Vailima, January 15th, 1894.
MY DEAR BAILDON,—Last mail brought your book and its Dedication. “Frederick Street and the gardens, and the short-lived Jack o’ Lantern,” are again with me—and the note of the east wind, and Froebel’s voice, and the smell of soup in Thomson’s stair. Truly, you had no need to put yourself under the protection of any other saint, were that saint our Tamate himself! Yourself were enough, and yourself coming with so rich a sheaf.
For what is this that you say about the Muses? They have certainly never better inspired you than in “Jael and Sisera,” and “Herodias and John the Baptist,” good stout poems, fiery and sound. “’Tis but a mask and behind it chuckles the God of the Garden,” I shall never forget. By the by, an error of the press, page 49, line 4, “No infant’s lesson are the ways of God.” The is dropped.
And this reminds me you have a bad habit which is to be comminated in my theory of letters. Same page, two lines lower: “But the vulture’s track” is surely as fine to the ear as “But vulture’s track,” and this latter version has a dreadful baldness. The reader goes on with a sense of impoverishment, of unnecessary sacrifice; he has been robbed by footpads, and goes scouting for his lost article! Again, in the second Epode, these fine verses would surely sound much finer if they began, “As a hardy climber who has set his heart,” than with the jejune “As hardy climber.” I do not know why you permit yourself this licence with grammar; you show, in so many pages, that you are superior to the paltry sense of rhythm which usually dictates it—as though some poetaster had been suffered to correct the poet’s text. By the way, I confess to a heartfelt weakness for Auriculas.—Believe me the very grateful and characteristic pick-thank, but still sincere and affectionate,
Robert Louis Stevenson.
Vailima, January 15th, 1894.
MY DEAR LOW,— ... Pray you, stoop your proud head, and sell yourself to some Jew magazine, and make the visit out. I assure you, this is the spot for a sculptor or painter. This, and no other—I don’t say to stay there, but to come once and get the living colour into them. I am used to it; I do not notice it; rather prefer my grey, freezing recollections of Scotland; but there it is, and every morning is a thing to give thanks for, and every night another—bar when it rains, of course.
About The Wrecker—rather late days, and I still suspect I had somehow offended you; however, all’s well that ends well, and I am glad I am forgiven—did you not fail to appreciate the attitude of Dodd? He was a fizzle and a stick, he knew it, he knew nothing else, and there is an undercurrent of bitterness in him. And then the problem that Pinkerton laid down: why the artist can do nothing else? is one that continually exercises myself. He cannot: granted. But Scott could. And Montaigne. And Julius Caesar. And many more. And why can’t R. L. S.? Does it not amaze you? It does me. I think of the Renaissance fellows, and their all-round human sufficiency, and compare it with the ineffable smallness of the field in which we labour and in which we do so little. I think David Balfour a nice little book, and very artistic, and just the thing to occupy the leisure of a busy man; but for the top flower of a man’s life it seems to me inadequate. Small is the word; it is a small age, and I am of it. I could have wished to be otherwise busy in this world. I ought to have been able to build lighthouses and write David Balfours too. Hinc illae lacrymae. I take my own case as most handy, but it is as illustrative of my quarrel with the age. We take all these pains, and we don’t do as well as Michael Angelo or Leonardo, or even Fielding, who was an active magistrate, or Richardson, who was a busy bookseller. J’ai honte pour nous; my ears burn.
I am amazed at the effect which this Chicago exhibition has produced upon you and others. It set Mrs. Fairchild literally mad—to judge by her letters. And I wish I had seen anything so influential. I suppose there was an aura, a halo, some sort of effulgency about the place; for here I find you louder than the rest. Well, it may be there is a time coming; and I wonder, when it comes, whether it will be a time of little, exclusive, one-eyed rascals like you and me, or parties of the old stamp who can paint and fight, and write and keep books of double entry, and sculp, and scalp. It might be. You have a lot of stuff in the kettle, and a great deal of it Celtic. I have changed my mind progressively about England: practically the whole of Scotland is Celtic, and the western half of England, and all Ireland, and the Celtic blood makes a rare blend for art. If it is stiffened up with Latin blood, you get the French. We were less lucky: we had only Scandinavians, themselves decidedly artistic, and the Low-German lot. However, that is a good starting-point, and with all the other elements in your crucible, it may come to something great very easily. I wish you would hurry up and let me see it. Here is a long while I have been waiting for something good in art; and what have I seen? Zola’s Débâcle and a few of Kipling’s tales. Are you a reader of Barbey d’Aurévilly? He is a never-failing source of pleasure to me, for my sins, I suppose. What a work is the Rideau Cramoisi! and L’Ensorcelée! and Le Chevalier Des Touches!
