W

hen, after appearing from time to time in the London Fun, the 'Bab Ballads' were published in book form in 1870, everybody, young and old, found them provocative of hearty laughter. "Much sound and little sense," was the title-page motto. Perhaps the fact that Mr. Gilbert's readers did not know why they laughed was one great charm of the ballads. The humor was felt, not analyzed, and involved no mental fatigue. If there was "little sense," no continuity of meaning, there was usually significant suggestion; and social foibles were touched off with good-natured irony in a delightfully inconsequent fashion. The "much sound" was a spirited lyric swing which clung to the memory, a rich rhythm, and a rollicking spontaneity, which disregarded considerations of grammar and pronunciation in a way that only added to the fun.

William S. Gilbert William S. Gilbert

The 'Bab Ballads,' and 'More Bab Ballads' which appeared in 1872, have become classic. In many of them may be found the germs of the librettos which have made Gilbert famous in comic opera. 'Pinafore,' 'The Mikado,' 'Patience,' and many others of a long and well-known list written to Sir Arthur Sullivan's music, have furnished the public with many popular songs. A volume of dainty lyrics has been made up from them; and, entitled 'Songs of a Savoyard' (from the Savoy Theatre of London, where the operas were first represented), was published in 1890.

Mr. Gilbert was born in London November 18th, 1836, and educated in that city; after his graduation from the University of London he studied law, and was called to the bar of the Inner Temple in 1863. Five years later he became a captain of the Royal Aberdeenshire Highlanders. The success of his first play, 'Dulcamara,' in 1866, led him to abandon the law, and he has since devoted himself to authorship.


CAPTAIN REECE

Of all the ships upon the blue,
No ship contained a better crew
Than that of worthy Captain Reece,
Commanding of The Mantlepiece.
He was adored by all his men,
For worthy Captain Reece, R.N.,
Did all that lay within him to
Promote the comfort of his crew.
If ever they were dull or sad,
Their captain danced to them like mad,
Or told, to make the time pass by,
Droll legends of his infancy.
A feather-bed had every man,
Warm slippers and hot-water can,
Brown Windsor from the captain's store;
A valet, too, to every four.
Did they with thirst in summer burn,
Lo! seltzogenes at every turn;
And on all very sultry days
Cream ices handed round on trays.
Then, currant wine and ginger pops
Stood handily on all the "tops";
And also, with amusement rife,
A "Zoetrope, or Wheel of Life."
New volumes came across the sea
From Mr. Mudie's libraree;
The Times and Saturday Review
Beguiled the leisure of the crew.
Kind-hearted Captain Reece, R.N.,
Was quite devoted to his men;
In point of fact, good Captain Reece
Beatified The Mantelpiece.
One summer eve, at half-past ten,
He said (addressing all his men):—
"Come, tell me, please, what I can do
To please and gratify my crew.
"By any reasonable plan
I'll make you happy if I can,—
My own convenience count as nil:
It is my duty, and I will."
Then up and answered William Lee
(The kindly captain's coxwain he,
A nervous, shy, low-spoken man);
He cleared his throat, and thus began:—
"You have a daughter, Captain Reece,
Ten female cousins and a niece,
A ma, if what I'm told is true,
Six sisters, and an aunt or two.
"Now, somehow, sir, it seems to me,
More friendly-like we all should be,
If you united of 'em to
Unmarried members of the crew.
"If you'd ameliorate our life,
Let each select from them a wife;
And as for nervous me, old pal,
Give me your own enchanting gal!"
Good Captain Reece, that worthy man,
Debated on his coxwain's plan:—
"I quite agree," he said, "O Bill:
It is my duty, and I will.
"My daughter, that enchanting gurl,
Has just been promised to an Earl,
And all my other familee
To peers of various degree.
"But what are dukes and viscounts to
The happiness of all my crew?
The word I gave you I'll fulfill;
It is my duty, and I will.
"As you desire it shall befall;
I'll settle thousands on you all,
And I shall be, despite my hoard,
The only bachelor on board."
The boatswain of the Mantelpiece,
He blushed and spoke to Captain Reece:—
"I beg your Honor's leave," he said:—
"If you would wish to go and wed,
"I have a widowed mother who
Would be the very thing for you—
She long has loved you from afar:
She washes for you, Captain R."
The captain saw the dame that day—
Addressed her in his playful way:—
"And did it want a wedding ring?
It was a tempting ickle sing!
"Well, well, the chaplain I will seek,
We'll all be married this day week
At yonder church upon the hill;
It is my duty, and I will!"
The sisters, cousins, aunts, and niece,
And widowed ma of Captain Reece,
Attended there as they were bid:
It was their duty, and they did.

