VIII

This refers to the death of Sir Alexander Grant, the distinguished Aristotelian scholar and Principal of Edinburgh University.

MY DEAR COGGIE,—We are very much distressed to hear of this which has befallen your family. As for Sir Alexander, I can but speak from my own feelings: he survived to finish his book and to conduct, with such a great success, the tercentenary. Ah, how many die just upon the threshold! Had he died a year ago, how great a disappointment! But all this is nothing to the survivors. Do please, as soon as you are able, let us know how it goes and how it is likely to go with the family; and believe that both my wife and I are most anxious to have good news, or the best possible. My poor Coggie, I know very well how you must feel; you are passing a bad time.

Our news must seem very impertinent. We have both been ill; I, pretty bad, my wife, pretty well down; but I, at least, am better. The Bogue, who is let out every night for half an hour’s yapping, is anchored in the moonlight just before the door, and, under the belief that he is watchdog at a lone farm beleaguered by moss-troopers, is simply raising Cain.

I can add nothing more, but just that we wish to hear as soon as you have nothing else to do—not to hurry, of course,—if it takes three months, no matter—but bear us in mind.

MY DEAR LAD,—Here was I in bed; not writing, not hearing, and finding myself gently and agreeably ill used; and behold I learn you are bad yourself. Get your wife to send us a word how you are. I am better decidedly. Bogue got his Christmas card, and behaved well for three days after. It may interest the cynical to learn that I started my last hemorrhage by too sedulous attentions to my dear Bogue. The stick was broken; and that night Bogue, who was attracted by the extraordinary aching of his bones, and is always inclined to a serious view of his own ailments, announced with his customary pomp that he was dying. In this case, however, it was not the dog that died. (He had tried to bite his mother’s ankles.) I have written a long and peculiarly solemn paper on the technical elements of style. It is path-breaking and epoch-making; but I do not think the public will be readily convoked to its perusal. Did I tell you that S. C. had risen to the paper on James? At last! O but I was pleased; he’s (like Johnnie) been lang, lang o’ comin’, but here he is. He will not object to my future manœuvres in the same field, as he has to my former. All the family are here; my father better than I have seen him these two years; my mother the same as ever. I do trust you are better, and I am yours ever,

DEAR SIR,—I am so accustomed to hear nonsense spoken about all the arts, and the drama in particular, that I cannot refrain from saying “Thank you” for your paper. In my answer to Mr. James, in the December Longman, you may see that I have merely touched, I think in a parenthesis, on the drama; but I believe enough was said to indicate our agreement in essentials.

Wishing you power and health to further enunciate and to act upon these principles, believe me, dear sir, yours truly,

Stevenson had begun with great eagerness to prepare material for a volume on the Duke of Wellington for the series of English Worthies published by Messrs. Longman and edited by Mr. Andrew Lang, but beyond preparation the scheme never went.

DEAR S. C.,—I am on my feet again, and getting on my boots to do the Iron Duke. Conceive my glee: I have refused the £100, and am to get some sort of royalty, not yet decided, instead. ’Tis for Longman’s English Worthies, edited by A. Lang. Aw haw, haw!

Now, look here, could you get me a loan of the Despatches, or is that a dream? I should have to mark passages I fear, and certainly note pages on the fly. If you think it a dream, will Bain get me a second-hand copy, or who would? The sooner, and cheaper, I can get it the better. If there is anything in your weird library that bears on either the man or the period, put it in a mortar and fire it here instanter; I shall catch. I shall want, of course, an infinity of books: among which, any lives there may be; a life of the Marquis Marmont (the Maréchal), Marmont’s Memoirs, Greville’s Memoirs, Peel’s Memoirs, Napier, that blind man’s history of England you once lent me, Hamley’s Waterloo; can you get me any of these? Thiers, idle Thiers also. Can you help a man getting into his boots for such a huge campaign? How are you? A Good New Year to you. I mean to have a good one, but on whose funds I cannot fancy: not mine leastways, as I am a mere derelict and drift beam-on to bankruptcy.

