Waves of rhythm ran through Molly’s head, and when she reached the end of the walk she turned mechanically and went the other way without pausing in her reading.

Many girls studied in this way in the cloisters and it was not an unusual sight, but Molly made a picture not soon to be forgotten by any one who might chance to wander in the arcade at that hour. She was still spare and undeveloped, but the grace that was to come revealed itself in the girlish lines of her figure. Her eyes seemed never more serenely, deeply blue than now, and her hair, disordered from the tam o’shanter she had pulled off and tossed onto a stone bench, made a fluffy auburn frame about her face. Molly was by no means beautiful from the standpoint of perfection. Her eyebrows and lashes should have been darker; her chin was too pointed and her mouth a shade too large. But few people took the trouble to pick out flaws in her face or figure. Those who loved her thought her beautiful, and the few who did not could not deny her charm.

Presently she sat down on a bench, continuing to declaim the poem out aloud, making a gesture occasionally with her unoccupied hand. After reading a verse, she closed her eyes and repeated it to herself. Opening her eyes between verses, she encountered the amused gaze of Professor Edwin Green who, having seen her in the distance, had cut across the grassy court and now stood as still as a statue leaning against a stone pillar.

“Oh,” exclaimed Molly, with a nervous start.

“Did I frighten you? I am sorry. I should have walked more heavily. It’s unkind to steal up on people who are reading poetry aloud.”

“I was learning the—something by heart,” she said, blushing a little as if she had been detected in a guilty act. After all, it was the professor who had introduced her to that poem and given her the book last Christmas, but that, of course, was not the reason why she was so fond of the poem she was studying.

“How do you like the Quadrangle?” he asked. “Are you comfortable and happy?”

Molly clasped her hands in the excess of her enthusiasm.

“I was never so happy in all my life,” she cried. “It is perfect. Our rooms are beautiful, and a sitting room, too. Think of that, with yellow walls and a piano!”

The professor looked vastly pleased. For an instant his face was lighted by a beaming, radiant smile. Then he thrust his hands into his pockets and pressed his lips together in a thin line of determination.

“I feel as if I were one of the workers inside the hive now,” Molly continued.

“And all the difficulties about tuition have been settled?” he asked. “Forgive my mentioning it, but I felt an interest on account of my close relationship to the Blounts.”

“Oh, yes. The money from the two acres of orchard settled that. You see, whoever bought it, whether it was an old man or a company—for some reason the name is still a secret with the agent—paid cash. They rarely do, mother says, and the money is usually spent in driblets before you realize it. Mr. Richard Blount expects to settle with his father’s creditors in a few months. My sisters are working. They say they enjoy it, but they are both engaged to be married,” she added, smiling.

“Did the orchard yield a good crop this year?” asked the professor irrelevantly.

“Oh, splendid. The apples were packed in barrels and sent away. Several of them were sent to mother as a present. Very nice of the owner, wasn’t it?”

“Very,” replied the professor, fingering something in his pocket absently.

“The owner of the orchard has it kept in fine condition. The trees have been trimmed and the ground cleared. Mother says she’s ashamed of her own shiftlessness whenever she looks at it. The grass was as smooth as velvet all summer until the drought came and dried it brown. I used to go there summer mornings and lie in a hammock and read. I didn’t think any one would care. There’s no harm in attaching a hammock to two trees. Mother says I don’t seem to remember that we are no longer the owners of the orchard. I have played in it and lived in it so much of my life that I’ve got the habit, I suppose.”

The professor cleared his throat.

“You said the ground sloped slightly, did you not?”

“Yes, just a gradual slope to a little brook at the bottom of the hill. The water seems to cool the air in summer. It never goes dry and there is a little basin in one place we used to call ‘the birds’ bath tub.’ Such birds you never imagined! They are attracted by the apples, I suppose. But there are hundreds of them. They sing from morning to night.”

“You paint a very attractive picture, Miss Brown. It must have been hard to give up this charming property.”

“But you see we haven’t given it up exactly. It’s there right against us. We can still look at it and even walk under the trees. No one minds. And see what I have for it! Nothing could ever take the place of college—not even an apple orchard.”

A sharp voice broke in on this pleasant conversation.

“Cousin Edwin, I’ve been looking for you everywhere.”

Judith Blount appeared hastening down the walk.

The professor watched the advancing figure calmly.

“Well, now you have found me, what do you want?” he asked.

