 309
  385.  
  386. Tale of Terror (A), 110
  387. Testimonial (A), 18
  388. Theatrical Noes to Queries, 168
  389. Theatrical Reciprocity, 277
  390. Theory and Practice, 233
  391. To a Lady Dentist, 195
  392. To his Mistress, 249
  393. Tom Brown & Co.'s Schooldays, 256
  394. Too Clever by Half, 293
  395. Too Much of a Good Thing, 3
  396. "To Tea-pot Bay and Back," 121
  397. To the Incomplete (Political) Angler, 209
  398. To the Modern Men of Gotham, 281
  399. To the Unemployed, 245
  400. Town Mouse's Trials (The), 231
  401. Toying with Truth, 286
  402. Traveller's Vade Mecum (The), 64
  403. Turning to the Left, 169
  404. 'Twill Illume, 243
  405. Two Goats (The), 180
  406. Two Canons and Bean-Baggers (The), 258
  407. Two French Presidents rolled into One, 254
  408. Two Voices (The), 198
  409. Tympanum (The), 156
  410.  
  411. Uncommon, 306
  412. Unemployed, 298
  413.  
  414. Venice Unpreserved, 98
  415. Verb Sap., 33
  416. Very Annoying, 26
  417. Very like a Wales, 62
  418. Very Pretty Tale by Anderson (A), 124
  419. Vicarious Whipping, 159
  420. Visit to "The Licensed Vistlers", 291
  421. Virtues of Omission 99
  422. Voces Populi, 201, 214, 226, &c.
  423.  
  424. Wail of Messrs. Burt and Fenwick, 145
  425. Wail of the Male (The), 126
  426. Wail of the Wire (The), 242
  427. Waiting his Orders, 300
  428. Wanted, a Theseus, 150
  429. Way of the Wind (The), 99
  430. Well Protected, 280
  431. Welsh for the Welsh, 73
  432. What was it? 138
  433. Whistling Relief (The), 106
  434. Whitman in London, 101
  435. Why he Went, 82
  436. Woes of the Water Consumer (The), 250
  437. Words in Season, 123
  438. Worth Cultivating, 290
  439. Worth Mentioning, 14
  440. Would-be "Literary Gent" (A), 274

LARGE ENGRAVINGS.

  1. All the Difference, 223
  2. Chimes (The), 295
  3. Convention-al Politeness, 211
  4. Difficult Navigation, 55
  5. "Final Tableau" (The), 127
  6. "Fire Fiend" (The), 79
  7. "Glass Falling!" 67
  8. "Good Gun" (A), 91
  9. Grand Old Janus (The), 247
  10. Infant Phenomenon (The), 307
  11. Jupiter Tonans! 103
  12. Justice at Fault, 163
  13. Lighting the Dublin Beacon, 259
  14. Making it Easy, 43
  15. Messenger of Peace (The), 187
  16. New "Hatch" (The), 7
  17. New North-West Passage (The), 175
  18. Newton and the Apple, 19
  19. "On his own Hook!" 115
  20. On the Wrong Scent, 271
  21. "Overlooked!" 139
  22. "Quite English, you know," 283
  23. Schoolmaster of the Future (The), 235
  24. Spithead, July 23, 1887, 31
  25. Two Voices (The), 199
  26. Wanted, a Theseus, 151

SMALL ENGRAVINGS.

