| A | |
| PAGE | |
| Albani, Madame | 238 |
| Amateur Bands | 144 |
| Antiphony | 94 |
| "Army Quadrilles" | 140 |
| B | |
| Bach Society, established | 206 |
| Balfe's "Bohemian Girl" | 182, 183, 196 |
| Balfe's "Rose of Castille" | 184 |
| Ballads | 23, 247 |
| Ball, John | 43 |
| "Basoche" | 192 |
| Beecham, Mr. Thomas | 181 |
| Benedict's "Lily of Killarney" | 184 |
| Bennett, Mr. Joseph | 196 |
| Bennett, Sir William Sterndale | 99, 110, 201 |
| Beringer, Oscar | 112 |
| Birmingham | 112 |
| Birmingham Choir | 245 |
| Bizet's "Carmen" | 195 |
| "Blest Pair of Sirens" | 102 |
| Blow, Dr. John | 64 |
| Bodda-Pyne, Madame | 184 |
| Boosey & Co., Messrs | 247 |
| Boyce, William | 88 |
| Bradford Choir | 246 |
| Brass Band Contests | 260 |
| Bridge, Sir Frederick | 246 |
| Broadwood & Sons, Messrs | 248 |
| Bunn, Alfred | 182 |
| Burns, Georgina | 187 |
| Buononcini | 83, 106 |
| Butt, Madame Clara | 247 |
| Byrd | 6, 39, 43, 53 |
| C | |
| Calvinism and Music | 69 |
| Calvin, John | 76 |
| Carl Rosa | 186 |
| Carte, Mr. D'Oyly | 189 |
| Casals, Señor | 118 |
| Catch | 37 |
| Cathedrals and Music | 118 |
| Censor, The | 249 |
| Certificates | 252 |
| Chappell & Co., Messrs. | 247 |
| Chappell, Mr. Arthur | 248 |
| Charles II. and Opera | 177 |
| Choirs, Provincial | 245 |
| Chopin | 254, 255 |
| Church and Drama | 4 |
| Church and Music | 2, 68 |
| Church Music | 264 |
| Clive, Mr. Franklin | 192 |
| Comic Operas | 193 |
| Composers, Early English | 47 |
| Composers, Status of | 18 |
| Costa, Sir Michael | 110, 115, 259 |
| Counterpoint | 95 |
| Cowen, Sir Frederick | 260 |
| Criticism, Anonymous | 256 |
| Crotty, Leslie | 187 |
| Crystal Palace Concerts | 132 |
| D | |
| Dance Music | 21, 27 |
| Davies, Mr. Ben | 187, 192 |
| Davidson, Mr. J. W | 254 |
| De Reszke, The Brothers | 179 |
| "Der Ring des Nibelungen" | 179 |
| Diction, Importance of | 121 |
| "Don Giovanni" | 178 |
| Douland | 39 |
| Drama and the Church | 4 |
| Dvořák | 264 |
| E | |
| Education, Musical | 93 |
| Edwardes, Mr. George | 194 |
| Elgar, Sir Edward | 199, 262 |
| Elgar's, Sir Edward, advice | 104 |
| "Elijah" | 163 |
| Elizabeth, Queen, and Music | 2, 29, 31 |
| England, Opera in | 176 |
| English Music, Sources of | 11 |
| English Opera | 180 |
| "Esmeralda" | 188 |
| Examinations | 251 |
| F | |
| Faning, Dr. Eaton | 253 |
| Festivals | 258 |
| "Flying Dutchman" | 187 |
| Ford, Thomas | 40 |
| Foreign Influence | 29 |
| Foreign Teachers in England | 103 |
| French School of Opera | 179 |
| G | |
| Games and Music | 22 |
| Gaylord, Julia | 187 |
| Gerardy, M. | 118 |
| German Music | 103 |
| Gibbons, Orlando | 6, 9, 39, 43, 57 |
| Glee | 37 |
| Gounod's "Faust" | 195 |
| Grove, Sir George | 100, 253 |
| Guildhall School of Music | 100 |
| Guiligni | 179 |
| Gye | 178 |
| H | |
| Hallè, Lady | 211 |
| Hallè, Sir Charles | 136, 218, 248 |
| Hammerstein, Mr. | 196, 199 |
| Handel | 83, 106, 153 |
| Handel and Opera | 178 |
| Handel Festival | 258 |
| Harmony | 95 |
| Harrison, Mr. William | 183 |
| Harris, Sir Augustus | 179 |
| Haydn and the Orchestra | 126 |
| Henry VIII. and Music | 33 |
| Hersee, Miss Rose | 186 |
| Hill, Miss Lucille | 192 |
| I | |
| Instrumental Music | 43 |
| Instruments, Early | 13 |
| Instruments, Musical | 43 |
| Italian Chorus and Mendelssohn | 123 |
| Italian Opera | 176 |
| Italian Singers | 120 |
| Italian Training | 120 |
| "Ivanhoe" | 190 |
| J | |
| Jackson, William | 90 |
| Joachim | 248 |
| Jullien | 140 |
| K | |
| Kent | 90 |
| Kirkby-Lunn, Madame | 180 |
| L | |
| Lablache | 179 |
| Leeds Choir | 245 |
| London Symphony Orchestra | 245 |
| Ludwig, William | 187 |
| M | |
| Maas, Joseph | 187 |
