Please let me have two words to say whether you have received a parcel, sent from here on February 11th, and containing several copies of my new poem, "The Ring of the Nibelung."
I had hoped that it would reach you before the 16th, but your letter makes no mention of it. I am very anxious about this, because it has spoiled a great pleasure to me. Therefore one word, please! If it has not arrived, I must apply for it at the post-office. All the rest I shall answer later on.
Your
ZURICH, February 28th, 1853.
101.
I send you today, immediately on receipt of your kind letter, the epistle from the Prague manager announcing the prohibition of my "Tannhauser". This is all I know of the matter. It would be an excellent thing if you could succeed in having this interdict withdrawn. It annoys me specially on account of the manager, who in the whole affair has behaved energetically and charmingly. We should both be very grateful to you.
In order not to forget your question as to the titles, I will answer it at once, as best I can. Nothing occurs to me but "Two Pieces from "Tannhauser" and "Lohengrin"."
1. Entrance of the guests at Wartburg.
2. Elsa's bridal progress to the minster.
This, in my opinion, would best indicate the character of the pieces in accordance with the events represented. I am looking forward to your pianoforte arrangement of these pieces in the ingenious manner peculiar to you; and, above all, I am most agreeably flattered by it. I myself nurse the plan of calling a good orchestra together here next May in order to give to the people who would like to hear some of my music a characteristic selection (not dramatic, but purely lyrical) of pieces from my operas. I have composed the following programme. By way of introduction:
The March of Peace from "Rienzi". After that—
I. "Flying Dutchman".
A. Ballad of Senta.
B. Sailors' song (in C).
C. Overture.
II. "Tannhauser".
A. Entrance of the guests at the Wartburg.
B. Tannhauser's pilgrimage (i.e., introduction to the third act complete and with programme); then, joining on immediately, the song of the returning pilgrims (E flat major).
C. Overture. III. "Lohengrin".
A. Instrumental prelude.
B. The whole scene for male chorus commencing with the song of the watchman on the tower, which enters in D major immediately after the great prelude in A major, and thus leads from the heights to the earth. This is followed (after a transition specially written) by Elsa's bridal progress (with a close, specially written in E flat).
C. Wedding music (introduction to Act III.); bridal song; then wedding music in G major repeated. This makes the conclusion.
I undertake the whole thing only to hear something out of "Lohengrin", and would willingly abandon this substitute if I could once hear the real "Lohengrin".
Well, you have at least hopes. I sigh on your and my own account when I hear you say so.
But all this leads me beyond the purpose of these hasty lines.
To Zigesar I hope to write tomorrow; I have to thank him for his unusually rich gift for the "Dutchman". To my disgrace, I must confess that it came very conveniently, although it curiously reminded me of the fact that last year I visited the islands of the Lago Maggiore at the expense of friend Liszt. Lord knows, I shall always remain a disreputable fellow. Why do you have anything to do with me? (In the spectre scene of the third act of the "Flying Dutchman" you might have made cuts without hesitation.)
I am much obliged to the Princess for her zeal in making acquaintance with my new poem; if I could only read it to you both, I should have no fear.
The three copies I shall send you before long.
Farewell for today, you dear, good friend.
Your
ZURICH, March 3d, 1853.
102.
As to one thing I must ask you seriously not to misunderstand me.
If your gigantic perseverance of friendship should succeed in opening my return to Germany, be assured that the only use I should make of this favour would be to visit Weimar now and then, take part for a short time in your activity, and witness an important performance of my operas from time to time. This I want; it is a necessary of life to me, and it is this which I miss so cruelly. I should derive no other benefit from it; I should never permanently settle in Germany, but should retain as the scene of my life, or rather work, calm, beautiful Switzerland, endeared to me by nature. How little I am able to endure the permanent excitement which would be involved in my frequent public appearances I know full well; after each explosion, such as I want them now and then, I should require the most perfect quietude for my productive labour; and this I can have here without stint. A permanent position I therefore could never resume in Germany, and it would not fall in with my views and experiences. On the other hand, temporary outings for the purposes already indicated are, as I said before, indispensable to me; they are to me the rain which I require unless my plant is to wither and to die; I can only live in extremes—great activity and excitement and—most perfect calm.
I have already contemplated what my position would be, for example, towards Berlin in case my return were granted, and have, after mature consideration, come to the conclusion that even then I should ask you earnestly to undertake the performances of my operas there.
Twice I have produced an opera of my own at Berlin, and have been unfortunate each time; this time I should therefore prefer to leave the undertaking wholly to you; at the utmost I should enjoy your doings incognito. In any case you alone would be able to influence in my favour the circumstances and personal relations which are indispensable; I should again spoil everything. This therefore is prudence. Moreover, I cannot express to you how my heart rejoices at the thought that I might look on from a hidden corner while you instilled my work into the Berliners; this satisfaction to my feelings I must live to see!
But enough for today. Of your visit to Zurich I dream every day, and make earnest preparations for being able to dispense with my tisane. Don't come too late.
Write to me soon how you like my poem; in the summer I shall read it to you. If all goes well, there will also be musical sketches, but before the middle of May I cannot really set to work.
A thousand warm greetings from your
March 4th, 1853.
103.
Bach's "Passion Music" will be performed this evening, which will account for my extraordinary notepaper.
I have forwarded your letter to the D. of C, and he has replied in a very friendly and amiable manner. Finally he says to me, "On verra ce qu'on pourra faire pour lui plus tard," and this point I shall not fail to discuss with the D. on occasion. You have of course not the slightest doubt as to my view of this matter; otherwise, my dearest friend, I should have to think that you had gone out of your mind. Excuse the word! You could not have possibly seen the matter in any other light from what you have done, and for the same reason I had to remain perfectly passive and neutral. For heaven's sake, keep as well as you can, and do not be annoyed by the inevitable stupidity and malice which are opposed to you so frequently from different quarters.
The affair at Prague appears to me somewhat complicated. Laub, who has taken Joachim's place in our orchestra, wrote to me from Prague yesterday that the prohibition of "Tannhauser" must be a theatrical trick of St.'s, the director of police (President Sacher) having informed him that he knew nothing of that prohibition. I have asked Laub in consequence to ferret out the matter carefully and to ask St. to write to you or me plainly and precisely. Before taking an official step, one must know by whom and in what manner the prohibition has been issued, and on whom the withdrawal thereof depends. I mentioned to you President Sacher as the director of police in Prague because in the Austrian monarchy similar orders are made by that official. If he declares that "he knows nothing about it," I know still less where the difficulty lies and at what door I should have to knock. On April 4th the "Tannhauser" overture will be played at Prague, and until then I wait for further information from Laub. In the meantime I think it advisable that you should write a friendly letter to St., asking him in what manner Tannhauser has been prohibited at Prague, and to whom one would have to apply in order to get rid of this difficulty. It is of course far from my wish to inspire you with suspicion against St.; but it is necessary for us to sift the matter thoroughly, and after so many experiences it may be permitted to anticipate different and even contradictory possibilities.
