Accidental qualities in glass, value of, 114
Accuracy in setting out forms, 286
Accuracy of measurement, 115 , 285
Accuracy of work in the shop, rules for, formula for right angles, 286
Aciding, 130
Action, violent, to be avoided, 173
Advertising, 293
Allegory, 248
Allegory, true allegory the presentment of noble natures, 260
Ancient buildings, sacredness of, 245
Ancient glass, 171 , 314 , 321 , 328
Antique glasses, 31
Architectural fitness, 234
Architecture, harmony with, 174
Architecture, stained-glass accessory to, 168
Architecture, subservient to, 155 , 236
Armour, by use of aciding in flashed blue glass, 131
Art colours, 201
Artist, right claim to the title, 269
Asleep, Millais' picture of, 209
Assistants, to be trained to mastership, 268
Auxerre, centre for study of glass, 315
Backing, 126
Badger, 72 , 74
Badger, how to dry, 193
Banding, 151
Barff's formula for pigment, 226
Bars, 151 , 159 , 167
Bars and lead lines, 166 , 176
Beads, a string of, 190
Beethoven, colour, 224 , 271
Bicycle, use of, 216
Birds, 217
Birmingham, Burne-Jones windows, 236 , 324
Boniface, St., a question of staining, 224
Books, 255 , 257
Borax, untrustworthy as flux, 370
Borrowed light, 227 (and Glossary)
Botticelli, 64 , 78 , 250 , 297 , 322
Brown, Madox, 203
Brush, how to fill, 58
Builders' glazing, 180
Buntingford, ride from, 216
Burne-Jones, 131 , 203 , 236 , 250 , 324
Burning, 129
Burnt umber, 203
Butterfly, 217
Byzantium of the crafts, 243
Byzantine revival, 241
Calm of lead, 137 (and Glossary)
Cambridge, Burne-Jones windows, 237
Cambridge, centre for study of glass, 314
Cambridge, King's College, for blue and red, 230
Canopies, 245
Canopy, 177 , 300
Canterbury, centre for study of glass, 314
Canterbury, for blue and red, 230
Cartoons, 83 , 192
Cathedrals, 178 , 180 , 215 , 230 , 234 , 238 , 246 , 282 , 314
Cellini, 228
Cement and cementing, 147
Centres for study of glass, 314 , 315
Chartres, centre for study of glass, 230 , 314
Chartres, for blue and red, 230
Chief difficulty (in art) the chief opportunity, 301
Chopin, 223
Cirencester windows, 180
Cleanliness, 67 , 164 , 193
Clients, 279
Collotypes, notes on, 327-336
Colour, 198-231
Comfort in work, 67
Commission, one's first, 292
Conditions, importance of ascertaining at commencement, 283
Conduct, general, 264
Constantine and Byzantium, 240
Co-operation, 163 , 265 , 268 , 274-6
Corn-colour, 217-218
Countercharging, 94
Covering up the pigment, 164
Craft, complete teaching of, 174 , 197
Craftsman, right claims to the title, 269
Craftsmanship, revival of, 243
Middle Ages, 252
Cullet, value of, 159
Curriculum, 321-326
Cut-in glass, 49
Cut-line, 85 , 89
Cutter and cartoonist, 44
Cutting, 37 , 42 , 47 , 87 , 162
Cutting, advanced, 83
Cutting-knife, 138
Cutting-wheel (see Wheel-cutter)
Dahlia, colour of, 218
Dante or Blake, perhaps needed today, 253
Dante on Constantine, 240
Dappling, 163
Dentist, precision of a, 67
Design, 167 , 175 , 325
Diamond, 33 , 88 , 331
Difficulty conquered brings new insight and new power, 302
Difficulty, the chief opportunity in a work of art, 282
Directing assistants, clearness in, promptness in, 277
Discords harmonised by added notes, 212
Distance, effect of, 102 , 192
Division of labour, 170 , 269
Docketing of papers, system of, 284
Dodges, a few little, 182
Doubling glass, 132
Drapery, 230 , 322
Drawing from Nature, 324
Drawing, Ruskin's advice on fineness in work, 325
Du Maurier, 207
Dürer, revision of his work, 271
Dutch artist's portrait of actress, 220
Early English glass, 31 , 227
Easels, 186 , 191
Eccentricity to be avoided, 247
Economy, 156 , 158
Egyptians, 182
English wastefulness, 156
Etching (see Aciding)
Examples for painting, 321
Examples for stained-glass work, Holbein, 322
Expression, influence of distance on, 102
Faceting of stones and glass, 228 , 332
Fairford, green in Eve window, 211 , 230
Fairford, old glass in, 314
False lead lines, 166
Fame and wealth good, but not at expense of work, 296
Fancy, safe guide in, 259
Film, 94 , 101
Fine work in art, 298-303
Finish in work, precision and cleanliness, 67
Firing, 105-119
First duty of an artist, 248
Five Sisters window, 178 , 311
Fixing, 135 , 151