| Macfarren, Mr. Walter | 253 |
| Macfarren, Sir G. A. | 99, 185 |
| Macintyre, Miss Margaret | 192 |
| Mackenzie, Sir Alexander C. | 99, 185 |
| Madrigal | 37 |
| Malibran | 178 |
| Manchester | 112, 139 |
| Manns, Sir Augustus | 132, 260 |
| Mapleson | 178 |
| Mario | 179 |
| Masque, the | 34 |
| McGuckin, Mr. Barton | 187 |
| Melba, Madame | 179, 121 |
| Mendelssohn's Violin Concerto | 195 |
| "Merrie," When England was | 29 |
| Messager, Andrè | 192 |
| "Messiah," The | 158 |
| Minstrels, Early | 18 |
| Moss, Mr. Hugh | 191 |
| Monks and Music | 6 |
| Moody-Manners Company | 186 |
| "Morning Hymn" | 42 |
| "Morning Post," Quotation from | 196 |
| Morris Dance | 21 |
| Musical Comedies | 193 |
| N | |
| New Symphony Orchestra | 143, 245 |
| Niccolini | 179 |
| Nilsson, Christine | 178 |
| Norman-Neruda, Madame | 211, 248 |
| Notation | 12 |
| Novello & Co., Messrs. | 90 |
| O | |
| Opera, English | 180 |
| Opera, Essentials for Success | 197 |
| Opera, History of | 176 |
| Opera in England | 176 |
| Opera, State Aid for | 193 |
| Oratorio in England | 150 |
| Orchestral Music | 125 |
| Orchestral Music in London | 245 |
| Organ, An, in Sixth Century | 44 |
| Organ, Development of the | 45 |
| Oudin, Eugène | 191 |
| P | |
| Palestrina | 6 |
| Palliser, Miss Esther | 192 |
| Parepa, Madame | 186 |
| Parry, Sir Hubert | 100 |
| "Parthenia" | 27, 28 |
| Patti, Adelina | 178 |
| Philharmonic Society, The | 125, 245 |
| "Philip Vanderdecken" | 187 |
| Piatti | 248 |
| Pitch fixed by Costa | 115 |
| Players, Strolling | 2 |
| "Pops" | 248 |
| Promenade Concerts | 139 |
| Purcell | 9, 45, 60 |
| Purcell and Opera | 176 |
| Puritanism | 29, 69 |
| Puritans, The, and Opera | 177 |
| Pyne, George, and James Kendrick | 184 |
| Pyne-Harrison Company, The | 184 |
| Pyne, Minto | 184 |
| Pyne, Miss Louisa | 183 |
| R | |
| Reeves, Sims | 179, 207 |
| Reformation, Effect on Music | 2 |
| Restoration, The, and Music | 80 |
| Richter Concerts | 131 |
| Richter, Dr. | 179, 180 |
| Rivière | 140 |
| "Robin Hood" | 185 |
| Ronald, Mr. Landon | 101, 144 |
| Round | 37 |
| Royal Academy of Music | 98 |
| Royal Amateur Orchestral Society | 145 |
| Royal Choral Society | 246 |
| Royal College of Music | 99 |
| Royal Italian Opera | 179 |
| Rumford, Mr. Kennerley | 247 |
| S | |
| Salmond, Mr. Norman | 192 |
| "Salome" | 248, 249 |
| "Samson et Dalila" | 249 |
| Santley, Sir Charles | 179, 186 |
| Schumann, Madame | 248 |
| Secular Music of Thirteenth Century | 20 |
| "Senta" | 187 |
| Sheffield | 112 |
| Sheffield Choir | 246 |
| Smith | 178 |
| Sontag | 178 |
| Spohr | 109 |
| Squire, W. H. | 118 |
| Stanford, Sir Villiers | 185 |
| Straus, Richard | 181, 248 |
| State Aid for Opera | 193 |
| Sullivan, Sir Arthur | 86, 190, 227 |
| "Sumer is icumen in" | 40 |
| Sunday Concerts | 144 |
| Symphony Concerts | 139 |
| Symphony Orchestra, The London | 142 |
| T | |
| Tallis | 6, 9, 48, 96 |
| "The Creation" | 160 |
| "The Dream of Gerontius" | 173, 246 |
| "The Golden Legend" | 168 |
| "The Last Judgment" | 166 |
| "The Redemption" | 168 |
| "The Silver Swan" | 39 |
| "The Woman of Samaria" | 110 |
| Thomas Arthur Goring | 188 |
| Tietjens, Therese | 178 |
| Turner, J. W. | 186, 187 |
| V | |
| Valleria, Alwina | 187 |
| Variety Theatres | 261 |
| Violin, The | 13 |
| W | |
| Wagner | 179, 254, 255 |
| Wagner Festival, The | 131 |
| Wallace's "Lurline" | 184 |
| Wallace's "Maritana" | 183 |
| Wesley, Samuel | 91 |
| Wesley, Samuel Sebastian | 91, 184 |
| Wilde, Oscar | 249 |
| Wolff, Johannes | 112 |
| Wood, Sir Henry | 116, 139, 245 |
| Y | |
| York, Josephine | 187 |
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