Your
LEIPZIG, March 25th, 1853.
104.
I hear much too little of you. This is not a reproach, but merely a complaint. That you work for me daily and always, I know; in return I live almost entirely with you, and from my place of abode here I am always absent. I live here a perfect dream life; when I awake, it is with pain. Nothing attracts or holds me, or rather what attracts and holds me, is in the distance. How can I avoid being deeply melancholy? It is only the post that keeps me alive; with the most passionate impatience I expect the postman every morning about eleven. If he brings nothing or brings something unsatisfactory, my whole day is a desert of resignation. Such is my life! Why do I live? Often I make unheard-of efforts to get something from abroad; lately, for instance, I had my new poem printed, to give a strong sign of life. I sent it to all the friends who, I might assume, would take an interest in me, and in this manner I hoped to have compelled people to vouchsafe me a sign. What is the result? Franz Muller in Weimar and Karl Ritter have written to me; no one else has thought it worth while even to acknowledge receipt.
If it had not been for a few enthusiastic women at Weimar, I should have heard nothing of the third opera week. Even the most unheard-of efforts which you make on my behalf become an empty breath of air to me. I am condemned to perish amidst leather and oppressive dullness.
Would it not be possible to leave all this and begin an entirely new life? How absurd it is on your part to worry yourself in order to help me! Alas! no, you cannot help me in this manner, only my "fame," and that is something entirely different from me. Nothing on paper can be of any use to me, and yet my whole intercourse with the world is entirely through paper. What can help me? My nights are mostly sleepless; weary and miserable, I rise from my bed to see a day before me which will bring me not one joy. Intercourse with people who torture me, and from whom I withdraw to torture myself! I feel disgust at whatever I undertake. This cannot go on; I cannot bear life much longer.
I ask you with the greatest urgency and decision to induce the Weimar court to take a definite step, in order to ascertain once for all whether I have sure and immediate expectations of having the return to Germany opened to me. I must know this soon and for certain. Be perfectly open with me. Tell me whether the Weimar court will take this step; and if it takes it, and takes it soon, let me know the result. I am not inclined to make the slightest concession for the sake of this wish; I can assure you that I shall take no part whatever in politics, and any one who is not absolutely silly must see that I am not a demagogue with whom one must deal by police measures. (If they wish it, they may place me under police supervision as much as they like.) But they must not expect of me the disgrace of making a confession of repentance of any kind. If on such conditions a temporary return could be granted to me, I do not deny that it would be a lift to me. If, however, it is not possible, and if a definite negative answer is given, let me know at once and without any prevarication; then I shall know where I am. Then I shall begin a different life. Then I shall get money how and where I can; I shall borrow and steal, if necessary, in order to travel. The beautiful parts of Italy are closed to me unless I am amnestied. So I shall go to Spain, to Andalusia, and make friends, and try once more to live as well as I can. I should like to fare round the world. If I can get no money, or if the journey does not help me to a new breath of life, there is an end of it, and I shall then seek death by my own hand rather than live on in this manner.
I must forge myself artificial wings, because everything round me is artificial, and nature everywhere is torn and broken. Therefore hear and grant my prayer. Let me know soon, and know for certain, whether I may come back to Germany or not. I must take my decision accordingly.
After this language of despair, I cannot find the tone which I should have to assume in writing to you about other matters which I might wish to communicate to you. Most of these would be effusions of thanks, as you know. Good Lord, that also drives me wild: that I always have to write this to you. My impatience to see you grows into a most violent passion; I can scarcely wait for the day of your arrival. "Write" to me definitely about what date you will be here. Let it not be too late. Can you come in May? On May 22nd I shall be forty. Then I shall have myself rebaptised; would you not like to be my godfather? I wish we two could start straight from here to go into the wide world. I wish you, too, would leave these German Philistines and Jews. Have you anything else around you? Add the Jesuits, and then you have all. "Philistines, Jews, and Jesuits," that is it; no human beings. They write, write, and write; and when they have "written" a great deal, they think they have done something wonderful. Stupid fools! do you think our heart can beat for you? What do these wretched people know about it? Leave them alone, give them a kick with your foot, and come with me into the wide world, were it only to perish bravely, to die with a light heart in some abyss.
Let me soon have news of you; and, before all, let me know when you are coming. Farewell, farewell, longingly waited for by
Your
ZURICH, March 30th, 1853
105.
Your letters are sad; your life is still sadder. You want to go into the wide world to live, to enjoy, to luxuriate. I should be only too glad if you could, but do you not feel that the sting and the wound you have in your own heart will leave you nowhere and can never be cured? Your greatness is your misery; both are inseparably connected, and must pain and torture you until you kneel down and let both be merged in faith!
"Lass zu dem Glauben Dich neu bekehren, es gibt ein Gluck;" this is the only thing that is true and eternal. I cannot preach to you, nor explain it to you; but I will pray to God that He may powerfully illumine your heart through His faith and His love. You may scoff at this feeling as bitterly as you like. I cannot fail to see and desire in it the only salvation. Through Christ alone, through resigned suffering in God, salvation and rescue come to us.
I had already indicated to you that I did not expect an answer from Dresden before my departure from here. If you accuse me of negligence and lukewarmness, you are unjust to me, but I can forgive you. If, in accordance with your desire, I made your affair dependent on an immediate "Yes" or "No," I should greatly compromise it. Our court here is very favourably inclined towards you, and you may feel sure that every possible step is being taken to open your return to Germany. A few days ago I spoke about it to our Hereditary Grand Duke, who positively assured me that he would actively intercede for you. This you must not mention anywhere; but it would be well if you were to write a letter to the Hereditary Grand Duke, telling him that you have been informed through me of his magnanimous disposition and asking him not to forget you altogether. Do not write too diplomatically, but give vent to the feelings of your heart, and send me the letter, which I will hand him at once. In spite of all, I hope to find you in a good mental and physical condition when I visit you at the end of May. By then you must turn out your whole hospital, and I promise you to leave mine en route to take it up again on my way back. As the wedding festivities of Princess Amalie and Prince Henry of the Netherlands will not take place till after the middle of May, I shall not be with you before the first days of June. Seven or eight weeks must therefore still elapse.
The "Tannhauser" overture was received with enthusiasm and encored at Prague, as Laub told me, who was present at the performance.
As regards the performance of "Tannhauser," the real state is very nearly what I wrote to you. The tenor St., brother of the manager, will shortly leave Prague, and there will then be no singer for the principal part. I also hear that there is no Elizabeth, and until you give me further information in the matter I am not inclined to put down the non-performance of Tannhauser to a fictitious order of the police while such real theatrical impediments are in the way. Has St. replied to you?