Molly detected a slight note of annoyance in his voice. She had a notion that Judith was one of the trials of his life.

“I have rewritten the short story you criticized for me last week, and I want you to look it over again.”

He took the roll of paper without a word and thrust it into his coat pocket.

Molly rose.

“I must be going,” she said. “It must be nearly six o’clock.”

Judith promptly sat down on the bench facing her cousin, who still leaned against the stone pillar.

“Don’t you think it’s a little chilly to be lingering here, Judith?” he remarked politely, as he joined Molly.

“It wasn’t too chilly for you a moment ago,” answered Judith hotly.

But she rose and walked on the other side of the professor.

“How do you like your rooms?” he asked presently.

“I hate them,” she replied, with such fierce resentment that Molly was sure that Judith was glad to have something on which to vent her angry mood. “Thank heavens, this is my last year. I detest Wellington. I have never been happy here. It’s brought shame and misfortune on me. It’s a horrid old place.”

“Oh, Judith,” protested Molly, unable to endure this libel on her beloved college.

“My dear child, you can’t blame Wellington for your misfortunes,” interposed the professor, who himself cherished a deep affection for the two gray towers.

“It is hard to live in the village instead of at college,” said Molly, feeling suddenly very sorry for the unhappy Judith.

But Judith was in no state to be sympathized with. All day she had been nursing a grievance. One of her friends in prosperity at the Beta Phi House had turned a cold shoulder on her that morning; and Judith was so enraged by the slight that her feelings were like an open sore.

She turned on Molly angrily.

“You ought to know,” she said. “You had to do it long enough.”

“Judith, Judith,” remonstrated the professor. “Can’t you understand that you gain nothing, and always lose something, by giving way like this? Denouncing and hating make the object you are working for recede. You’ll never get it that way.”

“How do you know what I’m working for?” she demanded, more quietly.

“We are all of us working for the same thing,” he answered. “Happiness. None of us proposes to get it in the same way, but all of us propose to reach the same goal. What would give me happiness no doubt would never satisfy you.”

“You don’t know that, either. What would give you happiness?” Judith asked, with some curiosity.

The professor paused a moment, then he said calmly:

“A little home of my own in a shady quiet place with plenty of old trees, where I could work in peace. I have always fancied an old orchard. There might be a brook at one end——”

Molly smiled.

“He’s thinking of my orchard,” she thought.

“There must be hundreds of birds in my orchard,” went on the professor, “and the grass must always be thick and green, except perhaps when the drought comes and it can’t help itself——”

The six o’clock bell boomed out.

“Have an apple,” he said, taking two red apples from his pocket and giving one to each of the girls.

Then he opened the small oak door and stood politely aside while they passed out.

CHAPTER IV.
A LITERARY EVENING.

The entertainment designed to bring Miss Minerva Higgins to a true understanding of her position as a freshman took place one Friday evening in the rooms of Margaret and Jessie. It was called on the invitation “A Literary Evening,” and was to be in the nature of a spread and fudge affair. There had been two rehearsals beforehand, and the girls were now prepared to enjoy themselves thoroughly.

Molly was loath to take part in the literary evening.

“I can’t bear to see anybody humiliated even when she ought to be,” she said, but she consented to come and to give a recitation.

Several study tables had been united for the supper, the cracks concealed by Japanese towelling contributed by Otoyo. There was no Mrs. Murphy in the Quadrangle from whom to borrow tablecloths. All the chairs from the other rooms were brought in to seat the company, who appeared grave and subdued. Most of the girls were dressed to resemble famous poets and authors. Judy was Byron; Margaret Wakefield, George Eliot; Nance, Charlotte Bronté; Edith Williams, Edgar Allan Poe; and Molly was Shelley. Shakespeare, Voltaire and Charles Dickens were in the company, and “The Duchess,” impersonated by Jessie Lynch.

The unfortunate Minerva was a little disconcerted at first when she found herself the only girl at the feast in her own character.

“Why didn’t you tell me, so that I could have come in costume, too?” she asked Margaret.

“But you had your medals,” was Margaret’s enigmatic answer.

Minerva looked puzzled. Then her gaze fell to the shining breastplate of silver and gold trophies. She had worn them all this evening. The temptation had been too great. The medals gleamed like so many solemn eyes. She wondered if the others could read what was inscribed on them, or if it would be necessary to call attention to the most choice ones: “THE HIGHEST GENERAL AVERAGE FOR FOUR YEARS”; “REGULAR ATTENDANCE”; “MATHEMATICS”; “THE BEST HISTORICAL ESSAY”; “ENGLISH AND COMPOSITION.”

