Stewart of Trinity represented an undergraduate type that perhaps had endured and would endure longer than any of the others. He would have been most in his element if he had come up in the early nineties, but yet with all his intellectual survivals he did not seem an anachronism. Perhaps it was as well that he had not come up in the nineties, since much of his obvious and youthful charm might have been buried beneath absurdities which in those reckless decadent days were carried sometimes to moral extremes that destroyed a little of the absurdity. As it was, Stewart was perhaps the most beloved member of Trinity, whether he were feeding Rugger blues on plovers’ eggs or keeping an early chapel with the expression of an earthbound seraph or playing tennis in the Varsity doubles or whether, surrounded by Baudelaire and Rollinat and Rops and Huysmans, he were composing an ode to Satan, with two candles burning before his shrine of King Charles the Martyr and a ramshorn of snuff and glasses of mead waiting for casual callers.

Divinity and Pass Moderations would occur some time at the term’s end, inexplicable as such a dreary interruption seemed in these gliding river-days which only rain had power for a brief noontide or evening to destroy. Yet, as an admission that time flies, the candidates for Pass Mods and Divvers attended a few sun-drowsed lectures and never omitted to lay most tenderly underneath the cushions of punt or canoe the text-books of their impertinent examinations. Seldom, however, did Cicero or the logical Jevons emerge in that pool muffled from sight by trellised boughs of white and crimson hawthorn. Seldom did Socrates have better than a most listless audience or St. Paul the most inaccurate geographers, when on the upper river the punt was held against the bank by paddles fast in the mud; for there, as one lay at ease, the world became a world of tall-growing grasses, and the noise of life no more than the monotony of a river’s lapping, or along the level water meadows a faint sibilance of wind. This was the season when supper was eaten by figures in silhouette against the sunset, figures that afterward drifted slowly down to college under the tree-entangled stars and flitting assiduous bats, with no sound all the way but the rustle of a bird’s wing in the bushes and the fizz of a lighted match dropped idly over the side of the canoe. This was the season when for a long while people sat talking at open windows, and from the Warden’s garden came sweetly up the scent of May flowers.

Eights Week drew near, and Michael decided after much deliberation that he would not ask either his mother or Stella to take part in the festival. One of his reasons, only very grudgingly admitted, for not inviting Stella was his fear lest Alan might be put into the shade by certain more brilliant friends whom he would feel bound to introduce to her. Having made up his own mind that Alan represented the perfection of normal youth, he was unwilling to admit dangerous competitors. Besides, though by now he had managed to rid himself of most of his self-consciousness, he was not sure he felt equal to charging the battery of eyes that mounted guard in the lodge. The almost savage criticism of friends and relatives indulged in by the freshmen’s table was more than he could equably contemplate for his own mother and sister.

So Eights Week arrived with Michael unencumbered and delightfully free to stand in the lodge and watch the embarrassed youth, usually so debonair and self-possessed, herding a long trail of gay sisters and cousins toward his room where even now waited the inevitable salmon mayonnaise. Lonsdale in a moment of filial enthusiasm had invited his father and mother and only sister to come up, and afterward had spent two days of lavish regret for the rashness of the undertaking.

Michael, remembering that Lord Cleveden had been a distinguished diplomatist, was prepared to accept his son’s estimate.

“They’re arriving devilish early,” said Lonsdale, coming up to Michael’s room with an anxious face on the night before.

Ever since his fatal display of affection, he had taken to posting, as it were, bulletins of the sad event on Michael’s door.

“Would you be frightfully bored if I asked you to come down to the station and meet them? It will be impossible for me to talk to the three of them at once. I think you’d better talk about wine to the governor. It’ll buck him rather to think his port has been appreciated. Tell him how screwed we made the bobby that night when we were climbing in late from that binge on the Cher, and let down glass after glass of the governor’s port from Tommy’s rooms in Parsons’ Quad.”

Michael promised to do his best to entertain the father, and without fail to support the son at the ceremony of meeting his people next morning.

“I say, you’ve come frightfully early,” Lonsdale exclaimed, as Lord and Lady Cleveden with his sister Sylvia alighted from the train.

“Well, we can walk round my old college,” suggested Lord Cleveden cheerfully. “I scarcely ever have an opportunity to get up to Oxford nowadays.”