From Laub I hear that the supposed difficulties have been discussed in high circles (Count Nostitz, Princess Taxis, etc.) in a manner not favourable to St, I should, however, not like to accuse St. till we have sufficient proof of his bad conduct. If you write to him in the sense indicated in my letter to you from Leipzig, we shall soon get to the bottom of the matter. Kittl is at present at Frankfort-On-Main, where his "operatic wants" are being supplied by "Die Franzosen bei Nizza." The work is to be given on April 11th. Probably he will stay here for a day on his way back, and through him I mean to get more accurate information as to the Prague complications.
Kossak's critique of "Indra" has amused me. If you have not read it, I shall send it to you.
Brendel has grand schemes, which he will probably communicate to you. He is coming here for the next performance of Raff's opera "King Alfred," in order to talk to me about the new paper which he would like to bring out in the course of the summer. The enterprise is in itself good enough, but I have still my doubts as to the means at disposal. What do you mean by Raff's confidential letter against the "Tannhauser" notice in the Grenzboten?
Do not be offended, dearest friend, because I have not yet written to you about the "Ring of the Nibelung" at greater length. It is not my business to criticize and expound so extraordinary a work, for which later on I am resolved to do everything in my power in order to gain a proper place for it. I have always entreated you not to abandon the work, and am delighted by the perfection of your poetic workmanship. Almost every day the Princess greets me with the words—
"Nicht Gut, nicht Geld,—noch gottliche Pracht; Nicht Haus, nicht
Hof,—noch herrischer Prunk; Nicht truber Vertrage trugender
Bund, Noch heuchelnder Sitte hartes Gesetz: Selig in Lust und
Leid, lasst—die Liebe nur sein!"
Counsellor Scholl will shortly read the four dramas at the Altenburg to a small circle which I shall invite for the purpose; and when I come to Zurich, you must be good enough to go through the whole with me, so that we may exchange heart and soul on the occasion.
S. wrote me a longish letter, in which he plainly says that the poem is a total mistake, etc. I have not sent you this letter, because I think it useless, and shall never be of his opinion. By word of mouth I shall let you know about various opinions which in the meantime I listen to without comment or discussion.
Your truly devoted
WEYMAR, April 8th, 1853
106.
Herewith, dearest, best of friends, I send you the answer of the
Prague manager, containing particulars as to the prohibition of
"Tannhauser." If you have time and care to do so, co-operate in
this affair also, in accordance with the love you bear me.
I long for a letter from you, and am curious to hear from yourself what truth there is in your rumoured breach with Weimar.
I live in the expectation of your visit; surely you have not abandoned it.
Adieu. A thousand greetings from your
ZURICH, April 11th, 1853
107.
How ever could you think that I should "scoff" at any of your magnanimous effusions? The forms in which we endeavour to gain comfort in our miserable circumstances depend wholly upon our nature, our wants, the character of our culture and of our more or less artistic sensations. Who could be heartless enough to believe that to him alone the true form has been revealed? Only he could think so who has never fashioned for himself such a form of his hope and faith, but into whose dull mind it has been instilled from outside as some one else's formula, who therefore does not possess sufficient inner power to preserve his own empty existence by dint of vital instinct, and who thus again communicates the formula received from others as a formula for others. He who himself longs and hopes and believes will surely rejoice in the hope and faith of others; all contention about the true form is mere empty self-assertion. Dear friend, I also have a strong faith, on account of which I have been bitterly scoffed at by our politicians and sages of the law. I have faith in the future of the human race, and that faith I draw simply from my inner necessity. I have succeeded in observing the phenomena of nature and of history with love and without prejudice, and the only evil I have discovered in their true essence is lovelessness. But this lovelessness also I explain to myself as an error, an error which must lead us from the state of natural unconsciousness to the knowledge of the solely beautiful necessity of love. To gain that knowledge is the task of history; and the scene on which that knowledge will be practically shown is none other than our earth, than nature, in which there are all the germs tending to this blissful knowledge. The state of lovelessness is the state of suffering for the human race; the fullness of this suffering surrounds us now, and tortures your friend with a thousand burning wounds; but, behold, in it we recognize the glorious necessity of love: we call to each other and greet each other with the power of love, which would be impossible without this painful recognition. In this manner we gain a power of which man in his natural state has no idea, and this power, expanded to the power of all humanity, will in the future create on this earth a state of things from which no one will long to fly to a hereafter henceforth become unnecessary; for all will be happy, will live and love. Who longs to fly from this life while he loves?
Well, well, we suffer now. We now should despair and go mad without faith in a hereafter; I also believe in a hereafter, and have just shown you this hereafter. If it lies beyond my life, it does not lie beyond that which I can feel, think, conceive, and comprehend; for I believe in mankind, and require nothing further.
I now ask you, Who at the bottom of his heart shares my faith more than do you, who believe in me, who know and demonstrate love as no one else has proved and practiced it yet? You realize your faith in every moment of your life; I know deeply and inly what you believe; how then could I scoff at the form from which such a miracle springs? I should not be as much of an artist as I am if I did not joyfully understand you.
Let us bravely fight and struggle; then all whims will disappear. That I must remain so far from my battlefield is what makes me complain so often.
Well, my highest hope will be fulfilled:
I shall see you again.
This implies everything that can give joy to me; and I am sure that at your arrival, and through means of it, you will find me so elated that you will take my present and past complaints for pure hypocrisy. My nerves, it is true, suffer a great deal, and for a very natural reason. But I am now in hopes of strengthening them thoroughly; for that I shall want a little "life:" the medical cure alone will not be sufficient. That "life" you will bring to me, and I promise you that you will find me hale and hearty.
I am almost glad that you are not coming to my musical performances here, which will take place May 18th, 20th, and 22nd; we shall afterwards be more by ourselves, belong to each other more. Oh, how I rejoice in the thought!
You will find everything comfortable with me; the devil of luxury has taken hold of me, and I have arranged my house as pleasantly as possible. When the real thing is wanting, one does what one can to help one's self. Well, come; you will find me half mad; you, you, you, and no one else!
What further shall I say in reply? I find I have taken to chatting on the main thing.
S.'s judgment of my poem satisfies my vanity—I mean, because it proves my judgment. In spite of all, I took S. from the beginning for a confirmed litterateur whom you for a moment had carried away with you, but only for a moment. A litterateur cannot understand me; only a complete man or a true artist can. Leave it alone; it will be all right. When once I have cast everything aside to dive up to the ears into the fount of music, it will sound so well that people shall hear what they cannot see. We must have a long talk about my further practical plans as to the performance.