Flashed glass, 33
Flatness, desirable, obtained by leading, 176
Flowers, 217
Flux, 370
Forms, accuracy of, 286-289
Fresh methods and ideas come accidentally, 298
Freshness of work, advantage of, 116
Fried work, how to remove, 104
Frying, 104
Garish colour, 202
Garter plates, 61 , 62 , 70 , 71
Gas-kiln, 108-10
Gauge for cutting, how to make, 88
General conduct, 264
Giotto, 252
Giorgione, 203
Glass, ancient, 328
Glass, how made, 32
Glass, how to wax up on plate, 95
Glass in relation to stonework, 134
Glass, Munich, 84 , 176
Glass, Norman, 227
Glass, old, 308 , 315
Glass, painted, 84
Glass-painter's methods described, 205
Glass-painting compared with mezzotint, 81
Glass-painting compared with oil-painting, 200
Glass, Prior's, 31
Glass, value of accidental qualities in, 114
Glasses, "antique," 31
Glazing, 151 , 180
Glossary, 369
Gloucester for blue and red, 230
Gloucester, centre for study of glass, 314
God's house, 235
Gold pink, value of, 160
Good Shepherd, 172
Gothic revival, the, 239
Groseing, 43 (and Glossary)
Groseing tool, substitute for, 55
Grozeing (see Groseing)
Gum-arabic, 58
Gum, quality and quantity of, 77
Handel, 223
Handling leaded lights, 146
Hand-rest, 61
Harmony in colour, the great rule of, 211
Harmony, universal, 234
Harmony with architecture, 174
Heaton's kiln-feeder, 184
Hertfordshire, ride through, 215
Holbein, 64 , 78 , 316 , 322
Hollander, thrift of, 157
Hurry to be avoided, 165
Hyacinths and leaves, colour of, 221
Image, Selwyn, 83
Imagination, 248 , 259
Industry, 65 , 278
In situ, to try work, 175
Inspiration, nature of, discussed, 273
Italian, thrift of, 157
Jacob's ladder, difficulty, 280
Joints, good and bad, 140
Jugglery, craft, to be avoided, 174
Kaleidoscope, 232
Kiln-feeder, a clumsy, 183
Kilns, 105
King, portrait of, 102
Knives, cutting and stopping, 138 , 142
Knocking up, 144
Labour and material, cost of, 162
Lamb, Charles, on Milton's Lycidas, 272
Large work, difficulty of, 77
L'Art Nouveau, 245
Lasting nails, 141
Lathykin, 137 (and Glossary)
Lea Valley, description of, 215
Lead, 89
Lead, "calm" of, 137 (and Glossary)
Lead, 90 , 132 , 137
lead line, 84 , 172
lead lines, false, 166
Lead-mill, 91
Lead, purity of, 90
Lead, outer lead showing, 136
Leaded lights, how to handle, 146
Leading, 133
Leadwork, artistic use of, 176
lead workers, wage of, 159
Light, 227 (and Glossary)
Lights, 72 , 146 , 151
Limitations, 154 , 170
Linnell's colour, 202
Lycidas, perfection of, 271
Lyndhurst, windows at, 237 , 250
Maclou, St., at Rouen, 282
Man's work, nature of, 196
Master, book no substitute for, 82
Master, need of, 82 , 195
Material and labour, cost of, 162
Matting, 72
Matting-brush, 73 , 75
Matting over unfired outline, 76
Measure thrice, cut once, 285
Measurement, accuracy of, 115 , 285
Measurement, relation of glass to the stonework, 134
Meistersingers, the, 223
Mezzotint compared with glass-painting, 81
Michael Angelo, 271
Middle Ages, craftsmanship of, 252
Millais' picture of "Asleep," 209
Millinery and upholstery in glass, to avoid, 324
Morris, 203
Muller, 79
Munich glass, 84 , 176
Music, illustration derived from, 223
Nails, 141
Nativity, star of, 229
Nature, 213 , 217 , 302 , 324 , 335
Neatness, 96
Needle, 68 , 123
New College, 230
Niggling, no use in, 158
Nimbus, withheld till the figure is finished, 263
Norman glass, 227
Novelty not essential to originality, 247
Numbers attached to natural objects, 221
Oil-painting and glass-painting compared, 198
Oil stone, substitutes for, 53
Old glass, 171 , 308 , 314 , 321
Orange-tip butterfly, 214
Order, "Heaven's first law," 233
Orderliness, 284
Originality not to be striven after, 297
Ornament, system of teaching, 325
Outline, 59-82
Overpainting, danger of, 120
Oxford, centre for study of glass, 314
Oxford, New College, for green, 230
Oxide (see Pigment)
Painted glass, 84
Painter and glass-painter contrasted, 199
Painting, 56 , 94 , 118 , 321
Painting, heaviness of, objected to by some, 227
Painting, rule regarding amount of, 229
Pansy, colour of, 232
Patrons, 264
Parthenon frieze, repose of, 173
Perfection, 163
Perpendicular, rules for raising a, 286
Peterborough, Gothic tracery in Norman openings, 238
Pictures, criticism on, 208