Edith opened the evening by delivering a speech in Latin which was really one of Virgil’s eclogues mixed up with whatever she could recall of Livy and Horace, and filled out occasionally with Latin prose composition. It was so excruciatingly funny that Judy sputtered in her tea and was well kicked on her shins under the table.

Minerva, however, appeared to be profoundly impressed, and the company murmured subdued approvals when, at last, the speaker took breath and sat down, gazing solemnly around her with dark, melancholy eyes very much blacked around the lids.

Margaret then delivered a learned discourse on “Poise of Body and Poise of Mind,” which was skillfully expressed in such deep and intricate language that nobody could understand what she was talking about.

“Very, very interesting, indeed,” observed Edith.

“Remarkable; wonderful; so clearly put,” came from the others.

Minerva rubbed her eyes and frowned.

Nance recited “The Raven,” translated into very bad French. This was almost more than their gravity could endure, and when she ended each verse with “Dit le corbeau: jamais plus,” many of the girls stooped under the table for lost handkerchiefs and Japanese napkins.

But it was not until Judy had sung a lullaby in Sanskrit—so called—that Minerva became at all suspicious. Even then it was the wrong kind of suspicion. She thought that perhaps she should have laughed, and the others had politely refrained because she hadn’t.

After a great deal of learned talk, Molly stood on a soap box and recited “Curfew Shall Not Ring To-night.”

This was the crowning joy of that famous evening, but still Minerva appeared seriously impressed.

“I recited that once at Mill Town High School,” she remarked.

“Can’t you give us something to-night?” asked Molly kindly, feeling that in some way the unfortunate Minerva ought to be allowed to join in.

“I don’t know that I ought to give another poem by the same man,” she replied, “except that Miss Oldham gave ‘The Raven’ in French.”

“Don’t tell us you know ‘The Bells’?” demanded Edith Williams, in a trembling whisper.

“Oh, yes. I’ve given it at lots of school entertainments.”

“We had better turn down the lights,” said Margaret. “The room should be in darkness except the side light where Miss Higgins will stand. That will be the spot light.”

This was a fortunate arrangement because, while Minerva recited “The Bells,” with all proper gestures, intonations and echoes, according to Cleveland’s recitation book, the girls silently collapsed. When she had finished, they were reduced to that exhausted state that arrives after a supreme effort not to laugh.

At last the entertainment came to an end. Minerva departed with some of the others, while those who lived close by remained to chat for a few minutes.

“I give up,” exclaimed Margaret Wakefield. “Minerva is beyond teaching. She must remain forever the smartest girl in Mill Town High School.”

“The only pity of it is that it was all wasted on one humorless person. We really furnished her with a most delightful entertainment and she never even guessed it,” declared Nance.

“I’m glad she didn’t,” remarked Molly. “It was cruel, I think. Suppose she had caught on? Do you think it would have helped her? And we would have been uncomfortable.”

“Suppose she did understand and pretended not to. The joke would have been decidedly on us,” put in Katherine.

Later events of that evening would seem to bear out this suggestion, although just how deeply, if at all, Minerva was implicated in what followed no one could possibly tell. It was a question long afterwards in dispute whether one person had managed the sequel to the Literary Evening, or whether there had been a confederate. Certainly it seemed that every imp in Bedlam had been set free to do mischief, and if Minerva, as arch-imp, was looking for revenge, she found it.

“I don’t like to appear inhospitable, girls, but it’s five minutes of ten and I think you’d better chase along,” said Margaret Wakefield.

But when Judy laid hold of the knob and tried to open the door, it would not budge.

“It won’t open,” she exclaimed. “What’s to be done?”

What was to be done? They pulled and jerked and endeavored to pry it open with a silver shoe horn and a pair of scissors, and at last Jessie, as the smallest, was chosen to climb over the transom and go for help. It was five minutes past ten, and they prudently turned out the lights.

“Let me get at that knob just once before we work the transom scheme,” ejaculated Margaret, who was very strong and athletic.

“People always think they can open tin cans and doors and pull stoppers when other people can’t,” observed Judy sarcastically.