This is degenerating into mere twaddle. So please remember us all most kindly to Mrs. Low, and believe me ever yours,
Robert Louis Stevenson.
P.S.—Were all your privateers voiceless in the war of 1812? Did no one of them write memoirs? I shall have to do my privateer from chic, if you can’t help me.74 My application to Scribner has been quite in vain. See if you can get hold of some historic sharp in the club, and tap him; they must some of them have written memoirs or notes of some sort; perhaps still unprinted; if that be so, get them copied for me.
R. L. S.
Vailima, Jan. 29th, 1894.
MY DEAR COLVIN,—I had fully intended for your education and moral health to fob you off with the meanest possible letter this month, and unfortunately I find I will have to treat you to a good long account of matters here. I believe I have told you before about Tui-ma-le-alii-fano and my taking him down to introduce him to the Chief Justice. Well, Tui came back to Vailima one day in the blackest sort of spirits, saying the war was decided, that he also must join in the fight, and that there was no hope whatever of success. He must fight as a point of honour for his family and country; and in his case, even if he escaped on the field of battle, deportation was the least to be looked for. He said he had a letter of complaint from the Great Council of A’ana which he wished to lay before the Chief Justice; and he asked me to accompany him as if I were his nurse. We went down about dinner time; and by the way received from a lurking native the famous letter in an official blue envelope gummed up to the edges. It proved to be a declaration of war, quite formal, but with some variations that really made you bounce. White residents were directly threatened, bidden to have nothing to do with the King’s party, not to receive their goods in their houses, etc., under pain of an accident. However, the Chief Justice took it very wisely and mildly, and between us, he and I and Tui made up a plan which has proved successful—so far. The war is over—fifteen chiefs are this morning undergoing a curious double process of law, comparable to a court martial; in which their complaints are to be considered, and if possible righted, while their conduct is to be criticised, perhaps punished. Up to now, therefore, it has been a most successful policy; but the danger is before us. My own feeling would decidedly be that all would be spoiled by a single execution. The great hope after all lies in the knotless, rather flaccid character of the people. These are no Maoris. All the powers that Cedercrantz let go by disuse the new C. J. is stealthily and boldly taking back again; perhaps some others also. He has shamed the chiefs in Mulinuu into a law against taking heads, with a punishment of six years’ imprisonment and, for a chief, degradation. To him has been left the sole conduct of this anxious and decisive inquiry. If the natives stand it, why, well! But I am nervous.
Vailima, January 30th, 1894.
MY DEAR BAILDON,—“Call not blessed.”—Yes, if I could die just now, or say in half a year, I should have had a splendid time of it on the whole. But it gets a little stale, and my work will begin to senesce; and parties to shy bricks at me; and now it begins to look as if I should survive to see myself impotent and forgotten. It’s a pity suicide is not thought the ticket in the best circles.
But your letter goes on to congratulate me on having done the one thing I am a little sorry for; a little—not much—for my father himself lived to think that I had been wiser than he. But the cream of the jest is that I have lived to change my mind; and think that he was wiser than I. Had I been an engineer, and literature my amusement, it would have been better perhaps. I pulled it off, of course, I won the wager, and it is pleasant while it lasts; but how long will it last? I don’t know, say the Bells of Old Bow.
All of which goes to show that nobody is quite sane in judging himself. Truly, had I given way and gone in for engineering, I should be dead by now. Well, the gods know best.
... I hope you got my letter about the Rescue.—Adieu.
