VIII

During the earlier Bournemouth days were firmly established Stevenson’s cordial relations with the several English publishers Cassell & Co., Chatto & Windus, and Longmans, and a little later with C. Scribner’s Sons in America.

DEAR MR. CHATTO,—I have an offer of £25 for Otto from America. I do not know if you mean to have the American rights; from the nature of the contract, I think not; but if you understood that you were to sell the sheets, I will either hand over the bargain to you, or finish it myself and hand you over the money if you are pleased with the amount. You see, I leave this quite in your hands. To parody an old Scotch story of servant and master: if you don’t know that you have a good author, I know that I have a good publisher. Your fair, open, and handsome dealings are a good point in my life, and do more for my crazy health than has yet been done by any doctor.—Very truly yours,

There is no certain clue to the date of the following; neither has it been possible to make sure what was the enclosure mentioned. The special illness referred to seems to be that of the preceding May at Hyères.

DEAR BOY,—I trust this finds you well; it leaves me so-so. The weather is so cold that I must stick to bed, which is rotten and tedious, but can’t be helped.

I find in the blotting book the enclosed, which I wrote to you the eve of my blood. Is it not strange? That night, when I naturally thought I was coopered, the thought of it was much in my mind; I thought it had gone; and I thought what a strange prophecy I had made in jest, and how it was indeed like to be the end of many letters. But I have written a good few since, and the spell is broken. I am just as pleased, for I earnestly desire to live. This pleasant middle age into whose port we are steering is quite to my fancy. I would cast anchor here, and go ashore for twenty years and see the manners of the place. Youth was a great time, but somewhat fussy. Now in middle age (bar lucre) all seems mighty placid. It likes me; I spy a little bright café in one corner of the port, in front of which I now propose we should sit down. There is just enough of the bustle of the harbour and no more; and the ships are close in, regarding us with stern-windows—the ships that bring deals from Norway and parrots from the Indies. Let us sit down here for twenty years, with a packet of tobacco and a drink, and talk of art and women. By-and-by, the whole city will sink, and the ships too, and the table, and we also; but we shall have sat for twenty years and had a fine talk; and by that time, who knows? exhausted the subject.

I send you a book which (or I am mistook) will please you; it pleased me. But I do desire a book of adventure—a romance—and no man will get or write me one. Dumas I have read and re-read too often; Scott, too and I am short. I want to hear swords clash. I want a book to begin in a good way; a book, I guess, like Treasure Island, alas! which I have never read, and cannot though I live to ninety. I would God that some one else had written it! By all that I can learn, it is the very book for my complaint. I like the way I hear it opens; and they tell me John Silver is good fun. And to me it is, and must ever be, a dream unrealised, a book unwritten. O my sighings after romance, or even Skeltery, and O! the weary age which will produce me neither!

The night was damp and cloudy, the ways foul. The single horseman, cloaked and booted, who pursued his way across Willesden Common, had not met a traveller, when the sound of wheels——

“Yes, sir,” said the old pilot, “she must have dropped into the bay a little afore dawn. A queer craft she looks.”

“They’re a-lowering of a quarter-boat, Mr. Mark,” resumed the old salt. “We shall soon know more of her.”

“Ay,” replied the young gentleman called Mark, “and here, Mr. Seadrift, comes your sweet daughter Nancy tripping down the cliff.”

The notary, Jean Rossignol, had been summoned to the top of a great house in the Isle St. Louis to make a will; and now, his duties finished, wrapped in a warm roquelaure and with a lantern swinging from one hand, he issued from the mansion on his homeward way. Little did he think what strange adventures were to befall him!——

In reply to a gift of books, including the correspondent’s well-known translation of Sophocles.

MY DEAR CAMPBELL,—The books came duly to hand. My wife has occupied the translation ever since, nor have I yet been able to dislodge her. As for the primer, I have read it with a very strange result: that I find no fault. If you knew how, dogmatic and pugnacious, I stand warden on the literary art, you would the more appreciate your success and my—well, I will own it—disappointment. For I love to put people right (or wrong) about the arts. But what you say of Tragedy and of Sophocles very amply satisfies me; it is well felt and well said; a little less technically than it is my weakness to desire to see it put, but clear and adequate. You are very right to express your admiration for the resource displayed in Œdipus King; it is a miracle. Would it not have been well to mention Voltaire’s interesting onslaught, a thing which gives the best lesson of the difference of neighbour arts?—since all his criticisms, which had been fatal to a narrative, do not amount among them to exhibit one flaw in this masterpiece of drama. For the drama, it is perfect; though such a fable in a romance might make the reader crack his sides, so imperfect, so ethereally slight is the verisimilitude required of these conventional, rigid, and egg-dancing arts.