All scribbled things are absolutely distasteful to me, and it is the greatest effort to me to read the musical paper. I wish that all this had no reference to me; let the people do for their own sakes what they think they ought not to omit; what was necessary for me you have done. Dearest, dearest friend, do not think that I meant to reproach you when recently again I wrote with furious impatience about my return to Germany. I do this quite at random; I call out when I am in pain, but I accuse no one, certainly you least of all. You are unfortunate in being so near to my heart; for that reason you hear everything that I sigh and complain of violently and painfully. Be not angry, and forgive me cordially. I will write to the Hereditary Grand Duke, because it gives me pleasure.
Enough for today; my fingers are becoming cramped. But how many, many things I shall have to say to you. I keep everything for that occasion, and have really not written to you once about your performance of my operas, of which quite recently again I heard such wonders. All that will come by word of mouth, if only I do not go mad!
Farewell. Greet the Princess. A thousand kisses from
Your
April 13th, 1853
108.
Bravo, Schoneck! Long live Kroll's theatre! Those people have rational ideas, and work bravely. The fact that you are friendly with Schoneck, and can count upon his goodwill and musical intelligence, gives a favourable turn to the performance of "Tannhauser" at Kroll's theatre, and I, for my part, do not advise you against it, the less so as you seem to like it. Your citing Mirabeau as marchand de draps is quite applicable to "Tannhauser" at Kroll's theatre; and if Schoneck manages to fill the parts moderately well, the thing will, no doubt, hugely amuse you.
Simultaneously with this I write, by your desire, to Schoneck to compliment him on the impending performances. I have advised him to go to work prudently, as the whole matter is in his hands. We may anticipate a very good result, which will cordially please
Your
I shall write to Prague tomorrow, to President Sacher; this matter will probably drag on for some time.
109.
In the most frightful turmoil of business, I must send you a few words of enthusiasm. I have been writing an explanatory programme for my musical performance here, and was led on that occasion to look once more through your pamphlet on my opera. How can I describe my feelings? When has an artist, a friend, ever done for another what you have done for me? Truly, when I should be inclined to despair of the whole world, one single glance at you raises me again high and higher, fills me with faith and hope; I cannot conceive what I should have done without you these last four years. Oh, and how much you have made of me; it has been indescribably beautiful for me to observe you during that space of time. The idea and the word "gratitude" cannot contain my meaning!
You say that you do not yet expect to get your leave of absence! Do not frighten me, and tell me by return that you are coming, and coming soon.
I have engaged Damm. It was a mad undertaking to find an orchestra of seventy men when there were only fourteen competent musicians in the place. I have plundered all Switzerland, and all the neighbouring states as far as Nassau. It was necessary to raise the guarantee fund to 7,000 francs in order to cover expenses, and all this that I might hear the orchestral prelude to "Lohengrin."
I expect you for certain in the first days of June. If only the joy of seeing you again does not drive me mad! Adieu. Come to
Your
ZURICH, May 9th, 1853
110.
Your splendid programme for the musical performances at Zurich, May 18th, 20th, and 22nd, has made me quite sad, dearest friend. Why can I not be present to make some returns to you for all I owe you? But what is the good of questioning, brooding, and sorrowing? I cannot get away from here before the end of June. Tomorrow (the 20th) we have a grand court concert (the programme is of no interest to you), and ten days afterwards the performance of "Moses" by Marx, which I have to conduct. On June 15th takes place the jubilee of the Grand Duke, for which his Majesty the King of Saxony will probably come here, and the 20th is the birthday of the Hereditary Grand Duke. On the 26th or 28th I accompany my mother, who is still half lame, to Paris; and by the middle of July at the latest I shall be with you in Zurich. Till then I must have patience, and need not give you any further explanations.
I talked some time ago with the Princess of Prussia about you. The performance of "Tannhauser" at Kroll's is variously commented upon. I am still of opinion that the personal influence and ability of Schoneck are in this matter decisive. Since my last letter to Schoneck I have heard nothing from him, but I believe I told you of an offer that was made to me to take the Leipzig opera to Berlin and to conduct "Tannhauser" at the Konigsstadt Theatre. I have naturally declined this offer.
I hope Schoneck will keep his word and bear the responsibility of an adequate performance of "Tannhauser" honourably, thus justifying your confidence. When you hear further particulars, ask him to communicate them to me, as I have been questioned on various sides about this matter, and have warmly defended Schoneck's undertaking against the wavering portion of your friends and the public.
Alwine Fromann was here for some days. I have learnt to love her through you. Your "Nibelungen" has been read excellently on four evenings at the Altenburg by Counsellor Sauppe, director of the Grammar School, who formerly lived for some years at Zurich. The whole subject of the "Nibelungen" I shall work out with you in conversation; in the meantime only this: that I am wholly in favour of it, and ask you urgently to take the musical part seriously in hand.
I hear from Prague that "Tannhauser" is being prepared there for next autumn. If this is confirmed, the other step which I contemplated will become useless. In any case I shall wait a little while to gain better ground for the matter.
"Lohengrin" will be given at Wiesbaden, and at Schwerin the "Dutchman" is heaving in sight. Have you finished the "Faust" overture? Damm has probably told you that we have given it here several times fairly well. Apropos of Damm, tell him that he can stop as long as he likes. I envy the fellow his good time with you.
This afternoon Louis Kohler, from Konigsberg, will arrive here to hear your "Lohengrin." Alas! alas! "Indra," by Flotow, absorbs all the delicate attentions of our artistic direction; and this wretched medley will be given the day after tomorrow as festival opera. Did you formerly have intercourse with Kohler? I only know him through some very amiable notices of a few of my pianoforte works. His last letter is a kind of dithyramb about "Lohengrin," which naturally predisposes me favourably towards the man.
Farewell, you unique man! and may we soon be together.
Your
Let me soon have news of your performances at Zurich, and do not forget to send Brendel a notice of them for his paper. About Brendel, who recently visited me here, I have several things to tell you.
Please God, I may have good news to bring you from Dresden; it is that which keeps me here till the end of June.
111.
I feel beaten down and weary. Damm has probably written to you about my musical performances. Everything went off right well, and Zurich was astonished that such a thing could have happened. The Philistines almost carry me on their hands; and if I cared for external success, the effect of my performances would more than satisfy me. But, as you know, my chief object was to hear something from "Lohengrin," and especially the orchestral prelude, which interested me uncommonly. The impression was most powerful, and I had to make every effort not to break down. So much is certain: I fully share your predilection for "Lohengrin"; it is the best thing I have done so far. On the public also it had the same effect. In spite of the "Tannhauser" overture, preceding them, the pieces from "Lohengrin" made such an impression, that they were unanimously declared to be the best thing. For the "Bridal Procession" I had specially written a very effective new close, which I must communicate to you; following upon the "Bridal Song," I repeated the G major prelude (wedding music), after a short transition, and gave a new conclusion to this also. These pieces have had a tremendous popular success; everybody was delighted. It was a real feast for the world around me. All the women are in my favour.