Margaret treated this remark with contemptuous indifference. Seizing the knob with both hands, she turned it and, putting her knee to the jamb, pulled with all her force. The arch fiend on the other side must have turned the key at this critical moment, for the door flew open and the president tumbled back as if she had been shot from a catapult, knocking a number of surprised poets and authors into a tumbled heap. They were all considerably bruised and battered, and Margaret bit her tongue; a severe punishment for one whose oratory was the pride of the class.

“Hush,” whispered Jessie, who alone had escaped the tumble, “here comes the house matron.”

Softly she closed the door, and the girls waited until the danger was over. Then Margaret hastened to examine the keyhole.

“There’s no key in it,” she whispered, speaking with difficulty, because her tongue was bleeding from the marks of two teeth.

Whoever played the trick must have unlocked the door, jerked the key out and fled the instant the matron appeared at the end of the corridor. There was no time to discuss the mystery, however. She would be coming back in two minutes. Again they waited in silence until they heard the swish of her dress as she went past the door, now left open a crack in order that Judy, lying flat on her stomach on the floor, and enjoying herself immensely, might be on the lookout.

“Come on,” she hissed, as the large, rotund figure of Mrs. Pelham was lost in the darkness, and out they scuttled like a lot of mice loosed from the trap.

But the evening’s adventures were not over.

As Judy, in advance of Molly and Nance, pushed open their door, already ajar, a small pail of water, placed on the top of the door by the arch-imp, whoever she was, fell on Judy’s head and deluged her. It contained hardly a quart of water, but it might have been a gallon for the wreck it made of Judy’s clothes and the room.

“Oh, but I’ll get even with somebody,” exclaimed that enraged young woman.

They turned on the green-shaded student’s lamp and drew the blinds, the night watchman being very vigilant at the dormitories, and began silently mopping up the floor with towels.

Judy removed her wet clothes, and unbound her long hair, light in color and fine as silk in quality.

“I can’t go to bed,” she announced, “until I find out what’s happened to the Gemini,” and without another word she crept into the corridor.

“Nance,” whispered Molly, when they were alone, “if Minerva Higgins did this, she’s about the boldest freshman alive to-day. But, after all, we can’t exactly blame her, considering what we did to her.”

“She is taking great chances,” replied Nance, who had a thorough respect for college etiquette and class caste. “Every pert freshman must be prepared for a call-down; and if she doesn’t take it like a lamb, she’ll just have to expect a freeze-out. It’s much better for her in the end. If Minerva were allowed to keep this up for four years, she would be entirely insufferable. She’s almost that now.”

“Don’t you think she could find it out without such severe methods?”

“Severe methods, indeed,” answered Nance indignantly. “Do you call it severe to be asked to sup with the brightest girls in Wellington? Margaret’s speech alone was worth all the humiliation Minerva might have felt; but she didn’t feel any. Do you consider that rough, crude jokes like this are going to be tolerated?”

“But we don’t know that Minerva played them, yet,” pleaded Molly. “I do admit, though, that it must have been a very ordinary person who could think of them. Margaret might have been badly hurt if she hadn’t fallen on top of the rest of us.”

Presently Judy came stalking into their bedroom.

“It’s just as I expected,” she announced. “The Williamses’ bed was full of carpet tacks and Mabel Hinton fell over a cord stretched across her door and sprained her wrist. She has it bound with arnica now.”

“I don’t see how Minerva could have had time to do all those things,” broke in Molly.

There are some rare and very just natures—and Molly’s was one of them—which will not be convinced by circumstantial evidence alone.

“She would have had plenty of time,” argued Judy. “It would hardly have taken five minutes provided she had planned it all out beforehand. Besides, it’s easy for you to talk, Molly. You didn’t bite your tongue, or sprain your wrist, or get a ducking; or undress in the dark and get into a bedful of tacks. You escaped.”

“Disgusting!” came Nance’s muffled voice from the covers.

“It is horrid,” admitted Molly. “Whoever did it——”

“Minerva!” broke in Judy.

“—must have a very mistaken idea of college and the sorts of amusement that are customary.”

So the argument ended for the night.

CHAPTER V.
VARIOUS HAPPENINGS.

Guilty or innocent, Minerva Higgins displayed an inscrutable face next day, and the juniors, lacking all necessary evidence, were obliged to admit themselves outwitted; but they let it be known that jokes of that class were distinctly foreign to Wellington notions, and woe be to the author of them if her identity was ever disclosed.