I was sorry to see no more of you; but shall conclude by hoping for better luck next time. My wife begs to be remembered to both of you.—Yours sincerely,

The “Arabs” mentioned below are the stories comprised in the volume More New Arabian Nights: The Dynamiter, written by Stevenson and his wife in collaboration.

DEAR HENLEY,—We are all to pieces in health, and heavily handicapped with Arabs. I have a dreadful cough, whose attacks leave me ætat. 90. I never let up on the Arabs, all the same, and rarely get less than eight pages out of hand, though hardly able to come downstairs for twittering knees.

I shall put in ——’s letter. He says so little of his circumstances that I am in an impossibility to give him advice more specific than a copybook. Give him my love, however, and tell him it is the mark of the parochial gentleman who has never travelled to find all wrong in a foreign land. Let him hold on, and he will find one country as good as another; and in the meanwhile let him resist the fatal British tendency to communicate his dissatisfaction with a country to its inhabitants. ’Tis a good idea, but it somehow fails to please. In a fortnight, if I can keep my spirit in the box at all, I should be nearly through this Arabian desert; so can tackle something fresh.—Yours ever,

It was some twenty months since the plan of publishing the Child’s Garden in the first instance as a picture-book had been mooted (see above, pp. 18, foll.). But it had never taken effect, and in the following March the volume appeared without illustrations in England, and also, I believe, in America.

Bonallie Towers, Branksome Park, Bournemouth,
Hants, England, First week in November, I guess, 1884.

MY DEAR LOW,—Now, look here, the above is my address for three months, I hope; continue, on your part, if you please, to write to Edinburgh, which is safe; but if Mrs. Low thinks of coming to England, she might take a run down from London (four hours from Waterloo, main line) and stay a day or two with us among the pines. If not, I hope it will be only a pleasure deferred till you can join her.

My Children’s Verses will be published here in a volume called A Child’s Garden. The sheets are in hand; I will see if I cannot send you the lot, so that you might have a bit of a start. In that case I would do nothing to publish in the States, and you might try an illustrated edition there; which, if the book went fairly over here, might, when ready, be imported. But of this more fully ere long. You will see some verses of mine in the last Magazine of Art, with pictures by a young lady; rather pretty, I think. If we find a market for Phasellulus loquitur, we can try another. I hope it isn’t necessary to put the verse into that rustic printing. I am Philistine enough to prefer clean printer’s type; indeed, I can form no idea of the verses thus transcribed by the incult and tottering hand of the draughtsman, nor gather any impression beyond one of weariness to the eyes. Yet the other day, in the Century, I saw it imputed as a crime to Vedder that he had not thus travestied Omar Khayyàm. We live in a rum age of music without airs, stories without incident, pictures without beauty, American wood engravings that should have been etchings, and dry-point etchings that ought to have been mezzotints. I think of giving ’em literature without words; and I believe if you were to try invisible illustration, it would enjoy a considerable vogue. So long as an artist is on his head, is painting with a flute, or writes with an etcher’s needle, or conducts the orchestra with a meat-axe, all is well; and plaudits shower along with roses. But any plain man who tries to follow the obtrusive canons of his art, is but a commonplace figure. To hell with him is the motto, or at least not that; for he will have his reward, but he will never be thought a person of parts.

January 3, 1885.—And here has this been lying near two months. I have failed to get together a preliminary copy of the Child’s Verses for you, in spite of doughty efforts; but yesterday I sent you the first sheet of the definitive edition, and shall continue to send the others as they come. If you can, and care to, work them—why so, well. If not, I send you fodder. But the time presses; for though I will delay a little over the proofs, and though it is even possible they may delay the English issue until Easter, it will certainly not be later. Therefore perpend, and do not get caught out. Of course, if you can do pictures, it will be a great pleasure to me to see our names joined; and more than that, a great advantage, as I dare say you may be able to make a bargain for some share a little less spectral than the common for the poor author. But this is all as you shall choose; I give you carte blanche to do or not to do.—Yours most sincerely,

O, Sargent has been and painted my portrait; a very nice fellow he is, and is supposed to have done well; it is a poetical but very chicken-boned figure-head, as thus represented.