THE YARN OF THE NANCY BELL

'Twas on the shores that round our coast
From Deal to Ramsgate span,
That I found alone on a piece of stone
An elderly naval man.
His hair was weedy, his beard was long,
And weedy and long was he;
And I heard this wight on the shore recite,
In a singular minor key:—
"Oh, I am a cook, and a captain bold,
And the mate of the Nancy brig,
And a bo'sun tight, and a midshipmite,
And the crew of the captain's gig."
And he shook his fists and he tore his hair,
Till I really felt afraid,
For I couldn't help thinking the man had been drinking,
And so I simply said:—
"O elderly man, it's little I know
Of the duties of men of the sea,
And I'll eat my hand if I understand
However you can be
"At once a cook, and a captain bold,
And the mate of the Nancy brig,
And a bo'sun tight, and a midshipmite,
And the crew of the captain's gig."
And he gave a hitch to his trousers, which
Is a trick all seamen larn,
And having got rid of a thumping quid,
He spun his painful yarn:—
"'Twas in the good ship Nancy Bell
That we sailed to the Indian Sea,
And there on a reef we come to grief,
Which has often occurred to me.
"And pretty nigh all the crew was drowned
(There was seventy-seven o' soul),
And only ten of the Nancy's men
Said 'Here!' to the muster-roll.
"There was me and the cook and the captain bold,
And the mate of the Nancy brig,
And the bo'sun tight, and a midshipmite,
And the crew of the captain's gig.
"For a month we'd neither wittles nor drink,
Till a-hungry we did feel;
So we drawed a lot, and accordin', shot
The captain for our meal.
"The next lot fell to the Nancy's mate,
And a delicate dish he made;
Then our appetite with the midshipmite
We seven survivors stayed.
"And then we murdered the bo'sun tight,
And he much resembled pig;
Then we wittled free, did the cook and me
On the crew of the captain's gig.
"Then only the cook and me was left,
And the delicate question, 'Which
Of us two goes to the kettle?' arose,
And we argued it out as sich.
"For I loved that cook as a brother, I did,
And the cook he worshiped me;
But we'd both be blowed if we'd either be stowed
In the other chap's hold, you see.
"'I'll be eat if you dines off me,' says Tom;
'Yes, that,' says I, 'you'll be:
I'm boiled if I die, my friend,' quoth I;
And 'Exactly so,' quoth he.
"Says he, 'Dear James, to murder me
Were a foolish thing to do,
For don't you see that you can't cook me,
While I can—and will—cook you?'
"So he boils the water, and takes the salt
And the pepper in portions true
(Which he never forgot), and some chopped shalot,
And some sage and parsley too.
"'Come here,' says he, with a proper pride,
Which his smiling features tell;
"'Twill soothing be if I let you see
How extremely nice you'll smell.'
"And he stirred it round and round and round,
And he sniffed at the foaming froth;
When I ups with his heels, and smothers his squeals
In the scum of the boiling broth.
"And I eat that cook in a week or less,
And—as I eating be
The last of his chops, why, I almost drops,
For a wessel in sight I see!

"And I never larf, and I never smile,
And I never lark nor play,
But sit and croak, and a single joke
I have—which is to say:—
"'Oh, I am a cook, and a captain bold,
And the mate of the Nancy brig,
And a bo'sun tight, and a midshipmite,
And the crew of the captain's gig!'"

THE BISHOP OF RUM-TI-FOO

From east and south the holy clan
Of bishops gathered to a man;
To Synod, called Pan-Anglican,
In flocking crowds they came.
Among them was a bishop who
Had lately been appointed to
The balmy isle of Rum-ti-Foo,
And Peter was his name.
His people—twenty-three in sum—
They played the eloquent tum-tum,
And lived on scalps served up in rum—
The only sauce they knew.
When first good Bishop Peter came
(For Peter was that bishop's name),
To humor them, he did the same
As they of Rum-ti-Foo.
His flock, I've often heard him tell,
(His name was Peter) loved him well,
And summoned by the sound of bell,
In crowds together came.
"Oh, massa, why you go away?
Oh, Massa Peter, please to stay."
(They called him Peter, people say,
Because it was his name.)
He told them all good boys to be,
And sailed away across the sea;
At London Bridge that bishop he
Arrived one Tuesday night;
And as that night he homeward strode
To his Pan-Anglican abode,
He passed along the Borough Road,
And saw a gruesome sight.
He saw a crowd assembled round
A person dancing on the ground,
Who straight began to leap and bound
With all his might and main.
To see that dancing man he stopped,
Who twirled and wriggled, skipped and hopped,
Then down incontinently dropped,
And then sprang up again.
The bishop chuckled at the sight.
"This style of dancing would delight
A simple Rum-ti-Foozleite:
I'll learn it if I can,
To please the tribe when I get back."
He begged the man to teach his knack.
"Right reverend sir, in half a crack!"
Replied that dancing man.
The dancing man he worked away,
And taught the bishop every day;
The dancer skipped like any fay—
Good Peter did the same.
The bishop buckled to his task,
With battements and pas de basque.
(I'll tell you, if you care to ask,
That Peter was his name.)
"Come, walk like this," the dancer said;
"Stick out your toes—stick in your head,
Stalk on with quick, galvanic tread—
Your fingers thus extend;
The attitude's considered quaint."
The weary bishop, feeling faint,
Replied, "I do not say it ain't,
But 'Time!' my Christian friend!"
"We now proceed to something new:
Dance as the Paynes and Lauris do,
Like this—one, two—one, two—one, two."
The bishop, never proud,
But in an overwhelming heat
(His name was Peter, I repeat)
Performed the Payne and Lauri feat,
And puffed his thanks aloud.
Another game the dancer planned:
"Just take your ankle in your hand,
And try, my lord, if you can stand—
Your body stiff and stark.
If when revisiting your see
You learnt to hop on shore, like me,
The novelty would striking be,
And must attract remark."
"No," said the worthy bishop, "no;
That is a length to which, I trow,
Colonial bishops cannot go.
You may express surprise
At finding bishops deal in pride—
But if that trick I ever tried,
I should appear undignified
In Rum-ti-Foozle's eyes.
"The islanders of Rum-ti-Foo
Are well-conducted persons, who
Approve a joke as much as you,
And laugh at it as such;
But if they saw their bishop land,
His leg supported in his hand,
The joke they wouldn't understand—
'Twould pain them very much!"

GENTLE ALICE BROWN

It was a robber's daughter, and her name was Alice Brown;
Her father was the terror of a small Italian town;
Her mother was a foolish, weak, but amiable old thing:
But it isn't of her parents that I'm going for to sing.
As Alice was a-sitting at her window-sill one day,
A beautiful young gentleman he chanced to pass that way;
She cast her eyes upon him, and he looked so good and true,
That she thought, "I could be happy with a gentleman like you!"
And every morning passed her house that cream of gentlemen;
She knew she might expect him at a quarter unto ten;
A sorter in the Custom-house, it was his daily road
(The Custom-house was fifteen minutes' walk from her abode).
But Alice was a pious girl, who knew it wasn't wise
To look at strange young sorters with expressive purple eyes;
So she sought the village priest to whom her family confessed,
The priest by whom their little sins were carefully assessed.
"O holy father," Alice said, "'twould grieve you, would it not,
To discover that I was a most disreputable lot?
Of all unhappy sinners I'm the most unhappy one!"
The padre said, "Whatever have you been and gone and done?"
"I have helped mamma to steal a little kiddy from its dad,
I've assisted dear papa in cutting up a little lad,
I've planned a little burglary and forged a little cheque,
And slain a little baby for the coral on its neck!"
The worthy pastor heaved a sigh, and dropped a silent tear,
And said, "You mustn't judge yourself too heavily, my dear:
It's wrong to murder babies, little corals for to fleece;
But sins like these one expiates at half-a-crown apiece.
"Girls will be girls—you're very young, and flighty in your mind;
Old heads upon young shoulders we must not expect to find;
We mustn't be too hard upon these little girlish tricks—
Let's see—five crimes at half-a-crown—exactly twelve-and-six."
"O father," little Alice cried, "your kindness makes me weep,
You do these little things for me so singularly cheap;
Your thoughtful liberality I never can forget;
But oh! there is another crime I haven't mentioned yet!
"A pleasant-looking gentleman, with pretty purple eyes,
I've noticed at my window, as I've sat a-catching flies;
He passes by it every day as certain as can be—
I blush to say I've winked at him and he has winked at me!"
"For shame!" said Father Paul, "my erring daughter! On my word,
This is the most distressing news that I have ever heard.
Why, naughty girl, your excellent papa has pledged your hand
To a promising young robber, the lieutenant of his band!
"This dreadful piece of news will pain your worthy parents so!
They are the most remunerative customers I know;
For many, many years they've kept starvation from my doors:
I never knew so criminal a family as yours!
"The common country folk in this insipid neighborhood
Have nothing to confess, they're so ridiculously good;
And if you marry any one respectable at all,
Why, you'll reform, and what will then become of Father Paul?"
The worthy priest, he up and drew his cowl upon his crown,
And started off in haste to tell the news to Robber Brown—
To tell him how his daughter, who was now for marriage fit,
Had winked upon a sorter, who reciprocated it.
Good Robber Brown he muffled up his anger pretty well;
He said, "I have a notion, and that notion I will tell:
I will nab this gay young sorter, terrify him into fits,
And get my gentle wife to chop him into little bits.
"I've studied human nature, and I know a thing or two:
Though a girl may fondly love a living gent, as many do—
A feeling of disgust upon her senses there will fall
When she looks upon his body chopped particularly small."
He traced that gallant sorter to a still suburban square;
He watched his opportunity, and seized him unaware;
He took a life-preserver and he hit him on the head,
And Mrs. Brown dissected him before she went to bed.
And pretty little Alice grew more settled in her mind;
She never more was guilty of a weakness of the kind;
Until at length good Robber Brown bestowed her pretty hand
On the promising young robber, the lieutenant of his band.

THE CAPTAIN AND THE MERMAIDS

I sing a legend of the sea,
So hard-a-port upon your lee!
A ship on starboard tack!
She's bound upon a private cruise—
(This is the kind of spice I use
To give a salt-sea smack).
Behold, on every afternoon
(Save in a gale or strong monsoon)
Great Captain Capel Cleggs
(Great morally, though rather short)
Sat at an open weather-port
And aired his shapely legs.
And mermaids hung around in flocks,
On cable chains and distant rocks,
To gaze upon those limbs;
For legs like those, of flesh and bone,
Are things "not generally known"
To any merman timbs.
But mermen didn't seem to care
Much time (as far as I'm aware)
With Cleggs's legs to spend;
Though mermaids swam around all day
And gazed, exclaiming, "That's the way
A gentleman should end!
"A pair of legs with well-cut knees,
And calves and ankles such as these
Which we in rapture hail,
Are far more eloquent, it's clear
(When clothed in silk and kerseymere),
Than any nasty tail."
And Cleggs—a worthy, kind old boy—
Rejoiced to add to others' joy,
And when the day was dry,
Because it pleased the lookers-on,
He sat from morn till night—though con-
Stitutionally shy.
At first the mermen laughed, "Pooh! pooh!"
But finally they jealous grew,
And sounded loud recalls;
But vainly. So these fishy males
Declared they too would clothe their tails
In silken hose and smalls.
They set to work, these watermen,
And made their nether robes—but when
They drew with dainty touch
The kerseymere upon their tails,
They found it scraped against their scales,
And hurt them very much.
The silk, besides, with which they chose
To deck their tails by way of hose
(They never thought of shoon)
For such a use was much too thin,—
It tore against the caudal fin,
And "went in ladders" soon.
So they designed another plan:
They sent their most seductive man,
This note to him to show:—
"Our Monarch sends to Captain Cleggs
His humble compliments, and begs
He'll join him down below;
"We've pleasant homes below the sea—
Besides, if Captain Cleggs should be
(As our advices say)
A judge of mermaids, he will find
Our lady fish of every kind
Inspection will repay."
Good Capel sent a kind reply,
For Capel thought he could descry
An admirable plan
To study all their ways and laws—
(But not their lady fish, because
He was a married man).
The merman sank—the captain too
Jumped overboard, and dropped from view
Like stone from catapult;
And when he reached the merman's lair,
He certainly was welcomed there,
But ah! with what result!
They didn't let him learn their law,
Or make a note of what he saw,
Or interesting mem.;
The lady fish he couldn't find,
But that, of course, he didn't mind—
He didn't come for them.
For though when Captain Capel sank,
The mermen drawn in double rank
Gave him a hearty hail,
Yet when secure of Captain Cleggs,
They cut off both his lovely legs,
And gave him such a tail!
When Captain Cleggs returned aboard,
His blithesome crew convulsive roar'd,
To see him altered so.
The admiralty did insist
That he upon the half-pay list
Immediately should go.
In vain declared the poor old salt,
"It's my misfortune—not my fault,"
With tear and trembling lip—
In vain poor Capel begged and begged.
"A man must be completely legged
Who rules a British ship."
So spake the stern First Lord aloud,—
He was a wag, though very proud,—
And much rejoiced to say,
"You're only half a captain now—
And so, my worthy friend, I vow
You'll only get half-pay!"

All the above selections are made from 'Fifty Bab Ballads.'


RICHARD WATSON GILDER

(1844-)

R

ichard Watson Gilder is the son of a clergyman, the Rev. William H. Gilder, who published two literary reviews in Philadelphia. He was born in Bordentown, New Jersey, February 8th, 1844, and with such ancestry and home influence came easily to journalism and literary work. He got his schooling in the Bellevue Seminary, which was founded by his father. As with so many young Americans of the time, the war came to interrupt his studies; and in 1863 he served in the "Emergency Corps," in the defense of Carlisle, Pennsylvania. Mr. Gilder is one of the American writers who have successfully combined journalism and literature. He began by doing newspaper work, and then by a natural transition became in 1869 editor of Hours at Home, and shortly thereafter associate editor of Scribner's Magazine with Dr. J. G. Holland. This representative monthly was changed in name to The Century, and upon the death of Dr. Holland in 1881 Mr. Gilder became its editor-in-chief. His influence in this conspicuous position has been wholesome and helpful in the encouraging of literature, and in the discussion of current questions of importance through a popular medium which reaches great numbers of the American people. The Century under his direction has been receptive to young writers and artists of ability, and many since known to fame made their maiden appearance in its pages.

Richard W. Gilder Richard W. Gilder

In addition to his influence on the literary movement, Mr. Gilder has been active in philanthropic and political work. He has secured legislation for the improvement of tenements in cities; he has taken interest in the formation of public kindergartens; and given of his time and strength to further other reforms. His influence in New York City, too, has been a factor in developing the social aspects of literary and art life there. From Dickinson College he has received the degree of LL.D., and from Princeton that of L.H.D.

Mr. Gilder's reputation as a writer is based upon his verse. Only very occasionally does he publish an essay, though thoughtful, strongly written editorials from his pen in his magazine are frequent. But it is his verse-writing that has given him his place—a distinct and honorable one—in American letters. The fine quality and promise of his work was recognized upon the publication of 'The New Day' in 1875, a first volume which was warmly received. It showed the influence of Italian studies, and contained lyric work of much imaginative beauty. The musicalness of it and the delicately ideal treatment of the love passion were noticeable characteristics. In his subsequent books—'The Celestial Passion,' 1887; 'Lyrics,' 1885 and 1887; 'Two Worlds, and Other Poems,' 1891; 'The Great Remembrance, and Other Poems,' 1893: the contents of these being gathered finally into the one volume 'Five Books of Song,' 1894—he has given further proof of his genuine lyric gift, his work in later years having a wider range of themes, a broadening vision and deepening purpose. He remains nevertheless essentially a lyrist, a maker of songs; a thorough artist who has seriousness, dignity, and charm. His is an earnest nature, sensitive alike to vital contemporaneous problems and to the honey-sweet voice of the Ideal.

[All the following citations from Mr. Gilder's poems are copyrighted, and are reprinted here by special permission of the author and his publishers.]


TWO SONGS FROM 'THE NEW DAY'

I

Not from the whole wide world I chose thee,
Sweetheart, light of the land and the sea!
The wide, wide world could not inclose thee—
For thou art the whole wide world to me.

II

Years have flown since I knew thee first,
And I know thee as water is known of thirst;
Yet I knew thee of old at the first sweet sight,
And thou art strange to me, Love, to-night.

"ROSE-DARK THE SOLEMN SUNSET"

Rose-dark the solemn sunset
That holds my thought of thee;
With one star in the heavens
And one star in the sea.
On high no lamp is lighted,
Nor where the long waves flow.
Save the one star of evening
And the shadow star below.
Light of my life, the darkness
Comes with the twilight dream;
Thou art the bright star shining,
And I but the shadowy gleam.

NON SINE DOLORE

What, then, is Life,—what Death?
Thus the Answerer saith;
O faithless mortal, bend thy head and listen:
Down o'er the vibrant strings,
That thrill, and moan, and mourn, and glisten,
The Master draws his bow.
A voiceless pause: then upward, see, it springs,
Free as a bird with unimprisoned wings!
In twain the chord was cloven,
While, shaken with woe,
With breaks of instant joy all interwoven,
Piercing the heart with lyric knife,
On, on the ceaseless music sings,
Restless, intense, serene;—
Life is the downward stroke; the upward, Life;
Death but the pause between.
Then spake the Questioner: If 't were only this,
Ah, who could face the abyss
That plunges steep athwart each human breath?
If the new birth of Death
Meant only more of Life as mortals know it,
What priestly balm, what song of highest poet,
Could heal one sentient soul's immitigable pain?
All, all were vain!
If, having soared pure spirit at the last,
Free from the impertinence and warp of flesh
We find half joy, half pain, on every blast;
Are caught again in closer-woven mesh—
Ah! who would care to die
From out these fields and hills, and this familiar sky;
These firm, sure hands that compass us, this dear humanity?
Again the Answerer saith:—
O ye of little faith,
Shall then the spirit prove craven,
And Death's divine deliverance but give
A summer rest and haven?
By all most noble in us, by the light that streams
Into our waking dreams,
Ah, we who know what Life is, let us live!
Clearer and freer, who shall doubt?
Something of dust and darkness cast forever out;
But Life, still Life, that leads to higher Life,
Even though the highest be not free from immortal strife.
The highest! Soul of man, oh be thou bold,
And to the brink of thought draw near, behold!
Where, on the earth's green sod,
Where, where in all the universe of God,
Hath strife forever ceased?
When hath not some great orb flashed into space
The terror of its doom? When hath no human face
Turned earthward in despair,
For that some horrid sin had stamped its image there?
If at our passing Life be Life increased,
And we ourselves flame pure unfettered soul,
Like the Eternal Power that made the whole
And lives in all he made
From shore of matter to the unknown spirit shore;
If, sire to son, and tree to limb,
Cycle on countless cycle more and more
We grow to be like him;
If he lives on, serene and unafraid,
Through all his light, his love, his living thought,
One with the sufferer, be it soul or star;
If he escape not pain, what beings that are
Can e'er escape while Life leads on and up the unseen way and far?
If he escape not, by whom all was wrought,
Then shall not we,
Whate'er of godlike solace still may be,—
For in all worlds there is no Life without a pang, and can be naught.
No Life without a pang! It were not Life,
If ended were the strife—
Man were not man, nor God were truly God!
See from the sod
The lark thrill skyward in an arrow of song:
Even so from pain and wrong
Upsprings the exultant spirit, wild and free.
He knows not all the joy of liberty
Who never yet was crushed 'neath heavy woe.
He doth not know,
Nor can, the bliss of being brave
Who never hath faced death, nor with unquailing eye
Hath measured his own grave.
Courage, and pity, and divinest scorn—
Self-scorn, self-pity, and high courage of the soul;
The passion for the goal;
The strength to never yield though all be lost—
All these are born
Of endless strife; this is the eternal cost
Of every lovely thought that through the portal
Of human minds doth pass with following light.
Blanch not, O trembling mortal!
But with extreme and terrible delight
Know thou the truth,
Nor let thy heart be heavy with false ruth.
No passing burden is our earthly sorrow,
That shall depart in some mysterious morrow.
'Tis His one universe where'er we are—
One changeless law from sun to viewless star.
Were sorrow evil here, evil it were forever,
Beyond the scope and help of our most keen endeavor
God doth not dote,
His everlasting purpose shall not fail.
Here where our ears are weary with the wail
And weeping of the sufferers; there where the Pleiads float—
Here, there, forever, pain most dread and dire
Doth bring the intensest bliss, the dearest and most sure.
'Tis not from Life aside, it doth endure
Deep in the secret heart of all existence.
It is the inward fire,
The heavenly urge, and the divine insistence.
Uplift thine eyes, O Questioner, from the sod!
It were no longer Life,
If ended were the strife;
Man were not man, God were not truly God.

"HOW PADEREWSKI PLAYS"

I