I might have repeated the concerts six times, and they would have been full on every occasion, but I stuck to three performances, because I had enough of it, and was afraid of getting tired. Besides this, I could not have retained the orchestra any longer; many had to go home, especially eight musicians from Wiesbaden, the best of the orchestra there, who had given me great pleasure by coming. I had almost nothing but concert-masters and musical directors—twenty most excellent violins, eight tenors, eight splendid violin-cellos, and five double-basses. All had brought their best instruments; and in the acoustical orchestra, constructed according to my indication, the tone of the instruments was most bright and beautiful. It is true that the whole cost 9,000 francs.
What do you think of our citizens raising all that money? I believe that in time I shall be able to do unheard-of things here, but for the present it has cost me unheard-of trouble. During the week preceding the performances, I read in my way, which you will hear later on, my three operatic poems before a very large audience in public and gratis, and was delighted by the powerful impression they produced on my hearers. In the intervals I studied my choruses with amateurs, and these tame, four-part people at last sang as if they had swallowed the devil. Well, I am a little lame and weary in consequence. It is hard that you will have to leave me in my loneliness for the whole month of June.
Why have your festivities been suddenly postponed? Not till the middle of July? Just now you would have been of infinite benefit to me; I am very lonely.
For the present I must try to pick up a little by a wandering life; perhaps I shall go for a few weeks to Brunnen, on the lake of Lucerne, and try to settle down to work. I shall make excursions from there to the Bernese Oberland and thus pass the time till your much-desired arrival. How long shall you be able to stay? In the second half of July I am to go to St. Moritz, in the Grisons, to go through a cure there from which they promise great benefit for my health. Will you follow me to that beautiful, wild solitude? That would be splendid! By the end of August, when you have to leave me again, I shall go to Italy, as far as it is accessible to me. (I wish it could be to Naples! The King of Saxony might manage that!) The means I must get somehow, if I were to steal them.
In other respects "business" with me is flat. You have probably heard that the manager of the Berlin court opera has procured an order which prevents the smaller theatres of Berlin, and especially Kroll's theatre, from performing such operas as "Tannhauser." From this we see how powerfully even a threat acts upon these people; they are of course ashamed of themselves, and do not wish to incur open disgrace. I have authorized Schoneck to announce "Tannhauser" as a "Singspiel," but he himself is doubtful whether the thing can be managed. He loses in this manner a fine opportunity of making himself favourably known and of raising himself above his hole-and-corner circumstances. I lose a nice income for this summer, for the undertaking would have brought me in a few thousand francs. But God's, or rather Herr von Hulsen's, will be done. It is quite plain that in our excellent states the "other thing" has nowadays the upper hand; the Princess of Prussia may wish and desire what she likes, she will not be able to conquer that, nor Herr von Hulsen either. Good Lord, I know the thing.
However, I was peculiarly pleased that you from the first looked upon this Berlin experiment just as I did, and that we quite understood each other. I can quite imagine how the Philistine must have shaken his head. It was equally clear that you were unable to accept the proposal for the Konigsstadt Theatre with the Leipzig troupe, and I am only annoyed at their impudence in offering you such a thing. It implies indeed a gross insult, for which one must pardon our dull-headed theatrical mob. "Lord, forgive them, for they know not what they do."
Dearest friend, have you not yet had enough of Weimar? I must own that I frequently grieve to see how you waste your strength there. Was there any truth in the recent rumour of your leaving Weimar? Have they given in?
But all this is idle talk. My brain is a wilderness, and I thirst for a long, long sleep, to awake only when my arms are around you. Write to me very precisely, also whether you are inclined, after a little stay at Zurich, to go with me to the solitude of the Grisons; St. Moritz might, after all, do you good, dearest friend; we shall there be five thousand feet high, and enjoy the most nerve-strengthening air, together with the mineral water, which is said to be of beneficial effect on the digestive organs. Think this over, consult your health and your circumstances, and let me know very soon what I may hope for.
Farewell, best and dearest of friends. Have my eternal thanks for your divine friendship, and be assured of my steadfast and warmest love.
Your
ZURICH, May 30th, 1853
112.
I have just received the enclosed letter, programme, and newspaper from Prague. If you will write a few lines to Apt, you will please him very much. Also be kind enough to send a copy of your "Nibelungen" to Louis Kohler in Konigsberg (care of Pfitzer and Heimann, music-publishers). He deserves this attention from you, and I promised it him during his stay here, when he cordially joined your banner. From Leipzig, after the performance of "Tannhauser," he wrote me a letter which I could sign myself, and you are sure to find in Kohler a very zealous, able, and honest champion of your cause in the press.
A little book by him on the melody of speech will shortly appear. As a composer for the pianoforte he has done some excellent things. Several years ago an opera of his composition was produced at Brunswick. Kohler is about thirty-two years old, and married.
Marx was here recently. We have become friends, and shall probably approach each other still more closely. His oratorio "Moses" was given fairly well under my direction.
A little court concert was given the day before yesterday in honour of their Majesties the King and Queen of Saxony. Further details I shall tell you when I see you. Unfortunately I must doubt that the steps taken so far will lead to the desired result, but there is yet another hope before my departure, for which I must wait. The Hereditary Grand Duke will soon go to Dresden, and has promised me his intercession in this matter.
In ten or twelve days I shall give you an exact plan of my journey. It is very possible and almost probable that Joachim and Robert Franz will accompany me to Zurich. It is quite understood that I go with you wherever you like, but I shall not be able to stay with you longer than ten days altogether. Whether it will be at the beginning or the middle of July I cannot say for certain, because this journey depends on another much longer one.
Damm has told us wonderful things of your three performances. The poetic indications which I read in the programme, especially those of the introduction to "Lohengrin" and the overture of the "Flying Dutchman," interested me very much. Before long I may send you a little article about the "Flying Dutchman"; and if you approve of it, it shall be published.
I have been much depressed these last few days by many and various things. These are the days of thunderstorms. With all my heart and soul I shall rejoice on seeing you again. Let us be faithful to one another, though the world go to ruin.
June 8th, 1853
113.
I have nothing to write to you, dearest, except that I await you longingly. You might come before the middle of July, seeing that you will not be able to give me more than ten days in all. This of course determines me not to expect that you should go to the watering-place in the Grisons with me for a few days only. It would have been different if you could have stayed with me there for some length of time. I suppose you will not be here this month, and I may, without fear of missing you, go next week to Interlaken in the Oberland to visit part of the R. family. At the beginning of July I shall be back again, and expect you daily.