P.P.S.—Your picture came; and let me thank you for it very much. I am so hunted I had near forgotten. I find it very graceful; and I mean to have it framed.

MY DEAR SIMPSON,—At last, after divers adventures here we are: not Pommery and Greno as you see, “but jist plain auld Bonellie, no very faur frae Jenniper Green,” as I might say if I were writing to Charles. I hope now to receive a good bundle from you ere long; and I will try to be both prompt and practical in response. I hope to hear your boy is better: ah, that’s where it bites, I know, that is where the childless man rejoices; although, to confess fully, my whole philosophy of life renounces these renunciations; I am persuaded we gain nothing in the least comparable to what we lose, by holding back the hand from any province of life; the intrigue, the imbroglio, such as it is, was made for the plunger and not for the teetotaller. And anyway I hope your news is good.

I have nearly finished Lawson’s most lively pamphlet. It is very clear and interesting. For myself, I am in our house—a home of our own, in a most lovely situation, among forest trees, where I hope you will come and see us and find me in a repaired and more comfortable condition—greatly pleased with it—rather hard-up, verging on the dead-broke—and full tilt at hammering up some New Arabians for the pot.

I wonder what you do without regular habits of work. I am capable of only two theories of existence: the industrious worker’s, the spreester’s; all between seems blank to me. We grow too old, and I, at least, am too much deteriorated, for the last; and the first becomes a bedrock necessary. My father is in a gloomy state and has the yellow flag at the peak, or the fore, or wherever it should be; and he has just emptied some melancholy vials on me; I am also, by way of change, spitting blood. This somewhat clouds the termination of my note.—Yours ever affectionately,

About this time Mr. Stevenson was in some hesitation as to letting himself be proposed for the office of President of the Royal Society of Edinburgh.

MY DEAR FATHER,—I have no hesitation in recommending you to let your name go up; please yourself about an address; though I think, if we could meet, we could arrange something suitable. What you propose would be well enough in a way, but so modest as to suggest a whine. From that point of view it would be better to change a little; but this, whether we meet or not, we must discuss. Tait, Chrystal, the Royal Society, and I, all think you amply deserve this honour and far more; it is not the True Blue to call this serious compliment a “trial”; you should be glad of this recognition. As for resigning, that is easy enough if found necessary; but to refuse would be husky and unsatisfactory. Sic subs.

My cold is still very heavy; but I carry it well. Fanny is very very much out of sorts, principally through perpetual misery with me. I fear I have been a little in the dumps, which, as you know, sir, is a very great sin. I must try to be more cheerful; but my cough is so severe that I have sometimes most exhausting nights and very peevish wakenings. However, this shall be remedied, and last night I was distinctly better than the night before. There is, my dear Mr. Stevenson (so I moralise blandly as we sit together on the devil’s garden-wall), no more abominable sin than this gloom, this plaguy peevishness; why (say I) what matters it if we be a little uncomfortable—that is no reason for mangling our unhappy wives. And then I turn and girn on the unfortunate Cassandra.—Your fellow culprit,

Mr. Stevenson, the elder, had read the play of Admiral Guinea, written in September by his son and Mr. Henley in collaboration, and had protested, with his usual vehemence of feeling and expression, against the stage confrontation of profane blackguardry in the person of Pew with evangelical piety in that of the reformed slaving captain who gives his name to the piece.

Bonallie Towers, Branksome Park, Bournemouth (The three B’s) [November 5, 1884].

MY DEAR FATHER,—Allow me to say, in a strictly Pickwickian sense, that you are a silly fellow. I am pained indeed, but how should I be offended? I think you exaggerate; I cannot forget that you had the same impression of the Deacon; and yet, when you saw it played, were less revolted than you looked for; and I will still hope that the Admiral also is not so bad as you suppose. There is one point, however, where I differ from you very frankly. Religion is in the world; I do not think you are the man to deny the importance of its rôle; and I have long decided not to leave it on one side in art. The opposition of the Admiral and Mr. Pew is not, to my eyes, either horrible or irreverent; but it may be, and it probably is, very ill done: what then? This is a failure; better luck next time; more power to the elbow, more discretion, more wisdom in the design, and the old defeat becomes the scene of the new victory. Concern yourself about no failure; they do not cost lives as in engineering; they are the pierres perdues of successes. Fame is (truly) a vapour; do not think of it; if the writer means well and tries hard, no failure will injure him, whether with God or man.