R. L. S.
True for you about the benefit: except by kisses, jests, song, et hoc genus omne, man cannot convey benefit to another. The universal benefactor has been there before him.
Feb. 1894.
DEAR COLVIN,—By a reaction, when your letter is a little decent, mine is to be naked and unashamed. We have been much exercised. No one can prophesy here, of course, and the balance still hangs trembling, but I think it will go for peace.
The mail was very late this time: hence the paltriness of this note. When it came and I had read it, I retired with The Ebb Tide and read it all before I slept. I did not dream it was near as good; I am afraid I think it excellent. A little indecision about Attwater, not much. It gives me great hope, as I see I can work in that constipated, mosaic manner, which is what I have to do just now with Weir of Hermiston.
We have given a ball; I send you a paper describing the event. We have two guests in the house, Captain-Count Wurmbrand and Monsieur Albert de Lautreppe. Lautreppe is awfully nice—a quiet, gentlemanly fellow, gonflé de rêves, as he describes himself—once a sculptor in the atelier of Henry Crosse, he knows something of art, and is really a resource to me.
Letter from Meredith very kind. Have you seen no more of Graham?
What about my Grandfather? The family history will grow to be quite a chapter.
I suppose I am growing sensitive; perhaps, by living among barbarians, I expect more civility. Look at this from the author of a very interesting and laudatory critique. He gives quite a false description of something of mine, and talks about my “insolence.” Frankly, I supposed “insolence” to be a tapu word. I do not use it to a gentleman, I would not write it of a gentleman: I may be wrong, but I believe we did not write it of a gentleman in old days, and in my view he (clever fellow as he is) wants to be kicked for applying it to me. By writing a novel—even a bad one—I do not make myself a criminal for anybody to insult. This may amuse you. But either there is a change in journalism, too gradual for you to remark it on the spot, or there is a change in me. I cannot bear these phrases; I long to resent them. My forbears, the tenant farmers of the Mures, would not have suffered such expressions unless it had been from Cauldwell, or Rowallan, or maybe Auchendrane. My Family Pride bristles. I am like the negro, “I just heard last night” who my great, great, great, great grandfather was.—Ever yours,
R. L. S.
The next is to a correspondent in Cincinnati, who had been the founder of an R. L. S. Society in that city, “originally,” he writes me, under date April 7, 1895, “the outcome of a boyish fancy, but it has now grown into something more substantial.”
Vailima, Samoa, March 25th, 1894.
MY DEAR MR. JOE H. BATES,—I shall have the greatest pleasure in acceding to your complimentary request. I shall think it an honour to be associated with your chapter, and I need not remind you (for you have said it yourself) how much depends upon your own exertions whether to make it to me a real honour or only a derision. This is to let you know that I accept the position that you have seriously offered to me in a quite serious spirit. I need scarce tell you that I shall always be pleased to receive reports of your proceedings; and if I do not always acknowledge them, you are to remember that I am a man very much occupied otherwise, and not at all to suppose that I have lost interest in my chapter.
In this world, which (as you justly say) is so full of sorrow and suffering, it will always please me to remember that my name is connected with some efforts after alleviation, nor less so with purposes of innocent recreation which, after all, are the only certain means at our disposal for bettering human life.
With kind regards, to yourself, to Mr. L. C. Congdon, to E. M. G. Bates, and to Mr. Edward Hugh Higlee Bates, and the heartiest wishes for the future success of the chapter, believe me, yours cordially.
Robert Louis Stevenson.
Vailima, Samoa, March 27th, 1894.
MY DEAR ARCHER,—Many thanks for your Theatrical World. Do you know, it strikes me as being really very good? I have not yet read much of it, but so far as I have looked, there is not a dull and not an empty page in it. Hazlitt, whom you must often have thought of, would have been pleased. Come to think of it, I shall put this book upon the Hazlitt shelf. You have acquired a manner that I can only call august; otherwise, I should have to call it such amazing impudence. The Bauble Shop and Becket are examples of what I mean. But it “sets you weel.”
Marjorie Fleming I have known, as you surmise, for long. She was possibly—no, I take back possibly—she was one of the greatest works of God. Your note about the resemblance of her verses to mine gave me great joy, though it only proved me a plagiarist. By the by, was it not over The Child’s Garden of Verses that we first scraped acquaintance? I am sorry indeed to hear that my esteemed correspondent Tomarcher has such poor taste in literature.75 I fear he cannot have inherited this trait from his dear papa. Indeed, I may say I know it, for I remember the energy of papa’s disapproval when the work passed through his hands on its way to a second birth, which none regrets more than myself. It is an odd fact, or perhaps a very natural one; I find few greater pleasures than reading my own works, but I never, O I never read The Black Arrow. In that country Tomarcher reigns supreme. Well, and after all, if Tomarcher likes it, it has not been written in vain.
We have just now a curious breath from Europe. A young fellow just beginning letters, and no fool, turned up here with a letter of introduction in the well-known blue ink and decorative hieroglyphs of George Meredith. His name may be known to you. It is Sidney Lysaght. He is staying with us but a day or two, and it is strange to me and not unpleasant to hear all the names, old and new, come up again. But oddly the new are so much more in number. If I revisited the glimpses of the moon on your side of the ocean, I should know comparatively few of them.
My amanuensis deserts me—I should have said you, for yours is the loss, my script having lost all bond with humanity. One touch of nature makes the whole world kin: that nobody can read my hand. It is a humiliating circumstance that thus evens us with printers!
You must sometimes think it strange—or perhaps it is only I that should so think it—to be following the old round, in the gas lamps and the crowded theatres, when I am away here in the tropical forest and the vast silences!
My dear Archer, my wife joins me in the best wishes to yourself and Mrs. Archer, not forgetting Tom; and I am yours very cordially,
Robert Louis Stevenson.
Partly concerning a fresh rising, this time of the partisans of Tamasese from the district of Atua, which had occurred and was after some time suppressed; partly in reference to the visit of Mr. Sidney Lysaght; partly in reply to a petition that his letters might be less entirely taken up with native affairs, of relatively little meaning to his correspondent.
[Vailima, April 1894.]
MY DEAR COLVIN,—This is the very day the mail goes, and I have as yet written you nothing. But it was just as well—as it was all about my “blacks and chocolates,” and what of it had relation to whites you will read some of in the Times. It means, as you will see, that I have at one blow quarrelled with all the officials of Samoa, the Foreign Office, and I suppose her Majesty the Queen with milk and honey blest. But you’ll see in the Times. I am very well indeed, but just about dead and mighty glad the mail is near here, and I can just give up all hope of contending with my letters, and lie down for the rest of the day. These Times letters are not easy to write. And I dare say the consuls say, “Why, then, does he write them?”
I had miserable luck with St. Ives; being already half-way through it, a book I had ordered six months ago arrives at last, and I have to change the first half of it from top to bottom! How could I have dreamed the French prisoners were watched over like a female charity school, kept in a grotesque livery, and shaved twice a week? And I had made all my points on the idea that they were unshaved and clothed anyhow. However, this last is better business; if only the book had come when I ordered it! À propos, many of the books you announce don’t come as a matter of fact. When they are of any value, it is best to register them. Your letter, alas! is not here; I sent it down to the cottage, with all my mail, for Fanny; on Sunday night a boy comes up with a lantern and a note from Fanny, to say the woods are full of Atuas and I must bring a horse down that instant, as the posts are established beyond her on the road, and she does not want to have the fight going on between us. Impossible to get a horse; so I started in the dark on foot, with a revolver, and my spurs on my bare feet, leaving directions that the boy should mount after me with the horse. Try such an experience on Our Road once, and do it, if you please, after you have been down town from nine o’clock till six, on board the ship-of-war lunching, teaching Sunday School (I actually do) and making necessary visits; and the Saturday before, having sat all day from ½-past six to ½-past four, scriving at my Times letter. About half-way up, just in fact at “point” of the outposts, I met Fanny coming up. Then all night long I was being wakened with scares that really should be looked into, though I knew there was nothing in them and no bottom to the whole story; and the drums and shouts and cries from Tanugamanono and the town keeping up an all-night corybantic chorus in the moonlight—the moon rose late—and the search-light of the war-ship in the harbour making a jewel of brightness as it lit up the bay of Apia in the distance. And then next morning, about eight o’clock, a drum coming out of the woods and a party of patrols who had been in the woods on our left front (which is our true rear) coming up to the house, and meeting there another party who had been in the woods on our right {front rear} which is Vaea Mountain, and 43 of them being entertained to ava and biscuits on the verandah, and marching off at last in single file for Apia. Briefly, it is not much wonder if your letter and my whole mail was left at the cottage, and I have no means of seeing or answering particulars.
The whole thing was nothing but a bottomless scare; it was obviously so; you couldn’t make a child believe it was anything else, but it has made the consuls sit up. My own private scares were really abominably annoying; as for instance after I had got to sleep for the ninth time perhaps—and that was no easy matter either, for I had a crick in my neck so agonising that I had to sleep sitting up—I heard noises as of a man being murdered in the boys’ house. To be sure, said I, this is nothing again, but if a man’s head was being taken, the noises would be the same! So I had to get up, stifle my cries of agony from the crick, get my revolver, and creep out stealthily to the boys’ house. And there were two of them sitting up, keeping watch of their own accord like good boys, and whiling the time over a game of Sweepi (Cascino—the whist of our islanders)—and one of them was our champion idiot, Misifolo, and I suppose he was holding bad cards, and losing all the time—and these noises were his humorous protests against Fortune!
Well, excuse this excursion into my “blacks and chocolates.” It is the last. You will have heard from Lysaght how I failed to write last mail. The said Lysaght seems to me a very nice fellow. We were only sorry he could not stay with us longer. Austin came back from school last week, which made a great time for the Amanuensis, you may be sure. Then on Saturday, the Curaçoa came in—same commission, with all our old friends; and on Sunday, as already mentioned, Austin and I went down to service and had lunch afterwards in the wardroom. The officers were awfully nice to Austin; they are the most amiable ship in the world; and after lunch we had a paper handed round on which we were to guess, and sign our guess, of the number of leaves on the pine-apple; I never saw this game before, but it seems it is much practised in the Queen’s Navee. When all have betted, one of the party begins to strip the pine-apple head, and the person whose guess is furthest out has to pay for the sherry. My equanimity was disturbed by shouts of The American Commodore, and I found that Austin had entered and lost about a bottle of sherry! He turned with great composure and addressed me. “I am afraid I must look to you, Uncle Louis.” The Sunday School racket is only an experiment which I took up at the request of the late American Land Commissioner; I am trying it for a month, and if I do as ill as I believe, and the boys find it only half as tedious as I do, I think it will end in a month. I have carte blanche, and say what I like; but does any single soul understand me?
Fanny is on the whole very much better. Lloyd has been under the weather, and goes for a month to the South Island of New Zealand for some skating, save the mark! I get all the skating I want among officials.
Dear Colvin, please remember that my life passes among my “blacks or chocolates.” If I were to do as you propose, in a bit of a tiff, it would cut you off entirely from my life. You must try to exercise a trifle of imagination, and put yourself, perhaps with an effort, into some sort of sympathy with these people, or how am I to write to you? I think you are truly a little too Cockney with me.—Ever yours,
Robert Louis Stevenson.
Vailima, Samoa, April 14, 1894.
DEAR SIR,—Long since when I was a boy I remember the emotions with which I repeated Swinburne’s poems and ballads. Some ten years ago, a similar spell was cast upon me by Meredith’s Love in the Valley; the stanzas beginning “When her mother tends her” haunted me and made me drunk like wine; and I remember waking with them all the echoes of the hills about Hyères. It may interest you to hear that I have a third time fallen in slavery: this is to your poem called the Lake Isle of Innisfree. It is so quaint and airy, simple, artful, and eloquent to the heart—but I seek words in vain. Enough that “always night and day I hear lake water lapping with low sounds on the shore,” and am, yours gratefully,
Robert Louis Stevenson.
The young lady referred to in the following is Mr. Meredith’s daughter, now Mrs. H. Sturgis; the bearer of the introduction, Mr. Sidney Lysaght, author of The Marplot and One of the Grenvilles. It is only in the first few chapters of Mr. Meredith’s Amazing Marriage that the character of Gower Woodseer has been allowed to retain any likeness to that of R. L. S.
Vailima, Samoa, April 17th, 1894.
MY DEAR MEREDITH,—Many good things have the gods sent to me of late. First of all there was a letter from you by the kind hand of Mariette, if she is not too great a lady to be remembered in such a style; and then there came one Lysaght with a charming note of introduction in the well-known hand itself. We had but a few days of him, and liked him well. There was a sort of geniality and inward fire about him at which I warmed my hands. It is long since I have seen a young man who has left in me such a favourable impression; and I find myself telling myself, “O, I must tell this to Lysaght,” or, “This will interest him,” in a manner very unusual after so brief an acquaintance. The whole of my family shared in this favourable impression, and my halls have re-echoed ever since, I am sure he will be amused to know, with Widdicombe Fair.
He will have told you doubtless more of my news than I could tell you myself; he has your European perspective, a thing long lost to me. I heard with a great deal of interest the news of Box Hill. And so I understand it is to be enclosed! Allow me to remark, that seems a far more barbaric trait of manners than the most barbarous of ours. We content ourselves with cutting off an occasional head.
I hear we may soon expect The Amazing Marriage. You know how long, and with how much curiosity, I have looked forward to the book. Now, in so far as you have adhered to your intention, Gower Woodseer will be a family portrait, age twenty-five, of the highly respectable and slightly influential and fairly aged Tusitala. You have not known that gentleman; console yourself, he is not worth knowing. At the same time, my dear Meredith, he is very sincerely yours—for what he is worth, for the memories of old times, and in the expectation of many pleasures still to come. I suppose we shall never see each other again; flitting youths of the Lysaght species may occasionally cover these unconscionable leagues and bear greetings to and fro. But we ourselves must be content to converse on an occasional sheet of notepaper, and I shall never see whether you have grown older, and you shall never deplore that Gower Woodseer should have declined into the pantaloon Tusitala. It is perhaps better so. Let us continue to see each other as we were, and accept, my dear Meredith, my love and respect.
Robert Louis Stevenson.
P.S.—My wife joins me in the kindest messages to yourself and Mariette.
[Vailima], April 17, ’94.
MY DEAR CHARLES,—St. Ives is now well on its way into the second volume. There remains no mortal doubt that it will reach the three-volume standard.
I am very anxious that you should send me—
1st. Tom and Jerry, a cheap edition.
2nd. The book by Ashton—the Dawn of the Century, I think it was called—which Colvin sent me, and which has miscarried, and
3rd. If it is possible, a file of the Edinburgh Courant for the years 1811, 1812, 1813, or 1814. I should not care for a whole year. If it were possible to find me three months, winter months by preference, it would do my business not only for St. Ives, but for the Justice-Clerk as well. Suppose this to be impossible, perhaps I could get the loan of it from somebody; or perhaps it would be possible to have some one read a file for me and make notes. This would be extremely bad, as unhappily one man’s food is another man’s poison, and the reader would probably leave out everything I should choose. But if you are reduced to that, you might mention to the man who is to read for me that balloon ascensions are in the order of the day.
4th. It might be as well to get a book on balloon ascension, particularly in the early part of the century.
........
III. At last this book has come from Scribner, and, alas! I have the first six or seven chapters of St. Ives to recast entirely. Who could foresee that they clothed the French prisoners in yellow? But that one fatal fact—and also that they shaved them twice a week—damns the whole beginning. If it had been sent in time, it would have saved me a deal of trouble....
I have had a long letter from Dr. Scott Dalgleish, 25 Mayfield Terrace, asking me to put my name down to the Ballantyne Memorial Committee. I have sent him a pretty sharp answer in favour of cutting down the memorial and giving more to the widow and children. If there is to be any foolery in the way of statues or other trash, please send them a guinea; but if they are going to take my advice and put up a simple tablet with a few heartfelt words, and really devote the bulk of the subscriptions to the wife and family, I will go to the length of twenty pounds, if you will allow me (and if the case of the family be at all urgent), and at least I direct you to send ten pounds. I suppose you had better see Scott Dalgleish himself on the matter. I take the opportunity here to warn you that my head is simply spinning with a multitude of affairs, and I shall probably forget a half of my business at last.
R. L. S.
[Vailima, April 1894.]
MY DEAR FRIEND,—I have at last got some photographs, and hasten to send you, as you asked, a portrait of Tusitala. He is a strange person; not so lean, say experts, but infinitely battered; mighty active again on the whole; going up and down our break-neck road at all hours of the day and night on horseback; holding meetings with all manner of chiefs; quite a political personage—God save the mark!—in a small way, but at heart very conscious of the inevitable flat failure that awaits every one. I shall never do a better book than Catriona, that is my high-water mark, and the trouble of production increases on me at a great rate—and mighty anxious about how I am to leave my family: an elderly man, with elderly preoccupations, whom I should be ashamed to show you for your old friend; but not a hope of my dying soon and cleanly, and “winning off the stage.” Rather I am daily better in physical health. I shall have to see this business out, after all; and I think, in that case, they should have—they might have—spared me all my ill-health this decade past, if it were not to unbar the doors. I have no taste for old age, and my nose is to be rubbed in it in spite of my face. I was meant to die young, and the gods do not love me.
This is very like an epitaph, bar the handwriting, which is anything but monumental, and I dare say I had better stop. Fanny is down at her own cottage planting or deplanting or replanting, I know not which, and she will not be home till dinner, by which time the mail will be all closed, else she would join me in all good messages and remembrances of love. I hope you will congratulate Burne Jones from me on his baronetcy. I cannot make out to be anything but raspingly, harrowingly sad; so I will close, and not affect levity which I cannot feel. Do not altogether forget me; keep a corner of your memory for the exile
Louis.
[Vailima, May 1894.]
MY DEAR CHARLES,—My dear fellow, I wish to assure you of the greatness of the pleasure that this Edinburgh Edition gives me. I suppose it was your idea to give it that name. No other would have affected me in the same manner. Do you remember, how many years ago—I would be afraid to hazard a guess—one night when I communicated to you certain intimations of early death and aspiration after fame? I was particularly maudlin; and my remorse the next morning on a review of my folly has written the matter very deeply in my mind; from yours it may easily have fled. If any one at that moment could have shown me the Edinburgh Edition, I suppose I should have died. It is with gratitude and wonder that I consider “the way in which I have been led.” Could a more preposterous idea have occurred to us in those days when we used to search our pockets for coppers, too often in vain, and combine forces to produce the threepence necessary for two glasses of beer, or wander down the Lothian Road without any, than that I should be strong and well at the age of forty-three in the island of Upolu, and that you should be at home bringing out the Edinburgh Edition? If it had been possible, I should almost have preferred the Lothian Road Edition, say, with a picture of the old Dutch smuggler on the covers. I have now something heavy on my mind. I had always a great sense of kinship with poor Robert Fergusson—so clever a boy, so wild, of such a mixed strain, so unfortunate, born in the same town with me, and, as I always felt, rather by express intimation than from evidence, so like myself. Now the injustice with which the one Robert is rewarded and the other left out in the cold sits heavy on me, and I wish you could think of some way in which I could do honour to my unfortunate namesake. Do you think it would look like affectation to dedicate the whole edition to his memory? I think it would. The sentiment which would dictate it to me is too abstruse; and besides, I think my wife is the proper person to receive the dedication of my life’s work. At the same time, it is very odd—it really looks like the transmigration of souls—I feel that I must do something for Fergusson; Burns has been before me with the gravestone. It occurs to me you might take a walk down the Canongate and see in what condition the stone is. If it be at all uncared for, we might repair it, and perhaps add a few words of inscription.