For God’s sake, remember the man who set out for to conquer Arthur Wellesley, with a broken bellows and an empty pocket.—Yours ever,

Stevenson had been asked by his father to look over the proofs of a paper which the latter was about to read, as President of the Royal Society of Edinburgh, “On the Principal Causes of Silting in Estuaries,” in connection with the Manchester Ship Canal Scheme.

MY DEAR FATHER,—I am glad you like the changes. I own I was pleased with my hand’s darg; you may observe, I have corrected several errors which (you may tell Mr. Dick) he had allowed to pass his eagle eye; I wish there may be none in mine; at least, the order is better. The second title, “Some New Engineering Questions involved in the M. S. C. Scheme of last Session of P.,” likes me the best. I think it a very good paper; and I am vain enough to think I have materially helped to polish the diamond. I ended by feeling quite proud of the paper, as if it had been mine; the next time you have as good a one, I will overhaul it for the wages of feeling as clever as I did when I had managed to understand and helped to set it clear. I wonder if I anywhere misapprehended you? I rather think not at the last; at the first shot I know I missed a point or two. Some of what may appear to you to be wanton changes, a little study will show to be necessary.

Yes, Carlyle was ashamed of himself as few men have been; and let all carpers look at what he did. He prepared all these papers for publication with his own hand; all his wife’s complaints, all the evidence of his own misconduct: who else would have done so much? Is repentance, which God accepts, to have no avail with men? nor even with the dead? I have heard too much against the thrawn, discomfortable dog: dead he is, and we may be glad of it; but he was a better man than most of us, no less patently than he was a worse. To fill the world with whining is against all my views: I do not like impiety. But—but—there are two sides to all things, and the old scalded baby had his noble side.—Ever affectionate son,

DEAR S. C.,—I have addressed a letter to the G. O. M. à propos of Wellington; and I became aware, you will be interested to hear, of an overwhelming respect for the old gentleman. I can blaguer his failures; but when you actually address him, and bring the two statures and records to confrontation, dismay is the result. By mere continuance of years, he must impose; the man who helped to rule England before I was conceived, strikes me with a new sense of greatness and antiquity, when I must actually beard him with the cold forms of correspondence. I shied at the necessity of calling him plain “Sir”! Had he been “My lord,” I had been happier; no, I am no equalitarian. Honour to whom honour is due; and if to none, why, then, honour to the old!

These, O Slade Professor, are my unvarnished sentiments: I was a little surprised to find them so extreme, and therefore I communicate the fact.

Belabour thy brains, as to whom it would be well to question. I have a small space; I wish to make a popular book, nowhere obscure, nowhere, if it can be helped, unhuman. It seems to me the most hopeful plan to tell the tale, so far as may be, by anecdote. He did not die till so recently, there must be hundreds who remember him, and thousands who have still ungarnered stories. Dear man, to the breach! Up, soldier of the iron dook, up, Slades, and at ’em! (which, conclusively, he did not say: the at ’em-ic theory is to be dismissed). You know piles of fellows who must reek with matter; help! help! I am going to try Happy-and-Glorious-long-to-reign-over-us. H.M. must remember things: and it is my belief, if my letter could be discreetly introduced, she would like to tell them. So I jest, when I don’t address my mind to it: when I do, shall I be smit louting to my knee, as before the G. O. M.? Problème!—Yours ever,

In the two following letters are expressed some of the distress and bitterness with which, in common with most Englishmen, Stevenson felt the circumstances of Gordon’s abandonment in the Soudan and the failure of the belated attempt to rescue him. The advice to go on with “my book” refers, if I remember right, to some scheme for the republication in book form of stray magazine papers of mine of a more or less personal or biographical nature.

MY DEAR COLVIN,—You are indeed a backward correspondent, and much may be said against you. But in this weather, and O dear! in this political scene of degradation, much must be forgiven. I fear England is dead of Burgessry, and only walks about galvanised. I do not love to think of my countrymen these days; nor to remember myself. Why was I silent? I feel I have no right to blame any one; but I won’t write to the G. O. M. I do really not see my way to any form of signature, unless “your fellow criminal in the eyes of God,” which might disquiet the proprieties.