  1. Academy Pictures, 9, 13
  2. Alderman's Reason for drinking Champagne, 226
  3. Amateur Vocalist at a Penny Reading (An), 306
  4. 'Arry, 'Arriet, and the Indians, 18
  5. Artist and his Rich Patron (An), 94
  6. Artists and School-Board Notice, 46
  7. Aunty and the Policeman, 231
  8. Babes in the Christmas Wood (The), 266
  9. Baby Bottesini (The), 38
  10. Baby Gorilla (The), 214
  11. Birds on the Telegraph Wires, 155
  12. Boatman's Opinion on a Dress-Improver, 126
  13. Bogeyish Pictures, 190
  14. Boulanger-Ferry Duel (The), 63
  15. Brown's Boarhound and the Rabbit, 270
  16. Brown's Experience of Squalls, 118
  17. Bulgar Boy and the Bear, 142
  18. Buying Grouse, 135
  19. Cannibal Uncle (A), 70
  20. Chamberlain and the Gladstone Bait, 230
  21. Children's Day in the Country (A), 30
  22. Chimney-Sweep not in Black, 130
  23. Chinaman on Tricycle (A), 50
  24. Chorister Boys with the Mumps, 217
  25. Churchill at the Battle of the Estimates, 39
  26. Clergyman and the Widow (The), 263
  27. Colour of the Gorse (The), 111
  28. Comte de Paris and his Manifesto, 134
  29. Costumes for the Recess, 143
  30. Country Ladies and Street Boys, 291
  31. Cricket at Lord's, 12, 28
  32. Dachshund's Sore Throat (A), 278
  33. Darwinian Ancestor (A), 265
  34. Débutante's Series of Suppers (A), 222
  35. Disadvantage of being an Aristocrat, 110
  36. Division Lobbies (The), 11
  37. Don Chamberlain Quixote, 194
  38. Duke evicting the Volunteers (The), 74
  39. Dumb Crambo's School-Book Review, 37
  40. East Countrymen on Disestablishment, 219
  41. English and American Yachts, 157
  42. Fag-end of the Session (The), 83
  43. Family Starting for the Seaside, 90
  44. Finding the Law Courts, 129
  45. First Meet of the Season (The), 227
  46. F.-M. Punch's Parliamentary Review, 23
  47. Footman's Opinion of the Unemployed, 243
  48. German Belle's English (A), 62
  49. Gladstone and Jenny Jones, 290
  50. Gladstone's Sale of Chips, 202
  51. Gondolier and the Steam-launch, 98
  52. Good-woodcuts, 48
  53. Grandpapa, Johnny, and the Irish Stew, 298
  54. Grand Parliamentary Cricket-Match, 71
  55. Grouse Prospects, 60
  56. Guest's Departure and the little Trees, 210
  57. Hampstead Ponds (The), 198
  58. Hansom Cab in a Hampstead Pond, 246
  59. Honeymoon Riddle (A), 75
  60. Host treading on Lady's Skirt, 213
  61. House "Up" at Last (The), 131
  62. How We Advertise Now, 262
  63. Hungry Professor at a Pic-nic, 186
  64. Improvised Butler and Distinguished Guest at Dinner-Table, 309
  65. In Lowther Arcadia at Christmas Times, 299
  66. Innings of the Two Bills, 2
  67. "Instantaneous Photography" in Ireland, 238
  68. Irish Waiter and Bow-legged Traveller, 195
  69. Jack and Effie on the Sea-shore, 78
  70. Japanese and the Lady's Feet (A), 267
  71. John Bull and Miss Columbia, 122
  72. John Bull and the Jubilee Gifts, 178
  73. King of the Belgians and Ostend Fishery, 154
  74. Ladies wilfully mistaking Identity, 42
  75. Lady's Long-lasting Voice (A), 82
  76. Laurie growing too rapidly, 159
  77. "London Quite Empty!" 167
  78. Long Sight or Short Arms? 203
  79. Lordly Cecil and his Queen (The), 87
  80. Lord Lytton translated into French, 218
  81. Madame France's Next Fashion, 27
  82. Making Good Use of the Square, 6
  83. Mamma and her Selfish Daughters, 102
  84. Matthews and the Police, 207
  85. McScrew's Glasgow Friends, 179
  86. Minister's Retort on Free Kirk Elder, 251
  87. Missionary who couldn't convert the Sultan, 45
  88. Miss Tomkyn's return from the Concert, 66
  89. Modern Autolycus (The), 182
  90. Money-making Schoolboy (The), 256
  91. Mother-in-law's Return (A), 286
  92. Mr. Punch's Parliamentary Naval Review, 35
  93. Nelson as a Special Constable, 243
  94. New French President (The), 279
  95. Newly-titled Lord and an Old Chum, 225
  96. New Shylock (The), 285
  97. Nizan of Hyderabad and Britannia, 158
  98. Northern Belle and Provincial Masher, 22
  99. Not in Love—this Season, 274
  100. Octopus of Romance and Reality, 171
  101. Old Butler and Her Ladyship's Music, 234
  102. Old Gent and Small Boy on Beach, 137
  103. Old Lady and Cabman, 183
  104. Old Lady forgets where she Dined, 26
  105. Parliamentary Alpine Club, 59
  106. Parliamentary Cattle-Show (The), 275
  107. Parliamentary Harvest (The), 107
  108. Pic-Nic Parties disturbed by Rain, 150
  109. Pigheaded Attack on the Immortal Bard, 273
  110. Pricing an Artist's Masterpiece, 3
  111. Probable Pictures for Christmas, 250
  112. Professional Cricketers, 53
  113. Professor's Opinion on Long Words (The), 255
  114. Public School Boy and his Grandfather, 123
  115. Punch and the Police Recruit, 191
  116. Punch as Apollo, 1
  117. Punch at Portsmouth, 54
  118. Railway Station Puzzle, 93
  119. Record of the Session—Dead Heat, 133
  120. Regretting not having eaten more Oysters, 294
  121. Returning Home from Seaside, 162
  122. Robert and Stingy Old Gent, 81
  123. Rough Day at the Sea-side, 138
  124. Sacred Music in French, 189
  125. Salisbury awaking the Crocodile, 160
  126. Science appealing to John Bull, 51
  127. Scotch Wife and the Minister's Tricycle, 166
  128. Seeing the Blondin Donkey, 99
  129. Set Fair at Whitby, 114
  130. Several Boxing Encounters, 287
  131. Sharp Boy and Papa's Sixpence, 209
  132. Sir W. V. Harcourt as Falstaff, 254
  133. Sketching a Lady Sketcher, 174
  134. Snap-shots for the Twelfth, 69
  135. Society's Pugilistic Pet, 282
  136. Speaker using the Birch (The), 47
  137. Special Constable and Lady Cook, 258
  138. Speechifying on Railway Platforms, 215
  139. Street Puzzle—in the Strand, 117
  140. Sultan's Appeal to Mr. Punch, 153
  141. Teacher of Shorthand (A), 170
  142. Times, Salisbury, and National League, 40
  143. Toby's New Year's Greeting, 302
  144. Tradesmen clearing Regent Street, 15
  145. Triangular Duel of Operatic Managers, 21
  146. Turning on Whiskey and Water, 106
  147. Unemployed Man's Shovel (An), 206
  148. University Coach and Volatile Pupil, 34
  149. Unwelcome Lady Visitor (An), 86
  150. Utilising a Theatrical Poster, 216
  151. Watching a Couple on the Balcony, 58
  152. Wearing a Real Engagement Ring, 239
  153. Whim-buildin', 17, 29
  154. Willow-Pattern Plate (The), 146
  155. Wolff and the Sultan, 29
  156. Wonderful Sporting Dog (A), 147
  157. Woolly Landscape, but not Woolly Sheep (A), 303