I must tell you, what I just remembered in a flash as I was walking about dictating this letter—there was in the original plan of the Master of Ballantrae a sort of introduction describing my arrival in Edinburgh on a visit to yourself and your placing in my hands the papers of the story. I actually wrote it, and then condemned the idea—as being a little too like Scott, I suppose. Now I must really find the MS. and try to finish it for the E.E. It will give you, what I should so much like you to have, another corner of your own in that lofty monument.
Suppose we do what I have proposed about Fergusson’s monument, I wonder if an inscription like this would look arrogant—
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This stone originally erected by Robert Burns has been repaired at the charges of Robert Louis Stevenson, and is by him re-dedicated to the memory of Robert Fergusson, as the gift of one Edinburgh lad to another. |
In spacing this inscription I would detach the names of Fergusson and Burns, but leave mine in the text.
Or would that look like sham modesty, and is it better to bring out the three Roberts?
Vailima, May 18th, 1894.
MY DEAR COLVIN,—Your proposals for the Edinburgh Edition are entirely to my mind. About the Amateur Emigrant, it shall go to you by this mail well slashed. If you like to slash some more on your own account, I give you permission. ’Tis not a great work; but since it goes to make up the two first volumes as proposed, I presume it has not been written in vain.76—Miscellanies. I see with some alarm the proposal to print Juvenilia; does it not seem to you taking myself a little too much as Grandfather William? I am certainly not so young as I once was—a lady took occasion to remind me of the fact no later agone than last night. “Why don’t you leave that to the young men, Mr. Stevenson?” said she—but when I remember that I felt indignant at even John Ruskin when he did something of the kind I really feel myself blush from head to heel. If you want to make up the first volume, there are a good many works which I took the trouble to prepare for publication and which have never been republished. In addition to Roads and Dancing Children, referred to by you, there is An Autumn Effect in the Portfolio, and a paper on Fontainebleau—Forest Notes is the name of it—in Cornhill. I have no objection to any of these being edited, say with a scythe, and reproduced. But I heartily abominate and reject the idea of reprinting The Pentland Rising. For God’s sake let me get buried first.
Tales and Fantasies. Vols. I. and II. have my hearty approval. But I think III. and IV. had better be crammed into one as you suggest. I will reprint none of the stories mentioned. They are below the mark. Well, I dare say the beastly Body-Snatcher has merit, and I am unjust to it from my recollections of the Pall Mall. But the other two won’t do. For vols. V. and VI., now changed into IV. and V., I propose the common title of South Sea Yarns. There! These are all my differences of opinion. I agree with every detail of your arrangement, and, as you see, my objections have turned principally on the question of hawking unripe fruit. I dare say it is all pretty green, but that is no reason for us to fill the barrow with trash. Think of having a new set of type cast, paper especially made, etc., in order to set up rubbish that is not fit for the Saturday Scotsman. It would be the climax of shame.
I am sending you a lot of verses, which had best, I think, be called Underwoods Book III., but in what order are they to go? Also, I am going on every day a little, till I get sick of it, with the attempt to get The Emigrant compressed into life; I know I can—or you can after me—do it. It is only a question of time and prayer and ink, and should leave something, no, not good, but not all bad—a very genuine appreciation of these folks. You are to remember besides there is that paper of mine on Bunyan in the Magazine of Art. O, and then there’s another thing in Seeley called some spewsome name, I cannot recall it.
Well—come, here goes for Juvenilia. Dancing Infants, Roads, An Autumn Effect, Forest Notes (but this should come at the end of them, as it’s really rather riper), the t’other thing from Seeley, and I’ll tell you, you may put in my letter to the Church of Scotland—it’s not written amiss, and I dare say The Philosophy of Umbrellas might go in, but there I stick—and remember that was a collaboration with James Walter Ferrier. O, and there was a little skit called The Charity Bazaar, which you might see; I don’t think it would do. Now, I do not think there are two other words that should be printed.—By the way, there is an article of mine called The Day after To-morrow in the Contemporary which you might find room for somewhere; it’s no’ bad.
Very busy with all these affairs and some native ones also.