W

hat are the 'Gesta Romanorum'? The most curious and interesting of all collections of popular tales. Negatively, one thing they are not: that is, they are not Deeds of the Romans, the acts of the heirs of the Cæsars. All such allusions are the purest fantasy. The great "citee of Rome," and some oddly dubbed emperor thereof, indeed the entire background, are in truth as unhistorical and imaginary as the tale itself.

Such stories are very old. So far back did they spring that it would be idle to conjecture their origin. In the centuries long before Caxton, the centuries before manuscript-writing filled up the leisure hours of the monks, the 'Gesta,' both in the Orient and in the Occident, were brought forth. Plain, direct, and unvarnished, they are the form in which the men of ideas of those rude times approached and entertained, by accounts of human joy and woe, their brother men of action. Every race of historic importance, from the eastern Turanians to the western Celts, has produced such legends. Sometimes they delight the lover of folk-lore; sometimes they belong to the Dryasdust antiquarian. But our 'Gesta,' with their directness and naïveté, with their occasional beauty of diction and fine touches of sympathy and imagination,—even with their Northern lack of grace,—are properly a part of literature. In these 'Deeds' is found the plot or ground-plan of such master works as 'King Lear' and the 'Merchant of Venice,' and the first cast of material refined by Chaucer, Gower, Lydgate, Schiller, and other writers.

Among the people in mediaeval times such tales evidently passed from mouth to mouth. They were the common food of fancy and delight to our forefathers, as they gathered round the fire in stormy weather. Their recital enlivened the women's unnumbered hours of spinning, weaving, and embroidery. As the short days of the year came on, there must have been calls for 'The Knights of Baldak and Lombardy,' 'The Three Caskets,' or 'The White and Black Daughters,' as nowadays we go to our book-shelves for the stories that the race still loves, and ungraciously enjoy the silent telling.

Such folk-stories as those in the 'Gesta' are in the main made of, must have passed from district to district and even from nation to nation, by many channels,—chief among them the constant wanderings of monks and minstrels,—becoming the common heritage of many peoples, and passing from secular to sacerdotal use. The mediæval Church, with the acuteness that characterized it, seized on the pretty tales, and adding to them the moralizing which a crude system of ethics enjoined, carried its spoils to the pulpit. Even the fables of pagan Æsop were thus employed.

In the twelfth century the ecclesiastical forces were appropriating to their use whatever secular rights and possessions came within their grasp. A common ardor permitted and sustained this aggrandizement, and the devotion that founded and swelled the mendicant orders of Francis and Dominic, and led the populace to carry with prayers and psalm-singing the stones of which great cathedrals were built, readily gave their hearth-tales to illustrate texts and inculcate doctrines. A habit of interpreting moral and religious precepts by allegory led to the far-fetched, sometimes droll, and always naive "moralities" which commonly follow each one of the 'Gesta.' The more popular the tale, the more easily it held the attention; and the priests with telling directness brought home the moral to the simple-minded. The innocent joys and sad offenses of humanity interpreted the Church's whole system of theology, and the stories, committed to writing by the priests, were thus preserved.

The secular tales must have been used in the pulpit for some time before their systematic collection was undertaken. The zeal for compiling probably reached its height in the age of Pierre Bercheure, who died in 1362. To Bercheure, prior of the Benedictine Convent of St. Eloi at Paris, the collection of 'Gesta Romanorum' has been ascribed. A German scholar, however, Herr Österley, who published in 1872 the result of an investigation of one hundred and sixty-five manuscripts, asserts that the 'Gesta' were originally compiled towards the end of the thirteenth century in England, from which country they were taken to the Continent, there undergoing various alterations. "The popularity of the original 'Gesta,'" says Sir F. Madden, "not only on the Continent but among the English clergy, appears to have induced some person, apparently in the reign of Richard the Second, to undertake a similar compilation in this country." The 'Anglo-Latin Gesta' is the immediate original of the early English translation from which the following stories are taken, with slight verbal changes.

The word Gesta, in mediæval Latin, means notable or historic act or exploit. The Church, drawing all power, consequence, and grace from Rome, naturally looked back to the Roman empire for historic examples. In this fact we find the reason of the name. The tales betray an entire ignorance of history. In one, for example, a statue is raised to Julius Cæsar twenty-two years after the founding of Rome; while in another, Socrates, Alexander, and the Emperor Claudius are living together in Rome.

It is a pleasant picture which such legends bring before our eyes. The old parish church of England, which with its yards is a common meeting-place for the people's fairs and wakes, and even for their beer-brewing; the simple rustics forming the congregation; the tonsured head of the priest rising above the pulpit,—a monk from the neighboring abbey, who earns his brown bread and ale and venison by endeavors to move the moral sentiments which lie at the root of the Anglo-Saxon character and beneath the apparent stolidity of each yokel. Many of the tales are unfit for reproduction in our more mincing times. The faithlessness of wives—with no reference whatever to the faithlessness of husbands—is a favorite theme with these ancient cenobites.

It is possible, Herr Österley thinks, that the conjecture of Francis Douce may be true, and the 'Gesta' may after all have been compiled in Germany. But the bulk of the evidence goes to prove an English origin. The earliest editions were published at Utrecht and at Cologne. The English translation, from the text of the Latin of the reign of Richard II., was first printed by Wynkyn de Worde between 1510 and 1515. In 1577 Richard Robinson published a revised edition of Wynkyn de Worde's. The work became again popular, and between 1648 and 1703 at least eight issues were sold. An English translation by Charles Swan from the Latin text was first published in 1824, and reissued under the editorship of Thomas Wright in 1872 as a part of Bohn's Library.


THEODOSIUS THE EMPEROURE[A]

Theodosius reigned a wise emperour in the cite of Rome, and mighty he was of power; the which emperoure had three doughters. So it liked to this emperour to knowe which of his doughters loved him best; and then he said to the eldest doughter, "How much lovest thou me?" "Forsoth," quoth she, "more than I do myself." "Therefore," quoth he, "thou shalt be heighly advanced;" and married her to a riche and mighty kyng. Then he came to the second, and said to her, "Doughter, how muche lovest thou me?" "As muche forsoth," she said, "as I do myself." So the emperoure married her to a duke. And then he said to the third doughter, "How much lovest thou me?" "Forsoth," quoth she, "as muche as ye be worthy, and no more." Then said the emperoure, "Doughter, since thou lovest me no more, thou shalt not be married so richely as thy sisters be." And then he married her to an earl.

After this it happened that the emperour held battle against the Kyng of Egipt, and the kyng drove the emperour oute of the empire, in so muche that the emperour had no place to abide inne. So he wrote lettres ensealed with his ryng to his first doughter that said that she loved him more than her self, for to pray her of succoring in that great need, bycause he was put out of his empire. And when the doughter had red these lettres she told it to the kyng her husband. Then quoth the kyng, "It is good that we succor him in his need. I shall," quoth he, "gather an host and help him in all that I can or may; and that will not be done withoute great costage." "Yea," quoth she, "it were sufficiant if that we would graunt him V knyghtes to be fellowship with him while he is oute of his empire." And so it was done indeed; and the doughter wrote again to the fader that other help might he not have, but V knyghtes of the kynges to be in his fellowship, at the coste of the kyng her husband.

And when the emperour heard this he was hevy in his hert and said, "Alas! alas! all my trust was in her; for she said she loved me more than herself, and therefore I advanced her so high."

Then he wrote to the second, that said she loved him as much as her self. And when she had herd his lettres she shewed his erand to her husband, and gave him in counsel that he should find him mete and drink and clothing, honestly as for the state of such a lord, during tyme of his nede; and when this was graunted she wrote lettres agein to hir fadir.

The Emperour was hevy with this answere, and said, "Since my two doughters have thus grieved me, in sooth I shall prove the third."

And so he wrote to the third that she loved him as muche as he was worthy; and prayed her of succor in his nede, and told her the answere of her two sisters. So the third doughter, when she considered the mischief of her fader, she told her husbond in this fourme: "My worshipful lord, do succor me now in this great nede; my fadir is put out of his empire and his heritage." Then spake he, "What were thy will I did thereto?" "That ye gather a great host," quoth she, "and help him to fight against his enemys." "I shall fulfill thy will," said the earl; and gathered a greate hoste and wente with the emperour at his owne costage to the battle, and had the victorye, and set the emperour again in his heritage.

And then said the emperour, "Blessed be the hour I gat my yonest doughter! I loved her lesse than any of the others, and now in my nede she hath succored me, and the others have failed me, and therefore after my deth she shall have mine empire." And so it was done in dede; for after the deth of the emperour the youngest doughter reigned in his sted, and ended peacefully.

Moralite

Dere Frendis, this emperour may be called each worldly man, the which hath three doughters. The first doughter, that saith, "I love my fadir more than my self," is the worlde, whom a man loveth so well that he expendeth all his life about it; but what tyme he shall be in nede of deth, scarcely if the world will for all his love give him five knyghtes, scil. v. boards for a coffin to lay his body inne in the sepulcre. The second doughter, that loveth her fader as muche as her selfe, is thy wife or thy children or thy kin, the whiche will haply find thee in thy nede to the tyme that thou be put in the erthe. And the third doughter, that loveth thee as muche as thou art worthy, is our Lord God, whom we love too little. But if we come to him in tyme of oure nede with a clene hert and mynd, withoute doute we shall have help of him against the Kyng of Egipt, scil. the Devil; and he shall set us in our owne heritage, scil. the kyngdome of heven. Ad quod nos [etc.].


ANCELMUS THE EMPEROUR[B]

Ancelmus reigned emperour in the cite of Rome, and he wedded to wife the Kinges doughter of Jerusalem, the which was a faire woman and long dwelte in his company.

... Happing in a certaine evening as he walked after his supper in a fair green, and thought of all the worlde, and especially that he had no heir, and how that the Kinge of Naples strongly therefore noyed [harmed] him each year; and so whenne it was night he went to bed and took a sleep and dreamed this: He saw the firmament in its most clearnesse, and more clear than it was wont to be, and the moon was more pale; and on a parte of the moon was a faire-colored bird, and beside her stood two beasts, the which nourished the bird with their heat and breath. After this came divers beasts and birds flying, and they sang so sweetly that the emperour was with the song awaked.

Thenne on the morrow the emperoure had great marvel of his sweven [dream], and called to him divinours [soothsayers] and lords of all the empire, and saide to them, "Deere frendes, telleth me what is the interpretation of my sweven, and I shall reward you; and but if ye do, ye shall be dead." And then they saide, "Lord, show to us this dream, and we shall tell thee the interpretation of it." And then the emperour told them as is saide before, from beginning to ending. And then they were glad, and with a great gladnesse spake to him and saide, "Sir, this was a good sweven. For the firmament that thou sawe so clear is the empire, the which henceforth shall be in prosperity; the pale moon is the empresse.... The little bird is the faire son whom the empresse shall bryng forth, when time cometh; the two beasts been riche men and wise men that shall be obedient to thy childe; the other beasts been other folke, that never made homage and nowe shall be subject to thy sone; the birds that sang so sweetly is the empire of Rome, that shall joy of thy child's birth: and sir, this is the interpretacion of your dream."

When the empresse heard this she was glad enough; and soon she bare a faire sone, and thereof was made much joy. And when the King of Naples heard that, he thought to himselfe: "I have longe time holden war against the emperour, and it may not be but that it will be told to his son, when that he cometh to his full age, howe that I have fought all my life against his fader. Yea," thought he, "he is now a child, and it is good that I procure for peace, that I may have rest of him when he is in his best and I in my worste."

So he wrote lettres to the emperour for peace to be had; and the emperour seeing that he did that more for cause of dread than of love, he sent him worde again, and saide that he would make him surety of peace, with condition that he would be in his servitude and yield him homage all his life, each year. Thenne the kyng called his counsel and asked of them what was best to do; and the lordes of his kyngdom saide that it was goode to follow the emperour in his will:—"In the first ye aske of him surety of peace; to that we say thus: Thou hast a doughter and he hath a son; let matrimony be made between them, and so there shall be good sikernesse [sureness]; also it is good to make him homage and yield him rents." Thenne the kyng sent word to the emperour and saide that he would fulfill his will in all points, and give his doughter to his son in wife, if that it were pleasing to him.

This answer liked well the emperour. So lettres were made of this covenaunt; and he made a shippe to be adeyned [prepared], to lead his doughter with a certain of knightes and ladies to the emperour to be married with his sone. And whenne they were in the shippe and hadde far passed from the lande, there rose up a great horrible tempest, and drowned all that were in the ship, except the maid. Thenne the maide set all her hope strongly in God; and at the last the tempest ceased; but then followed strongly a great whale to devoure this maid. And whenne she saw that, she muche dreaded; and when the night come, the maid, dreading that the whale would have swallowed the ship, smote fire at a stone, and had great plenty of fire; and as long as the fire lasted the whale durst come not near, but about cock's crow the mayde, for great vexacion that she had with the tempest, fell asleep, and in her sleep the fire went out; and when it was out the whale came nigh and swallowed both the ship and the mayde. And when the mayde felt that she was in the womb of a whale, she smote and made great fire, and grievously wounded the whale with a little knife, in so much that the whale drew to the land and died; for that is the kind to draw to the land when he shall die.

And in this time there was an earl named Pirius, and he walked in his disport by the sea, and afore him he sawe the whale come toward the land. He gathered great help and strength of men; and with diverse instruments they smote the whale in every part of him. And when the damsell heard the great strokes she cried with an high voice and saide, "Gentle sirs, have pity on me, for I am the doughter of a king, and a mayde have been since I was born." Whenne the earl heard this he marveled greatly, and opened the whale and took oute the damsell. Thenne the maide tolde by order how that she was a kyng's doughter, and how she lost her goods in the sea, and how she should be married to the son of the emperour. And when the earl heard these words he was glad, and helde the maide with him a great while, till tyme that she was well comforted; and then he sent her solemnly to the emperour. And whenne he saw her coming, and heard that she had tribulacions in the sea, he had great compassion for her in his heart, and saide to her, "Goode damsell, thou hast suffered muche anger for the love of my son; nevertheless, if that thou be worthy to have him I shall soon prove."

The emperour had made III. vessells, and the first was of clean [pure] golde and full of precious stones outwarde, and within full of dead bones; and it had a superscription in these words: They that choose me shall find in me that they deserve. The second vessell was all of clean silver, and full of worms: and outwarde it had this superscription: They that choose me shall find in me that nature and kind desireth. And the third vessell was of lead and within was full of precious stones, and without was set this scripture [inscription]: They that choose me shall find in me that God hath disposed. These III. vessells tooke the emperour and showed the maide, saying, "Lo! deer damsell, here are three worthy vessellys, and if thou choose [the] one of these wherein is profit and right to be chosen, then thou shalt have my son to husband; and if thou choose that that is not profitable to thee nor to no other, forsooth, thenne thou shalt not have him."

Whenne the doughter heard this and saw the three vessells, she lifted up her eyes to God and saide:—"Thou, Lord, that knowest all things, graunt me thy grace now in the need of this time, scil. that I may choose at this time, wherethrough [through which] I may joy the son of the emperour and have him to husband." Thenne she beheld the first vessell that was so subtly [cunningly] made, and read the superscription; and thenne she thought, "What have I deserved for to have so precious a vessell? and though it be never so gay without, I know not how foul it is within;" so she tolde the emperour that she would by no way choose that. Thenne she looked to the second, that was of silver, and read the superscription; and thenne she said, "My nature and kind asketh but delectation of the flesh, forsooth, sir," quoth she; "and I refuse this." Thenne she looked to the third, that was of lead, and read the superscription, and then she, saide, "In sooth, God disposed never evil; forsooth, that which God hath disposed will I take and choose."

And when the emperour sawe that he saide, "Goode damesell, open now that vessell and see what thou hast found." And when it was opened it was full of gold and precious stones. And thenne the emperour saide to her again, "Damesell, thou hast wisely chosen and won my son to thine husband." So the day was set of their bridal, and great joy was made; and the son reigned after the decease of the fadir, the which made faire ende. Ad quod nos perducat! Amen.

Moralite

Deere frendis, this emperour is the Father of Heaven, the whiche made man ere he tooke flesh. The empress that conceived was the blessed Virgin, that conceived by the annunciation of the angel. The firmament was set in his most clearnesse, scil. the world was lighted in all its parts by the concepcion of the empress Our Lady.... The little bird that passed from the side of the moon is our Lord Jesus Christ, that was born at midnight and lapped [wrapped] in clothes and set in the crib. The two beasts are the oxen and the asses. The beasts that come from far parts are the herds [shepherds] to whom the angels saide, Ecce annuncio vobis gaudium magnum,—"Lo! I shew you a great joy." The birds that sang so sweetly are angels of heaven, that sang Gloria in excelsis Deo. The king that held such war is mankind, that was contrary to God while that it was in power of the Devil; but when our Lord Jesus Christ was born, then mankind inclined to God, and sent for peace to be had, when he took baptism and saide that he gave him to God and forsook the Devil. Now the king gave his doughter to the son of the emperour, scil. each one of us ought to give to God our soul in matrimony; for he is ready to receive her to his spouse [etc.].


HOW AN ANCHORESS WAS TEMPTED BY THE DEVIL

There was a woman some time in the world living that sawe the wretchedness, the sins, and the unstableness that was in the worlde; therefore she left all the worlde, and wente into the deserte, and lived there many years with roots and grasse, and such fruit as she might gete; and dranke water of the welle-spryng, for othere livelihood had she none. Atte laste, when she had longe dwelled there in that place, the Devil in likenesse of a woman, come to this holy woman's place; and when he come there he knocked at the door. The holy woman come to the door and asked what she would? She saide, "I pray thee, dame, that thou wilt harbor me this night; for this day is at an end, and I am afeard that wild beasts should devour me." The good woman saide, "For God's love ye are welcome to me; and take such as God sendeth." They sat them down together, and the good woman sat and read saints' lives and other good things, till she come to this writing, "Every tree that bringeth not forth good fruit shall be caste downe, and burnt in helle." "That is sooth," saide the Fiend, "and therefore I am adread; for if we lead oure life alone, therefore we shall have little meed, for when we dwelle alone we profit none but oure self. Therefore it were better, me thinketh, to go and dwelle among folke, for to give example to man and woman dwelling in this worlde. Then shall we have much meed." When this was saide they went to reste. This good woman thought faste in her heart that she might not sleep nor have no rest, for the thing that the Fiend had said. Anon this woman arose and saide to the other woman, "This night might I have no reste for the words that thou saide yester even. Therefore I wot never what is best to be done for us." Then the Devil said to her again, "It is best to go forth to profit to othere that shall be glad of oure coming, for that is much more worth than to live alone." Then saide the woman to the Fiend, "Go we now forthe on oure way, for me thinketh it is not evil to essay." And when she should go oute at the door, she stood still, and said thus, "Now, sweet Lady, Mother of mercy, and help at all need, now counsell me the beste, and keep me both body and soule from deadly sin." When she had said these words with good heart and with good will, oure Lady come and laide her hande on her breast, and put her in again, and bade her that she should abide there, and not be led by falsehood of oure Enemy. The Fiend anon went away that she saw him no more there. Then she was full fain that she was kept and not beguiled of her enemy. Then she said on this wise to oure Blessed Lady that is full of mercy and goodnesse, "I thanke thee nowe with all my heart, specially for this keeping and many more that thou hast done to me oft since; and good Lady, keep me from henceforward." Lo! here may men and women see how ready this good Lady is to help her servants at all their need, when they call to her for help, that they fall not in sin bestirring of the wicked enemy the false Fiend.


EDWARD GIBBON. EDWARD GIBBON.

EDWARD GIBBON

(1737-1794)

BY W. E. H. LECKY

T

he history of Gibbon has been described by John Stuart Mill as the only eighteenth-century history that has withstood nineteenth-century criticism; and whatever objections modern critics may bring against some of its parts, the substantial justice of this verdict will scarcely be contested. No other history of that century has been so often reprinted, annotated, and discussed, or remains to the present day a capital authority on the great period of which it treats. As a composition it stands unchallenged and conspicuous among the masterpieces of English literature, while as a history it covers a space of more than twelve hundred years, including some of the most momentous events in the annals of mankind.

Gibbon was born at Putney, Surrey, April 27th, 1737. Though his father was a member of Parliament and the owner of a moderate competence, the author of this great work was essentially a self-educated man. Weak health and almost constant illness in early boyhood broke up his school life,—which appears to have been fitfully and most imperfectly conducted,—withdrew him from boyish games, but also gave him, as it has given to many other shy and sedentary boys, an early and inveterate passion for reading. His reading, however, was very unlike that of an ordinary boy. He has given a graphic picture of the ardor with which, when he was only fourteen, he flung himself into serious but unguided study; which was at first purely desultory, but gradually contracted into historic lines, and soon concentrated itself mainly on that Oriental history which he was one day so brilliantly to illuminate. "Before I was sixteen," he says, "I had exhausted all that could be learned in English of the Arabs and Persians, the Tartars and Turks; and the same ardor led me to guess at the French of D'Herbelot, and to construe the barbarous Latin of Pocock's 'Abulfaragius.'"

His health however gradually improved, and when he entered Magdalen College, Oxford, it might have been expected that a new period of intellectual development would have begun; but Oxford had at this time sunk to the lowest depth of stagnation, and to Gibbon it proved extremely uncongenial. He complained that he found no guidance, no stimulus, and no discipline, and that the fourteen months he spent there were the most idle and unprofitable of his life. They were very unexpectedly cut short by his conversion to the Roman Catholic faith, which he formally adopted at the age of sixteen.

This conversion is, on the whole, the most surprising incident of his calm and uneventful life. The tendencies of the time, both in England and on the Continent, were in a wholly different direction. The more spiritual and emotional natures were now passing into the religious revival of Wesley and Whitefield, which was slowly transforming the character of the Anglican Church and laying the foundations of the great Evangelical party. In other quarters the predominant tendencies were towards unbelief, skepticism, or indifference. Nature seldom formed a more skeptical intellect than that of Gibbon, and he was utterly without the spiritual insight, or spiritual cravings, or overmastering enthusiasms, that produce and explain most religious changes. Nor was he in the least drawn towards Catholicism on its aesthetic side. He had never come in contact with its worship or its professors; and to his unimaginative, unimpassioned, and profoundly intellectual temperament, no ideal type could be more uncongenial than that of the saint. He had however from early youth been keenly interested in theological controversies. He argued, like Lardner and Paley, that miracles are the Divine attestation of orthodoxy. Middleton convinced him that unless the Patristic writers were wholly undeserving of credit, the gift of miracles continued in the Church during the fourth and fifth centuries; and he was unable to resist the conclusion that during that period many of the leading doctrines of Catholicism had passed into the Church. The writings of the Jesuit Parsons, and still more the writings of Bossuet, completed the work which Middleton had begun. Having arrived at this conclusion, Gibbon acted on it with characteristic honesty, and was received into the Church on the 8th of June, 1753.

The English universities were at this time purely Anglican bodies, and the conversion of Gibbon excluded him from Oxford. His father judiciously sent him to Lausanne to study with a Swiss pastor named Pavilliard, with whom he spent five happy and profitable years. The theological episode was soon terminated. Partly under the influence of his teacher, but much more through his own reading and reflections, he soon disentangled the purely intellectual ties that bound him to the Church of Rome; and on Christmas Day, 1754, he received the sacrament in the Protestant church of Lausanne.

His residence at Lausanne was very useful to him. He had access to books in abundance, and his tutor, who was a man of great good sense and amiability but of no remarkable capacity, very judiciously left his industrious pupil to pursue his studies in his own way. "Hiving wisdom with each studious year," as Byron so truly says, he speedily amassed a store of learning which has seldom been equaled. His insatiable love of knowledge, his rare capacity for concentrated, accurate, and fruitful study, guided by a singularly sure and masculine judgment, soon made him, in the true sense of the word, one of the best scholars of his time. His learning, however, was not altogether of the kind that may be found in a great university professor. Though the classical languages became familiar to him, he never acquired or greatly valued the minute and finished scholarship which is the boast of the chief English schools; and careful students have observed that in following Greek books he must have very largely used the Latin translations. Perhaps in his capacity of historian this deficiency was rather an advantage than the reverse. It saved him from the exaggerated value of classical form, and from the neglect of the more corrupt literatures, to which English scholars have been often prone. Gibbon always valued books mainly for what they contained, and he had early learned the lesson which all good historians should learn: that some of his most valuable materials will be found in literatures that have no artistic merit; in writers who, without theory and almost without criticism, simply relate the facts which they have seen, and express in unsophisticated language the beliefs and impressions of their time.

Lausanne and not Oxford was the real birthplace of his intellect, and he returned from it almost a foreigner. French had become as familiar to him as his own tongue; and his first book, a somewhat superficial essay on the study of literature, was published in the French language. The noble contemporary French literature filled him with delight, and he found on the borders of the Lake of Geneva a highly cultivated society to which he was soon introduced, and which probably gave him more real pleasure than any in which he afterwards moved. With Voltaire himself he had some slight acquaintance, and he at one time looked on him with profound admiration; though fuller knowledge made him sensible of the flaws in that splendid intellect. I am here concerned with the life of Gibbon only in as far as it discloses the influences that contributed to his master work, and among these influences the foreign element holds a prominent place. There was little in Gibbon that was distinctively English; his mind was essentially cosmopolitan. His tastes, ideals, and modes of thought and feeling turned instinctively to the Continent.

In one respect this foreign type was of great advantage to his work. Gibbon excels all other English historians in symmetry, proportion, perspective, and arrangement, which are also the pre-eminent and characteristic merits of the best French literature. We find in his writing nothing of the great miscalculations of space that were made by such writers as Macaulay and Buckle; nothing of the awkward repetitions, the confused arrangement, the semi-detached and disjointed episodes that mar the beauty of many other histories of no small merit. Vast and multifarious as are the subjects which he has treated, his work is a great whole, admirably woven in all its parts. On the other hand, his foreign taste may perhaps be seen in his neglect of the Saxon element, which is the most vigorous and homely element in English prose. Probably in no other English writer does the Latin element so entirely predominate. Gibbon never wrote an unmeaning and very seldom an obscure sentence; he could always paint with sustained and stately eloquence an illustrious character or a splendid scene: but he was wholly wanting in the grace of simplicity, and a monotony of glitter and of mannerism is the great defect of his style. He possessed, to a degree which even Tacitus and Bacon had hardly surpassed, the supreme literary gift of condensation, and it gives an admirable force and vividness to his narrative; but it is sometimes carried to excess. Not unfrequently it is attained by an excessive allusiveness, and a wide knowledge of the subject is needed to enable the reader to perceive the full import and meaning conveyed or hinted at by a mere turn of phrase. But though his style is artificial and pedantic, and greatly wanting in flexibility, it has a rare power of clinging to the memory, and it has profoundly influenced English prose. That excellent judge Cardinal Newman has said of Gibbon, "I seem to trace his vigorous condensation and peculiar rhythm at every turn in the literature of the present day."

It is not necessary to relate here in any detail the later events of the life of Gibbon. There was his enlistment as captain in the Hampshire militia. It involved two and a half years of active service, extending from May 1760 to December 1762; and as Gibbon afterwards acknowledged, if it interrupted his studies and brought him into very uncongenial duties and societies, it at least greatly enlarged his acquaintance with English life, and also gave him a knowledge of the rudiments of military science, which was not without its use to the historian of so many battles. There was a long journey, lasting for two years and five months, in France and Italy, which greatly confirmed his foreign tendencies. In Paris he moved familiarly in some of the best French literary society; and in Rome, as he tells us in a well-known passage, while he sat "musing amidst the ruins of the Capitol while the barefooted friars were singing vespers in the Temple of Jupiter" (which is now the Church of the Ara Cœli),—on October 15th, 1764,—he first conceived the idea of writing the history of the decline and fall of Rome.

There was also that very curious episode in his life, lasting from 1774 to 1782,—his appearance in the House of Commons. He had declined an offer of his father's to purchase a seat for him in 1760; and fourteen years later, when his father was dead, when his own circumstances were considerably contracted, he received and accepted at the hands of a family connection the offer of a seat. His Parliamentary career was entirely undistinguished, and he never even opened his mouth in debate,—a fact which was not forgotten when very recently another historian was candidate for a seat in Parliament. In truth, this somewhat shy and reserved scholar, with his fastidious taste, his eminently judicial mind, and his highly condensed and elaborate style, was singularly unfit for the rough work of Parliamentary discussion. No one can read his books without perceiving that his English was not that of a debater; and he has candidly admitted that he entered Parliament without public spirit or serious interest in politics, and that he valued it chiefly as leading to an office which might restore the fortune which the extravagance of his father had greatly impaired. His only real public service was the composition in French of a reply to the French manifesto which was issued at the beginning of the war of 1778. He voted steadily and placidly as a Tory, and it is not probable that in doing so he did any violence to his opinions. Like Hume, he shrank with an instinctive dislike from all popular agitations, from all turbulence, passion, exaggeration, and enthusiasm; and a temperate and well-ordered despotism was evidently his ideal. He showed it in the well-known passage in which he extols the benevolent despotism of the Antonines as without exception the happiest period in the history of mankind, and in the unmixed horror with which he looked upon the French Revolution that broke up the old landmarks of Europe, For three years he held an office in the Board of Trade, which added considerably to his income without adding greatly to his labors, and he supported steadily the American policy of Lord North and the Coalition ministry of North and Fox; but the loss of his office and the retirement of North soon drove him from Parliament, and he shortly after took up his residence at Lausanne.

But before this time a considerable part of his great work had been accomplished. The first quarto volume of the 'Decline and Fall' appeared in February 1776. As is usually the case with historical works, it occupied a much longer period than its successors, and was the fruit of about ten years of labor. It passed rapidly through three editions, received the enthusiastic eulogy of Hume and Robertson, and was no doubt greatly assisted in its circulation by the storm of controversy that arose about his Fifteenth and Sixteenth Chapters. In April 1781 two more volumes appeared, and the three concluding volumes were published together on the 8th of May, 1788, being the fifty-first birthday of the author.

A work of such magnitude, dealing with so vast a variety of subjects, was certain to exhibit some flaws. The controversy at first turned mainly upon its religious tendency. The complete skepticism of the author, his aversion to the ecclesiastical type which dominated in the period of which he wrote, and his unalterable conviction that Christianity, by diverting the strength and enthusiasm of the Empire from civic into ascetic and ecclesiastical channels, was a main cause of the downfall of the Empire and of the triumph of barbarism, gave him a bias which it was impossible to overlook. On no other subject is his irony more bitter or his contempt so manifestly displayed. Few good critics will deny that the growth of the ascetic spirit had a large part in corroding and enfeebling the civic virtues of the Empire; but the part which it played was that of intensifying a disease that had already begun, and Gibbon, while exaggerating the amount of the evil, has very imperfectly described the great services rendered even by a monastic Church in laying the basis of another civilization and in mitigating the calamities of the barbarian invasion. The causes he has given of the spread of Christianity in the Fifteenth Chapter were for the most part true causes, but there were others of which he was wholly insensible. The strong moral enthusiasms that transform the character and inspire or accelerate all great religious changes lay wholly beyond the sphere of his realizations. His language about the Christian martyrs is the most repulsive portion of his work; and his comparison of the sufferings caused by pagan and Christian persecutions is greatly vitiated by the fact that he only takes account of the number of deaths, and lays no stress on the profuse employment of atrocious tortures, which was one of the most distinct features of the pagan persecutions. At the same time, though Gibbon displays in this field a manifest and a distorting bias, he never, like some of his French contemporaries, sinks into the mere partisan, awarding to one side unqualified eulogy and to the other unqualified contempt. Let the reader who doubts this examine and compare his masterly portraits of Julian and of Athanasius, and he will perceive how clearly the great historian could recognize weaknesses in the characters by which he was most attracted, and elements of true greatness in those by which he was most repelled. A modern writer, in treating of the history of religions, would have given a larger space to comparative religion, and to the gradual, unconscious, and spontaneous growth of myths in the twilight periods of the human mind. These however were subjects which were scarcely known in the days of Gibbon, and he cannot be blamed for not having discussed them.

Another class of objections which has been brought against him is that he is weak upon the philosophical side, and deals with history mainly as a mere chronicle of events, and not as a chain of causes and consequences, a series of problems to be solved, a gradual evolution which it is the task of the historian to explain. Coleridge, who detested Gibbon and spoke of him with gross injustice, has put this objection in the strongest form. He accuses him of having reduced history to a mere collection of splendid anecdotes; of noting nothing but what may produce an effect; of skipping from eminence to eminence without ever taking his readers through the valleys between; of having never made a single philosophical attempt to fathom the ultimate causes of the decline and fall of the Roman Empire, which is the very subject of his history. That such charges are grossly exaggerated will be apparent to any one who will carefully read the Second and Third Chapters, describing the state and tendencies of the Empire under the Antonines; or the chapters devoted to the rise and character of the barbarians, to the spread of Christianity, to the influence of monasticism, to the jurisprudence of the republic and of the Empire; nor would it be difficult to collect many acute and profound philosophical remarks from other portions of the history. Still, it may be admitted that the philosophical side is not its strongest part. Social and economical changes are sometimes inadequately examined and explained, and we often desire fuller information about the manners and life of the masses of the people. As far as concerns the age of the Antonines, this want has been amply supplied by the great work of Friedländer.

History, like many other things in our generation, has fallen largely into the hands of specialists; and it is inevitable that men who have devoted their lives to a minute examination of short periods should be able to detect some deficiencies and errors in a writer who traversed a period of more than twelve hundred years. Many generations of scholars have arisen since Gibbon; many new sources of knowledge have become available, and archæology especially has thrown a flood of new light on some of the subjects he treated. Though his knowledge and his narrative are on the whole admirably sustained, there are periods which he knew less well and treated less fully than others. His account of the Crusades is generally acknowledged to be one of the most conspicuous of these, and within the last few years there has arisen a school of historians who protest against the low opinion of the Byzantine Empire which was held by Gibbon, and was almost universal among scholars till the present generation. That these writers have brought into relief certain merits of the Lower Empire which Gibbon had neglected, will not be denied; but it is perhaps too early to decide whether the reaction has not, like most reactions, been carried to extravagance, and whether in its general features the estimate of Gibbon is not nearer the truth than some of those which are now put forward to replace it.

Much must no doubt be added to the work of Gibbon in order to bring it up to the level of our present knowledge; but there is no sign that any single work is likely to supersede it or to render it useless to the student; nor does its survival depend only or even mainly on its great literary qualities, which have made it one of the classics of the language. In some of these qualities Hume was the equal of Gibbon and in others his superior, and he brought to his history a more penetrating and philosophical intellect and an equally calm and unenthusiastic nature; but the study which Hume bestowed on his subject was so superficial and his statements were often so inaccurate, that his work is now never quoted as an authority. With Gibbon it is quite otherwise. His marvelous industry, his almost unrivaled accuracy of detail, his sincere love of truth, his rare discrimination and insight in weighing testimony and in judging character, have given him a secure place among the greatest historians of the world.

His life lasted only fifty-six years; he died in London on January 15th, 1794. With a single exception his history is his only work of real importance. That exception is his admirable autobiography. Gibbon left behind him six distinct sketches, which his friend Lord Sheffield put together with singular skill. It is one of the best specimens of self-portraiture in the language, reflecting with pellucid clearness both the life and character, the merits and defects, of its author. He was certainly neither a hero nor a saint; nor did he possess the moral and intellectual qualities that dominate in the great conflicts of life, sway the passions of men, appeal powerfully to the imagination, or dazzle and impress in social intercourse. He was a little slow, a little pompous, a little affected and pedantic. In the general type of his mind and character he bore much more resemblance to Hume, Adam Smith, or Reynolds, than to Johnson or Burke. A reserved scholar, who was rather proud of being a man of the world; a confirmed bachelor, much wedded to his comforts though caring nothing for luxury, he was eminently moderate in his ambitions, and there was not a trace of passion or enthusiasm in his nature. Such a man was not likely to inspire any strong devotion. But his temper was most kindly, equable, and contented; he was a steady friend, and he appears to have been always liked and honored in the cultivated and uncontentious society in which he delighted. His life was not a great one, but it was in all essentials blameless and happy. He found the work which was most congenial to him. He pursued it with admirable industry and with brilliant success, and he left behind him a book which is not likely to be forgotten while the English language endures.