About your book, I have always said: go on. The drawing of character is a different thing from publishing the details of a private career. No one objects to the first, or should object, if his name be not put upon it; at the other, I draw the line. In a preface, if you chose, you might distinguish; it is, besides, a thing for which you are eminently well equipped, and which you would do with taste and incision. I long to see the book. People like themselves (to explain a little more); no one likes his life, which is a misbegotten issue, and a tale of failure. To see these failures either touched upon, or coasted, to get the idea of a spying eye and blabbing tongue about the house, is to lose all privacy in life. To see that thing, which we do love, our character, set forth, is ever gratifying. See how my Talk and Talkers went; every one liked his own portrait, and shrieked about other people’s; so it will be with yours. If you are the least true to the essential, the sitter will be pleased; very likely not his friends, and that from various motives.

When will your holiday be? I sent your letter to my wife, and forget. Keep us in mind, and I hope we shall be able to receive you.

MY DEAR SYMONDS,—Yes we have both been very neglectful. I had horrid luck, catching two thundering influenzas in August and November. I recovered from the last with difficulty, but have come through this blustering winter with some general success; in the house, up and down. My wife, however, has been painfully upset by my health. Last year, of course, was cruelly trying to her nerves; Nice and Hyères are bad experiences; and though she is not ill, the doctor tells me that prolonged anxiety may do her a real mischief.

I feel a little old and fagged, and chary of speech, and not very sure of spirit in my work; but considering what a year I have passed, and how I have twice sat on Charon’s pierhead, I am surprising.

My father has presented us with a very pretty home in this place, into which we hope to move by May. My Child’s Verses come out next week. Otto begins to appear in April; More New Arabian Nights as soon as possible. Moreover, I am neck deep in Wellington; also a story on the stocks, The Great North Road. O, I am busy! Lloyd is at college in Edinburgh. That is, I think, all that can be said by way of news.

Have you read Huckleberry Finn? It contains many excellent things; above all, the whole story of a healthy boy’s dealings with his conscience, incredibly well done.

My own conscience is badly seared; a want of piety; yet I pray for it, tacitly, every day; believing it, after courage, the only gift worth having; and its want, in a man of any claims to honour, quite unpardonable. The tone of your letter seemed to me very sound. In these dark days of public dishonour, I do not know that one can do better than carry our private trials piously. What a picture is this of a nation! No man that I can see, on any side or party, seems to have the least sense of our ineffable shame: the desertion of the garrisons. I tell my little parable that Germany took England, and then there was an Indian Mutiny, and Bismarck said: “Quite right: let Delhi and Calcutta and Bombay fall; and let the women and children be treated Sepoy fashion,” and people say, “O, but that is very different!” And then I wish I were dead. Millais (I hear) was painting Gladstone when the news came of Gordon’s death; Millais was much affected, and Gladstone said, “Why? It is the man’s own temerity!” Voilà le Bourgeois! le voilà nu! But why should I blame Gladstone, when I too am a Bourgeois? when I have held my peace? Why did I hold my peace? Because I am a sceptic: i.e. a Bourgeois. We believe in nothing, Symonds; you don’t, and I don’t; and these are two reasons, out of a handful of millions, why England stands before the world dripping with blood and daubed with dishonour. I will first try to take the beam out of my own eye, trusting that even private effort somehow betters and braces the general atmosphere. See, for example, if England has shown (I put it hypothetically) one spark of manly sensibility, they have been shamed into it by the spectacle of Gordon. Police-Officer Cole is the only man that I see to admire. I dedicate my New Arabs to him and Cox, in default of other great public characters.—Yours ever most affectionately,

The following refers to an edition of Gray, with notes and a short prefatory Life by Mr. Gosse; and to the publication of the Child’s Garden of Verses.

MY DEAR GOSSE,—I was indeed much exercised how I could be worked into Gray; and lo! when I saw it, the passage seemed to have been written with a single eye to elucidate the—worst?—well, not a very good poem of Gray’s. Your little life is excellent, clean, neat, efficient. I have read many of your notes, too, with pleasure. Your connection with Gray was a happy circumstance; it was a suitable conjunction.