I wish I could hear a brighter account of yourself; but I am inclined to acquit the Admiral of having a share in the responsibility. My very heavy cold is, I hope, drawing off; and the change to this charming house in the forest will, I hope, complete my re-establishment.—With love to all, believe me, your ever affectionate

DEAR BOY,—I have been nearly smashed altogether; fever and chills, with really very considerable suffering; and to my deep gloom and some fear about the future, work has had to stop. There was no way out of it; yesterday and to-day nothing would come, it was a mere waste of tissue, productive of spoiled paper.

I hope it will not last long; for the bum-baily is panting at my rump, and when I turn a scared eye across my shoulder, I behold his talons quivering above my frock-coat tails.

Gosse has writ to offer me £40 for a Christmas number ghost story for the Pall Mall: eight thousand words. I have, with some conditions, accepted; I pray Heaven I may be able to do it. But I am not sure that my incapacity to work is wholly due to illness; I believe the morphine I have been taking for my bray may have a hand in it. It moderates the bray, but, I think, sews up the donkey.

I think my wife is a little better. If only I could get in trim, and get this work done, I should be quite chipper.

The two next letters, on the same subject, are written in the styles and characters of the two Edinburgh ex-elders, Johnstone (or Johnson) and Thomson alternately.

MY DEAR CHARLES,—I am in my new house, thus proudly styled, as you perceive; but the deevil a tower ava’ can be perceived (except out of window); this is not as it should be; one might have hoped, at least, a turret. We are all vilely unwell. I put in the dark watches imitating a donkey with some success, but little pleasure; and in the afternoon I indulge in a smart fever, accompanied by aches and shivers. There is thus little monotony to be deplored. I at least am a regular invalid; I would scorn to bray in the afternoon; I would indignantly refuse the proposal to fever in the night. What is bred in the bone will come out, sir, in the flesh; and the same spirit that prompted me to date my letter regulates the hour and character of my attacks.—I am, sir, yours,

The controversy here mentioned had been one in which Mr. Samuel Smiles and others had taken part, concerning the rival claims of Robert Stevenson, the grandfather of R. L. S., and John Rennie to have been the chief engineers of the Bell Rock Lighthouse (see A Family of Engineers, chap. iii.).

MY DEAR COGGIE,—Many thanks for the two photos which now decorate my room. I was particularly glad to have the Bell Rock. I wonder if you saw me plunge, lance in rest, into a controversy thereanent? It was a very one-sided affair. The man I attacked cried “Boo-hoo!” and referred me to his big brother. And the big brother refused to move. So I slept upon the field of battle, paraded, sang Te Deum, and came home after a review rather than a campaign.

Please tell Campbell I got his letter. The Wild Woman of the West has been much amiss and complaining sorely. I hope nothing more serious is wrong with her than just my ill-health, and consequent anxiety and labour; but the deuce of it is, that the cause continues. I am about knocked out of time now: a miserable, snuffling, shivering, fever-stricken, nightmare-ridden, knee-jottering, hoast-hoast-hoasting shadow and remains of man. But we’ll no gie ower jist yet a bittie. We’ve seen waur; and dod, mem, it’s my belief that we’ll see better. I dinna ken ’at I’ve muckle mair to say to ye, or, indeed, onything; but jist here’s guid-fallowship, guid health, and the wale o’ guid fortune to your bonny sel’; and my respecs to the Perfessor and his wife, and the Prinshiple, an’ the Bell Rock, an’ ony ither public chara’ters that I’m acquaunt wi’.