In the meantime, Molly was busy with many things. As usual she was very hard up for clothes, and was concocting a scheme in her mind for saving up money enough to buy a new dress for the Junior Prom. in February. She bought a china pig in the village, large enough to hold a good deal of small change, and from time to time dropped silver through the slit in his back.

“He’s a safe bank,” she observed to her friends, “because the only way you can get money out of him is to smash him.”

The pig came to assume a real personality in the circle. For some unknown reason he had been christened “Martin Luther.” The girls used to shake him and guess the amount of money he contained. Sometimes they wrote jingles about him, and Judy invented a dialogue between Martin Luther and herself which was so amusing that its fame spread abroad and she was invited to give it many times at spreads and fudge parties.

The scheme that had been working in Molly’s mind for some weeks at last sprung into life as an idea, and seizing a pencil and paper one day she sketched out her notion of the plot of a short story. It was not what she herself really cared for, but what she considered might please the editor who was to buy it as a complete story, and the public who would read it. There were mystery and love, beauty and riches in Molly’s first attempt. Then she began to write. But it was slow work. The ideas would not flow as they did for letters home and for class themes. She found great difficulty in expressing herself. Her conversations were stilted and the plot would not hang together.

“I never thought it would be so hard,” she said to herself when she had finished the tale and copied it out on legal cap paper. “And now for the boldest act of my life.”

With a triumphant flourish of the pen, she rolled up the manuscript and marched across the courtyard to the office of Professor Green.

“Come in,” he called, quite gruffly, in answer to her knock. But when she entered, he rose politely and offered her a seat. Sitting down again in his revolving desk chair, he looked at her very hard.

“I know you will think I have the most colossal nerve,” she began, “when you hear why I have called; but I really need advice and you’ve been so kind—so interested, always.”

“What is it this time?” he interrupted kindly. “More money troubles?”

“No, not exactly. Although, of course, I am always anxious to earn money. Who isn’t? But I have a writing bee in my head. I’ve had it ever since last winter, although I confined myself mostly to verse——”

Molly paused and blushed. She felt ashamed to discuss her poor rhymes with this learned man nearly a dozen years older than she was.

“There’s no money in poetry,” she went on, “and I thought I would switch off to prose. I have written a short story and—I hope you won’t be angry—I’ve brought it over for you to look at. I knew you looked over some of Judith’s stories.”

“Of course I shan’t be angry, child. I’m glad to help you, although I am not a fiction writer and therefore might hardly be thought competent to judge. Let’s see what you have.” He held out his hand for the manuscript. “On second thought,” he continued, “suppose you read it aloud to me. Girls’ handwriting is generally much alike—hard to make out.”

Molly, trembling with stage fright, her face crimson, began to read. The professor, resting his chin on his interlocked fingers, turned his whimsical brown eyes full upon her and never shifted his gaze once during the entire reading, which lasted some twenty-five minutes. When she had finished, Molly dropped the papers in her lap and waited.

“Well, what do you think of it? Please don’t mince matters. Tell me the truth.”

The professor came back to life with a start. She knew at once that he had not heard a word.

“Oh, er—I beg your pardon,” he said. “Very good. Very good, indeed. Suppose you leave the manuscript with me. I’ll look it over again to-night.”

She rose to go. After all she had no right to complain, since she had asked this favor of a very busy man; but she did wish he had paid attention.

“Wait a moment, Miss Brown, there was something I wanted to say. What was it now?” He rubbed his head, and then thrust his hands into his pockets. “Oh, yes. This is what I wanted to say—have an apple?” A flat Japanese basket on the table was filled with apples. “Excuse my not passing the basket, but they roll over. Take several. Help yourself.”

He made Molly take three, one for Nance, one for Judy and one for herself. Then he saw her to the outer door, bowing silently, all the time like a man in a dream.

The next morning the manuscript was returned to Molly by the professor after the class in Literature. It was folded into a big envelope and contained a note. The note had no beginning and was signed “E. G.” This is what it said:

Molly wept a little over this frank expression of criticism, although there did seem to be an implied compliment in the last line. She reread the story and blushed for her commonplaceness. Surely there never had been written anything so inane and silly.

For a long time she sat gazing at the white peak of Fujiyama on the Japanese scroll.