I did not answer your letter from the States, for what was I to say? I liked getting it and reading it; I was rather flattered that you wrote it to me; and then I’ll tell you what I did—I put it in the fire. Why? Well, just because it was very natural and expansive; and thinks I to myself, if I die one of these fine nights, this is just the letter that Gosse would not wish to go into the hands of third parties. Was I well inspired? And I did not answer it because you were in your high places, sailing with supreme dominion, and seeing life in a particular glory; and I was peddling in a corner, confined to the house, overwhelmed with necessary work, which I was not always doing well, and, in the very mild form in which the disease approaches me, touched with a sort of bustling cynicism. Why throw cold water? How ape your agreeable frame of mind? In short, I held my tongue.

I have now published on 101 small pages The Complete Proof of Mr. R. L. Stevenson’s Incapacity to Write Verse, in a series of graduated examples with table of contents. I think I shall issue a companion volume of exercises: “Analyse this poem. Collect and comminate the ugly words. Distinguish and condemn the chevilles. State Mr. Stevenson’s faults of taste in regard to the measure. What reasons can you gather from this example for your belief that Mr. S. is unable to write any other measure?”

They look ghastly in the cold light of print; but there is something nice in the little ragged regiment for all; the blackguards seem to me to smile, to have a kind of childish treble note that sounds in my ears freshly; not song, if you will, but a child’s voice.

I was glad you enjoyed your visit to the States. Most Englishmen go there with a confirmed design of patronage, as they go to France for that matter; and patronage will not pay. Besides, in this year of—grace, said I?—of disgrace, who should creep so low as an Englishman? “It is not to be thought of that the flood”—ah, Wordsworth, you would change your note were you alive to-day!

I am now a beastly householder, but have not yet entered on my domain. When I do, the social revolution will probably cast me back upon my dung heap. There is a person called Hyndman whose eye is on me; his step is beHynd me as I go. I shall call my house Skerryvore when I get it: SKERRYVORE: c’est bon pour la poéshie. I will conclude with my favourite sentiment: “The world is too much with me.”

Author of “John Vane Tempest: a Romance,” “Herbert and Henrietta: or the Nemesis of Sentiment,” “The Life and Adventures of Colonel Bludyer Fortescue,” “Happy Homes and Hairy Faces,” “A Pound of Feathers and a Pound of Lead,” part author of “Minn’s Complete Capricious Correspondent: a Manual of Natty, Natural, and Knowing Letters,” and editor of the “Poetical Remains of Samuel Burt Crabbe, known as the melodious Bottle-Holder.”

“The Life and Remains of the Reverend Jacob Degray Squah,” author of “Heave-yo for the New Jerusalem,” “A Box of Candles; or the Patent Spiritual Safety Match,” and “A Day with the Heavenly Harriers.”

The “dedication” referred to was that of a forthcoming illustrated edition of Keats’s Lamia.

MY DEAR LOW,—Your success has been immense. I wish your letter had come two days ago: Otto, alas! has been disposed of a good while ago; but it was only day before yesterday that I settled the new volume of Arabs. However, for the future, you and the sons of the deified Scribner are the men for me. Really they have behaved most handsomely. I cannot lay my hand on the papers, or I would tell you exactly how it compares with my English bargain; but it compares well. Ah, if we had that copyright, I do believe it would go far to make me solvent, ill-health and all.

I wrote you a letter to the Rembrandt, in which I stated my views about the dedication in a very brief form. It will give me sincere pleasure, and will make the second dedication I have received, the other being from John Addington Symonds. It is a compliment I value much; I don’t know any that I should prefer.

I am glad to hear you have windows to do; that is a fine business, I think; but, alas! the glass is so bad nowadays; realism invading even that, as well as the huge inferiority of our technical resource corrupting every tint. Still, anything that keeps a man to decoration is, in this age, good for the artist’s spirit.

By the way, have you seen James and me on the novel? James, I think in the August or September—R. L. S. in the December Longman. I own I think the école bête, of which I am the champion, has the whip hand of the argument; but as James is to make a rejoinder, I must not boast. Anyway the controversy is amusing to see. I was terribly tied down to space, which has made the end congested and dull. I shall see if I can afford to send you the April Contemporary—but I dare say you see it anyway—as it will contain a paper of mine on style, a sort of continuation of old arguments on art in which you have wagged a most effective tongue. It is a sort of start upon my Treatise on the Art of Literature: a small, arid book that shall some day appear.