MY DEAR THOMSON,—It’s a maist remarkable fac’, but nae shüner had I written yon braggin’, blawin’ letter aboot ma business habits, when bang! that very day, ma hoast10 begude in the aifternune. It is really remaurkable; it’s providenshle, I believe. The ink wasnae fair dry, the words werenae weel ooten ma mouth, when bang, I got the lee. The mair ye think o’t, Thomson, the less ye’ll like the looks o’t. Proavidence (I’m no’ sayin’) is all verra weel in its place; but if Proavidence has nae mainners, wha’s to learn’t? Proavidence is a fine thing, but hoo would you like Proavidence to keep your till for ye? The richt place for Proavidence is in the kirk; it has naething to do wi’ private correspondence between twa gentlemen, nor freendly cracks, nor a wee bit word of sculduddery11 ahint the door, nor, in shoart, wi’ ony hole-and-corner wark, what I would call. I’m pairfec’ly willin’ to meet in wi’ Proavidence, I’ll be prood to meet in wi’ him, when my time’s come and I cannae dae nae better; but if he’s to come skulking aboot my stair-fit, damned, I micht as weel be deid for a’ the comfort I’ll can get in life. Cannae he no be made to understand that it’s beneath him? Gosh, if I was in his business, I wouldnae steir my heid for a plain, auld ex-elder that, tak him the way he taks himsel’, ’s just aboot as honest as he can weel afford, an’ but for a wheen auld scandals, near forgotten noo, is a pairfec’ly respectable and thoroughly decent man. Or if I fashed wi’ him ava’, it wad be kind o’ handsome like; a pun’-note under his stair door, or a bottle o’ auld, blended malt to his bit marnin’, as a teshtymonial like yon ye ken sae weel aboot, but mair successfu’.

MY DEAR BOY,—A thousand thanks for the Molière. I have already read, in this noble presentment, La Comtesse d’Escarbaguas, Le Malade Imaginaire, and a part of Les Femmes Savantes; I say, Poquelin took damned good care of himself: Argan and Arysule, what parts! Many thanks also for John Silver’s pistol; I recognise it; that was the one he gave Jim Hawkins at the mouth of the pit; I shall get a plate put upon it to that effect.

My birthday was a great success; I was better in health; I got delightful presents; I received the definite commission from the P.M.G., and began to write the tale; and in the evening Bob arrived, a simple seraph. We have known each other ten years; and here we are, too, like the pair that met in the infirmary: why can we not mellow into kindness and sweetness like Bob? What is the reason? Does nature, even in my octogenarian carcase, run too strong that I must be still a bawler and a brawler and a treader upon corns? You, at least, have achieved the miracle of embellishing your personal appearance to that point that, unless your mother is a woman of even more perspicacity than I suppose, it is morally impossible that she can recognise you. When I saw you ten years ago, you looked rough and—kind of stigmatised, a look of an embittered political shoemaker; where is it now? You now come waltzing around like some light-hearted monarch; essentially jovial, essentially royal; radiant of smiles. And in the meanwhile, by a complementary process, I turn into a kind of hunchback with white hair! The devil.

Well, let us be thankful for our mercies; in these ten years what a change from the cell in the hospital, and the two sick boys in the next bed, to the influence, the recognition, the liberty, and the happiness of to-day! Well, well; fortune is not so blind as people say; you dreed a good long weird; but you have got into a fine green paddock now to kick your heels in. And I, too, what a difference; what a difference in my work, in my situation, and unfortunately, also in my health! But one need not complain of a pebble in the shoe, when by mere justice one should rot in a dungeon.

Many thanks to both of you; long life to our friendship, and that means, I do most firmly believe, to these clay continents on which we fly our colours; good luck to one and all, and may God continue to be merciful.—Your old and warm friend,

Stevenson had been unable to finish for the Pall Mall Christmas number the tale he had first intended; had tried the publishers with Markheim (afterwards printed in the collection called Merry Men), which proved too short; had then furbished up as well as he could a tale drafted in the Pitlochry days, The Body Snatcher, which was advertised in the streets of London by sandwich-men carrying posters so horrific that they were suppressed, if I remember right, by the police. Stevenson rightly thought the tale not up to his best mark, and would not take the full payment which had been bargained for. His correspondent was just about to start on a tour to the United States.

MY DEAR GOSSE,—This Mr. Morley12 of yours is a most desperate fellow. He has sent me (for my opinion) the most truculent advertisement I ever saw, in which the white hairs of Gladstone are dragged round Troy behind my chariot wheels. What can I say? I say nothing to him; and to you, I content myself with remarking that he seems a desperate fellow.

All luck to you on your American adventure; may you find health, wealth, and entertainment! If you see, as you likely will, Frank R. Stockton, pray greet him from me in words to this effect:—

I hear flourishing accounts of your success at Cambridge, so you leave with a good omen. Remember me to green corn if it is in season; if not, you had better hang yourself on a sour apple tree, for your voyage has been lost.—Yours affectionately,

Written in acknowledgment of the gift of a desk.