Finale

LONDON: BRADBURY AGNEW & CO., PRINTERS WHITEFRIARS.


PUNCH VOL 93

Illustration: PUNCH VOL 93

LONDON:

PUBLISHED AT THE OFFICE, 85, FLEET STREET,

AND SOLD BY ALL BOOKSELLERS.

1887.


LONDON:

BRADBURY, AGNEW, & CO., PRINTERS, WHITEFRIARS.


PREFACE

PREFACE

SCENE—A snug and sequestered if cloudy corner of the Elysian Fields. Present, the Shades of Shakspeare and Bacon, engaged in reading Mr. Donelly's egregious lucubrations, not without such mild and mitigated mirth as becomes the locality. To them enters a small and sprightly Personage, light-footed, but of seeming cis-Stygian solidity.

Bacon
Shakspeare
} (together). Hillo!

Mr. Punch. That sounds human. Savours rather of my own Fleet Street than of the realms of the other Rhadamanthus. What cheer, sweet Will? How fare you, Brother Francis?

[Salutes courteously.

Bacon. 'Twere affectation to ask who you are, Sir. The question, "How gat you here?" may perchance be more pertinent—and pardonable.

Mr. P. (airily). Oh, I had been for—say, the xth time—to see "Our Mary" in The Winter's Tale, and being more inclined for profitable talk than for sleep, I just took you on my way home.

Bacon (smiling). Marry, Mr. Punch, were the statement of sequence equivalent to the explanation of causation, yours would be a most satisfactory answer.

Shaks. (mildly). Be not too scientifically scrutinising, Brother Bacon. Mr. Punch, Puck and Ariel in one, is free of all places, lord of all latitudes, penetrator of all spheres, permeator of all elements.

Mr. P. True, sweet Will! How much more catholic, in comprehension, as in charity, is the creative mind than the merely critical one!

Bacon. Humph! That sounds Sphinxian. Heraclitus the Obscure was pellucid in comparison.

Mr. P. And yet, I warrant you, Master Shakspeare here could play the "Diver of Delos" where your pundit's plummet should not find bottom. However, "broad-browed Verulam," let not that brow's breadth cloud or corrugate in vexation at my persiflage. What do you read, Sir?