“I say, I’m awfully sorry to let you in for this,” Lonsdale whispered to Michael. “Don’t encourage the governor to do too much buzzing around at the House. Tell him the mayonnaise is getting cold or something.”

“I wonder if Lord Saxby was up in your time?” asked Michael as they stood in Peckwater.

“Yes, knew him well. In fact, he was a connection of mine. Poor chap, he died in South Africa. Where did you meet him? He never went about much.”

“Oh, I met him with a chap called Prescott,” said Michael hurriedly.

“Dick Prescott? Good gracious!” Lord Cleveden exclaimed, “I haven’t seen him for years. What an extraordinary mess poor Saxby made of his life, to be sure.”

“Did he?” asked Michael, well aware of the question’s folly, but incapable of not asking it.

“Terrible! Terrible! But it was never a public scandal.”

“Oh,” gulped Michael humbly, wishful he had never asked Lord Cleveden about his father.

“I can’t remember whether my old rooms were on that staircase or this one. Saxby’s I think were on this, but mine surely were on that one. Let’s go up and ask the present owner to let us look in,” Lord Cleveden proposed, peering the while in amiable doubt at the two staircases.

“Oh, no, I say, father, really, no, no,” protested his son. “No, no; he may have people with him. Really.”

“Ah, to be sure,” Lord Cleveden agreed. “What a pity!”

“And I think we ought to buzz round St. Mary’s before lunch,” Lonsdale announced.

“Do they make meringues here nowadays?” inquired Lord Cleveden meditatively.

The tour of St. Mary’s was conducted with almost incredible rapidity, because Lonsdale knew so little about his own college that he omitted everything except the J.C.R., the hall, the chapel, the buttery and the kitchen.

“Why didn’t you ask Duncan Mackintosh to lunch, Arthur dear?” Lady Cleveden inquired.

“My dear mother,” said Arthur, “he’s quite impossible.”

“But Sir Hugh Mackintosh is such a charming man,” said Lady Cleveden, “and always asks us to stay with him when we’re in Scotland.”

“Yes, but we never are,” Lonsdale pointed out. “And I’m sorry to hurt your feelings, mother, about a relation of yours, but Mackintosh is really absolutely impossible. He’s the very worst type of Harrovian.”

Michael felt bound to support his friend by pointing out that Mackintosh was so eccentric as to dislike entertainment of any kind, and urged a theory that even if he had been asked, he would certainly have declined rather offensively.

“He’s not a very bonhomous lad,” said Lonsdale, and with that sentence banished Mackintosh for ever from human society.

After lunch the host supposed in a whisper to Michael that they ought to take his people out in a punt. Michael nodded agreement, and weighed down by cushions the party walked through the college to where the pleasure craft of St. Mary’s bobbed at their moorings.

“Thank you, sir. Do you mind letting me through, sir? Some of these toshers ought not to be trusted with a punt of their own.” This comment was for Michael and uttered in a voice of most laryngeal scorn so audible that the party of New College men involved reddened with dull fury. “Try and get along, please, sir. You’re holding up the whole river, sir. I say, Michael, this is an absolute novices’ competition.”

After an hour of this slow progress Lonsdale decided they must go back to college for tea, an operation which required every resource of sangfroid to execute successfully. When he had landed his father and mother and sister, he announced that they must all be quick over tea and then buzz off at once to see the first division row.

“I think we shall go head to-night,” Lonsdale predicted very confidentially. “I told Tommy Grainger he rowed like a caterpillar yesterday.”

But after all it was not to be the joyful privilege of Lonsdale’s people to see St. Mary’s bump New College in front of their own barge, and afterward to behold the victorious boat row past in triumph with the westering sun making glow more richly scarlet the cox’s blazer and shine more strangely beautiful the three white lilies in his buttonhole.

Eights Week came to an end with the scarlet and lilies still second; and without the heartening effect of a bump-supper the candidates for Pass Mods applied themselves violently to the matter in hand. At the end of the examination, which was characterized by Lonsdale as one of the most low-down exhibitions of in-fighting he had ever witnessed, the candidates had still a week of idleness to recover from the dastardly blows they had received below their intellectual belts.