With every good wish from me and mine (should I not say “she and hers”?) to you and yours, believe me yours ever,

The work of his correspondent’s which R. L. S. notices in the following is the sumptuous volume Landscape: Seeley & Co., 1885. The passages specially referred to will be found pp. 46-62 of that work.

MY DEAR HAMERTON,—Various things have been reminding me of my misconduct: First, Swan’s application for your address; second, a sight of the sheets of your Landscape book; and last, your note to Swan, which he was so kind as to forward. I trust you will never suppose me to be guilty of anything more serious than an idleness, partially excusable. My ill-health makes my rate of life heavier than I can well meet, and yet stops me from earning more. My conscience, sometimes perhaps too easily stifled, but still (for my time of life and the public manners of the age) fairly well alive, forces me to perpetual and almost endless transcriptions. On the back of all this, my correspondence hangs like a thundercloud; and just when I think I am getting through my troubles, crack, down goes my health, I have a long, costly sickness, and begin the world again. It is fortunate for me I have a father, or I should long ago have died; but the opportunity of the aid makes the necessity none the more welcome. My father has presented me with a beautiful house here—or so I believe, for I have not yet seen it, being a cage bird but for nocturnal sorties in the garden. I hope we shall soon move into it, and I tell myself that some day perhaps we may have the pleasure of seeing you as our guest. I trust at least that you will take me as I am, a thoroughly bad correspondent, and a man, a hater, indeed, of rudeness in others, but too often rude in all unconsciousness himself; and that you will never cease to believe the sincere sympathy and admiration that I feel for you and for your work.

About the Landscape, which I had a glimpse of while a friend of mine was preparing a review, I was greatly interested, and could write and wrangle for a year on every page; one passage particularly delighted me, the part about Ulysses—jolly. Then, you know, that is just what I fear I have come to think landscape ought to be in literature; so there we should be at odds. Or perhaps not so much as I suppose, as Montaigne says it is a pot with two handles, and I own I am wedded to the technical handle, which (I likewise own and freely) you do well to keep for a mistress. I should much like to talk with you about some other points; it is only in talk that one gets to understand. Your delightful Wordsworth trap I have tried on two hardened Wordsworthians, not that I am not one myself. By covering up the context, and asking them to guess what the passage was, both (and both are very clever people, one a writer, one a painter) pronounced it a guide-book. “Do you think it an unusually good guide-book?” I asked, and both said, “No, not at all!” Their grimace was a picture when I showed the original.

I trust your health and that of Mrs. Hamerton keep better; your last account was a poor one. I was unable to make out the visit I had hoped, as (I do not know if you heard of it) I had a very violent and dangerous hemorrhage last spring. I am almost glad to have seen death so close with all my wits about me, and not in the customary lassitude and disenchantment of disease. Even thus clearly beheld I find him not so terrible as we suppose. But, indeed, with the passing of years, the decay of strength, the loss of all my old active and pleasant habits, there grows more and more upon me that belief in the kindness of this scheme of things, and the goodness of our veiled God, which is an excellent and pacifying compensation. I trust, if your health continues to trouble you, you may find some of the same belief. But perhaps my fine discovery is a piece of art, and belongs to a character cowardly, intolerant of certain feelings, and apt to self-deception. I don’t think so, however; and when I feel what a weak and fallible vessel I was thrust into this hurly-burly, and with what marvellous kindness the wind has been tempered to my frailties, I think I should be a strange kind of ass to feel anything but gratitude.

I do not know why I should inflict this talk upon you; but when I summon the rebellious pen, he must go his own way; I am no Michael Scott, to rule the fiend of correspondence. Most days he will none of me; and when he comes, it is to rape me where he will.—Yours very sincerely,

Stevenson was by this time beginning to realise that work at play-writing in collaboration with Mr. Henley was doing much more to exhaust his strength than to replenish either of their purses, and Mr. Henley, who had built hopes of fame and fortune on their collaboration, was very unwilling to face the fact.