Shaks. "Words, words, words!"

Mr. P. "I mean the matter that you read."

Shaks. "Slanders, Sir." For the coney-catching rogue—one Donelly—says here——but of course you know what he says.

[The trio laugh Homerically, until the asphodels wag their white heads and convulse their starry corollas in sheer sympathy.

Bacon. By Democritus, laughter in these latitudes is seldom enough of this sort and compass.

Mr. P. To succeed in shaking the sides—of Bacon, here, is somewhat indeed, the greatest triumph, be sure, that awaits the incongruous Cryptogrammatist.

Shaks. Would that Ben Jonson were with us to join in the glorious guffaw.

Mr. P. Conceive Rare Ben being jockeyed into accepting you, his contemporary and tavern-companion, as the author of such "unconsidered trifles" as Hamlet and Lear, Othello and Macbeth, The Tempest and The Midsummer Night's Dream! Wer't ever at the "Mermaid," Verulam?

Bacon. Verily, Mr. Punch, I should like mightily to have joined in that company, just for once, and to have discussed the Cryptogram with the "Spanish great galleon" and the "English man-of-war" (as Fuller puts it), whom Donelly now desires to knock, as it were, into one curiously composite craft. Did not this same maker of mare's-nests indite a fantastic tome, full of bottomless argument and visionary particularity, concerning that fabled island or continent of Atlantis, which the Egyptian priest told Solon had been swallowed up by an earthquake?

Mr. P. Like enough, my Lord, like enough. Once a mare's-nester, always a mare's-nester. Nephelo-Coccygia was terra firma compared with the elaborate but evanescent Cloud-Cuckoolands of riddle-reading theory-mongers.

Shaks. When Œdipus gets crotchet-ridden the sooner the Sphinx devours him the better.

Mr. P. True, O Swan! Let the Great Brethren of British Genius be brethren still—twins, if you please, but twain. Verily it might almost pass the might of Mother Nature to round two such splendid orbs into one. Rare Ben had his tribute for you also, my Verulam. "No man ever spake more neatly, more purely, more weightily, or suffered less emptiness, less idleness in what he uttered." Might have been said of Me!

Bacon. Praise shared with you is praise indeed! But the language of the Realm of Phantasy—Will's own world—the speech of Arcady, of Arden, of shadowy Elsinore, of Prospero's enchanted Isle—Will's native tongue—passeth many a league-long step beyond the "neatness" of the judgment-seat, or the "fulness" of the Novum Organum Scientiarum.

Mr. P. Well said, Wisdom!

Shaks. (chortling softly). Why, who knows? One day, perchance,—æons hence, of course,—some puzzle-headed pragmatist may propound the preposterous question, "Who wrote Punch?" From out the fathomless deeps of its many thousand wit-stored tomes the Donelly of that dim and distant future may readily dip up, in his poor bucket, a Cryptogram, to show that they were produced by a scientific syndicate, including Faraday and Mill, Huxley and Herbert Spencer, Darwin and the Duke of Argyll.

[At the mention of the Olympian and autocratic Scottish Sciolist, Homeric laughter bursts forth anew in yet fuller force.

Bacon. Prithee, sweet Will, don't! Shadowy sides can ache, I find, and then, what will Rhadamanthus think?

Mr. P. As Jupiter did when the adventurous Ixion intruded into Olympus, perhaps. Well, well, put aside that preposterous book, which, as you, my Lord Bacon, said of the Aristotelian method, is "only strong for disputations and contentions, but barren of works for the benefit of the life of man," and, I may add, of immortals.

Shaks. (yawning). Not all reading, my Francis, makes a full man—save in the sense in which one may be filled with the East wind. My books were men. Not much that is novel in Nature, human or otherwise, to study in these shadowy realms. I miss the "Mermaid," and the mazy world which was my stage. Donelly's book is dull, however. Canst furnish us with a substitute, excellent Mr. Punch?

Mr. P. That can I, sweet Will. To that end indeed came I hither. As a popular stage-character—not one of your own—saith, "I hope I don't intrude." Ah, I thought not; but you needn't try (ineffectually) to wring my hands off, the pair of you. Behold!!!!!!

As Mr. Punch reluctantly turned his back upon Elysium, he left the two Illustrious Shades, prone side by side and cheek by jowl upon an asphodel bank, eagerly and diligently perusing his

Ninety-Third Volume!