It was the time of the midsummer moon; and the freshmen in this the last week of their state celebrated the beauty of the season with a good deal of midsummer madness. Bonfires were lit for the slightest justification, and rowdy suppers were eaten in college after they had stayed on the river until midnight, rowdy suppers that demanded a great expense of energy before going to bed, in order perhaps to stave off indigestion.

On one of these merry nights toward one o’clock somebody suggested that the hour was a suitable one for the ragging of a certain Smithers who had made himself obnoxious to the modish majority not from any overt act of contumely, but for his general bearing and plebeian origin. This derided Smithers lived on the ground floor of the Palladian fragment known as New Quad. The back of New Quad looked out on the deer-park, and it was unanimously resolved to invade his rooms from the window, so that surprise and alarm would strike at the heart of Smithers.

Not even the magic of the moonlit park deterred these social avengers from their vendetta. They moved silently indeed over the filmy grass and paused to hearken when in the distance the deer stampeded in alarm before their progress, but the fixed idea of Smithers’ reformation kept them to their project, and perhaps only Michael felt a slight sense of guilt in profaning this fairy calm with what he admitted to himself might very easily be regarded as a piece of stupid cruelty. Outside Smithers’ open window they all stopped; then after hoisting the first man onto the dewy sill, one by one they climbed noiselessly into the sitting-room of the offensive Smithers. Somebody turned on the electric light, and they all stood half-abashed, surveying one another in the crude glare that in contrast with the velvet depths and silver shadows of the woodland they had traversed seemed to illuminate for one moment an unworthy impulse in every heart.

The invaders looked round in surprise at the photographs of what were evidently Smithers’ people, photographs like the groups in the parlors of country inns or the tender decorations of a housemaid’s mantelpiece.

“I say, look at that fringe,” gurgled Avery, and forthwith he and Lonsdale collapsed on the sofa in a paroxysm of strangled mirth.

At this point in Michael’s meditations Smithers woke up, and from the bedroom came a demand in startled cockney to know who was there. The reformers were just thinking about their reply, when Smithers, in a long nightgown and heavy-eyed with sleep, appeared in the doorway between his two rooms.

“Well, I’m jiggered!” he gasped. “What are you fellers doing in my sitting-room?”

Cuffe’s expression of dismay was so absurd that everybody laughed very heartily; and the outburst of laughter turned away their thoughts from damaging Smithers’ humble property and even from annoying any more Smithers himself with proposals for his reformation.

“I say, we can’t let that poor devil run about all night in the park with that picture,” said Grainger. “Let’s catch him and explain we got into his rooms by mistake.”

“I hope he won’t throw himself into the river or anything,” murmured Sinclair anxious not to be involved in any affair that might spoil his reputation for enjoying every rag without the least reproach ever lighting upon him personally.

“I say, for goodness’ sake, let’s catch him,” begged Michael, who had visions of being sent to explain to a weeping mother in a mean street that her son had died in defending her enlargement.

Out into the moon-washed park the pursuers tumbled, and through its verdurous deeps of giant elms they hurried in search of the outlaw.

“It’s like a scene in The Merry Wives of Windsor,” Michael said to Avery, and as he spoke he caught a glimpse of the white-robed Smithers, running like a young druid across a glade where the moonlight was undimmed by boughs.

“By Jove, that was a topping rag,” puffed Lonsdale, as he filled six glasses with welcome drink. “I think old Shadbolt recognized me. He said: ‘It’s no use you putting your coat over your ’ead, sir, because I knows you by your gait.’”

“I wonder what happened to Smithers,” said Michael.

“Damned good thing if he fell into the Cher,” Avery asserted. “I don’t know why on earth they want to have a bounder like that at St. Mary’s.”

“A bounder like what?” asked Castleton, who had sloped into the room during Avery’s expression of opinion.

Castleton was greeted with much fervor, and a disjointed account of the evening’s rag was provided for his entertainment.

“But why don’t you let that poor devil alone?” demanded the listener.

At this time of night nobody was able to adduce any very conclusive reason against letting Smithers alone, although Maurice Avery insisted that men like him were very bad for the college.

“After all, Oxford wasn’t founded to provide an expensive three years of idleness for the purpose of giving a social cachet to people like Cuffe,” Castleton pointed out.

