GOZZI AND HIS FRIENDS' ADVENTURE IN THE CAFÉ LUNA
Original Etching by Ad. Lalauze

 
 
 
  GOZZI AND HIS FRIENDS' ADVENTURE IN THE CAFÉ LUNA Original Etching by Ad. Lalauze

We reached the theatre and entered the box. The blonde gave her whole attention to the play. My friend did not suffer the idol of my heart to listen to a syllable. He kept on breathing into her ear a torrent of seductive poisonous trash. What it was all about I knew not, though I saw her turning red{61} and losing self-control. I chafed with rage internally, but pretended to follow the comedy, of which I remember nothing but that it seemed to be interminable. When it was over, we repaired to the Luna—as before, in couples—my friend with my mistress, I with the blonde. I never caught a syllable of the stuff which he dribbled incessantly into his companion's ears. Supper was ordered; a room was placed at our disposal, and candles lighted. My friend, meanwhile, never interrupted his flood of eloquence.

[What ensued justified Gozzi in believing that the lady whom he loved was capable of misconducting herself, and that his friend was ready to take advantage of her levity. While he was chewing the bitter root of disillusionment, she provoked an outburst of jealousy which exposed the situation.]

The ruthless woman came up to me with friendly demonstrations. One of those blind impulses, which it is impossible to control, made me send her reeling three steps backwards. She hung her head, confused with chagrin. My friend looked on in astonishment. The blonde opened her eyes and mouth as wide as she was able. I pulled myself together, ashamed perhaps at having shown my anger; then, as though nothing had happened, I began to complain of the host; "why did he not bring our supper? it was getting late, and the ladies ought to be going home." I noticed that my mistress{62} shed some furtive tears. Just then the supper was served, and we sat down to table. For me it was nothing better than the banquet of Thyestes. Still I set myself to abusing the comedy, which I had not heard, and the host, and the viands, swallowing a morsel now and then, which tasted in my mouth like arsenic. My friend betrayed a certain perplexity of mind; yet he consumed the food without aversion. My mistress was gloomy, and scarcely raised a mouthful to her lips with trembling fingers. The blonde fell too with a good appetite, and partook of every dish. When the bill was paid, we conducted the ladies back to their house, and wished them good-night.

No sooner were we alone together, than my friend turned to me and said: "It is all your fault. You denied that you were intimate with that young woman. Had you confessed the truth to your friend, he would have respected your amour. It is your fault, and the loss is yours." "What I told you, was the truth," I answered: "but permit me now to tell you another truth. I am sure that she consented to join our company, relying upon me, and on my guarantee—which I gave at your request—that we were honourable men, to whom she could commit herself with safety. I cannot regard it as honourable in a friend to wheedle his comrade into playing the ignoble part which you have thrust upon me." "What twaddle!" exclaimed he. "Between friends{63} such things are not weighed in your romantic scales. True friendship has nothing to do with passing pleasures of this nature. You have far too sublime a conception of feminine virtue. My opinion is quite different. The most skilful arithmetician could not calculate the number of my conquests. I take my pastime, and let others take theirs." "If a ram could talk," I answered, "and if I were to question him about his love-affairs with the ewes of his flock, he would express precisely the same sentiments as yours." "Well, well!" he retorted: "you are young yet. A few years will teach you that, as regards the sex you reverence, I am a better philosopher than you are. That little blonde, by the way, has taken my fancy. The other woman told me where she lives. To-morrow I mean to attack the fortress, and I will duly report my victory to you." "Go where you like," I said: "but you won't catch me again with women at the play or in a restaurant."

He retired to sleep and dream of the blonde. I went to bed with thoughts gnawing and a tempest in my soul, which kept me wide-awake all night. Early next morning my friend took his walks abroad, and at dinner-time he returned to inform me with amazement that the blonde was an inhuman tigress; all his artifices had not succeeded in subduing her. "She may thank heaven," he continued, "that I must quit Venice to-night. The prudish chatter-box has put me on my mettle. I should like to see{64} two days pass before I stormed the citadel and made her my victim." He went away, leaving me to the tormenting thoughts which preyed upon my mind.

I was resolved to break at once and for ever with the woman who had been my one delight through a whole year. Yet the image of her beauty, her tenderness, our mutual transports, her modesty and virtue in the midst of self-abandonment to love, assailed my heart and sapped my resolution. I felt it would be some relief to cover her with reproaches. Then the remembrance of the folly to which she had stooped, almost before my very eyes, returned to my assistance, and I was on the point of hating her. Ten days passed in this contention of the spirit, which consumed my flesh. At last one morning the pebble flew into my chamber. I picked it up, without showing my head above the window, and read the scroll it carried. Among the many papers I have committed to the flames, I never had the heart to burn this. The novel and bizzarre self-defence which it contains made it too precious in my judgment. Here, then, I present it in full. Only the spelling has been corrected.

"You are right. I have done wrong, and do not deserve forgiveness. I cannot pretend to have wiped out my sin with ten days of incessant weeping. These tears are sufficiently explained by the sad state in which my husband has returned from Padua, reduced to the last extremity. They will therefore appear{65} only fitting and proper in the sight of those who may observe them. Alas! would that they were simply shed for my poor dying husband! I cannot say this; and so I have a double crime to make me loathe myself.

"Your friend is a demon, who carried me beyond my senses. He persuaded me that he was so entirely your friend, that if I did not listen to his suit I should affront you. You need not believe what seems incredible; yet I swear to God that he confused me so and filled my brain with such strange thoughts that I gave way in blindness, thinking I was paying you a courtesy, knowing not what I was doing, nor that I was plunging into the horrible abyss in which I woke to find myself the moment after I had fallen.

"Leave me to my wretchedness, and shun me. I am unworthy of you; I confess it. I deserve nothing but to die in my despair. Farewell—a terrible farewell! Farewell for ever!"

I could not have conceived it possible that any one should justify such conduct on such grounds. Yet the letter, though it did not change my mind, disturbed my heart. I reflected on her painful circumstances, with her husband at the point of death. It occurred to me that I could at least intervene as a friend, without playing the part of lover any more. Yet I dared not trust myself to meet the woman who for a whole year had been the object of my{66} burning passion. At the cost of my life, I was resolved to stamp out all emotions for one who had proved herself alien to my way of thinking and of feeling about love. Moreover, I suspected that she might be exaggerating the illness of her husband, in order to mollify me. I subdued my inclinations, and refrained from answering her letter or from seeing her.

The fact is that I soon beheld the funeral procession of her husband pass beneath my windows, with the man himself upon the bier. I could no longer refuse credence to her letter.

This revived my sympathy for the unhappy, desolate, neglected beauty. I was still hesitating, when I met a priest of my acquaintance who told me that he was going to pay a visit of condolence to the youthful widow. "You ought to come with me," said he. "It is an act of piety toward one of your neighbours." I seized the occasion offered, and joined company with the priest.

I found her plunged in affliction, pale, and weeping. No sooner did she set eyes upon me, than she bent her forehead and abandoned herself to tears. "With the escort of this minister of our religion," I began, "I have come to express my sincere sorrow for your loss, and to lay my services at your disposal." Her sobs redoubled; and without lifting her eyes to mine, she broke into these words: "I deserve nothing at your hands." Then a storm of crying and{67} of sobs interrupted her utterance. My heart was touched. But reason, or hardness, came to my aid. After expressing a few commonplaces, such as are usually employed about the dead, and renewing my proffer of assistance, I departed with the priest.

A full month elapsed before I set eyes on her again. It chanced that I had commissioned a certain tailoress to make me a waistcoat. Meeting me in the road, this woman said that she had lost my measure, and asked whether I would come that evening and let her measure me again. I went, and on entering a room, to which she introduced me, was stupefied to find my mistress sitting there in mourning raiment of black silk.[7] I swear that Andromache, the widow of Hector, was not so lovely as she looked. She rose on my approach, and began to speak: "I know that you have a right to be surprised at my boldness in seeking an occasion to meet with you. I hesitated whether I ought or ought not to communicate a certain matter to you. At last I thought that I should be doing wrong unless I told you. I have received offers of marriage from an honest merchant. You remember what I told you about my father; and now he is moving heaven and earth to get me under his protection with my little property. I sought this opportunity of speaking with you, merely that{68} I might be able to swear to you by all that is most sacred, that I would gladly refuse any happiness in this life for the felicity of dying in the arms of such a friend as you are. I am well aware that I have forfeited this good fortune; how I hardly know, and by whose fault I could not say. I do not wish to affront you, nor yet the intriguer whom you call your friend; I am ready to take all the blame on my own shoulders. Accept, at any rate, the candid oath which I have uttered, and leave me to my remorseful reflections." Having spoken these words, she resumed her seat and wept. Armed as I was with reason, I confess that she almost made me yield to her seductive graces. I sat down beside her, and taking one of her fair hands in mine, spoke as follows, with perfect kindness: "Think not, dear lady, that I am not deeply moved by your affliction. I am grateful to you for the stratagem by which you contrived this interview. What you have communicated to me with so much feeling not only lays down your line of action; it also suggests my answer. Let us relegate to the chapter of accidental mishaps that fatal occurrence, which will cause me lasting pain, and which remains fixed in my memory. Yet I must tell you that I cannot regard you, after what then happened, as I did formerly. Our union would only make two persons miserable for life. Your good repute with me is in a sanctuary. Accept this advice then from a young man who will be your good friend{69} to his dying day. Strengthen your mind, and be upon your guard against seducers. The opportunity now offered is excellent; accept at once the proposals of the honest merchant you named to me, and place yourself in safety under his protection."

I did not wait for an answer; but kissed her hand, and took my leave, without speaking about my waistcoat to the tailoress. A few months after this interview she married the merchant. I saw her occasionally in the street together with her husband. She was always beautiful. On recognising me, she used to turn colour and drop her eyes. This is as much as I can relate concerning my third lady-love. It came indeed to my ears, from time to time, without instituting inquiries, that she was well-conducted, discreet, exemplary in all her ways, and that she made an excellent wife to her second husband.

XXXV.

Reflections on the matter contained in the last three chapters, which will be of use to no one.

These three love-affairs, which I have related in all their details, and possibly with indiscreet minuteness, taught me some lessons in life. I experienced them before I had completed my twenty-second year. They transformed me into an Argus, all vigilance{70} in regard to the fair sex. Meanwhile I possessed a heart in some ways differing from the ordinary; it had suffered by the repeated discovery of faithlessness in women—how much I will not say; it had suffered also by the brusque acts of disengagement, which my solid, resolute, and decided nature forced upon me. The result was that I took good care to keep myself free in the future from any such entanglements.

I was neither voluptuous by temperament nor vicious by habit. My reflective faculties controlled the promptings of appetite. Yet I took pleasure in female society, finding in it an invariable source of genuine refreshment. With the exception of some human weaknesses, of no great moment, to which I yielded in my years of manhood, I have always continued to be the friend and observer of women rather than their passion-blinded lover.

The net result of my observations upon women is this. The love which most of them pretend for men, springs mainly from their vanity or interest. They wish to be surrounded by admirers. They are ambitious to captivate the hearts and heads of people of importance, in order to reign as petty queens, to take the lead, to exercise power, to levy contributions. Or else they ensnare slaves devoted to them, free-handed managers of theatres, men who will give them the means at balls, at petits soupers, at country-houses, at great entertainments, to eclipse{71} their rivals, to acquire new lovers, and to betray their faithful servant, their credulous accomplice in this game of fashion. Again, they are sometimes spreading nets to catch a complaisant husband, who will support them in their intrigues.

I was not born to pay court. My position in the world was not so eminent as to secure a woman's triumph by my influence. I was neither wealthy enough nor extravagant enough to satisfy a woman's whims in those ridiculous displays which make her the just object of disdainful satire. I had no inclination to ruin myself either in my fortune or in my health. I had conceived a sublime and romantic ideal of the possibilities of love. Matrimony was wholly alien to my views of liberty. The consequence was that, after these three earliest experiences, I regarded the sex with eyes of a philosopher.

I enjoyed the acquaintance of many women in private life, and of many actresses, remarkable for charm and beauty. Holding the principles I have described, I found them well contented with my manners of behaviour. They showed themselves capable of honourable, grateful, and constant friendship through a long course of years. In truth, it is in the main to men—to men who flatter and caress the innate foibles of women, their vanity, their tenderness, their levity, that we must ascribe the frequency of female frailties.

In conclusion, I will lift my voice to affirm this{72} truth about myself. Without denying that I have yielded, now and then, but rarely, to some trivial weakness of our human nature, I protest that I have never corrupted a woman's thoughts with sophisms. I have never sapped the principles of a sound education. I have never exposed the duties and obligations of their sex to ridicule, by clothing license with the name of liberty. I have never stigmatised the bonds of religion, the conjugal tie, modesty, chastity, decent self-respect, with the title of prejudice—reversing the real meaning of that word, as is the wont of self-styled philosophers, who are a very source of infection to the age we live in.

Here, then, I leave with you the candid and public confession of my loves.[8] I have related the circumstances of my birth, my education, my travels, my friendships, my engrossing occupations, my literary quarrels, my amorous adventures. It is for you to take them as you find them. I have written them down at the dictation of mere truth. They are useless, I know, and I only publish them in obedience to the virtue of humility.{73}

XXXVI.

On the absurdities and contrarieties to which my star has made me subject.

I wrote the useless memoirs of my life in 1780, down to the age I had attained in that year; but now that I still find myself alive in 1797, the vice of scribbling being in my case incorrigible, I am wasting some more pages on useless memoirs subsequent to that date, and am giving these in their turn to the public from a motive of humility.

If I were to narrate all the whimsical absurdities and all the untoward accidents to which my luckless star exposed me, I should have a lengthy business on my hands. They were of almost daily occurrence. Those alone which I meekly endured through the behaviour of servants in my employ, would be enough to fill a volume, and the anecdotes would furnish matter for madness or laughter.

I will content myself with mentioning one singularity, which was annoying, dangerous, and absurd at the same time. Over and over again have I been mistaken by all sorts of people for some one not myself; and the drollest point is that, in spite of their obstinate persistence, I was not in the least like the persons they took me for. One day I met{74} an old artisan at San Pavolo, who ran to meet me, bent down and kissed the hem of my garment with tears, thanking me with all his heart for having been the cause of liberating his son from prison through my influence. I told him firmly that he did not know me, and that he was mistaking me for some one else. He maintained with great warmth and assurance that he knew me, and that I was his kind master Paruta. I perceived that he took me for a Venetian patrician of that name, but I vainly strove to disabuse him. The good man, thinking perhaps that I denied the title of Paruta in order to escape his thanks, followed me a long way with a perfect storm of blessings, vowing to pray to God until his dying day for my happiness and for that of the whole Paruta family. I asked a friend who knew the nobleman in question if I resembled him. He replied that Paruta was lean, tall, very lightly built, with thin legs and a pale face, and that he had not the least similarity to me.

Everybody knows or did know Michele dall'Agata, the celebrated impresario of the opera;[9] it is notorious that the fellow was a good span shorter than me, two palms broader, and wholly different in dress and personal appearance. Well, through a tedious course of years, as long as this man lived, it was my misfortune to be stopped upon the road almost every{75} day, by singers and dancers of both sexes, by chapel-masters, tailors, painters, letter-carriers, &c., all of whom mistook me for Michele. I had to listen to interminable complaints, lengthy expressions of gratitude, inquiries after lodgings, grumblings about meagre decorations and scanty wardrobes. From the letter-carriers I had, over and over again, to refuse letters and parcels addressed to Michele dall'Agata, screaming, protesting, swearing that I was not Michele. All these persons, when they reluctantly at last took leave, turned back from time to time and stared at me, like men bereft of sense, showing their firm conviction that I was Michele, who had reasons for not wishing to appear Michele. One summer, on reaching Padua, I learned that Signora Maria Canziani, an excellent and well-conducted dancer, and my good friend, had lately been confined. I wished to pay her a visit, and inquired from a woman at her lodgings if I might be introduced into her room. She responded with these words addressed to her mistress: "Madam, Signor Michele dall'Agata is waiting outside, and would like to offer his respects to you." When I entered the apartment, poor Canziani burst into such peals of laughter at the woman's blunder that I thought she must have died. Having paid this visit, I chanced to meet the celebrated professor of astronomy, Toaldo, on the bridge of San Lorenzo. He knew me perfectly, and I knew him as well. I bowed; he looked me in the face,{76} lifted his hat with gravity, and passed onwards, saying: "Addio Michele!" The continual persistence of this error almost brought me to imagine that I was Michele. If Michele had earned the ill-will of brutal and revengeful enemies, this mistaken identity would certainly have been for me no laughing matter.

One very hot evening, when the splendour of the moon was turning night into day, I went abroad to take the air, and was conversing with the patrician Francesco Gritti on the piazza of San Marco. I heard a voice behind me saying: "What are you doing here at this hour? Why don't you go to bed and sleep, you ass?" These words were accompanied with two smart raps upon my back. I turned to resent the affront, and found myself facing the patrician Cavaliere Andrea Gradenigo, who gazed fixedly at me, and then exclaimed: "Pray pardon me! I could have sworn that you were Daniele Zanchi." Some explanations and excuses followed regarding the cuffs and the title of ass, which I had got through being taken for a Daniele. The cavaliere, it seems, was familiar enough with this fellow to call him ass and give him a couple of thwacks in sign of amicable pleasantry.

Not less whimsical was the following incident of the same description. I happened to be talking one very fine day with my friend Carlo Andrich on the Piazza di San Marco, when I observed a Greek, with{77} mustachios, long coat, and red cap, who had with him a boy dressed in the same costume. When he saw me, the Greek ran up to us, exhibiting ecstatic signs of joy. After embracing and kissing me with rapture, he turned to the boy and said: "Come, lad, and kiss the hand here of your uncle Costantino." The boy seized and kissed my hand. Carlo Andrich stared at me; I stared at Carlo Andrich: we were like a pair of images. At length I asked the Greek for whom he took me. "What a joke!" said he; "aren't you my dear friend Costantino Zucalà?" Andrich held his sides to save himself from bursting, and it took me seven minutes to persuade the Greek that I was not Signor Constantino Zucalà. On making inquiries with people who knew Signor Zucalà, I was assured that this worthy merchant was a short fat man, without one grain of resemblance to myself.

I shall probably have wearied out my readers by relating the hundredth part of such occurrences. I will now glance at the hundredth part of the contretemps which were continually annoying me.

In winter or in spring, in summer or in autumn, the same thing always happened. If I chanced to be caught by some sudden unexpected downpour, I might kick my heels as long as I liked under a colonnade or in a shop, waiting till the rain stopped and I could get home dry; but not on one single occasion did I ever have the consolation of seeing{78} out the deluge; on the contrary, it invariably redoubled in fury, as though to spite me. Goaded at last by the nuisance of this eternal useless waiting, fretful and eager to find myself at home, I exposed myself in all meekness to the deluge, and reached my dwelling wet to the skin, dripping with water. But no sooner had I arrived in this pitiful plight, unlocked the door, and taken shelter, than the clouds rolled by and the sun began to show his face, just as though he meant to laugh at my discomfort.

Eight times out of ten, through the whole course of my life, when I hoped to be alone, and to occupy my leisure with reading or writing for my own distraction and amusement, letters or unexpected visitors, more tiresome even than worrying thoughts or importunate letters, would come to interrupt me and put my patience on the rack. Eight times out of ten, since I began to shave, no sooner had I set myself before the looking-glass, than people arrived in urgent haste to speak with me on business, or persons of importance, whom I could not keep waiting in the ante-chamber. I had to wash the soap-suds from my face, and leave my room half-shaved, to listen to such folk on business, or to people of quality whom good manners forced me to oblige.

What I am going to relate is hardly decent, yet I shall tell it, because it is the simple truth, and furnishes a good example of these persecuting contrarieties. Almost every time when a sudden{79} necessity has compelled me to seek some lonely corner in a street, a door is sure to open, and a couple of ladies appear. In a hurry I run up another blind alley, and lo and behold another pair of ladies make their entrance on the scene. The result is, that I am compelled to dodge from pillar to post, suffering the gravest inconveniences, to which my modesty exposes me. These, however, are but trifles, mere irritating gnat-bites.

Those who have the patience to read the remaining chapters of my insipid Memoirs, will admit that the evil star of these untoward circumstances never ceased to plague me. Certainly the troubles in which poor Pietro Antonio Gratarol, for whom I was sincerely sorry, involved me by his strange behaviour, were not slight or inconsiderable.

I think that the following incident is sufficiently comic to be worth narration. I was living in the house of my ancestors, in the Calle della Regina at S. Cassiano. The house was very large, and I was its sole inhabitant; for my two brothers, Francesco and Almorò, had both married and settled in Friuli, leaving me this mansion as part of my inheritance. During the summer months, when people quit the city for the country, I used also to visit Friuli. I was in the habit of leaving the keys of my house with a corn-merchant, my neighbour, and a very honest man. It chanced one autumn, through one of the tricks my evil fortune never ceased to play,{80} that rains and inundations kept me in Friuli longer than usual, far indeed into November. Snow upon the mountains, and the winds which brought fine weather, caused an intense cold. I travelled toward Venice, well enveloped in furs, traversing deep bogs, floundering through pitfalls in the road, and crossing streams in flood. At last, one hour after nightfall, I arrived, half dead with the discomforts of the journey, congealed, fatigued, and wanting sleep. I left my boat at the post-house near S. Cassiano, made a porter shoulder my portmanteau, and a servant take my hat-box under his arm. Then I set off home, wrapped up in my pelisse, all anxiety to put myself into a well-warmed bed. When we reached the Calle della Regina, we found it so crowded with people in masks and folk of all sexes, that it was quite impossible for my two attendants with their burdens to push a way to my house-door. "What the devil is the meaning of this crowd?" I asked a bystander. "The patrician Bragadino has been made Patriarch of Venice to-day," was the man's reply. "They are illuminating and keeping open-house; doles of bread, wine, and money are being given to the people for three days. This is the reason of the enormous crowd." On reflecting that the door of my house was close to the bridge by which one passes to the Campo di Santa Maria Mater Domini, I thought that, by making a turn round the Calle called del Ravano, I{81} might be able to get out into the Campo, then cross the bridge, and effect an entrance into my abode.[10] I accomplished this long detour together with the bearers of my luggage; but when I reached the Campo, I was struck dumb with astonishment at the sight of my windows thrown wide open, and my whole house adorned with lustres, ablaze with wax-candles, burning like the palace of the sun. After standing half a quarter of an hour agaze with my mouth open to contemplate this prodigy, I shook myself together, took heart of courage, crossed the bridge, and knocked loudly at my door. It opened, and two of the city guards presented themselves, pointing their spontoons at my breast, and crying, with fierceness written on their faces: "There is no road this way." "How!" exclaimed I, still more dumbfounded, and in a gentle tone of voice: "why can I not get in here?" "No, sir," the terrible fellows answered; "there is no approach by this door. Take the trouble to put on a mask, and seek an entrance by the great gate which you see there on the right hand, the gate of the Palazzo Bragadino. Wearing a mask you will be permitted to pass in by that door to the feast." "But supposing I were the{82} master of this house, and had come home tired from a journey, half-frozen, and dropping with sleep, could I not get into my own house and lay myself down in my bed?" This I said with all the phlegm imaginable. "Ah! the master?" replied those truculent sentinels: "please to wait, and you will receive an answer." With these words they shut the door stormily in my face. I gazed, like a man deprived of his senses, at the porter and the servant. The porter, bending beneath his load, and the servant looked at me like men bewitched. At last the door opened again, and a majordomo, all laced with gold, appeared upon the threshold. Making many bows and inclinations of the body, he invited me to enter. I did so, and passing up the staircase, asked that reverend personage what was the enchantment which had fallen on my dwelling. "So! you know nothing then?" he answered. "My master, the patrician Gasparo Bragadino, foreseeing that his brother would be elected Patriarch, and wanting room for the usual public festival, was desirous of uniting this house to his own by a little bridge of communication thrown across the windows. The scheme was executed with your consent. It is here that a part of the feast is being celebrated, and bread and money thrown from the windows to the people. All the same, you need not fear lest the room in which you sleep has not been carefully reserved and closed with scrupulous attention. Come with me, come with me, and you{83} shall soon see for yourself." I remained still more confounded by this news of a permission, which no one had demanded, and which I had not given. However, I did not care to exchange words with a majordomo about that. When I came into the hall, I was dazzled by the huge wax-candles burning, and stunned by the servants and the masks hurrying to and fro and making a mighty tumult. The noise in the kitchen attracted me to that part of the house, and I saw a huge fire, at which pots, kettles, and pipkins were boiling, while a long spit loaded with turkeys, joints of veal, and other meats, was turning round. The majordomo ceremoniously kept entreating me, meanwhile, to visit my bedroom, which had been so carefully reserved and locked for me. "Please tell me, sir," I said, "how late into the night this din will last?" "To speak the truth," he answered, "it will be kept up till daybreak for three consecutive nights." "It is a great pleasure to me," I said, "to possess anything in the world which could be of service to the Bragadino family. This circumstance has conferred honour on me. Pray make my compliments to their Excellencies. I shall go at once to find a lodging for the three days and three consecutive nights, being terribly in need of rest and quiet." "Out upon it!" replied the majordomo, "you really must stay here, and take repose in your own house, in the room reserved with such great care for you." "No, certainly not," I said. "I thank you for your{84} courteous pains in my behalf. But how would you have me sleep in the midst of this uproar? My slumber is somewhat of the lightest." Then, bidding the porter and the servant follow me, I went to spend the three days and the three consecutive nights in patience at an inn.

Having slept off my fatigue that night, I paid a visit of congratulation to the Cavaliere Bragadino on the elevation of his brother to the Patriarchate. He received me with the utmost affability; expressed annoyance at what he had learned from his majordomo, and told me with the most open candour that the patrician Count Ignazio Barziza had positively dispatched a courier with a letter to me in Friuli, begging permission to use my mansion for the feast-days of the Patriarch, and that I had by my answer given full consent. To this I replied that in truth I had seen neither messenger nor letters, but that he had done me the greatest pleasure by making use of my poor dwelling. Wishing higher honours to his family, I added that if such should befall, without seeking the intervention of Count Barziza, he was at liberty to throw my doors and windows open and freely to avail himself of my abode. Take this affair as you choose, it earned for me the estimable good-will of the patrician Bragadino, caused me to sojourn three days and three nights in an inn, and gave me occasion to relate one of my innumerable contretemps.{85}

If I were to expand this chapter with an account of all the contrarieties I suffered as a house-owner in Venice, it would grow into a volume.[11] Having to reside in the city, I judged it prudent to take our property there in exchange for some farms in Friuli. I very soon perceived that the advantage of this barter fell to my brothers Francesco and Almorò. My tenants refused to pay their rents, and made perpetual demands for alterations and repairs. Masons, carpenters, glaziers, smiths, pavement-layers, emptiers of cesspools, ate up a third of my revenues. Lawsuits to recover arrears devoured a large part of the remaining two-thirds. Bad debts, empty houses, and taxes reduced the total to a bare fifth. Beside this annual loss to my pocket, I was driven to my wits' ends by the vagaries of the tenants.

I will select two examples. One day a woman of respectable appearance came, and asked for the lease of an empty house I had on the Giudecca. I granted her request, and she paid the first instalment of her rent. After this first payment, all my clamours, demands for arrears, and menaces were thrown to the winds. She actually inhabited my house for three years, and discharged her obligations with the coin of promises and sometimes insults. I offered to make her a free present of her debt if she would only decamp. This roused her to a state of fury.{86} "Was she not a woman of honour?" she exclaimed: "she was wont to pay up punctually, and not to accept alms." At last I had recourse to the Avvogadori, one of whom sent for the woman, endured her chatter, and intimated that she must give the house up at the expiration of eight days. Accordingly, I went to take possession of my property; but no!—there was the woman, comfortably ensconced with her own family, as though the house belonged to her. Again I applied to the court. Bailiffs were dispatched, who turned my tenants with their furniture into the streets. The keys of the house were placed in my hands, and I crossed over to the Giudecca to inspect the damaged tenement, of which, at last, I felt myself once more the owner. Vain error! That heroic woman, at the head of her family, had scaled the walls of the fortress by a ladder, entered through a window, and encamped herself in the middle of the conquered citadel. I need not add that I finally got rid of this tormenting gadfly. But what a state the house was in! No locks, no bolts, no doors, no windows; everything reduced to desolation.

On another occasion I happened to have a house empty at S. Maria Mater Domini. One morning a man, who had the dress and appearance of a gondolier, presented himself. He informed me that he was a gondolier in the service of a cittadino at S. Jacopo dall'Orio. His own abode was at S. Geremia; and the great distance from his master's dwelling made{87} his service difficult. My house at S. Maria would exactly suit him; the money for the first instalment of the rent was ready, if I would take him as a tenant. "What is your name?" I asked. "Domenico Bianchi." "And your master's?" "Signor Colombo." "Very well," said I; "I shall make inquiries of your master; for I have so often got into hot water that I am even afraid of cold." He urged me not to postpone matters; his wife was expecting her confinement every hour; it was of the utmost importance that he should be able to install her at once in their new abode. "Well, well," said I, "you don't suppose that she will be laid-in this afternoon, do you? I will go to Signor Colombo after dinner; and if his report of you is satisfactory, you may take the keys as early as you like to-morrow." "You are right," replied the fellow; "although I know myself to be an honest man, I do not pretend that you should not inquire into my character. Only pray be quick about the business."

With this he went away; but scarcely had I dined, when the gondolier reappeared, leading by the hand a young woman. Half in tears, he began as follows: "Here is my poor wife in the first pangs of labour. For the love of Jesus, let us into your house. I am afraid it is already too late, and that she will be confined upon the street." As a matter of fact, the young person showed by her figure, and by the extraordinary contortions of her face and body,{88} that what he said was the truth. Mortally afraid that she might not be able to leave my mansion, I rushed to the writing-table, scribbled out an agreement, took the customary month's payment, and sent the couple off with the keys of my house.

Some weeks later on, the parish priest of S. Maria arrived all fuming with excitement, and cried out: "To whom the devil have you let your house in such-and-such a street?" "To a certain Domenico Bianchi, the gondolier of the Colombo family, whose wife was on the point of being confined." "What Domenico Bianchi? What Colombo? What gondolier? What wife?" exclaimed he in still greater heat. "The fellow keeps a disorderly house; and she is one of his hussies. When they came to you, she had a cushion stuffed beneath her clothes. They sell wine, draw all the disreputable people of the quarter together, and are the scandal of my parish. If you do not immediately get rid of the nuisance, you will be guilty of a mortal sin." I calmed him down, and made him laugh by the account I gave him of my interview with the soi-disant married couple. Then I promised to dislodge the people on the spot.

This was sooner said than done. I first applied to the Avvogadori, who washed their hands of the affair. Then I begged the priest to lay an information before the Esecutori contro la Bestemmia.[12] He positively{89} refused, telling me that loose women were only too powerfully protected at Venice, and that he had already burned his fingers on a previous occasion by proceeding against a notorious evil-liver. It was no business of his, and I must get out of the scrape as well as I could.

To cut the story short, I was eventually relieved by my friend Paolo Balbi, who applied the following summary but efficacious remedy. "I informed Messer Grande of your affair,"[13] said Balbi, while explaining his proceedings: "he, as you are well aware, commands the whole tribe of constables and tipstaves; and I begged him to find some way of ousting the canaille from your house. Messer Grande dispatched one of his myrmidons, one who knows these hussies, to tell them, under the pretext of a charitable warning, that the chief of the police had orders to take them all up and send them handcuffed to prison. In their fright, the nest of rogues dispersed and left the quarter." After laughing heartily over the affair, and thanking my good friend, I walked home, reflecting deeply on red tape in public offices, perversions of legal justice, and the high-handed proceedings of that generous and expeditious judge, Messer Grande. [14]

{90}

XXXVII.

A review of the origin and progress of the literary quarrels in which I was engaged.—Also of the foundation of the Accademia Granellesca.—A diatribe on prejudice.—Father Bettinelli.

The introduction to the first volume of my dramatic caprices (published in 1772) gave a sufficiently full account of the dates and origins of my ten Fiabe Teatrali, together with some notice of the literary quarrels which occasioned them.[15] Yet I find it necessary to pass these matters once more in review, since they concerned me not a little for the space of twenty-five years and more, and have consequently much to do with my Memoirs.

Here then are the steps which led me to bring those poetical extravagances on the stage—extravagances which I never sought to value or have valued at more than their true worth—which never had, or have, or will have detractors among real lovers of literature—which always had, and have, and will have the entire population of great cities for their friends—which made, and make, and will for ever make a certain sort of self-styled literati mad{91} with rage—Here then, as I said, are the steps which led me to their publication.

I must begin by confessing three weaknesses, which pertained to my way of looking upon literature.

In the first place, I resented the ruin of Italian poetry, established in the thirteenth century, fortified and strengthened in the fourteenth, somewhat shaken in the fifteenth, revived and consolidated in the sixteenth by so many noble writers, spoiled in the seventeenth, rehabilitated at the end of the last and at the beginning of the present eighteenth century, then given over to the dogs and utterly corrupted by a band of blustering fanatics during the period which we are doomed to live in. These men, who have wrought the ruin I resent by their pretence to be original, by their habit of damning our real masters and institutors in the art of writing as puerile and frigid pedants,—these men who lead the youth astray from solid methods and praiseworthy simplicity, incite them to trample under foot whatever in past centuries was venerated like the angel who conducted young Tobias, hurl them with hungry and devouring intellects into the gulf of entities which have no actual existence—these men, I say, have turned a multitude of hopeful neophytes, if only they were guided by sound principles, into mere visionary fools and the demoniacs of spurious inspiration.

In the second place, I resented the decadence of our Italian language and the usurpations of sheer{92} ignorance upon its purity. Purity of diction I regarded as indispensable to plain harmonious beauty of expression, to felicitous development of thought, to just illumination of ideas, and to the proper colouring of sentiment, especially in works of wit and genius in our idiom.

In the third place, I resented the extinction of all sense for proportion and propriety in style, that sense which prompts us to treat matters sublime, familiar, and facetious upon various planes and in different keys of feeling, whether the vehicle employed be verse or prose. Instead of this, one monstrous style, now bombastically turgid, now stupidly commonplace, has become the fashion for everything which is written or sent to press, from the weightiest of arguments down to the daily letter which a fellow scribbles to his mistress.

Let it not be supposed, however, that my resentment against these literary curses of our century—for such I thought them—ever goaded me beyond my naturally jesting humour. All the compositions I have printed on the topics in dispute, regarding purity of diction, ancient authors, and the corrupters of young minds in Italy, witness to my joviality and coolness in the zeal and ardour of the conflict.

Finally, I must confess that all my endeavours in the good cause, joined to those of others, have been impotent to stem the tide of extravagance, the exaltation of heated brains, the absurdities of so-called{93} philosophical reforms; also, as regards the purity of Italian diction, all that we have said and written has been thrown away. The charlatans have had the upper hand of us, by persuading the vast multitude of working brains that to seek purity in language is a waste of time and hide-bound imbecility, and that to spare the pains of gaining it is a mark of free and liberal talent. The remedy must be left to time and to the inscrutable ebb and flow of fashion, which makes the world at one time eager for the true, at another no less eager for the false, in spite of any human efforts to control it.

It was about the year 1740, when an Academy was founded in Venice by some people of gay humour, versed in literary studies, and amateurs of polish and simplicity and nature. Caprice and chance brought us together. But we followed in the wake of Chiabrera, Redi, Zeno, Manfredi, Lazarini, valiant predecessors in the warfare against those false, emphatic, metaphorical, and figured fashions, which had been introduced like plague-germs by the Seicentisti.[16] This Academy imbued the minds of young men with higher ideas, and fostered the seeds it planted by a generous emulation.

The lively and learned little band happened to alight upon a simpleton called Giuseppe Secchellari, who had been bamboozled by his own vanity and{94} the cozenage of merry knaves agog for fun into thinking himself a man of profound erudition, and who accordingly blackened reams of paper with ineptitudes and blunders so ridiculous that nobody could listen to them without fits of laughter. It was decided to elect this queer fish Prince of the Academy. The election took place unanimously amid shouts of merriment. He was dubbed Arcigranellone, and received the title of Prince of the Accademia Granellesca, by which names he and the club were henceforth to be known.[17]

A solemn coronation of this precious simpleton with a wreath of plums followed in due course. All the Academicians were grouped around him, and nothing could be more burlesque than his proud satisfaction at the honours he received, the air and grace with which he thanked us for some thirty odes and rigmaroles, which were really witty squibs and gibes upon our princely butt, and which he took for panegyrics.

A large arm-chair of antique build and very high, so high that the dwarfish Prince had to take two or{95} three jumps before he leaped into it, was the throne from which he lorded over us. There he sat and swaggered, having been gulled into thinking it the chair of Cardinal Pietro Bembo, that renowned and illustrious author. An owl with two balls in its right claw stood over him, and was the object of his veneration as the crest of the Academy. Perched there aloft, he used to draw from his bosom a roll of papers, and recited in a quavering falsetto some preposterous gibberish or other which he styled a dissertation. After a few lines had been declaimed, the clapping of hands and mocking plaudits of his audience brought him to a pause. Fully persuaded that he had entranced his hearers, he then handed his manuscripts with majestic condescension to the secretary, and bade him enroll them in the archives of the Academy.

When we met together in the heat of summer, iced drinks were handed round to the members; but the prince, to mark his superiority, received a bowl of boiling tea upon a silver salver. In the depth of winter, on the other hand, hot coffee was served out to us and iced water to the Prince. The venerable Arcigranellone, puffed up with this distinction, swallowed the tea in summer and the water in winter, dissolving into sweat or shivering with cold according to the season.

I could not reckon all the pleasantries, for ever new and always witty, which we played off upon{96} our Prince, and which his stupid vanity made him accept as honours. Each time the Academy met, these diversions acted like an antidote to melancholy. And since he never would admit that he was ignorant of anything a member asked, at one time he was made to rhyme extempore, at another to sing a song, and sometimes even to descend and strip to the shirt and fence with a master in the noble art, who rained down whacks with the foil upon his hide and sent him spinning like a peg-top round the room. Arcigranellone as he truly was, the man essayed everything, and never failed to triumph in the deafening derisive plaudits which he raised.

This novel kind of Calandrino,[18] of whom I am sketching a mere outline, served chiefly as a lure to young men who care more for mirth than serious scholarship, and drew them to enroll themselves with zeal beneath the banner of the owl.

When we had amused ourselves enough, at the commencement of our sessions, with the marvellous diatribes, wholly unexpected answers, and harlequinesque contortions of our Arcigranellone, we left him up there alone upon the chair of Bembo, and drew from our portfolios compositions in prose and verse, serious or facetious as the theme might be, but sensible, judicious, elegant in phrase, varied in style, and correct in diction. An agreeable reading{97} followed, which entertained the audience for at least two hours. Each reader, when he had finished his recitation, turned to the Arcigranellone, whose whimsical opinions and distorted reasonings renewed the clatter of tongues and laughter.

This serio-comic Academy had for its object to promote the study of our best old authors, the simplicity and harmony of chastened style, and above all the purity of the Italian tongue. It drew together a very large number of young men emulous of these things; and few foreigners of culture came to Venice without seeking to be admitted to its sessions. I shall not attempt to catalogue the names of its innumerable members. But I may observe that many names might be found upon our books whose owners had no inkling of the fact; for the following reason. Some of our merriest wags used to amuse themselves and the company by inflating the Arcigranellone's vanity with burlesque epistles addressed to him by very exalted personages. These great people wrote to say that, induced by the renown of his learning, wise rule, and sublime administration of his principality, they begged to be inscribed by him upon the list of his fortunate subjects, the Academicians. In this way it came about that Frederick II. of Prussia, the Sultan, the Sophy of Persia, Prester John, and other notables of like eminence, appeared among us on paper. All the members, I ought to mention, had an academical{98} name assigned to them and published by his Magnificence the Prince. I was dubbed the Solitary.

The compositions produced in our Academy were candidly exposed to criticism; and, after receiving polish at the hands of accomplished scholars in the club, many works of style and value, in all kinds of verse and prose, went forth to the world. Serious poems, humorous poems, satires in the manner of Berni, Horatian satires with the masculine and trenchant phrase of ancient Rome, orations on occasions of importance in the State, dissertations in defence of the great masters of Italian literature, commentaries upon Dante, novellettes in graceful diction, familiar letters, volumes of occasional and moral essays, Latin verses and prose exercises, translations from choice books in foreign languages; all these, after passing the review of the Academicians, were sent to press. I need not speak further about what has become common property through publication.

Perhaps I shall be accused by modern innovators of seeking to attach importance to frivolities. That will not hurt me. Those are far more hurt and wounded who allow themselves to be seduced into believing that the works of these same innovators contain things better worth their notice than frivolities—uncouth frivolities, ill-thought, unnatural, and written in a monstrous jargon.

Who could have imagined that a single word,{99} wrested from its proper sense, made common in the mouths of boys and women to denote what does not suit their inclinations, should have the power to turn established rules—based on the experience of sages, and confirmed by ancient usage—all topsy-turvy? This word is nothing more nor less, in naked truth, than—prejudice.[19]

I have just said that the word in question has been wrested from its proper meaning; and I am prepared to maintain this proposition. According to my principles, which will have to bear the shame of being stigmatised as prejudices by the innovators, it is impossible to apply the term 'prejudice' to things which are not only harmless, but beneficial, nay, necessary to the totality of mankind.

Now I am bound to believe that religion and its{100} accessories are beneficial to society and nations. But our new-fangled philosophers have dubbed all these things the prejudices of intellects enfeebled and intimidated by seductive superstition. Consequently, religion, that salutary curb on human passion, has languished and become a laughing-stock.

I am bound to believe that the gallows is beneficial to society, being an instrument for punishing crime and deterring would-be criminals. But our new-fangled philosophers have denounced the gallows as a tyrannical prejudice, and by so doing have multiplied murders on the highway, robberies and acts of sacrilege, a hundred-fold.

I am bound to believe that heroism, probity, good faith and equity are beneficial to society. But our unprejudiced philosophers, who identify felicity with{101} enjoyment and getting hold by any means of what you can, call these virtues mere romantic prejudices. Accordingly, justice has been sold with brazen impudence, knaveries and tricks and treachery have triumphed, and a multitude of simple, innocent, down-trodden creatures, poor in spirit and impoverished in substance, have wept tears of blood.

It was pronounced a musty and barbarous prejudice to keep women at home, for the supervision of their sons and daughters, their hirelings, their domestic service and economy. Immediately, the women poured forth from their doors, storming like Bacchantes, screaming out "Liberty! liberty!" The streets swarmed with them. Their children, servants, daily duties, were neglected. They meanwhile abandoned their vapoury brains to fashions, frivolous inventions, rivalries in games, amusements, loves, coquetries, and all sorts of nonsense which their own caprices and their counsellors, the upstart sages, could suggest. The husbands had not courage to oppose this ruin of their honour, of their substance, of their families. They were afraid of being pilloried with that dreadful word, prejudice.

The law which punishes infanticide with death was styled a prejudice. Good morals, modesty, and chastity received the name of prejudice—enforced, so ran the tale, by bugbears of the Levites and the foolish training of poor superstitious females. What the result was, I blush to record. The infinite advantages{102} conferred upon society and families by these fine philosophical discoveries, and by their triumph over prejudices of the sort I have described, had better remain unwritten.

The few who stood aloof and mocked at fashions—fashions which fade and fall each year like autumn leaves—were quizzed as ignoramuses, blockheads, zanies tainted with the leprosy of prejudice.[20] They passed for stolid, coarse-grained creatures, void of thrill, of sentiment, of taste, of culture, delicacy, and refined perception. Women and men, in one vast herd, became illuminated visionaries. They piqued themselves upon their intuition and originality. They discovered endless harmonies and discords, all imaginary; endless comforts and discomforts, all imaginary; endless imaginary savours, insipidities, depravities in things about them, in furniture, in dress, in colours, in decorations, in the kitchen, in food, in wine, in dressing of the table, all imaginary. They detected elegance or inelegance in every dumb and senseless object: down to the basest of utensils there was nothing which escaped the epithet of elegant. Let thus much be said for truth's sake, with the patience which is needful nowadays in speaking truth to folk infected by the real and not the spurious leprosy of prejudice.

Well, when all the so-called prejudices which I{103} have just described had been put to flight and dissipated by the piercing sunbeams of the innovators, many great and remarkable blessings appeared in their room. These were the blessings of irreligion, of respect and reverence annulled, of justice overturned, of law-courts made the play-ground for flagitious vices, of criminals encouraged and bewept, of heated imaginations, sharpened senses, animalism, indulgence in all lusts and passions, of imperious luxury, with her brood of violent insatiable desires, deceits, intrigues, oppressions, losses of faith and honesty and honour, swindlings, pilferings, bankruptcies, pecuniary straits, base traffickings in sexual bargains, adulteries, the marriage-tie made unendurable and snapped by force or cold collusion.

After such wise, by turning the innocent word 'prejudice' into a weapon of attack against everything which restrained vice, crime, illicit pleasure, violence, and social profligacy—against whatever, in short, rationally deserves to be called prejudice—the human race plunged willingly and universally into a pitiable and apparently immedicable state of pure unvarnished prejudice. And this has been effected by the flattering enthusiasm for curing us of prejudices! Indeed it is fine to notice how that poor word 'prejudice' is bandied about. The folk who suffer from the real disease, and who complain most loudly of its miserable consequences, declare themselves atheists, declaim against what{104} they call prejudice in their sophisticated jargon, while they bless the legitimate, veracious prejudice, which is the fount and source of all the evils over which they weep, lament, and shriek.

Compared with these weighty topics, what follows may appear a trifle hardly worthy of consideration. I allude to the revolution in literary taste attempted by the Jesuit Father, now the Abbé Xavier Bettinelli, together with some other restless spirits. Twisting that unfortunate word 'prejudice' to suit their purpose, they scouted sound studies, established models, correction of style, and the authority of acknowledged masters. All such things were reckoned prejudices by these iconoclasts, who would fain have burned down the temple of Diana in their insolent ambition to be stared at as new stars, original thinkers, independent writers.

Bettinelli, a man not destitute of parts, fecundity, and eloquence, began by preaching to our youth that it was a prejudice to stand at gaze and slumber over our old authors. What good could the study of Dante, Petrarch, and Boccaccio do us now? How could the imitation of their successors in Italian poetry and prose be profitable to us in the middle of the eighteenth century? Students of the good old type he derided as arid word-mongers, who had lost their wits by poring over languid, prosy, frigid models of an antiquated style. To Dante, without understanding him, he condescendingly allowed a few{105} fine verses, a few felicitous images, amid that vast ocean of scurrilities and repulsive barbarisms—the Divine Comedy!

This would-be innovator was possibly justified in his contempt for the fashionable keepsake books of poetry which we call Raccolte.[21] I will not defend them, though much might plausibly be urged in favour of a custom which does no harm, which reflects lustre on noble families, and which affords the rich an opportunity of succouring needy men of letters. However that may be, Bettinelli wrote and published a satire entitled Le Raccolte, which was intended to crush them, and to serve as a specimen of his originality in works of fancy. The Granelleschi had always watched with humorous attention Signor Bettinelli's pranks and gambols, and they now resolved on doing something to sober him down a bit. Two of the best scholars in the Academy, Signor Marco Forcellini and the Abbé Dottore Natale dalle Laste, undertook the task of examining his poem. They had little difficulty in proving that its author, while seeking to pass for a giant of original genius, was nothing better than the servile plagiarist of Ariosto and Boileau. This conclusion they put forth in an essay, entitled "A criticism of the little poem Le Raccolte." It seemed to us, however, that the essay was somewhat serious in style for an Academy which aimed at playfulness. Accordingly, I was{106} commissioned to enliven it with an epistle in a lighter strain. This epistle I wrote, as my poor brains dictated, but with perhaps too much of boldness and asperity. The essay and the epistle were published together in one volume. Meanwhile, my brother Gasparo, indignant that Dante, whose resplendent genius has shed the light of glory upon Italy through so many centuries, should become the butt of a mere seeker after notoriety, wrote his Defence of Dante, which was also printed. Intelligent judges allow that this book is full of truth, and that its arguments are convincingly victorious over Bettinelli's arrogant and puerile scoffings. I am therefore at liberty to say that my brother's Difesa di Dante is a really fine work.

What good came of these polemics? Very little, I am bound to say. Novelties, whether they are really new or only seem to be so, have the power of seducing and exciting innumerable intellects among the mass of those who cannot grasp the truth, but who respond at once to clamorous fanaticism. In number such folk infinitely exceed the small minority who, remaining loyal to truth, seek her even at the bottom of the well into which imposture plunges her.

I have always shared the hardihood of politicians, who dare to raise their minds aloft, and look down from a height upon the lowly vale in which humanity resides. But with this difference: They regard the{107} valley as inhabited by a swarm of insects, whom it is their art to sway, oppress, and drive about in their own interest; nor do they stoop to fraternise with these same insects until death reduces all to one brotherhood. I regard the valley as peopled by creatures of my kith and kindred, making observations on them, laughing at their grotesque gestures, motions, and contortions; then I descend to their level, associate once more with my neighbour, assure him that we are all alike ridiculous, and try to make him laugh at himself no less than at me by the proofs I give him of my proposition.

I do not need to study astronomy in order to discover whether there are planets which control the course of human thought. The natural seeds of levity, inconsistency, ennui, thirst for new sensations, with which our brains are crowded, when they begin to germinate, suffice to change the thoughts of mortals, and occasion fits of fashion, which not all the cables of all the dockyards in the world can check before their course is run. When one fashion is exhausted, the seeds I have described above set others in motion; and without interrogating the stars—unless indeed it be the vogue to do so—any patient student of past history may easily arrive at the conclusion that an unbroken chain of such manias and fits of fashion, due to the same natural causes, have always swayed, and will always sway, the stupidity of man; and man in his stupidity is{108} always blind, always possessed of the assurance that his glance is eagle-eyed.

What our forefathers saw, we see, and our posterity is doomed to see—a constant ebb and flow of opinions, determined in some part by a few bold thinkers, who publish to the world discoveries now useful and now useless, now frivolous and now pernicious. Let not, however, these thinkers flatter themselves that when they have contrived to set a fashion going, their most clamorous supporters will take and stick to it more firmly than they do to the vogue created by the opening of some new magnificent caffè or by Blondi's magazine of novelties, that very phœnix of fashion-makers in things our butterflies of human frailty think the most important.

As regards literature, in the middle of this century, and under the rising sun of Signor Bettinelli, we were condemned to behold a decided change for the worse. All that had been done to restore purity and simplicity, after the decadence of seventeenth-century taste, was swept away by a new and monstrous fit of fashion. The Granelleschi cried out in vain for sound principles and cultivated taste; contended in vain that, Italy being a nation which could boast a mother-language, with its literary usage, its vulgar usage, and its several dialects, reason bade us hold fast by the Della Cruscan vocabulary, and seek to enrich that, instead of disputing its authority. We cried to the winds, and were obliged to look on while{109} the world was deluged with fanatical, obscure, bombastic lucubrations—laboured sophisms, rounded periods with nothing in them, the flimsy dreams of sick folk, sentiments inverted and distorted—and the whole of this farrago indited in a language mixed of all the vernacular dialects, with interlarded bits of the Greek tongue, but above all with so many French words and phrases that our own Italian dictionaries and grammars seemed to have become superfluous.