MY DEAR LAD,—That is all right, and a good job. About coming down, you cannot get into us for a while, as you may imagine; we are in desperate vortex, and everybody ’most dead. I have been two days in bed with liver and slight bleeding.

Do you think you are right to send Macaire and the Admiral about? Not a copy have I sent, nor (speaking for myself personally) do I want sent. The reperusal of the Admiral, by the way, was a sore blow; eh, God, man, it is a low, black, dirty, blackguard, ragged piece: vomitable in many parts—simply vomitable. Pew is in places a reproach to both art and man. But of all that afterwards. What I mean is that I believe in playing dark with second and third-rate work. Macaire is a piece of job-work, hurriedly bockled; might have been worse, might have been better; happy-go-lucky; act it or-let-it-rot piece of business. Not a thing, I think, to send in presentations. Do not let us gober ourselves—and, above all, not gober dam pot-boilers—and p.b.’s with an obvious flaw and hole in them, such as is our unrealised Bertrand in this one. But of this also, on a meeting.

I am not yet done with my proofs, I am sorry to say; so soon as I am, I must tackle Kidnapped seriously, or be content to have no bread, which you would scarcely recommend. It is all I shall be able to do to wait for the Young Folk money, on which I’ll have to live as best I can till the book comes in.

Plays at that rate I do not think I can possibly look at before July; so let that be a guide to you in your views. July, or August, or September, or thereabouts: these must be our times, whichever we attack. I think you had better suspend a visit till we can take you in and till I can speak. It seems a considerable waste of money; above all, as just now I could not even offer you meals with my woman in such a state of overwork. My father and mother have had to go to lodgings.—Post.

DEAR LAD,—Much better, but rather unequal to do what I ought, a common complaint. The change of weather much helped me, not too soon.

I have thought as well as I could of what you said; and I come unhesitatingly to the opinion that the stage is only a lottery, must not be regarded as a trade, and must never be preferred to drudgery. If money comes from any play, let us regard it as a legacy, but never count upon it in our income for the year. In other words, I must go on and drudge at Kidnapped, which I hate, and am unfit to do; and you will have to get some journalism somehow. These are my cold and blighting sentiments. It is bad enough to have to live by an art—but to think to live by an art combined with commercial speculation—that way madness lies.

Time is our only friend. The Admiral, pulled simply in pieces and about half deleted, will act some day: such is my opinion. I can no more.—Yours ever,

An anonymous review of the Child’s Garden, appearing in March, gave R. L. S. so much pleasure that he wrote (in the four words, “Now who are you?”) to inquire the name of its writer, and learned that it was Mr. Archer; with whom he had hitherto had no acquaintance. He thereupon entered into friendly correspondence with his critic.

DEAR MR. ARCHER,—Yes, I have heard of you and read some of your work; but I am bound in particular to thank you for the notice of my verses. “There,” I said, throwing it over to the friend who was staying with me, “it’s worth writing a book to draw an article like that.” Had you been as hard upon me as you were amiable, I try to tell myself I should have been no blinder to the merits of your notice. For I saw there, to admire and to be very grateful for, a most sober, agile pen; an enviable touch; the marks of a reader, such as one imagines for one’s self in dreams, thoughtful, critical, and kind; and to put the top on this memorial column, a greater readiness to describe the author criticised than to display the talents of his censor.

I am a man blasé to injudicious praise (though I hope some of it may be judicious too), but I have to thank you for the best criticism I ever had; and am therefore, dear Mr. Archer, the most grateful critickee now extant.

P.S.—I congratulate you on living in the corner of all London that I like best. À propos, you are very right about my voluntary aversion from the painful sides of life. My childhood was in reality a very mixed experience, full of fever, nightmare, insomnia, painful days and interminable nights; and I can speak with less authority of gardens than of that other “land of counterpane.” But to what end should we renew these sorrows? The sufferings of life may be handled by the very greatest in their hours of insight; it is of its pleasures that our common poems should be formed; these are the experiences that we should seek to recall or to provoke; and I say with Thoreau, “What right have I to complain, who have not ceased to wonder?” and, to add a rider of my own, who have no remedy to offer.

Acknowledging the dedication of an illustrated Canterbury Pilgrimage.