“No, no,” Michael agreed, “but no institution has ever yet remained true to the principles of its founder. The Franciscans, for instance, or Christianity itself. The point surely is not whether it has evolved into something inherently worthless, but whether, however much it may have departed from original intentions, it still serves a useful purpose in the scheme of social order.”

“Oh, I’m not grumbling at what Oxford is,” Castleton went on. “I simply suggest that the Smitherses have the right, being in a small minority, to demand courtesy from the majority, and, after all, Oxford is serving no purpose at all, if she cannot foster good manners in people who are supposed to be born with a natural tendency toward good manners. I should be the first to regret an Oxford with the Smitherses in the majority, but I think that those Smitherses who have fought their way in with considerable difficulty should not go down with the sense of hatred which that poor solitary creature must surely feel against all of us.”

Michael asked Castleton if he had ever talked to him.

“No, I’m afraid I haven’t. I’m afraid I’m too lazy to do much more than deplore theoretically these outbursts of rowdy superiority. Now, as I’m beginning to talk almost as priggishly as a new sub-editor of The Spectator might talk, to bed.”

GRAY AND BLUE

When Michael, equipped with the prospect of reading at least fifty historical works in preparation for the more serious scholastic enterprise of his second year, came down for the Long Vacation, he found that somehow his mother had changed. In old days she had never lost for an instant that air of romantic mystery with which Michael as a very little boy for his own satisfaction had endowed her, and with which, as he grew older, he fancied she armed herself against the world of ordinary life. Now after a month or two of Chelsea’s easy stability Mrs. Fane had put behind her the least hint of the unusual and seemed exceptionally well suited by her surroundings. Michael at first thought that perhaps in Carlington Road, to which she always came from the great world, however much apart from the great world her existence had been when she was in it, his mother had only evoked a thought of romance because the average inhabitant was lower down the ladder of the more subtly differentiated social grades than herself, and that now in Cheyne Walk against an appropriate background her personality was less conspicuous. Yet when he had been at home for a week or two he realized that indeed his mother had changed profoundly.

“Where does mother get hold of all these women?” Michael asked Stella irritably, when he had been trapped into a rustling drawing-room for the whole of a hot summer afternoon.

“Oh, they’re all interested in something or other,” Stella explained. “And mother’s interested in them. I expect, you know, she had rather a rotten time really when she was traveling round.”

“But she used always to be so vague and amusing,” said Michael, “and now she’s as fussy and practical as a vicar’s wife.”

“I think I know why that is,” Stella theorized meditatively. “I think if I ever gave up everything for one man I should get to rely on him so utterly that when he wasn’t with me any sort of contact with other people would make me vague.”

“Yes, but then she would be more vague than ever now,” Michael argued.

“No; the reaction against dependence on one person would be bound to make her change tremendously, if, as I think, a good deal of the vagueness came after she ran away with father.”

Michael looked rather offended by Stella’s blunt reference.

“Like mother, in fact,” Stella pointed out. “Do you know, Michael, I believe by this time she is entirely oblivious of the fact that in her past there has been anything which was not perfectly ordinary, almost dull. Really by the way she worries me about the simplest little things, you’d think—however, as I know you have rather a dread of perfect frankness in your only sister, I’ll shut up and say no more.”

“What things?” asked Michael sharply. Stella’s theories about the freedom of the artist had already worried him a good deal, and though he had laughed them aside as the extravagant affectations of a gifted child, now that, however grudgingly he must admit the fact, she was really grown up, it would never do for her without a protest from him to turn theories into practice.

“Oh, Michael!” Stella laughed reprovingly. “Don’t put on that professorial or priestly air or whatever you call it, because if you ever want confidences from me you’ll have just to be humbly sympathetic.”

Michael sternly demanded if she had been keeping up her music, which made Stella dance about the studio in tempestuous mirth.

“I don’t see anything to giggle at in such a question,” Michael grumbled, and simultaneously reproached himself for a method of obloquy so cheap. “Anyway, you never talk about your music now, and whatever you may say, you don’t practice as much as you used. Why?”

For answer Stella sat down at the piano, and played over and over again the latest popular song until Michael walked out of the studio in a rage.

A few days later at breakfast he broached the subject of going away into the country.

“My dear boy, I’m much too busy with the Bazaar,” said Mrs. Fane.

“I don’t think I can possibly get away until August, and then I’ve half promised to go to Dinard with Mrs. Carruthers. She has just taken up Mental Science—so interesting and quite different from Christian Science.”

“I hate these mock-turtle religions,” said Michael savagely.

Mrs. Fane replied that Michael must learn a little toleration in very much the same tone as she might have suggested a little Italian.

“But why don’t you and Stella go away somewhere together? Stella has been quite long enough in London for the present.”

“I’ve got to practice hard for my next concert,” said Stella, looking coldly at her brother. “You and Michael are so funny, mother. You grumble at me when I don’t practice all day, and yet when it’s really necessary for me to work, you always suggest going away.”

“I never suggested your coming away,” Michael contradicted. “As a matter of fact, I’ve been asked to join a reading-party in Cornwall, and I think I’ll go.”

The reading-party in question consisted besides Michael of Maurice Avery, Guy Hazlewood, Castleton, and Stewart. Bill Mowbray also joined them for the first two days, but after receiving four wires in reference to the political candidature of a friend in the north of England, he decided that his presence was necessary to the triumph of Tory Democracy and left abruptly in the middle of the night with a request to forward his luggage when it arrived. When it did arrive, the reading-party sent it to await at Univ Mowbray’s arrival in October, arguing that such an arrangement would save Bill and his friends much money, as he would indubitably spend during the rest of the vacation not more than forty-eight hours on the same spot.

“I’m doing an article for the O.L.G. on Cornwall,” Avery announced one evening.

“What, a sort of potted guide?” Hazlewood asked.

Maurice made haste to repudiate the suggestion.

“No, no; it’s an article on the uncanny place influence of Cornwall.”

“I think half of that uncanniness is due to the odd names hereabouts,” Castleton observed. “The sign-posts are like incantations.”

“Much more than that,” Avery earnestly assured him. “It really affects me profoundly sometimes.”

Hazlewood laughed.

“Oh, Maurice, not profoundly. You’ll never be affected profoundly by anything,” he prophesied.

Maurice clicked his thumbs impatiently.

“You always know all about everybody and me in particular, Guy, but though, as you’re aware, I’m a profound materialist——”

“Maurice is plumbing the lead to-night,” Hazlewood interrupted, with a laugh. “He’ll soon transcend all human thought.”

“Here in Cornwall,” Maurice pursued, undaunted, “I really am affected sometimes with a sort of horror of the unknown. You’ll all rag me, and you can, but though I’ve enjoyed myself frightfully, I don’t think I shall ever come to Cornwall again.”

With this announcement he puffed defiance from his pipe.

“Do you believe in presentiments, Guy?” Michael broke in suddenly.

“Of course I do,” said Hazlewood. “And I’d believe in the inherent weirdness of Cornwall, if people in books didn’t always go there to solve their problems and if Maurice weren’t always so facile with the right emotion at the right moment.”

“I’ve got a presentiment to-night,” said Michael, and not wishing to say more just then, though he had been compelled against his will to admit as much, he left the rest of the party, and went up to his room.

Outside the tamarisks lisped at intervals in a faint wind that rose in small puffs and died away in long sighs. Was it a presentiment he felt, or was it merely thunder in the air?

Next morning came a telegram from Stella in Paris:

join me here rather quickly.

Michael left Cornwall that afternoon, and all the length of the harassing journey to London he thought of his friends bathing all day and talking half through the intimate night, until gradually, as the train grew hotter, they stood out in his memory like cool people eternally splashed by grateful fountains. Yet at the back of all his regrets for Cornwall, Michael was thinking of Stella and wondering whether the telegram was merely due to her impetuous way or whether indeed she wanted him more than rather quickly.

“I’m really awfully worried,” he said aloud to himself, as through the stale city air the hansom jogged heavily along from Paddington to Charing Cross.

Michael arrived at Paris in the pale burning blue of an August morning, and arriving as he did in company with numerous cockney holiday-makers, something of the spirit of Paris was absent. The city did not express herself immediately as Paris unmistakable, but more impersonally as the great railway-station of Europe, a center of convenience rather than the pulsing heart of pleasure. However, as soon as Michael had taken his seat in the bony fiacre and had ricocheted from corner to corner of half a dozen streets, Paris was herself again, with her green jalousies and gilded letterings, her prodigality of almost unvarying feminine types, those who so neatly and so gayly hurried along the pavements and those who in soiled dressing-jackets hung listlessly from upper windows.

Stella’s address was near the Quai d’Orsay; and when Michael arrived he found she was living in rooms over a bookseller’s shop with a view of the Seine and beyond of multitudinous roofs that in the foreground glistened to the sun like a pattern of enamel, until with distance they gradually lost all definition and became scarcely more than a woven damascene upon the irresolute horizon of city and sky.

Yet, for all Michael’s relief at finding Stella at least superficially all right, he could not help disapproving a little of that swift change of plan which, without a word of warning to himself before the arrival of the telegram in Cornwall, had brought her from London to Paris. Nor could he repress a slight feeling of hostility toward Miss Clarissa Vine whose exuberant air did not consort well with his idea of a friend for Stella. He was certainly glad, whether he were needed or not, that he had come rather quickly. Clarie was going to paint all that morning, and Michael, who was restless after his journey, persuaded Stella to abandon music for that day and through the dancing streets of Paris come walking.

The brother and sister went silently for a while along the river’s bank.

“Well,” said Michael at last, “why did you wire for me?”

“I wanted you.”

Stella agreed there might be, and then suddenly she plunged into her reasons. First, she took Michael back to last autumn and a postscript she had written to a letter.

“Do you remember how I said that academic perfection was not enough for an artist, that there was also life to be lived?”

Michael said he remembered the letter very well indeed, and asked just how she proposed to put her theory to the test.

“I told you that a youth was painting me.”

“But you also said he looked like a corpse,” Michael quickly interjected. “You surely haven’t fallen in love with somebody who looks like a corpse?”

“I’m not in love with his outside, but I am fascinated by his inside,” Stella admitted.

Michael looked darkly for a moment, overshadowed by the thought of the fellow’s presumption.

“I never yet met a painter who had very much inside,” he commented.

“But then, my dearest Michael, I suppose you’ll confess that your acquaintanceship with the arts as practiced not talked about is rather small.”

Michael looked round him and eyed all Paris with comprehensive hostility.

“And I suppose this chap is in Paris now,” he said. “Well, I can’t do anything. I suppose for a long time now you’ve been making a fool of yourself over him. What have you fetched me to Paris for?”

He felt resentful to think that his hope of Stella and Alan falling in love with one another was to be broken up by this upstart painter whom he had never seen.

“And who’s this Clarissa Vine?” Michael indignantly demanded.

“She’s the girl I traveled with to Paris.”

“But I never heard of her before. All this comes of your taking that studio before we moved to Cheyne Walk.”

By the token that Stella did not contradict him, Michael knew that all this had indeed come from that studio, and to show his disapproval of the studio, he began to rail at Clarissa.

“I can’t bear that overblown type of girl. I suppose every night she’ll sit and talk hot air till three o’clock in the morning. I shall go mad,” Michael exclaimed, aghast at the prospective futility of the immediate future.

Stella insisted that Clarissa was a good sort, that she had had an unhappy love-affair, that she thought nothing of men but only of her art, that she made one want to work and was therefore a valuable companion, and, finally, to appease if possible Michael’s mistrust of Clarie by advertising her last advantage, Stella said that she could not stand George Ayliffe.

Michael announced that, as Miss Vine had scarcely condescended to address a single word to him in the quarter of an hour he was waiting for Stella to dress, it was impossible for him to say whether he could stand her or not, but that he was still inclined to think she was thoroughly objectionable.

“Well, to-night at our party, you shall sit next to her,” Stella promised.

“Party?” interrogated Michael, in dismay.

“We’re having a party in our rooms to-night.”

“And this fellow Ayliffe is coming, I suppose?”

“And I shall have to meet him?”

She nodded again very cheerfully.

They went back to fetch Clarie out to lunch, but rather decently, Michael was bound to admit, she made some excuse for not coming, so that he and Stella were able to spend the afternoon together. It was a jolly afternoon, for though Stella had closed her lips tightly to any more confidences, she and Michael enjoyed themselves wandering in a light-hearted dream, grasping continually at those airy bubbles of vitality that floated upward sparkling from the debonair streets.