“Simple and natural, indeed,” she exclaimed. “It’s much harder than the other way. Unaffected and sincere! That’s not easy, either.” She sighed and tore the story into little bits, casting it into the waste-paper basket. “That’s the best place for you,” she continued, apostrophizing her first attempt at fiction. “Nobody would ever have laughed or cried over you. Nobody would even have noticed you. My trouble is that I try too hard. I am always straining my mind for words and ideas. Now, when I write letters, how do I do? I let go. I never worry. Can a story be written in that way?”

“How now, Mistress Molly,” called Judy, bursting into the room. “Why are you lingering here in the house when all the world’s afield? Get thee up and go hence with me unto the green woods where we are to have tea, probably for the last time before the winter’s call.”

“Who’s ‘we’?” asked Molly.

“Why, the usual crowd, and a few others from Beta Phi House.”

“But you’ll never have enough teacups to go around, child,” objected Molly.

“Oh, yes, we shall. There are two other tea baskets coming from Beta Phi. There will be plenty and some over besides. Rosomond Chase and Millicent Porter were so taken with my basket last year that they each bought one. Of course Millicent’s is much finer than mine or Rosomond’s.”

“I dare say. But I don’t think I want to go, Judy.”

The truth was Molly never felt in sympathy with those two Beta Phi girls, who represented an element in college she did not like. They dressed a great deal, for one thing, especially Millicent Porter, the girl who had sub-let Judith Blount’s apartment the year before.

“Now, Molly, I think you’re unkind,” burst out Judy. She never could endure even small disappointments. “They are awfully nice girls and they want to know you better. They said they did.”

“Well, why don’t they come and see me? That’s easy.”

Judy did not reply. She was pulling down all the clothes in the closet in a search for Molly’s tam and sweater. She was in one of her queer, excited moods. Could it be that Judy thought the sparkling coterie from Queen’s was being honored by these two rich young persons from Beta Phi? Molly rejected the suspicion almost as soon as it entered her mind. No, it was simply that poor old Judy was obsessed with a desire to get into the “Shakespeareans,” and by courting the most influential members she thought she could make it.

Molly pulled her slender length from the depths of the Morris chair where she had been lolling.

“Very well,” she said resignedly. “I was meditating on my ambitions when you broke in on me. You are a very demoralizing young person, Judy.”

Judy laughed. She made a charming picture in her scarlet tam and sweater.

“Come along,” she cried, “and ambitions be hanged.” She seized her tea basket under one arm and a box of ginger snaps under the other.

“Why, Judy, I am really shocked at you,” exclaimed Molly. “I think I’ll have to give you another shaking up before long. You’re getting lax and lazy.”

“Nothing of the sort. I only want to enjoy life while the weather is good. It’s lots easier to think of ambitions on rainy days.”

The other girls were waiting on the campus: the Williamses, Margaret and Jessie, Nance and presently the two Beta Phi girls. Rosomond Chase was a plump, rather heavy blonde type, always dressed to perfection and bright enough when she felt inclined to exert her mind. Millicent Porter was quite the opposite in appearance; small, wiry, with a prominent, sharp-featured face; prominent nose, prominent teeth and rather bulging eyes. She talked a great deal in a highly pompous tone, and her voice always slurred over from one statement to another as if to ward off interruption. She seemed much amused at this little escapade in the woods, quite Bohemian and informal.

The Queen’s girls could hardly explain why she appeared so patronizing. It was her manner more than what she said; although Margaret insisted that it was because she monopolized the conversation.

“We didn’t go to listen to a monologue,” Margaret thundered later when they were discussing the tea party. “We came to hear ourselves talk.”

What surprised Molly was the attention that the young person of unlimited wealth bestowed upon her.

“Come and sit beside me, Miss Brown, and tell me about Kentucky,” she ordered.

“I am afraid I haven’t the gift of language,” replied Molly, without budging from her seat on a log. “Ask Margaret Wakefield. She’s the only conversationalist in the crowd.”

“I suppose Mahomet must go to the mountain, then,” observed Miss Porter, and she moved graciously over to the log, where she regaled Molly with a great deal of wordy talk.

“If she’s going to do all the conversing, it might as well be on something interesting,” thought Molly, and she started Millicent on the topic of silver work. This young woman, rich beyond calculation, had an unusual talent which had not been neglected. She worked in silver.

“Her natural medium,” Edith had observed when she heard of it.

She could beat out chains and necklaces, rings of antique patterns, beautiful platters with enameled centers with all the skill of a real silversmith.