That Franz and Joachim intend to come too is famous. Franz had already half promised me. I shall be delighted to make their acquaintance. Prague and Konigsberg (Kohler) will be attended to.
I read today in the "Neue Zeitschrift fur Musik" the article by T. in Posen, in which there is a stupid thing, viz., an exaggeration, where he says that I consider "Schoneck one of my most gifted disciples." Schoneck as a musician is quite insignificant, and as a man without particular culture; he is simply a theatrical conductor—at least as far as I know him. I was struck, however, by his uncommon and specific talent as a conductor, as well as by his nervous, restless, and very active temperament, combined with a strong turn for enthusiasm. He once saw me study Beethoven's music with an orchestra, and conduct it, and devoured what could be acquired with genuine astonishment, making it his own with so much cleverness that later on at Freiburg he produced the music to "Egmont," which he had heard me do, with very great success, as competent witnesses have assured me. It was the same afterwards with the "Flying Dutchman," which he grasped completely as a conductor. But beyond his specific gift as a conductor, I do not think that I have influenced him particularly, and should certainly not like him to be considered my representative, although I may count upon his devotion. If the Berlin plan at Kroll's is, after all, realized—and there is again strong opposition to it now-I must think of having my intentions more specially represented, and have young Ritter in view for that purpose. As to this also we must have a talk. However, the success of "Tannhauser" at Posen, under Schoneck's direction, is again a striking incident. Within six days they gave it four times, with the largest receipts. Only think what trouble I had at the time with this opera at Dresden.
But enough. That you, like me, do not seem to be in good spirits, grieves me very much, but I become more and more convinced that people like us must always be uncomfortable, except in the moments, hours, and days of productive excitement; but then we enjoy and luxuriate during that time more than any other man. So it is! Soon we shall talk! I am almost afraid of this joy! You will write, will you not?
Adieu, dearest friend.
Your
ZURICH, June 14th, 1853
114.
Today week—Thursday, June 28th—I start from here. At Carlsruhe I shall have to stop till July 1st, in order to look at the localities, and to make some preparations for the impending Musical Festival there. On July 2nd I shall therefore hope to be with you at Zurich. My time will be very short, but it will be an unspeakable pleasure to live with you for a few days.
I enclose a few disappointing lines concerning your affair, which have been sent to me by an unknown hand. I hope to be able to tell you better news when I see you. I shall go straight from the mail office to you at Zeltweg, to ask you about the hotel where I shall stop. Probably Joachim and Franz will come with me. If it is not too much trouble, notify my arrival at Winterthur to Kirchner and Eschmann, whose personal acquaintance I should like to make.
I have just received from Hartel your portrait, which seems to me more like than the previous one. If there is a decent sculptor at Zurich, you must oblige me by giving him a few sittings, for him to model a large medallion in relief of you. I cannot bear lithographed portraits; to me they have always a somewhat bourgeois appearance, while sculpture represents a man in a very different way.
In ten days, dearest friend, we shall wholly possess each other. If you like to write to me, address Poste restante, Carlsruhe, where I shall be till July 1st.
Your
June 23rd, 1853
If I venture to trouble you with a few lines, my motive, I hope, will gain me your kind forgiveness. In today's number of the "Freimuthige Sachsen-Zeitung" the old Steckbrief (order of arrest) (v. 49) against Capellmeister Richard Wagner has been copied, with the remark "that it is said that he intends to return to Germany, and therefore the police are requested to keep a watchful eye on him, and, in case he is found in Germany, to arrest him and deliver him here."
Although I know Capellmeister R. Wagner from of old, I do not know how to communicate this news to him, because it is said that most of the letters sent to refugees in Switzerland are either opened or never delivered; and I am not acquainted with any other safe way.
A consultation which I had with some of Richard Wagner's friends led us to determine, as the only means, upon asking Court- Capellmeister Dr. Liszt, one of the most faithful and best-known friends of the great composer, "to acquaint Capellmeister R. Wagner with the above by some sure ways and means."
Asking you once more to pardon me for the trouble I give you, I remain, with the greatest esteem and veneration,
——-
115.
I have just returned from a trip, and find your letter. Thank God, I have not much to write in answer beyond expressing my joy that you are coming so soon. Saturday, July 2nd, in the morning, or at the latest in the evening, I shall await you at the mail office. You might stay with me, but I am afraid you would not be comfortable, especially if you come with Joachim and Franz. All this we shall settle at once at the office. There is a good hotel, Hotel Baur. I shall let Kirchner and Eschmann know. Good Lord, how glad I am. Not another word by letter!
Au revoir.
Your
Could you let me know by telegram exactly when you are coming?
We have beautiful weather.
116.
You see, dear friend, that I am approaching; and unless official impediments delay me one day, I start the day after tomorrow- Friday, July 1st—by the afternoon train for Basle, and arrive at Zurich by the mail-coach on Saturday, early in the morning. At the latest, I shall be there on Sunday at the same hour. Joachim I expect here; Franz, I am sorry to say, will not be able to come till later on.
Your
CARLSRUHE, June 29th
117.
FRANKFORT, Tuesday, July 12th, 1853, 6 p.m.
The Musical Festival at Carlsruhe will take place on September 20th, and I write you these few lines in haste to ask you to send me the altered passage in the score of "Lohengrin" at Weymar.
If not inconvenient to you, I should be glad if you could lend me for six weeks your Zurich parts of the overture to "Tannhauser" and the pieces from "Lohengrin" for use at the Carlsruhe festival; send them straight to Devrient. As the Hartels have not printed the parts, it will not injure their interests; and we shall at least be sure that the parts are correctly copied, as you have already used them at Zurich. From Weymar I shall bring the parts of the "Tannhauser" overture with me. At the two concerts of the Carlsruhe festival the orchestras and artists of the Darmstadt, Mannheim, and Carlsruhe theatres will co-operate. As the performances take place at the theatre, the trebling of the parts will be quite sufficient, for the house does not hold more than fourteen or fifteen hundred people, and an orchestra of a hundred and ninety and a chorus of something like a hundred and sixty will consequently have a good effect. As soon as the programme is settled I shall send it to you; for the present I tell you only that the "Tannhauser" overture will make the commencement of the first concert and the "Lohengrin" pieces the close of the second. In addition to this, there will be two pieces by Berlioz, the finale of Mendelssohn's "Loreley," the Ninth Symphony, etc. Frau Heim will, I hope, on this occasion be the reporter for Zurich, and I shall do my best to put her in a good temper. Johanna sings this evening at a concert in the theatre for the benefit of a local actress. "Tannhauser" will not be given tomorrow. After the concert I shall see Schmidt, and shall inquire as to particulars. . . . In case J. is still here tomorrow, I shall pay my most humble respects to her. She appeared first as Romeo, and yesterday sang Fides for the benefit of the Pension Fund. With E. Devrient I spent a few hours yesterday at Badenweiler. He is going to visit you at Zurich, but can make no certain plans for the present, as he expects the Prince Regent at Badenweiler. His daughter suffers a great deal, and his wife also appeared to me in very weak health. Frau Meyerbeer also I met at Badenweiler. With Schindelmeisser I shall communicate by telegraph early tomorrow morning; and in case "Lohengrin" is given on Thursday, I shall run over to see it, and return home to Weymar on Friday.
Through your hat I nearly got into difficulties with the police at Carlsruhe, because its species and colour are considered specially suspicious, being accounted red, although grey. I was accidentally advised of this; nevertheless I have got on well so far, and shall always maintain that the hat is well-conditioned and loyal, because you have given it to me.
Apropos, neither of the two persons to whom I have hitherto talked about it was inclined to believe in your wholly unpolitical position and mode of feeling. It will certainly take some time before a more correct opinion of your circumstances and your whole individuality is arrived at.
My best compliments to your wife, and many thanks for the kindness and love she showed me during my stay at Zurich.
Do not forget either my most "well-conditioned" homages to Frau Kumner and her sister. To our Grutly brother and his wife say all the friendly and true things which I feel for them, and to Baumgartner give a good "shake-hand" (translated into musical Swiss) in my name. The days at the Zeltweg remain bright, sunny days for me. God grant that we may soon be able to repeat them.
Your
DOPPEL PEPS, alias "Double Extract de Peps," or "Double Stout
Peps con doppio movimento sempre crescendo al fffff," which
latter we shall live to witness at the performance of the
"Nibelungen."
Once more I ask you if possible to grant the "Tannhauser" and "Lohengrin" parts to the Carlsruhe festival, and kindly to write a few words to that effect to Devrient. I am off to the concert.
Johanna sings three songs by Schubert ("Wanderer," "Trockne
Blumen," and "Ungeduld"), and I sing
[Figure: a musical score]
Pardon me if I have put the bars in the wrong places, and whistle it better for yourself. Address Weymar.
118.
Here I am in the capital of the Grisons; all is grey, grey. I must take rose-coloured paper to get out of this grey, just as a certain tinge of red glimmers through your grey hat. You see I am compelled to take to bad jokes, and may therefore guess at my mood. Solitude, solitude, nothing but horrible grey solitude, since you went away! Wednesday evening my Zurich people tried to dispel this grey solitude with their torches; it was very pretty and solemn, and nothing like it had happened to me in my life before. They had built an orchestra in front of my house in the Zeltweg, and at first I thought they were erecting a scaffold for me. They played and sang, we exchanged speeches, and I was cheered by an innumerable multitude. I almost wish you had heard the speech of the evening; it was very naive and sincere; I was celebrated as a perfect saviour. The next morning I left in company with St. George; since then rain has fallen incessantly. Last night we found the only mail-coach from Coire to St. Moritz full, and had to make up our minds to stop here for another two nights and one day. Before leaving Zurich I fetched your Frankfort letter from the post-office; alas! it was the last joy which I took with me from deserted Zurich. Be cordially thanked for it, you dear, departed joy!
Today I inaugurate your new writing-case with a first "written" communication to you. Let me talk of business; all else has become too terrible for my pen and ink since I possessed you wholly, heard your noble voice, pressed your divine hand. Therefore to—business!
You shall have the parts; each of them is in a book which contains all the pieces of my Zurich concert; you will therefore have "Tannhauser" as well as "Lohengrin." But as your orchestra will be larger than mine, you will have to have them copied out; still I think they will arrive in time if I send them to Devrient not before the middle of August, after my return from St. Moritz; let me know whether you think the same. If you also want the voice parts and think the chorus ought to begin studying before the middle of August, I will send you them through my wife before the others; as to this also I want your instructions. The newly written score of the "Lohengrin" pieces, containing all the alterations, will be ready in four weeks at the latest. I therefore prefer to wait till then rather than send you the alterations on detached slips of paper, which would be of little use to you. About the middle of August the entire and properly arranged score will be sent to you at Weimar; but if you insist upon having the alterations separately at an earlier date, write to me, and I will obey. So, so, so, so! this is the business.
And now what remains? Sadness! sadness! After you had been taken from us I did not say a single word to George. Silently I returned home; silence reigned everywhere. Thus we celebrated your leave-taking, you dear man; all the splendour had departed. Oh, come back soon, and stay with us for a long time. If you only knew what divine traces you have left behind you! Everything has grown nobler and milder; greatness lives in narrow minds; and sadness covers all.
Farewell, my Franz, my holy Franz. Think of the wild solitude of
St. Moritz, and send a ray of your life there soon.
My wife read your letter with me, and was delighted—She greets you cordially. George asks me to greet you, and thanks you for remembering him. He will soon be a poet for your sake. Farewell, dear, dear Franz.
Your
COIRE, July 15th, 1853.
119.
X. is going to sing in "Tannhauser" at R. in about a fortnight. She had to leave at once after the concert on July 12th, in order to attend to some starring engagements. I saw her first in her dressing-room at the theatre, where she had kindly invited me to visit her for a quarter of an hour after the concert. That quarter of an hour I employed in doing my duty as a doctor and apothecary in the "well-conditioned" line. I told her many and sundry things which she was able to understand. Before taking leave X. promised me to sing Ortrud and Elizabeth at Weymar in the course of next winter, which I accepted very thankfully. Papa X. has some plans for a German opera in London, and opines that your operas would have a fine effect there. I replied that the needful and indispensable would first have to be done for them in Germany. There is no hurry about London, and perfect success there is only possible when the ground in Germany has been firmly occupied.
To S. and M. I repeated once more that it would be scandalous not to give "Tannhauser" on this occasion, and S. went so far as to promise me that, in case of difficulties, he would announce "Tannhauser" with Frau Anschutz-Capitain in the intervals of the starring engagement.
Has Schindelmeisser sent you our Wiesbaden "Lohengrin" snuffbox? As Ortrud was ill, "Lohengrin" could not be given this week. Frau Moritz is a very amiable and excellent woman and artist. She is studying Elsa and Senta, and is quite determined to make active propaganda for your operas. Moritz is going to read your "Ring of the Nibelung" this month at Wiesbaden.
When I go to Carlsruhe, I shall again visit Moritz at Wiesbaden.
Your letter to C. A. reached me this morning early; excellent and worthy of you! This afternoon I drive to Ettersburg to pay my respects to the young gentleman, and shall hand him your letter at once.
The Princess of Prussia is here with her mother, and will probably remain till the end of July. Whether the etiquette of court mourning will permit me to have a talk with her I do not know.
Be happy in the Grisons, you godlike man. When you work at the "Nibelungen," let me be with you, and keep me within you even as you have received me—in truth and love.
Your
WEYMAR, July 17th, 1853.
Enclosed I send you a letter from Kohler, which you may on occasion return to me. Have you read his pamphlet "The Melody of Speech"? Perhaps you might write a few words to him.
Do not forget the Carlsruhe scores, and, if possible, the parts.
Address always Weymar.
This is my book. Do not expect to find anything in it, lest I should have the misfortune of incurring your censure.
I have sent the book to Wagner, and it makes me anxious to think
that it might displease him; I wish I knew something definite.
Wagner has given me infinitely great pleasure by sending me his
"Nibelungen." I owe this to you; you were my intercessor.
I am still reading the book. At first it was strange to me, but attracted me as something strange does attract us. Unconsciously, however, I lost myself in it, and now feel quite at home in it, with the true joy of Valhall. The work strikes me with a power which is of a peculiar kind, and I do not care to vex my spirit with reflections. It is such a fine thing if they do not occur of themselves, although, no doubt, the after-effect of the book will lead to reflections. I do not think that for centuries so truly sublime a piece of poetry has been created, so powerful, so full of simplicity—simple in diction—there is marrow in every word. Everything in it appears great, even in an optic sense; the forms of the gods I see before me large, but endowed with the ideal beauty of force; I hear their voices resound afar, and when they move, the air is stirred. This language is in itself true music, and therefore cannot be "set to music." I have a distinct idea of the actual representation of this work and of its perfection; and I discover a kind of speech melody in the forcibly phrased and vividly grouped verses of Wagner, such as I imagined as the ultimate ideal of dramatic tone-speech when I wrote my book; perhaps you hold a similar opinion, or rather you know, as you have been with Wagner. To him I should like to write every day, if only two lines; but Heaven preserve so much occupied a man from my very superfluous words. If Wagner would only let me know ten vocal notes from his "Nibelungen," my mind would be at rest. Wotan is sublime, like a statue in bronze, and yet so humanly conceivable at the same time. The close of the first act of the "Valkyrie" is overpowering. Oh! how I felt with Siegmund. When I read, my soul seemed to expand as if I were looking from a high point upon a large, new world.
Let me have two brief words about Wagner's intention; I shall be eternally grateful to you. I shall always think with delight of my journey and my stay at Weimar. The Altenburg stands daguerreotyped on my soul.
I still smoke your "Plantages" cigars when I want to reward myself after much working. Your arrangement of the Ninth Symphony for two pianos has filled me with the greatest enthusiasm; it is a marvelous work, which I shall shortly notice in print.
How about new editions? Let me write about them all!
In the feuilleton of our newspaper here I wrote three articles about you and Wagner; now, after all, comes S. and writes too, upsetting so many things which I had built up. He is a terribly confused spirit, and the humour of it is that he thinks everybody else confused.
Is Raff working busily at his Samson? I hope we shall soon hear something of him. Remember me to him very kindly.
And now I take my leave of you, asking for your forbearance with
Your wholly devoted
KONIGSBERG, July 3rd, 1853.
120.
Your splendid letter on rosy paper has cheered me up. The air here feels so thick, so buttery (so like rancid butter). Well, let it be as it may, I do not care; you write your "Nibelungen" and "Delenda Philisterium!"
To the young Grand Duke I gave your letter, and I can assure you that he has fully understood your noble language, your high-toned feeling. I had the honour yesterday of seeing the Princess of Prussia; she is staying here at Belvedere without chamberlain or dame d'honneur, simply as the loving and very lovable daughter of her mother, "the Frau Grossherzogin-Grossfurstin" (this is now the official denomination of the Grand Duchess Maria Paulowna). Zigesar, who remains with the latter as acting chamberlain and house-marshal, tells me wonders of the grace and amiability of the Princess of Prussia. I have of course told her many and various things about you.
The Zurich people have acted very well, and we at Weymar have taken cordial interest in your serenade and the torchlight procession. What a pity "Double Peps" was there no longer! He would have drummed and torched with a will.
The day after tomorrow I must start for Carlsbad, and shall stay there till August 15th, wherefore address Carlsbad till middle of August, after that Weymar. The 28th of August (anniversary of Goethe's birthday and of the first performance of "Lohengrin") is fixed for the "Huldigung" (taking the oath of allegiance to the new Grand Duke). I shall probably be there, and must write a march of about two hundred bars by command. Raff is to write a Te Deum for the church ceremony.
For your kind loan of "Tannhauser" and "Lohengrin" to Carlsruhe I am very thankful to you. You save us time and trouble, and I feel quite safe now.
I expect then that between the 15th and 18th of August (please, not later) all the orchestral and choral parts as well as the scores will be in the hands of Devrient at Carlsruhe, and I shall advise him as to their arrival. A correct and spirited performance of the "Tannhauser" overture and the pieces from "Lohengrin" I guarantee, and you shall have satisfactory accounts of it.
If not inconvenient, please arrange that I, with several others, may meet you after the Carlsruhe festival (about 24th or 25th September) at Basle. I should like to revive in your company for a few days, which shall be called "Lohengrin days." By that time I suppose you will be back from your journey, and a meeting will do good to both of us.
Live happy in the enjoyment of your power, my great, splendid
Richard.
Remember me very kindly to George, and let me soon hear from you.
Your
WEYMAR, July 25th, 1853.
Till August 15th address Carlsbad, then again Weymar.
121.
Cordial thanks, dearest friend, for your cheerful letter. I am half ashamed of the dismal mood which prevented me so long from writing to you. I lead here an unbearable, solitary life, in grand but terribly charmless surroundings. At the beginning I made excursions with George to the glaciers and neighbouring valleys, but as this did not agree with my cure, I remained confined to this wretched little place, which, fortunately, I leave the day after tomorrow. Whether the cure has been of use to me the future must show, but upon the whole I am not inclined to repeat it. I am too restless to give up all activity for such a long time. In brief, I am not a fit subject for a cure; that I perceive. I am now all ablaze to go to Italy, but do not intend to start before the end of August, for they say that only in September Italy becomes comfortable for us. For how long I shall roam about there, Lord only knows. Perhaps I shall not be able to bear it long alone, but the thought of returning to Switzerland so very soon is unpleasant to me. Tell me, dearest Franz, have you quite given up your idea of going to Paris? Our meeting there would be much pleasanter than at the commonplace Basle. Are you so much tied by time and space? Of course the hope of seeing you once more this year regulates all my plans; and if you offer me an opportunity for the end of September, I should be a precious fool not to make use of it. See you again therefore I shall in any case; but I venture to ask that you should make it possible to come to Paris, where I should like to divert my thoughts for a little time before permanently returning to my honest Switzerland. The distance from Carlsruhe to Paris is not greater than to Basle. You get there in one day from Strassburg. Pardon me for pressing this caprice upon you.