DEAR DOBSON,—Set down my delay to your own fault; I wished to acknowledge such a gift from you in some of my inapt and slovenly rhymes; but you should have sent me your pen and not your desk. The verses stand up to the axles in a miry cross-road, whence the coursers of the sun shall never draw them; hence I am constrained to this uncourtliness, that I must appear before one of the kings of that country of rhyme without my singing robes. For less than this, if we may trust the book of Esther, favourites have tasted death; but I conceive the kingdom of the Muses mildlier mannered; and in particular that county which you administer and which I seem to see as a half-suburban land; a land of hollyhocks and country houses; a land where at night, in thorny and sequestered bypaths, you will meet masqueraders going to a ball in their sedans, and the rector steering homeward by the light of his lantern; a land of the windmill, and the west wind, and the flowering hawthorn with a little scented letter in the hollow of its trunk, and the kites flying over all in the season of kites, and the far away blue spires of a cathedral city.

Will you forgive me, then, for my delay and accept my thanks not only for your present, but for the letter which followed it, and which perhaps I more particularly value, and believe me to be, with much admiration, yours very truly,

Stevenson and his wife were still busy on More New Arabian Nights (the romance of the Great North Road having been begun and postponed). The question here touched is, to what publishers should they be offered.

DEAR LAD,—For Cassell, I thought the G.N.R. (not railway this time) was the motto. What are Cassells to do with this eccentric mass of blague and seriousness? Their poor auld pows will a’ turn white as snaw, man. They would skriegh with horror. You see, the lot of tales is now coming to a kind of bearing. They are being quite rehandled; all the three intercalary narratives have been condemned and are being replaced—two by picturesque and highly romantic adventures; one by a comic tale of character; and the thing as it goes together so far, is, I do think, singularly varied and vivid, coming near to laughter and touching tears.

I vote for the syndicate, and to give Cassell the North Road when done. Et sic subscr.

My health is better. I never sleep, to be sure; Cawdor hath butchered sleep; and I am twinged a bit by aches and rheumatism; but I get my five to seven hours of work; and if that is not health, it is the nearest I am like to have.

The following to Mr. Henry James refers to the essay of R. L. S. called A Humble Remonstrance, which had just appeared in Longman’s Magazine. Mr. James had written holding out the prospect of a continuance of the friendly controversy which had thus been opened up between them on the aims and qualities of fiction.

MY DEAR HENRY JAMES,—This is a very brave hearing from more points than one. The first point is that there is a hope of a sequel. For this I laboured. Seriously, from the dearth of information and thoughtful interest in the art of literature, those who try to practise it with any deliberate purpose run the risk of finding no fit audience. People suppose it is “the stuff” that interests them; they think, for instance, that the prodigious fine thoughts and sentiments in Shakespeare impress by their own weight, not understanding that the unpolished diamond is but a stone. They think that striking situations, or good dialogue, are got by studying life; they will not rise to understand that they are prepared by deliberate artifice and set off by painful suppressions. Now, I want the whole thing well ventilated, for my own education and the public’s; and I beg you to look as quick as you can, to follow me up with every circumstance of defeat where we differ, and (to prevent the flouting of the laity) to emphasise the points where we agree. I trust your paper will show me the way to a rejoinder; and that rejoinder I shall hope to make with so much art as to woo or drive you from your threatened silence. I would not ask better than to pass my life in beating out this quarter of corn with such a seconder as yourself.

Point the second—I am rejoiced indeed to hear you speak so kindly of my work; rejoiced and surprised. I seem to myself a very rude, left-handed countryman; not fit to be read, far less complimented, by a man so accomplished, so adroit, so craftsmanlike as you. You will happily never have cause to understand the despair with which a writer like myself considers (say) the park scene in Lady Barberina. Every touch surprises me by its intangible precision; and the effect when done, as light as syllabub, as distinct as a picture, fills me with envy. Each man among us prefers his own aim, and I prefer mine; but when we come to speak of performance, I recognise myself, compared with you, to be a lout and slouch of the first water.

Where we differ, both as to the design of stories and the delineation of character, I begin to lament. Of course, I am not so dull as to ask you to desert your walk; but could you not, in one novel, to oblige a sincere admirer, and to enrich his shelves with a beloved volume, could you not, and might you not, cast your characters in a mould a little more abstract and academic (dear Mrs. Pennyman had already, among your other work, a taste of what I mean), and pitch the incidents, I do not say in any stronger, but in a slightly more emphatic key—as it were an episode from one of the old (so-called) novels of adventure? I fear you will not; and I suppose I must sighingly admit you to be right. And yet, when I see, as it were, a book of Tom Jones handled with your exquisite precision and shot through with those side-lights of reflection in which you excel, I relinquish the dear vision with regret. Think upon it.