Molly listened with polite interest to Millicent’s lengthy description of her art. There was often an unconscious flattery in the sympathetic attention Molly gave to other people’s talk. It had the effect of loosening tongues and brought forth confidences and heart secrets. She was a good listener and the repository of many a hidden thought.

“I am only going to college, you know, to please papa,” Millicent was saying. “He thinks I should be finished off like a piece of statuary or a new house. I would much rather do things with my hands. I can’t see how I am to be benefited by all these classics. In the sort of life I shall lead they won’t do me any good. Society people never quote Latin and Greek or make learned references to early Roman history and things of that sort. It isn’t considered good form. Modern novels are the only things people read nowadays, but papa is determined. Now, with silver work, it’s quite different. I love it. I love to make beautiful things. I have just finished a grape-vine chain. The workmanship is exquisite. My sitting room is my studio, you know, and I work there when I am not busy with stupid books. You seem interested. Do you know anything about silver work?”

Molly admitted her ignorance on the subject, but Millicent did not pause to listen. Her voice slurred over from the question to her next outburst.

“I like beautiful rich colors. I intend to design all the costumes for the next Shakespearean performance. If I had been born in a different sphere in life, I should have divided my time between silver work and costuming. I can draw, too, but it’s more designing than anything else.”

Then Millicent, encouraged by Molly’s sympathetic blue eyes, lowered her voice and plunged into confidences.

“The truth is,” she said, “we were not so—er—well-to-do two generations ago. My great-grandfather was an Italian silversmith. Isn’t it interesting? He was really an artist in his way, and made wonderful vessels for the church, crucifixes, and things like that. I tell mamma I believe her grandfather’s soul has entered into my body. But that isn’t all. Now, if I tell you this, will you promise never to breathe it? It’s really a family secret, but it accounts for my love of rich, beautiful things. I can sew, you know. I adore to embroider. If I had to, I could easily make all my own clothes——”

“But that’s nothing to be ashamed of,” broke in Molly.

“No, no. That isn’t the secret. The secret is where I got the taste for such things. You promise not to mention this?”

“I promise,” replied Molly gravely, repressing the smile that for an instant hovered on her lips.

“The silversmith grandfather had a brother who was a merchant. He had a shop in Florence where he sold all sorts of beautiful fabrics, velvets and brocades and lots of antique things.”

“No doubt it was an antique shop,” thought Molly.

“Mamma remembers it well, and the shop is still there to-day, but it’s in other hands.”

Molly felt much amusement at this explanation of heredity. It would not be difficult to add a few lines to Millicent’s small, thin face and place it on the shoulders of the old silversmith or of his brother, the dealer in antiques. How would they feel if they could hear this granddaughter conversing about society and the classics?

“But I have rattled on. Here I have told you two family secrets. But of course they will go no farther. You know more about me than any girl in Wellington. Won’t you come over to dinner with me Saturday evening and see my studio?”

“I am so sorry,” said Molly, “but I have an engagement,”—to try to write a sincere, natural, simple short story, she added, in her mind.

“Oh, dear, what a nuisance! Can you come Sunday? They have horrid early dinners Sunday, but no matter.”

Molly was obliged to accept, anxious as she was to keep out of the Beta Phi crowd.

“By the way, do you act?” asked Millicent abruptly.

“A little,” answered Molly, and that ended the tea party.

In the evening Judy was slightly cold to Molly. It was almost imperceptible, so subtle was the change, and Molly herself was hardly aware of it until her friend, stretched on the couch reading, suddenly closed her book with a snap and remarked:

“Considering you dislike the Beta Phi girls, you certainly managed to monopolize one of them.”

“Judy!” remonstrated Nance, shocked at this unaccountable exhibition of temperament.

Molly said nothing whatever, and presently she slipped off to bed.

“We’ve all got our faults,” she kept saying to herself, but she was bitterly hurt, nevertheless.

CHAPTER VI.
“THE BEST LAID SCHEMES.”

Judy did have her failings, the faults of an only child spoiled by indulgent parents. But they were only on the surface, impulsive flashes of irritability that never failed to be followed by deep, poignant regret when the tempest had passed.

The next morning Molly was wakened by the fragrance of violets, and, opening her eyes, she looked straight into the heart of a big bunch of those flowers lying on her chest.

“Goodness, I feel like a corpse,” she exclaimed.

Scrawled on a card pinned to the purple tissue ribbon around the stems of the violets was the following inscription: