In the Michaelmas term Martin became a house prefect. He was glad to obtain the position, not only because authority has always some attraction, but also because it brought with it some definite and desirable privileges. No longer need he observe hated bounds, no longer was he obliged to turn up at games if he felt disinclined. Martin now became a person to be consulted, an organiser with a voice in the affairs of a community. Though he was not, like many of Mr Foskett's disciples, fired with a passion for 'running things' indiscriminately and irresponsibly, he quite realised that bossing has its pleasures and possibilities. It was typical of the new situation that he was able to give up playing forward for the house and to obtain a trial as wing three-quarter. He had pace and managed to score in the first game: soon he improved wonderfully and settled down in his position. It struck him that there was a great deal to be said for playing football, even regular, incessant football, when you could choose your own position in the field and play without fear of being sworn at.
Naturally his duties brought him into closer contact with his housemaster and he became intimate with the methodical ways of Mr Berney and the efficient management and culture of his wife. In the evenings he received frequent invitations to the drawing-room, where he would talk about Florence and Botticelli, Oxford and Matthew Arnold. In his younger days he had worshipped Mrs Berney with a flaming devotion. Now he was more critical, but, while he understood the limitations of her culture and suspected her of attending University Extension Lectures in order to be told about the poets, he did not cease to like her. At any rate she did not bubble over with unconvincing enthusiasm, like Mrs Foskett, and she did care in a rather ignorant, muddle-headed, but thoroughly genuine way for the things of art. Martin had of course outdistanced many of her tastes and they would have great arguments about Tennyson and Browning and Swinburne. Mrs Berney, who was deeply religious, could never forgive Swinburne. It seemed strange to Martin that so persistent and so sincere an affection for poetry should be so limited. What did it matter, he asked himself, whether Swinburne liked God or whether he didn't? The point was to him that Swinburne had a great, angry soul and could let himself go. But Mrs Berney insisted that that had nothing to do with it: poetry was the making of a beautiful thing and Swinburne had tried to make ugly things beautiful. Of course Martin urged that poetry consisted in pouring a true thing out of yourself, and then he shocked her by saying he hated the word "beautiful." And so they would be carried away with long arguments on æsthetics, sometimes childish and always futile, for neither realised when they had reached an ultimate or what exactly they were trying to prove. Yet both enjoyed the conversation: Martin was intellectually isolated since Gregson had gone to Oxford, and Mrs Berney always welcomed the appearance of intellectual tastes in the house. Besides, she had sense enough to understand that Martin had made some good suggestions and was armed with a consistent principle of criticism.
The actual work of office was not so pleasing. Heseltine had gone on to Cambridge, where it was hoped that he would be taken in hand, and Rayner was head of the house. Rayner was bigger, stronger, and more reliable than ever and he could keep order successfully without a constant use of penalties: Martin admired him, in spite of his intellectual limitations, and aspired to a similar method of government which should be at once peaceful and efficient. It had occurred that, without becoming 'the boy among boys' or 'the workroom pet' or anything horrible of that sort, it might be possible to avoid irresponsible tyranny. Mainly owing to the influence of his social and political views he had bullied himself into the belief that the workroom would be much better if left alone. What the younger members of the house needed was to be trusted, not beaten. They only fell from virtue's path because so many people were engaged in the task of keeping them straight with whips and scorpions. He had been sickened by the stupid despotism of athletes which had often culminated in acts of cruelty and injustice and he wanted to bring to his work a finer attitude and endeavour. And so it was with the crude, untested idealism of a seventeen-year-old humanist that he approached the formidable task of subduing a fifteen-year-old mob.
The beginning was not auspicious. The trouble began, as trouble always began, with Master J. R. F. Gransby-Williams, a rotund youth with a genius for keeping within the letter of the law. His chief aim in life was to rag, and he worked hard to attain it; but there was a subsidiary ambition to be a nut. Consequently he was very scrupulous about his ties and socks and handkerchiefs; his hair he kept very long and parted with miraculous precision.
During Martin's first prep Granny (for so he was called) showed signs of a cold. He blew his nose perpetually and with skill: the noise was as the blare of trumpets.
"Would you mind moderating your efforts?" suggested Martin from his chair.
"Certainly not," said Granny with supreme urbanity.
It was cheek, and a titter ran round the workroom. Martin had been gifted by nature with an unfortunate capacity for blushing, and he blushed now.
"Don't give me any of that lip or you'll get into trouble," he said without conviction.
"That was not my intention," answered Granny, urbane as ever. "I'm very sorry."
Again there was a titter. Martin blushed and swore inwardly: he knew that he was not beginning well.
A few minutes later one Dickinson said: "Please can we have the window open: there's an awful frowst."
"I suppose so," answered Martin. "It does seem a bit thick in here."
Here was Granny's chance. He sneezed magnificently. "May I go and fetch my overcoat?" he asked mildly.
"Shut up," said Martin.
Granny turned up his collar, blew his nose with gentle persistence, and started to shiver. Others followed his example, and the room began to resound with the chattering of teeth.
Martin felt desperate. What exactly was the right way to deal with this kind of ragging? What would Rayner do? That was where the difficulty lay: the workroom never tried this game with Rayner, so that it was impossible to say what Rayner would have done. Swearing at them wouldn't do: he couldn't swipe the whole company. Besides, there were his ideals. Foolishly he determined to try and work in his idealism under the pretext of a joke: it was a cowardly compromise and it deserved to fail.
"I suppose," he said, "we might take a vote about the window."
There was a genial roar of acclamation.
"Those in favour of keeping it open," he went on} "shove up your hands."
There was much talking and throwing of paper balls. Hoarse whispers such as, 'Jones, you stinker, put your hand down or I'll kill you afterwards,' came to his ears. The counting was complicated by the necessity of disqualifying all those who held up both hands with a view to fraud. When the oppositions were being numbered there were murmurs of: 'Lowsy swine,' 'Frowsters,' and so on. The affair was soundly managed by the mob and a tie resulted, so that Martin had to give a casting vote. Imploring faces were turned towards him: the opening of the window was plainly a matter of life and death to that valetudinarian assembly.
"Keep it open," said Martin, determined to abide by his first order.
There were subdued cheers and moans, nasal snufflings and raucous coughs. Above it all the voice of Granny was heard.
"May I borrow some quinine?" he demanded.
Martin now saw the folly of his actions. The matter had gone too far, he had lost grip, and a tremendous rag was imminent.
"Shut up," he roared with all the authority he could command.
And just then Rayner came in to take his spell of prep. There was an immediate silence. Martin left the room in an agony of despair. What the deuce would Rayner think?
As he sat in his study pretending to read Tacitus the prospect of failure and misery became cruelly imminent. He couldn't make out why the workroom people would shut up for Rayner. Rayner wasn't noted for his severity and didn't make half as much use of the Iron Heel as some of his predecessors in Berney's or contemporaries in other houses. Martin was faced with the eternal paradox of government, that those who can govern do not need to punish, while those who punish do not thereby govern. He had always suspected the common talk about personalities and strong men: but now he began to wonder whether there wasn't something in it after all. Anyhow it seemed that by one action of hesitation he had lost his chance: his prestige was going, and if he once gained a reputation for 'raggability' there would be no more peace. The memory of Barmy Walters and the sordid tumult of his classroom came to him with a new piquancy.
"My God!" he said, "it sha'n't be that." He would have to go for Granny. But how did one go for such a creature? Granny always kept to the letter of the law and protested that he had meant nothing: was one simply to disregard his assertions, to call him a liar? How did Rayner manage? And there were the ideals. Would this method be consonant with the humanism of the new prefecture? It was all immensely difficult.
Later in the evening Rayner came to his study: he was very nice about it.
"I say, old man," he said kindly, "that wasn't a good beginning."
"It certainly wasn't," admitted Martin.
"Granny, I suppose?" asked the other.
"Yes, mainly."
"Well there's only one thing for Master Gransby-Williams. Damp the little beast."
"It's not so easy. He's always on the safe side of the fence. If he swears that he didn't mean what you think he meant, you can't very well do anything."
Rayner smiled.
"Can't you?" he said.
"Well, can you?"
"You jolly well must. Otherwise there'll be no end to it."
"All right, I'll try. But it seems rather rotten."
"Doesn't it strike you as rotten to be ragged by a tick like Granny?"
Martin had to admit that it was.
Three nights later Martin interviewed Granny after prayers. There had been a rag in the prep. A mouse had escaped from Granny's desk and had been the target of many marksmen. The air had been positively black with hurtling dictionaries. The mouse of course escaped and the missiles struck human flesh, compelling recrimination and redress.
"The mouse came out of your desk," said Martin.
"Please, I didn't put it there," whined Granny.
"I don't care. You must have known it was there when you got your books out."
"It may have been asleep," suggested Granny with sudden brilliance.
"Rot!"
"Well, I read in a book that mice sleep fourteen hours out of twenty-four. Anyhow I didn't notice it. It's got to put in its fourteen hours some time."
"The fact remains," said Martin, "that you're responsible for the contents of your desk."
"If another chap puts a mouse in your desk, I don't see——"
Martin was tired of the squalid haggling. But what was he to do? On his own theories, he ought to give Granny the benefit of the doubt and let him go. That was plainly the idealist's course. But there was Rayner's advice: should he yield to the claim of expediency and try it? Suddenly the impudent whine of Granny's voice became intolerable and he determined to be stern.
But the subsequent swiping was, as Granny told the workroom, sketchy and amateurish.
Presently Dickinson knocked at Martin's study.
"Please," he said, "I put that mouse in Gransby-Williams' desk."
Martin, who was just beginning to repent of his fall from idealism, turned upon him in despair. "Why the deuce didn't you own up at once?" he demanded.
"You never asked who did it."
"I did."
"Well, I couldn't hear. There was such a row going on."
That was a stinging retort for Martin: he was certainly getting the worst of it. And Granny was in a strong position, a painfully strong position. Fortunately, however, Martin acted wisely: he was faithful to the new policy, forswore his ideals, and swiped Dickinson. Moreover, his second effort was more thorough, and Dickinson sorrowfully maintained that this talk about sketchy and amateurish methods was a delusion: the blighter, he said, was an artist.
On the next day Granny, the martyr, organised a meeting of protest. Rayner, hearing of it, asked Martin for an explanation.
"That's capital," he said when he had heard the story. "You've been thoroughly unjust, and now you can go on damping Granny with a free conscience. In for a penny, in for a pound."
"I'm sick of the whole business," said Martin.
"Don't be an ass," answered Rayner, and that evening he spoke firmly to Granny. Somehow or other the combined effect of Martin's treatment of Dickinson and Rayner's conversation with Granny led to a change of policy in the workroom.
That night Martin again took prep. As he sat on his dais regarding the victims of his wrath, he was haunted for a moment by the ghost of his murdered ideals; but only for a moment.
And he sat in peace.
During the winter term before he was to go up to Oxford for a scholarship examination Martin felt more than ever isolated. Rayner was a good enough companion for 'brewing' or a casual talk, but he had, distinctly, his limitations. It was only now, when Gregson had gone to Oxford and the light, that Martin realised how much he missed him and how dark and murky was the cave of school life.
There is little satisfaction to be derived from discoveries which cannot be communicated: to find a perfect poem, or, if you are young, a perfect epigram, is good, but to let your friends know you have found it is doubly delightful. And now Martin had to keep his discoveries to himself: if he devised another argument against the existence of God or detected another logical absurdity in Christian dogma there was no one to whom he could declare his joy: if he stumbled in his reading on a thing which pleased him—well, the rest of the house were swine for such a pearl.
Because Martin was treading the path of knowledge alone he was driven by sheer force of necessity into intellectual priggishness and crudity. When he was not engaged in prefectorial work, he tended to become a recluse and to read in his study for long periods at a stretch: and because he had no opposition and no conversation, save the rather mild stimulus of discussing æsthetics with Mrs Berney, he became, as time went on, more violent in his opinions. He often longed for the bitter tongue and incisive reasoning of Gregson, not least when he had completed a course of Shaw's dramas. There was no escape from attendance at chapel and prayers and the wrath always engendered in the sceptic by compulsory religion should have an outlet. Martin, having no one to talk to, was forced to amuse himself with blasphemous imaginings: but even that began to pall.
It was at this point that he became aware of Finney. Until he had become a prefect and learned by experience that the ruler's task is not always the easiest and most enjoyable, he had always adopted the natural attitude to masters. A 'crusher' was just a person whom, if possible, one ragged. If he could hold his own, well and good: if not, he merited contempt, not mercy, and the more he was ragged the better it would be for the world at large. But when Martin discovered from his own experience that to be ragged is torture, he began to regard the doings and sufferings of the masters in a different light. It suddenly struck him, with all the vivid effect of a surprise, that these people were human beings of like passions with himself.
Following quickly on that discovery came the recognition of the fact that Finney was being ragged. Reginald Finney, B.A., had not left Oxford for more than two years, but he had bravely married, and now he lived in a tiny cottage some distance from the school. Every day he bicycled in to take the Upper Fourth, Classical, and to devote occasional hours to the Upper Sixth. In time, of course, he would become a Sixth form master, for he had excellent degrees—two firsts and a 'mention' in the Ireland scholarship. He had lingered at Oxford with a view to a fellowship, but nothing turned up: at last he had been compelled by economic pressure to take the position offered him at Elfrey.
Nothing could have been more disastrous. For twenty years the Upper Fourth had passed a somnolent existence under the direction of an amiable and unassuming cleric. Much to the general disgust the dear old man had, after a severe attack of pneumonia, resigned. In twenty years, as was only natural, the Upper Fourth had become an institution: terms and times continued to change, but the Upper Fourth did nothing of the kind. Fourth-formers came and went in scores, but their successors always managed to keep up the traditions of their inheritance with spirit and success. There would be four or five clever and energetic children, people rising rapidly to the Fifth, Sixth, and university scholarships; then there would be eight or ten inky and unambitious persons who would never get beyond the Fifth. And lastly there would be four or five monsters of seventeen or eighteen who were engaged in getting the greatest possible enjoyment out of their last year at school. Good athletes as a rule, they were popular in their house and merely stayed on till the fatal day of superannuation in order to win cups and caps and enjoy a serene life before disappearing into the dingy office of an uncle or the rough and tumble of a planter's existence. In the days of the amiable cleric the Upper Fourth had been to them Nirvana.
To such a form came Finney, clever, inexperienced, nervous: not even his physique was imposing. He liked and encouraged the clever little boys and made fruitless efforts to bully the ink-stained loafers; he also determined to assault the fortress of the Olympians and to make the great ones work; but he broke his soul upon a rock. When he adjured them to do a little work they smiled in toleration. When he suggested a change in the quantity or quality of their preparation he was politely informed that Mr Foss never expected so much. He then lost his temper, remarked savagely that he wouldn't be bound by the idiosyncrasies of Mr Foss, and dealt out impositions. A schoolmaster cannot afford to lose his temper unless he has complete self-confidence and the will never to retract. Finney had not been gifted with a forceful personality, and the weak man in a temper is a most pitiable sight. The impositions meant the declaration of war and in that war Finney was beaten all along the line.
To begin with, however, he relied on his hours with the Upper Sixth for spiritual comfort, but his own experiences at school should have warned him that even Upper Sixths are human. It was his duty to read classical authors with them at a great pace and without attention to detail in order to give the competitors for university scholarships a wider knowledge of the ancient literature. When he came to read Tacitus with them he soon discovered that they were quite capable of amusing themselves. Having learned that journalese translations annoyed him, they racked their brains and searched the halfpenny press for new phrases. Finney shuddered and protested: next he whined and finally lost his temper. This display was gratifying to the Upper Sixth, who had just spent two tedious hours listening to Foskett on Greek dialects. Besides, there is always satisfaction in luring fish to one's bait.
Martin loathed and dreaded these hours. Not only did his recent experiences as a prefect compel him to sympathise with the impotent wielder of authority, but he had been attracted by Finney from the first. Finney worked in earnest and without pose or pretension, a fact which set him, in Martin's estimation, on a plane far above Foskett. He worked for Finney as he never worked for Foskett, and consulted him about his reading: naturally Finney liked Martin and did all he could to help him. On several Sundays Martin went to lunch at the cottage and met Mrs Finney, a pleasant little woman whose beauty was somewhat marred by an expression of perpetual surprise. She was, like her husband, a slight and unimposing figure, and she shrank from the society of the college ladies with their continual "shop" conversation, partly from shyness and partly from boredom. When she was not looking after her baby she used to play the violin and read The Bookman and The Studio. For several hours every week she struggled with accounts and wondered how things would work out: she managed well, and somehow, miraculously, but persistently, they did work out.
She also liked Martin and he would come often to them. In a world that was hard and unsympathetic he was graciously different; he was essentially someone in whom interest could and should be taken, and this was what the Finneys needed. They saw and, after a time, understood his limitations, realising how his intellectual solitude was narrowing his outlook and how his heretical views about politics and life in general were left crude and immature because he dared not pronounce them openly and demand criticism. Criticism he lacked, and it was criticism they gave him, not the best perhaps, for the Finneys erred occasionally on the side of excessive culture and preciosity, but such criticism as would turn violence into strength and reveal possibilities of reason and feeling where he had seen before nothing but ignorance and sentimentality.
As Martin was destined for Oxford Finney thought it wise to introduce him to the writing of Belloc. "You'll get heaps out of him," he said. "Of course he goes to extremes, but his criticism of Socialism is the only sane one and worth a million of Mallock and Cox and that gang. And his arguments about religion aren't all nonsense. I don't agree with him" (Finney attended school chapel regularly and was a party Liberal), "but it's a point of view. And he can write."
Martin had never considered this outlook on the world before, and, though at times he was angry, he began to read Belloc eagerly, especially the verses. He had often heard his uncle talking about Belloc, but so far he had never troubled to investigate the matter further: now he was glad.
After lunch on Sunday afternoons he would walk with Finney on the downs, and sometimes they would talk about the Public Schools. At first Finney was reticent on their subject, but later he spoke with growing freedom and intimacy.
"It's odd how we get chucked into it," Finney used to say. "Everyone says teaching is the most important thing in the world, and they chatter away about training and so on: and yet when it comes to the point they allow their precious boys to be taught by men who are quite untrained for this profession. No master at a Public School has had any technical training or been taught how to see and shape things. He just clears out of the varsity with some debts and a little despair and then starts casually to do what is perhaps the most difficult and important thing in the world. And they don't get the pick of the varsities either: the standard keeps going down. The best men won't do it if they can keep out."
Finney could not, in the presence of a pupil, finish his indictment as he wished. Had it been possible he would have added: "The salaries are contemptible and are kept low by the bribe of a house: which in reality means that we have to pinch and scrape now because, if we are lucky, we may be able to make a thousand a year at forty if we don't overfeed our boys."
"And yet," suggested Martin, "don't you think it's rather refreshing to find something left to common-sense. Everything gets into the hands of faddists now. I once met an old lady who spent her life in teaching children how to play. Imagine the cheek of it! You put me on to Belloc and I think he's right about that sort of thing. We don't want too much of the bureaucratic specialist."
"I quite agree," said Finney. "That's the tragedy. Just where spontaneity really does matter, as in children's games, they go blundering in and knock imagination out of their victims, or give them someone else's, which is about the same thing. But just where training might be of some use, they do nothing. The superstition that a man can teach because he has taken a first in Classics at the varsity is childish. I don't claim to know very much now, but when I started my work I was hideously ignorant about the working of boys' minds: I never knew when I was being obvious or when I got beyond them. Of course one picks things up by experience, but it might be done so much better...."
"And then the narrowness," he rambled on, for he found a good audience in Martin. "You'll get a first in Mods, if you take the trouble, and by the time you're twenty or twenty-one you'll know all about Athenian law-courts and what the Greek is for a demurrer or a counter-claim, and you'll know all the hard words in Homer and be able to translate Cicero's jokes. You'll cram up a lot of variant readings for your special play and collect a nice set of texts with all the difficult passages marked. And when it's all over you'll thank God and imagine that you've done with it, only to find out that Greats is rather worse and means spotting the words for Egyptian bogwort in Herodotus and getting up the most meaningless bits of gibberish in Thucydides. It's the same all along. A schoolmaster wants to make some money, a don wants to make a name, so out comes a new reading, a new conjecture, a new edition and a thousand other straws of pedantry to be piled on the back of a poor old camel that collapsed years ago."
"It sounds pretty rotten," said Martin. "But I suppose at Oxford one can read and talk freely and follow up the things one likes?"
"Yes, you must do that. Don't get worried about Mods. Are you thinking of the Civil Service?"
"Yes, I suppose so."
"Well Mods won't matter much. So take up anything you really care for. That's the only thing in life worth doing, and it may be about the only time in your life when you're able to do it."
Of course Finney never spoke to Martin about school discipline, but it was not hard for Martin to see that he was very much depressed. His sufferings with the Fourth he might have expected: but that the Upper Sixth should rag childishly was a cruel blow. He was so keenly anxious to take an interest in his work and to make those hours of rapid translation valuable: but everything seemed to go against him.
He went through some Tacitus and Juvenal and Pindar at a great pace amid considerable amusement. For Tacitus gave facilities for journalese, Juvenal for obscenity, and Pindar for colossal bathos. In despair Finney turned to the sixth book of the Æneid, "Just to help your hexameters." They surely wouldn't rag that.
Yet trouble did break out. One Cartwright, a large, genial, athletic person who expected to get an exhibition at Cambridge for his games, was always to the fore when there seemed any opportunity of baiting Finney. To him fell the Daedalus passage at the beginning of the book: his rendering was picturesque and contained such gems as 'Intrepid aeronaut' and 'Bird-man.'
"That's not English and it isn't in the Latin," said Finney sharply.
"I don't know, sir," said Cartwright weightily. "'Præpetibus pennis ausus'—note of daring. Intrepid. Intrepid aeronaut. Why not, sir? And then 'levis super astitit'—note of hovering over. Bird-man. Why not, sir?"
Finney paused in silence. The Upper Sixth were tittering like infants of twelve, with the exception of Martin, who stared self-consciously at his desk, hating every moment and dreading what was to come. Fortunately Finney controlled his temper and said quickly:
"Don't be childish, Cartwright. Translate, Warren."
Warren was an intelligent youth and gifted with endless audacity. A week or two later they turned back to the first book (Finney couldn't tolerate their assault on the second half of Book VI.), and Warren had in his section the line:
"Succinctam pharetra et maculoso tegmine lyncis."
This he rendered: "With a check golf-skirt and a bag of clubs."
There was a wild roar of laughter and Finney went very red. Again he controlled himself and merely said: "Quite good. But you might keep your jokes till the end of the hour."
At last an event occurred which he could not overlook. Cartwright was translating Tacitus and he had a book open under his desk. The words flowed smoothly, with unwonted smoothness, for Cartwright was slow of wit. At the end of the chapter Finney remarked: "Are you aware, Cartwright, that you have reproduced the excellent translation by Messrs Church and Brobribb word for word?"
"Have I, sir?" answered Cartwright with astonishment.
"You have. And what is your explanation?"
Cartwright reflected.
"Only that great minds think alike," he said at last.
"I shall report you to the headmaster," shouted Finney above the roar of laughter.
Hitherto he had shrunk from informing Foskett of the way things went. He had been afraid that any such move might be taken as a proof of his own incompetence. Foskett might reasonably hold that it was a master's business to look after himself and that a man who couldn't deal with an Upper Sixth couldn't deal with anyone. And he had heard in the common-room that Foskett was remarkably fond of his prefects and would even back them against the masters, because he regarded them as more valuable allies in strengthening his own position with the rank and file of the school. After all, the masters were employees and far too deeply concerned with the problem of earning a living to do any harm to Foskett: they would be unwilling to resign, because, even if they found posts, it would mean loss of seniority at the new school. Distinctly he had the whip hand over them; but the prefects were harder to control and demanded more respect. So the masters had grown chary of reporting matters to the Head, and Finney had been warned that such a policy might lead to snubs. But on this occasion there was plainly nothing else to do.
Foskett spoke gravely to Cartwright for ten minutes on the subject of example, and matters went on as before. Cartwright was captain of football at the time.
So Finney continued to suffer, and because Finney suffered Martin inevitably suffered too. The ragging got on his nerves and he began to dread those long hours with their mirth and tragedy. At last he could bear it no longer, and he determined to speak to Cartwright and his allies and to point out how miserable they were making Finney: the man was a human being after all, he would say, and as an enemy he was not worth their efforts.
At first it seemed an easy thing to do, but when the time for action came he shrank from the task. It would be so strange, so opposed to all traditions. And Martin was distinctly one of the class of people who hate asking questions or worrying tradesmen or exacting their rights: he would rather have put up with a badly cut suit than protest to his tailor. He was not afraid of Cartwright, but he was undeniably afraid of asking Cartwright to be kind to Finney: it was just the kind of task which Martin most dreaded. He could imagine Cartwright's tolerant smile, the slight raising of the brows, the polite: 'Oh, certainly!' It would be painful, it would be intolerable!
But it would have to be done. One final jest, one final look of despair on Finney's face convinced him. So he nerved himself bravely for the crusade. Cartwright was, as he had foreseen, quite nice about it: he agreed that it was not good form to behave as the Fourth did, and Warren and the others assented. Martin had struck the right note when he used the phrase 'good form,' for no member of a Public School, young or old, can stand the imputation that he is not a gentleman. Martin was astonished at the ease and success of his task and was angry with himself for not having acted before. Henceforward Finney taught in peace and even made Cartwright begin to display a keen interest in Pindar. It was a thorough change and altered the whole aspect of Finney's work: he could forget the unspeakable Fourth-formers if he could really care about his work for the Sixth. His relief was obvious, and Martin, eagerly watching for every expression of it, felt justly grateful.
Finney could not guess the real cause of the new behaviour. For a moment he thought that perhaps his manner was becoming more imperious and that he had made definite progress in his efforts to acquire authority. But, on reflection, he had to abandon this flattering hypothesis, and he ultimately attributed the change to the growth of a collective conscience and the recognition that scholarship exams were dangerously near and that it might be as well to work seriously. That he could have made such a mistake showed that he still had much to learn about his pupils. But, from the pragmatic standpoint, his ignorance was for his own good: had he known that he was merely the recipient of charity, 'the something bitter' might have risen and destroyed the new-born happiness.
In December Martin, who was now seventeen and a half years old, went up to Oxford to compete for a scholarship in Classics. Foskett had encouraged him to wait another year, but John Berrisford held that boys should be free from the pettiness of school life before they were nineteen and advised Martin to go up early: this course would give him another twelve months for Civil Service preparation if necessary. Martin himself had no desire for another year at Elfrey, for, without positively disliking the place, he wanted freedom. His prefecture had brought him more trouble than release, and the Finneys, while they had undoubtedly refined his tastes and broadened his views, had also inevitably rendered him more discontented with the limitations of a society which drove him to silence or to crudity.
Martin was not a remarkable classic and never learned to sympathise with the somewhat pedantic traditions of a classical training, nor had he the imitative faculty necessary for the composition of good prose and verse in Greek or Latin; his work was always sound and often interesting; but he never acquired the infallible dexterity of touch which is the fruit of perfect sympathy with classical modes of thought and expression. His translation into English showed more style than accuracy, and he preferred rather to play loosely with ideas and to follow the literary and social questions arising from a study of the ancient literatures than to apply himself vigorously to pure scholarship. There never had been any doubt about his being an Oxford man. His tastes and abilities, his family connections and his project of entering the Civil Service all pointed in one direction. Moreover, he had somehow been obsessed with a notion that all Cambridge colleges, with the exception of King's and Trinity, were like public schools continued. Had not Heseltine gone to Cambridge? But Oxford would be very different; for how could Oxford, the home of Shelley and Swinburne and Morris, be anything but beautiful and brilliant? Martin was thrilled by the exquisite promise of life: Oxford would be heavenly, and heaven—well, heaven would be all atheism and epigrams. The paradox pleased him and he wondered whether it was the sort of remark he would make to his college debating society next October. But first of all, he sadly remembered, there was this affair of scholarships.
He entered for a small group and gave King's pride of place. It had been his father's college and was in many ways suitable. Its scholarships were neither too hard nor too easy to win. It was a small college in the first rank and commanded universal respect. It prided itself on being successful, not brazenly, like Balliol, but with discretion, unassumingly.
In spite of the opinions of poets, literary gentlemen and writers of guide-books, it is possible to maintain that Oxford is not a nice place in which to live, much less to work. In December it is, on the whole, at its worst, and it was on the second Monday of that month that Martin arrived in the city. Term had ended on the previous Saturday, and only a few undergraduates were to be seen wandering about the deserted streets with a bored and lost expression. Oxford has a double personality: in term it serves efficiently as a crowded pleasure resort; in the vacation it is one of those cities, like Bruges la morte, whose justification is in the past and the memorials of the past. A compromise is fatal and undergraduates must exist in hundreds or not at all. A soft drizzle fell from a yellow, smudgy sky and the streets were covered with a particularly loathsome mud. As he drove down from the station to King's (he was to have rooms in college), Martin was horrified: he felt that he had never seen a more lamentable place. To be rattled in a hansom down George Street and then brought face to face with the front quad of Balliol is not an inspiring method of approach to beauty. But King's was more presentable.
An aged man, who looked dyspeptic and morose, staggered out of the lodge and asked Martin's name: then he summoned a brisk underling, immaculately dressed in a bowler hat and dark blue suit. The underling picked up his bag and guided him up three flights of rickety stairs into a dingy apartment, mainly remarkable for the smallness of its windows. Outside the door Martin had seen the word 'Snutch.'
"Mr Snutch's," said the underling. "These will be yours." Then, to Martin's great surprise and at the expense of his own perfect trousers, he knelt humbly down and lit the fire. It seemed incredible that one so magnificent should stoop to light a fire. Then he said: "Your scout will be in at six, sir," and vanished.
Martin turned to survey the room. On the walls were some extraordinary banners or ribbons, on two of which were the words:
Ahwamkee University.
There were some photographs, plainly American, and a large engraving called 'Love's Pathway.' On the wide expanse of shelves there stood six lonely books—five large volumes on Law and the Rubáiyát of Omar Khayyám. At the beginning of each was written: 'E libris Theo. K. Snutch.' Martin was tempted to amend the inscription to 'E libris sex Theo. K. Snutch.' On the mantelpiece were some athletic trophies. Mr Snutch's residence at Oxford, at three hundred a year, was not altogether unjustified: he could terrifically throw the hammer.
Next, Martin found a penny paper called The University and eagerly glanced through it to discover the quality of Oxford journalism. There were jokes about Socialists with red ties and there was an open letter to the varsity heavy-weight boxer. It began, 'Dear Chuckles,' and ended with best wishes for 'the dear little girl who will some day take the ring with you.' The reader was not even spared the allusion to the possible appearance of 'Chucklets.'
"My god!" said Martin. He began to wonder whether he hadn't made a mistake in refusing to go to Cambridge.
The room was depressing, so he put on his overcoat and walked out into the rain: he went down St Olde's to the river. In those days horse-drawn trams still rattled slowly through the streets, making a feeble pretence of antiquity. It angered Martin that in this town, with its new yellow banks and new college buildings, such hypocrisy should go on and that people should confuse the relics of medieval squalor with the works of medieval beauty. He came from a clean town of the hills, and the clinging dirt and the sordid grime and meanness of St Ebbs seemed haunting and insistent. Before Tom Tower and the spacious splendour of Christ Church there was a common slum; he had never pictured Oxford a place of slums. The Thames, too, had been in flood for two or three weeks, and in the playing-fields across the river goal-posts stood up amid acres of water, gauntly desolate. As he passed out along the Abingdon Road he found meadows where the floods had receded and left the grass rotten and stinking. The straggling squalor of Oxford's edge only served to increase his despair: he had expected to find a city with dreaming spires, and so far he had found merely a slum, with yellow gasworks. Only now and then did he catch a glimpse which charmed him. As he turned back and climbed the hill to Carfax he began to loathe the place. But it must be remembered that he had had an inadequate lunch and was under the shadow of an exam.
On returning to Snutch's rooms he found that the fire had almost gone out. With the aid of The University he managed to create a fitful gleam, but it gave no heat. Someone was moving about in the rooms opposite, another scholarship candidate presumably, a rival—damn him! Martin began to think about tea: he did not know what to do and his scout was not coming till six. Ultimately he went out to the Cadena Café: it was full of young women from North Oxford who sat in mackintoshes, feeding with desperate gaiety.
After he came back to Snutch's rooms and read a shilling novel which he had found in the bedder. Soon after six the scout appeared and told Martin that he could dine in the hall at seven: he was a large, grimy man and sniffed prodigiously. Dinner in hall was very trying. Half-a-dozen dons sat at the high table trying to pretend by forced conversation that they were not thoroughly sick of one another: about thirty schoolboys sat shyly on the long benches, apprehensive, miserable. Here and there would be two from the same school, chatting with animation and appearing to be very much in the know about Life and the varsity: elsewhere strangers were huddled together, some silent, others making fitful conversation. Financial distinctions were not forgotten, and the candidates from Public Schools had gravitated to one table, those from Grammar Schools to another. Martin found himself by the side of a red-faced, ingenuous boy, who asked for the water and then said:
"The Harlequins are better than ever this year."
Martin assented, and added: "What's your school?"
"Rugby. What's yours?"
"I'm from Elfrey. Have you anyone else in here?"
"No. We had four up for Balliol this year."
"That's a lot. Are the results out?"
"Yes, this afternoon. We got a schol. and an exhibition."
"That was jolly good."
The dialogue became more and more technical and immensely dull.
The Rugbeian was plainly a bore and after dinner Martin fled from the college: he found a new cinema in Broad Street and went in. Presently some undergraduates who were stopping up for a few days at the end of term came cheerily in and shouted vaguely.
An obsequious manager pleaded with them and they wandered down the gangway looking for company: it did not seem very hard to find. Martin watched their progress with interest and began to wonder whether the girl next him wanted to talk. She had dropped her wrist-bag once and he had picked it up: during the course of the proceedings his eye had been caught by the glitter of a light grey stocking. She wasn't, he had to admit, beautiful. But she was alone, and so was he. Did she, on the other hand, want him to talk? The dropping of the bag might have been an accident. Besides, what did one say? Martin cursed his inexperience and racked his brains for a conversational lead. He could hardly make some remark about the films: that would be obvious and heavy. Something light was wanted: but what? Why on earth couldn't she drop the bag again? He would take the hint this time. His mind became a blank and he felt acutely miserable. At the end of the film he rose and walked away in despair. He stopped at the back of the hall and noticed one of the varsity men glance round and then move quickly into his place before the lights were again turned out. Martin returned to college, read some more of Snutch's novel, and went to bed.
Till Friday night Martin was kept hard at work doing papers in the college hall. On Tuesday morning he had to write an essay on the relations of the artist and the State, an obvious subject, perhaps, but pleasing. It was the only paper which he enjoyed. Afterwards he was kept hard at work with Unseens and Compositions. Never in his life had he felt more irritable or more intellectually impotent. The yellow blanket of mist hung over Oxford continually: the hall smelled abominably of stale gravy and recent meals, and, worst of all, the pens supplied to such as did not bring their own were quills; consequently the stuffy room was never free from a maddening scratch and squeak. A youth with a sloping brow and waving, faultless hair who sat next Martin made great play with his quill: he was a 'dog' whose doggishness took the form of a graceful abandon in his dress; he wore soft collars and long woolly waistcoats and dilapidated pumps. He held his quill between his first and second fingers, and he wrote splashily with brave flourishes and a spasmodic squeak; also he had a habit of marching out majestically half-an-hour before the time for a paper was finished. Martin wondered whether this implied that he was immensely bad or immensely good: he feared the latter. Altogether he was a fascinating and disconcerting neighbour, and one morning Martin, struggling with verses that would not 'come,' wanted to kill him.
Another cause of depression was the presence of boys
from Grammar Schools. Martin was no snob, but he could not keep himself unspotted from Public School tradition, and he felt that these smug-looking youths were rivals in a way that the dull Rugbeian never could be. He was certain that they were far better scholars than he was, that they had worked like slaves and could translate anything ever written in Greek or Latin: he might have escaped much mental suffering had he known that, even if they had been so brilliant (and in reality they were amazingly dull), the dons are, with a few exceptions, well rooted in class tradition and are not going to sacrifice the Public Schools on the altar of modern honesty. But Martin did not know these things, and when he saw the Grammar School candidates parading the town with little crested caps on the backs of their heads and greasy curls sticking bravely up in front, the natural dislike of the rival was fused with the Public School man's loathing of inferior form. There was one unforgettable person who came every day to King's wearing a black overcoat and black kid gloves: his cap had a little silver button gleaming over the inevitable curl. He looked both wise and good.
On the Thursday evening Martin glanced through the rough copy of his Latin verse. There he found—
"via strata patebat
Hostibus; ardentes surgunt ducemque sequuntur."
True that the lines did not sound beautiful: in a copy of twenty-two lines you must have one or two dull moments. But "via strata" and "ducem"—two false quantities in a line and a half. How could he have done it? He flung the rough copy into the fire and swore violently. Silver Button wouldn't make false quantities: Silver Button would have learned about 'dux' and 'duco' when he was twelve—so had Martin. But then Silver Button wouldn't, couldn't, forget. Martin was convinced now that, as far as a scholarship was concerned, he might as well never have entered.
He wandered morosely into the streets: it started to rain and he took refuge in the cinema. For half-an-hour he watched the films and, more particularly, an amorous couple in front. A girl came and sat on his right: she was distinctly attractive and her chin, poised daintily in the air, conveyed an exquisite invitation: the rest of her face was hidden by hat. He began to feel, as before, self-conscious and miserable. This time he would speak, must speak ... but how? The couple in front had reached their limit in proximity. Suddenly her foot touched his and with a surreptitious glance he saw below the brim of that entrancing hat. She was perfect. She had taken off her glove and her hand lay on her lap: before Martin knew what he was doing, he had taken it and pressed it. The girl turned abruptly round, snatched her hand away, and said coldly:
"Please leave me alone."
Martin obeyed, blushing furiously. "I'm very sorry," he muttered, but she took no notice. He sat gazing in front of him, humiliated and tortured. What a fool he had been! Why hadn't he said something and made an opening?
The film clicked monotonously on. One fact alone flamed across his mind: he must get out before the film was over. He couldn't endure the raising of the lights. But either he would have to crush past the girl on his right or else go out to the left, a journey which would involve forcing his way through a long row of stout people. Both alternatives were unpleasant.
The film was ending. The music had ceased to ripple and begun to sob, always a proof of impending embraces. The hero and heroine were rolling great lurid eyes at one another. The lights went up. Martin pushed his way out to the left past the stout and sulky: then he hurried back through the rain to Snutch's gloomy chambers. There was nothing to do but to contemplate his own blunders classic and modern. He told himself that he had made a rotten shot and received a nasty snub. If he had only been aiming at something worth having, he wouldn't have minded. But what, after all, was the use of a girl to him? And why on earth had he wanted to grab her sticky hand—for it had been sticky. He knew now that he hadn't really wanted to do it, for its own sake: he had wanted to do it because other people did it. Now it all seemed so hugely silly. "I suppose love's all right," he thought to himself. "But this hand and kiss business is piffle."
On Friday evening Martin returned to Elfrey in a state of advanced pessimism. Early in the next week he learned that he had been elected to a classical scholarship at King's College. He gazed blankly at the telegram and the words 'via strata' and 'ducem' flashed before his mind.
It was quite incredible, but it was true.