Pigment, 164 , 226
Pigment, mixture of, 57
Pigment, oxide of iron, 57
Pigment, soft, danger of, 112
Pigment, unpleasant red, 57
Plain glazing, removing, 151
Plating, 147
Pliers, 43
Poppies, 218
Prices of stained glasses, 159
Principles of old work to be imitated, not accidents, 322
Prior's glass, 31
Publicity, danger of wasting time on pursuit of, 296
Punch, parody of the "Palace of Art," 250
Pupils' work, 335
Putty, substitute for cement in plated work, 318
Putty, to be used when glass is doubled, 147
Quarries, 331
Quarry glazing, with subject, 177
Rack for glass samples, 186
Realism to be avoided, 173
Recasting of composition, 301
Removing the plain glazing, 151
Repose in architectural art, 174
Rest for hand, 61
Restoration, 181 , 245 , 315
Resurrection, sunrise in, 219
Revivals, architectural, 239
Rich and plain work, 177
Right angles, formula for, 286
Roman decadence, 240
Room, to make the most of, 192
Rose-briar, colour of, in sunset, 220
Rossetti, 203
Ruby glass, 33
Ruby glass, value of, 160
Rule of thumb, 113
Rules for work, 264 , 286
Ruskin, 202 , 255 , 325
Sacredness of ancient buildings, 245
Schubert, 223
Scratch-card, 144
Scrubs, 81
Sea-weeds, 217
Second painting, 118 , 126 , 127
Sections, how to join together in fixing, 150
Sections, large work made in, 150
Seed, everything grown from, 291
Seed of ornament, 294
Selvage edge, to tear off, 193
Sens, centre for study of glass, 315
Setting mixture, 86
Sharpening diamonds, 33
Siennese painters, good work to copy in glass, 322
Single fire, 127
Sketching in glass, 175
Soldering, 144
Sparta, revival of simplicity in, 243
Special glasses, 227
Spotting, 163
Spring morning, ride on a, 214
Squaring outlines, 286
Stain, 129
Stain it!, 225
Stain overfiring, result of, 129
Stained-glass, accessory to architecture, 168
Stained-glass, ancient, to be held sacred, 245
Stained-glass, definition and description of, 29
Stained-glass, diapering, spotting, and streaking, 179
Stained-glass, joys of, 303
Stained-glass, loving and careful treatment of, 177
Stained-glass, new developments of, 132
Stained-glass, prices of material, 159
Stained-glass, subservient to architecture, 155 , 236
Stained-glass versus painted glass, 84
Staining, 225
Stale colour, danger of, 165
Stale work, disadvantage of, 114
Standardising, 113
Stencil brush, 121
Stepping back to inspect work, 176
Stevenson, R. L., 156
Stick, 68
Stipple, 99 , 101
Stippling brush, 100
Stonework, relation of glass to, 134
Stopping-knife, 142
Streaky glass, imitating drapery, 230
Strength in painting, limits of, 125
Stretching the lead, 137
Style, 237 , 246
Subject, right limits to importance of, 248
Sufficient firing, test of, 117
Sugar or treacle as substitute for gum, 62
Surgeon, precision of a, 67
Symbolism, proportion in, 262
Tabernacle (see Canopy)
Tamworth, 237
Tapping, 41
Taste, some principles of, 92
Technical school, curriculum of, 321
Templates to be verified, 289
Tennyson, his constant revision, 271
Texture of glass, use of, 126
Theseus, 260
Thought, imagination, allegory, 248
Ties for banding, 151
Thrift, 157
Time saved by accuracy and method, 290
Time-saving appliances, 277
Tinning the soldering iron, 145
Tints, method of choosing, 210
Titian, 173 , 203 , 271 , 316
Tradition, 238 , 242
Troyes, centre for study of glass, 315
Trying work in situ, 175
Turgenieff, proverb on accuracy, 285
Turpentine (Venice), 129
Tuscan painters, good work to copy in glass, 322
Upholstery and millinery in glass, to avoid, 324
Venus of Milo, 260
Veronese, 203
Village church, untouched, picture of, 305
Violent action to be avoided, 173
Wage of lead workers, 159
Waste, proportion of, to finished work, 162
Wastefulness, English, 156
Wax, best, 95
Wax, removing spots of, 98
Waxing-up, 95
Waxing-up, tool for, 188
Wells, centre for study of glass, 314
Wheel-barrow, comparison with wheel-cutter, 51
Wheel-cutters, 34 , 35 , 47 , 53 , 54 , 56
White, pure, value of, 227
White spaces to be interesting, 178
Work in the shop, rules for, 286
Yellow and red together, 218
Yellow, certain tints hard to obtain, 217
Yellow stain, 129
York, centre for study of glass, 314
York Minster, glass in, 230,308,313