DEAR SIR AND MADAM,—This horrible delay must be forgiven me. It was not caused by any want of gratitude; but by the desire to acknowledge the dedication more suitably (and to display my wit) in a copy of verses. Well, now I give that up, and tell you in plain prose, that you have given me much pleasure by the dedication of your graceful book.

As I was writing the above, I received a visit from Lady Shelley, who mentioned to me that she was reading Mrs. Pennell’s Mary Wollstonecraft with pleasure. It is odd how streams cross. Mr. Pennell’s work I have, of course, long known and admired: and I believe there was once some talk, on the part of Mr. Gilder, that we should work together; but the scheme fell through from my rapacity; and since then has been finally rendered impossible (or so I fear) by my health.

I should say that when I received the Pilgrimage, I was in a state (not at all common with me) of depression; and the pleasant testimony that my work had not all been in vain did much to set me up again. You will therefore understand, late as is the hour, with what sincerity I am able to sign myself—Gratefully yours,

MR. AND MRS. PENNELL,—I see I should explain that this is all in my own hand, I have not fobbed you off with an amanuensis; but as I have two handwritings (both equally bad in these days) I might lead you to think so.

On the death of Professor Fleeming Jenkin, who in Stevenson’s early student days at Edinburgh had been both the warmest and the wisest of his elder friends (died June 12, 1885).

MY DEAR MRS. JENKIN,—You know how much and for how long I have loved, respected, and admired him; I am only able to feel a little with you. But I know how he would have wished us to feel. I never knew a better man, nor one to me more lovable; we shall all feel the loss more greatly as time goes on. It scarce seems life to me; what must it be to you? Yet one of the last things that he said to me was, that from all these sad bereavements of yours he had learned only more than ever to feel the goodness and what we, in our feebleness, call the support of God; he had been ripening so much—to other eyes than ours, we must suppose he was ripe, and try to feel it. I feel it is better not to say much more. It will be to me a great pride to write a notice of him: the last I can now do. What more in any way I can do for you, please to think and let me know. For his sake and for your own, I would not be a useless friend: I know, you know me a most warm one; please command me or my wife, in any way. Do not trouble to write to me; Austin, I have no doubt, will do so, if you are, as I fear you will be, unfit.

My heart is sore for you. At least you know what you have been to him; how he cherished and admired you; how he was never so pleased as when he spoke of you; with what a boy’s love, up to the last, he loved you. This surely is a consolation. Yours is the cruel part—to survive; you must try and not grudge to him his better fortune, to go first. It is the sad part of such relations that one must remain and suffer; I cannot see my poor Jenkin without you. Nor you indeed without him; but you may try to rejoice that he is spared that extremity. Perhaps I (as I was so much his confidant) know even better than you can do what your loss would have been to him; he never spoke of you but his face changed; it was—you were—his religion.

MY DEAR MRS. JENKIN,—I should have written sooner, but we are in a bustle, and I have been very tired, though still well. Your very kind note was most welcome to me. I shall be very much pleased to have you call me Louis, as he has now done for so many years. Sixteen, you say? is it so long? It seems too short now; but of that we cannot judge, and must not complain.

I wish that either I or my wife could do anything for you; when we can, you will, I am sure, command us.

I trust that my notice gave you as little pain as was possible. I found I had so much to say, that I preferred to keep it for another place and make but a note in the Academy. To try to draw my friend at greater length, and say what he was to me and his intimates, what a good influence in life and what an example, is a desire that grows upon me. It was strange, as I wrote the note, how his old tests and criticisms haunted me; and it reminded me afresh with every few words how much I owe to him.

I had a note from Henley, very brief and very sad. We none of us yet feel the loss; but we know what he would have said and wished.

Do you know that Dew Smith has two photographs of him, neither very bad? and one giving a lively, though not flattering air of him in conversation? If you have not got them, would you like me to write to Dew and ask him to give you proofs?

I was so pleased that he and my wife made friends; that is a great pleasure. We found and have preserved one fragment (the head) of the drawing he made and tore up when he was last here. He had promised to come and stay with us this summer. May we not hope, at least, some time soon to have one from you?—Believe me, my dear Mrs. Jenkin, with the most real sympathy, your sincere friend,