As you know, I belong to that besotted class of man, the invalid: this puts me to a stand in the way of visits. But it is possible that some day you may feel that a day near the sea and among pinewoods would be a pleasant change from town. If so, please let us know; and my wife and I will be delighted to put you up, and give you what we can to eat and drink (I have a fair bottle of claret).—On the back of which, believe me, yours sincerely,

P.S.—I reopen this to say that I have re-read my paper, and cannot think I have at all succeeded in being either veracious or polite. I knew, of course, that I took your paper merely as a pin to hang my own remarks upon; but, alas! what a thing is any paper! What fine remarks can you not hang on mine! How I have sinned against proportion, and with every effort to the contrary, against the merest rudiments of courtesy to you! You are indeed a very acute reader to have divined the real attitude of my mind; and I can only conclude, not without closed eyes and shrinking shoulders, in the well-worn words,

MY DEAR PEOPLE,—The dreadful tragedy of the Pall Mall has come to a happy but ludicrous ending: I am to keep the money, the tale writ for them is to be buried certain fathoms deep, and they are to flash out before the world with our old friend of Kinnaird, The Body Snatcher. When you come, please to bring—

(1) My Montaigne, or, at least, the two last volumes.

(2) My Milton in the three vols. in green.

(3) The Shakespeare that Babington sent me for a wedding-gift.

(4) Hazlitt’s Table Talk and Plain Speaker.

If you care to get a box of books from Douglas and Foulis, let them be solid. Croker Papers, Correspondence of Napoleon, History of Henry IV., Lang’s Folk Lore, would be my desires.

I had a charming letter from Henry James about my Longman paper. I did not understand queries about the verses; the pictures to the Seagull I thought charming; those to the second have left me with a pain in my poor belly and a swimming in the head.

About money, I am afloat and no more, and I warn you, unless I have great luck, I shall have to fall upon you at the New Year like a hundredweight of bricks. Doctor, rent, chemist, are all threatening; sickness has bitterly delayed my work; and unless, as I say, I have the mischief’s luck, I shall completely break down. Verbum sapientibus. I do not live cheaply, and I question if I ever shall; but if only I had a halfpenny worth of health, I could now easily suffice. The last breakdown of my head is what makes this bankruptcy probable.

Fanny is still out of sorts; Bogue better; self fair, but a stranger to the blessings of sleep.—Ever affectionate son,

DEAR LAD,—I have made up my mind about the P. M. G., and send you a copy, which please keep or return. As for not giving a reduction, what are we? Are we artists or city men? Why do we sneer at stockbrokers? O nary; I will not take the £40. I took that as a fair price for my best work; I was not able to produce my best; and I will be damned if I steal with my eyes open. Sufficit. This is my lookout. As for the paper being rich, certainly it is; but I am honourable. It is no more above me in money than the poor slaveys and cads from whom I look for honesty are below me. Am I Pepys, that because I can find the countenance of “some of our ablest merchants,” that because—and—pour forth languid twaddle and get paid for it, I, too, should “cheerfully continue to steal”? I am not Pepys. I do not live much to God and honour; but I will not wilfully turn my back on both. I am, like all the rest of us, falling ever lower from the bright ideas I began with, falling into greed, into idleness, into middle-aged and slippered fireside cowardice; but is it you, my bold blade, that I hear crying this sordid and rank twaddle in my ear? Preaching the dankest Grundyism and upholding the rank customs of our trade—you who are so cruel hard upon the customs of the publishers? O man, look at the Beam in our own Eyes; and whatever else you do, do not plead Satan’s cause, or plead it for all; either embrace the bad, or respect the good when you see a poor devil trying for it. If this is the honesty of authors—to take what you can get and console yourself because publishers are rich—take my name from the rolls of that association. ’Tis a caucus of weaker thieves, jealous of the stronger.—Ever yours,

You will see from the enclosed that I have stuck to what I think my dues pretty tightly in spite of this flourish: these are my words for a poor ten-pound note!

What should be:	What is:
The Filibuster’s Cache.	Aunt Anne’s Tea Cosy.
Jerry Abershaw.	Mrs. Brierly’s Niece.
Blood Money: A Tale.	Society: A Novel.