The party at the girls’ rooms that evening seemed to Michael, almost more than he cared to admit to the side of him conscious of being Stella’s brother, a recreation of ideal Bohemia. He knew the influence of the rich August moon was responsible for most of the enchantment and that the same people encountered earlier in the day in the full glare of the sunlight would have seemed to him too keenly aware of the effect at which they were aiming. But to resist their appeal, coming as they did from the heart of Paris to this long riverside room with its lamps and shadows, was impossible. Each couple that entered seemed to relinquish slowly on the threshold a mysterious intimacy which set Michael’s heart beating in the imagination of what altitudes it might not have reached along the path of romantic passions. Every young woman or young man who entered solitary and paused in the doorway, blinking in search of familiar faces, moved him with the respect owed by lay worldlings to great artists. Masterpieces brooded over the apartment, and Michael tolerated in his present mood of unqualified admiration personalities so pretentious, so vain, so egotistical, as would in his ordinary temper have plunged him into speechless gloom.

Michael watched this favorite of his sister all through the evening. He tried to think that Ayliffe’s cigarette-stained fingers were not so very unpleasant, that Ayliffe’s cadaverous exterior was just a noble melancholy, that Ayliffe’s high pointed head did not betray an almost insufferable self-esteem, and, what was the hardest task of all, he tried to persuade himself that Ayliffe’s last portrait of Stella had not transformed his splendidly unconcerned sister into a self-conscious degenerate.

“How do you like George’s picture of Stella?”

“I think it’s a little thin, don’t you?” said Clarie.

Michael hated to have his opinion of a painting invited, and he resented the painter’s jargon that always seemed to apply equally to the subject and the medium. It was impossible to tell from Miss Vine’s question whether she referred to Stella’s figure or to Ayliffe’s expenditure upon paint.

“I don’t think it’s very like Stella,” Michael replied, and consoled himself for the absence of subtlety or cleverness in such an answer by the fact that at least it was a direct statement of what he thought.

“I know what you mean,” said Clarissa, nodding seriously.

Michael hoped that she did. He could not conceive an affirmation of personal opinion delivered more plainly.

“You mean he’s missed the other Stella,” said Clarissa.

Michael bowed remotely. He told himself that contradiction or even qualified agreement would be too dangerous a proceeding with a person of Clarissa’s unhumorous earnestness.

“I said so when I first saw it,” cried Clarissa triumphantly. “I said, ‘my god, George, you’ve only given us half of her!’”

Michael took a furtive glance at the portrait to see whether his initial impression of a full-length study had been correct, and, finding that it was, concluded Clarissa referred to some metaphysical conception of her own.

From the amplification of this he edged away by drawing attention to the splendor of the moon.

“I know what you mean,” said Clarissa. “But I like sunshine effects best.”

“You know you’re very paintable,” Clarissa went on. “I suppose you’ve sat to heaps of people. All the same, I wish you’d let me paint you. I should like to bring out an aspect I daresay lots of people have never noticed.”

Michael was not proof against this attack, and, despising the while his weak vanity, asked Clarissa what was the aspect.

“You’re very passionate, aren’t you?” she said, shaking Michael’s temperament in the thermometer of her thought.

“No; rather the reverse,” said Michael, as he irritably visualized himself in a tiger-skin careering across one of Clarissa’s florid canvases.

“All the same, I wish you would sit for me,” persisted Clarissa.

Michael made up his mind he must speak seriously to Stella about this friend of hers. It was really very unfair to involve him in this way with a provocative young paintress who, however clever she might be, was most obviously unsympathetic to him. What a pity Maurice Avery was not here! He would so enjoy skating on the thin ice of her thought. Yet ice was scarcely an appropriate metaphor to use in connection with her. There should be some parallel with strawberries to illustrate his notion of Clarissa, who was after all with her precious aspirations and constructive fingers a creature of the sun. Yet it was strange and rather depressing to think that English girls could never get any nearer to the Mænad than the evocation of the image of a farouche dairymaid.

More suggestive, however, than the individual listeners were the players themselves, so essentially typical were they of their respective instruments; and they were even something more than typical, for they did ultimately resemble them. The violinist must himself have answered in these harmonious wails to the lightest question addressed to him. His whole figure had surely that very look of obstinate surprise which belongs to a violin. The bones in that lean body of his might have been of catgut, so much did he play with his whole frame, so little observably with his hands merely. As for Stella, apart from the simplicity of her coloring, it was less easy to find physically a resemblance to the piano, and yet how well her personality consorted with one. Were she ignorant of the instrument, it would still be possible to compare her to a piano with her character so self-contained and cool and ordered that yet, played upon by people or circumstances, could reveal with such decorous poignancy the emotion beneath, emotion, however, that was always kept under control, as in a piano the pressure or release of a pedal can swell or quell the most expressive chord.

The duet came to an end, and was followed by absurd games and absurdly inadequate refreshments, until almost all together the guests departed. From the street below fainter and fainter sounded their murmurous talk, until it died away, swallowed up in the nightly whisper of the city.

Ayliffe stayed behind for a time, but he could not survive Michael’s too polite “Mr. Ayliffe,” although he did not perhaps realize all the deadliness of this undergraduate insult. Clarissa went off to bed after expressing once more her wish that Michael would sit for her.

“Oh, what for? Of course he will, Clarie,” cried Stella.

“Of course I won’t,” said Michael, ruffling.

“What do you want him to sit for?” Stella persisted, paying not the least regard to Michael’s objection.

“Oh, something ascetic,” said Clarie, staring earnestly into space as if the pictorial idea was being dangled from the ceiling.

“Just now it was to be something passionate,” Michael pointed out scornfully. He suspected Clarissa’s courage in the presence of Stella’s disdainful frankness.

“My hat, Stella, where did you pick up that girl? She’s like a performing leopard!” Michael burst out. “She’s utterly stupid and utterly second-rate and she closes her eyes for effect and breathes into your face and doesn’t wear stays.”

“I get something out of all these queer people,” Stella explained.

“New-art flower-vases, I should think,” scoffed Michael. “Why on earth you wanted to fetch me from Cornwall to look after you in this crowd of idiots I can’t imagine. I may not be a great pianist in the making, and I’m jolly glad I’m not, if it’s to make one depend on the flattery of these fools.”

“You know perfectly well that most of the evening you enjoyed yourself very much. And you oughtn’t to be horrid about my friends. I think they’re all so dreadfully touching.”

“Yes, and touched,” Michael grumbled. “You’re simply playing at being in Bohemia. You’d be the first to laugh at me, if I dressed up Alan and Maurice Avery and half a dozen of my friends in velvet jackets and walked about Paris with them, smelling of onions.”

“My dear Michael,” Stella argued, “do get out of your head the notion that I dressed these people up. I found them like that. They’re not imported dolls.”

“Well, you’re not bound to know them. I tell you they all hang on to you because you have money. That compensates for any jealousy they might feel because you are better at your business than any of them are at theirs.”

“Rot!” Stella ejaculated.

“I suppose what’s really been the matter with me all the evening,” confessed Michael, on the verge of going to bed, “is that I’ve felt out of it all, not so much out of sympathy with them as acutely aware that for them I simply didn’t exist. That’s rather galling. Now at Oxford, supposing your friend Ayliffe were suddenly shot down among a lot of men in my year, he would be out of sympathy with us, and we should be out of sympathy with him, even up to the point of debagging him, but we should all be uncomfortably aware of his existence. Seriously, Stella, why did you send for me? Not surely just to show me off to these unappreciative enthusiasts?”

“Perhaps I wanted a standard measure,” Stella whispered, with a gesture of disarming confidingness. “Something heavy and reliable.”

“My dear girl, I’m much too much of a weathercock, or if you insist on me being heavy, let’s say a pendulum. And there’s nothing quite so confoundedly unreliable as either. Enough of gas. Good night.”

“I really think I’m rather jealous of all these people,” he told Stella. “They always seem to be able to go on being excited, and everything that happens to them they seem able to turn to account. Now, I can do nothing with my experience. I seize it, I enjoy it for a very short time. I begin to observe it with a warm interest, then to criticize, then to be bored by it, and finally I forget it altogether and remain just as I was before it occurred except that I never can seize the same sort of experience again. Perhaps it’s being with you. Perhaps you absorb all the vitality.”