The "lonesome pine" from which the story takes its name was a tall tree
that stood in solitary splendor on a mountain top. The fame of the pine
lured a young engineer through Kentucky to catch the trail, and when he
finally climbed to its shelter he found not only the pine but the
foot-prints of a girl. And the girl proved to be lovely, piquant, and
the trail of these girlish foot-prints led the young engineer a madder
chase than "the trail of the lonesome pine."
This is a story of Kentucky, in a settlement known as "Kingdom Come." It is a life rude, semi-barbarous; but natural and honest, from which often springs the flower of civilization.
"Chad," the "little shepherd" did not know who he was nor whence he
came—he had just wandered from door to door since early childhood,
seeking shelter with kindly mountaineers who gladly fathered and
mothered this waif about whom there was such a mystery—a charming waif,
by the way, who could play the banjo better that anyone else in the
mountains.
A KNIGHT OF THE CUMBERLAND.
The scenes are laid along the waters of the Cumberland, the lair of moonshiner and feudsman. The knight is a moonshiner's son, and the heroine a beautiful girl perversely christened "The Blight." Two impetuous young Southerners fall under the spell of "The Blight's" charms and she learns what a large part jealousy and pistols have in the love making of the mountaineers.
Included in this volume is "Hell fer-Sartain" and other stories, some of Mr. Fox's most entertaining Cumberland valley narratives.
This is a bright, cheery tale with the scenes laid in Indiana. The story
is told by Little Sister, the youngest member of a large family, but it
is concerned not so much with childish doings as with the love affairs
of older members of the family. Chief among them is that of Laddie, the
older brother whom Little Sister adores, and the Princess, an English
girl who has come to live in the neighborhood and about whose family
there hangs a mystery. There is a wedding midway in the book and a
double wedding at the close.
THE HARVESTER.
"The Harvester," David Langston, is a man of the woods and fields, who
draws his living from the prodigal hand of Mother Nature herself. If the
book had nothing in it but the splendid figure of this man it would be
notable. But when the Girl comes to his "Medicine Woods," and the
Harvester's whole being realizes that this is the highest point of life
which has come to him—there begins a romance of the rarest idyllic
quality.
FRECKLES,
Freckles is a nameless waif when the tale opens, but the way in which he
takes hold of life; the nature friendships he forms in the great
Limberlost Swamp; the manner in which everyone who meets him succumbs to
the charm of his engaging personality; and his love-story with "The
Angel" are full of real sentiment.
A GIRL OF THE LIMBERLOST.
The story of a girl of the Michigan woods; a buoyant, lovable type of
the self-reliant American. Her philosophy is one of love and kindness
towards all things; her hope is never dimmed. And by the sheer beauty of
her soul, and the purity of her vision, she wins from barren and
unpromising surroundings those rewards of high courage.
AT THE FOOT OF THE RAINBOW.
The scene of this charming love story is laid in Central Indiana. The story is one of devoted friendship, and tender self-sacrificing love. The novel is brimful of the most beautiful word painting of nature, and its pathos and tender sentiment will endear it to all.
LAVENDER AND OLD LACE.
A charming story of a quaint corner of New England where bygone romance
finds a modern parallel. The story centers round the coming of love to
the young people on the staff of a newspaper—and it is one of the
prettiest, sweetest and quaintest of old fashioned love stories, * * * a
rare book, exquisite in spirit and conception, full of delicate fancy,
of tenderness, of delightful humor and spontaneity.
A SPINNER IN THE SUN.
Miss Myrtle Reed may always be depended upon to write a story in which
poetry, charm, tenderness and humor are combined into a clever and
entertaining book. Her characters are delightful and she always displays
a quaint humor of expression and a quiet feeling of pathos which give a
touch of active realism to all her writings. In "A Spinner in the Sun"
she tells an old-fashioned love story, of a veiled lady who lives in
solitude and whose features her neighbors have never seen. There is a
mystery at the heart of the book that throws over it the glamour of
romance.
THE MASTER'S VIOLIN.
A love story in a musical atmosphere. A picturesque, old German virtuoso is the reverent possessor of a genuine "Cremona." He consents to take for his pupil a handsome youth who proves to have an aptitude for technique, but not the soul of an artist. The youth has led the happy, careless life of a modern, well-to-do young American and he cannot, with his meagre past, express the love, the passion and the tragedies of life and all its happy phases as can the master who has lived life in all its fulness. But a girl comes into his life—a beautiful bit of human driftwood that his aunt had taken into her heart and home, and through his passionate love for her, he learns the lessons that life has to give—and his soul awakes.
Founded on a fact that all artists realize.
WITHIN THE LAW. By Bayard Veiller & Marvin Dana. Illustrated by Wm. Charles Cooke.
This is a novelization of the immensely successful play which ran for two years in New York and Chicago.
The plot of this powerful novel is of a young woman's revenge directed
against her employer who allowed her to be sent to prison for three
years on a charge of theft, of which she was innocent.
WHAT HAPPENED TO MARY. By Robert Carlton Brown. Illustrated with scenes from the play.
This is a narrative of a young and innocent country girl who is suddenly thrown into the very heart of New York, "the land of her dreams," where she is exposed to all sorts of temptations and dangers.
The story of Mary is being told in moving pictures and played in
theatres all over the world.
THE RETURN OF PETER GRIMM. By David Belasco. Illustrated by John Rae.
This is a novelization of the popular play in which David Warfield, as Old Peter Grimm, scored such a remarkable success.
The story is spectacular and extremely pathetic but withal, powerful,
both as a book and as a play.
THE GARDEN OF ALLAH. By Robert Hichens.
This novel is an intense, glowing epic of the great desert, sunlit barbaric, with its marvelous atmosphere of vastness and loneliness.
It is a book of rapturous beauty, vivid in word painting. The play has
been staged with magnificent cast and gorgeous properties.
BEN HUR. A Tale of the Christ. By General Lew Wallace.
The whole world has placed this famous Religious-Historical Romance on a
height of pre-eminence which no other novel of its time has reached. The
clashing of rivalry and the deepest human passions, the perfect
reproduction of brilliant Roman life, and the tense, fierce atmosphere
of the arena have kept their deep fascination. A tremendous dramatic
success.
BOUGHT AND PAID FOR. By George Broadhurst and Arthur Hornblow. Illustrated with scenes from the play.
A stupendous arraignment of modern marriage which has created an interest on the stage that is almost unparalleled. The scenes are laid in New York, and deal with conditions among both the rich and poor.
The interest of the story turns on the day-by-day developments which
show the young wife the price she has paid.
MADAME X. By Alexandre Bisson and J. W. McConaughy. Illustrated with scenes from the play.
A beautiful Parisienne became an outcast because her husband would not
forgive an error of her youth. Her love for her son is the great final
influence in her career. A tremendous dramatic success.
THE GARDEN OF ALLAH. By Robert Hichens.
An unconventional English woman and an inscrutable stranger meet and
love in an oasis of the Sahara. Staged this season with magnificent cast
and gorgeous properties.
THE PRINCE OF INDIA. By Lew. Wallace.
A glowing romance of the Byzantine Empire, presenting with extraordinary
power the siege of Constantinople, and lighting its tragedy with the
warm underglow of an Oriental romance. As a play it is a great dramatic
spectacle.
TESS OF THE STORM COUNTRY. By Grace Miller White. Illust. by Howard Chandler Christy.
A girl from the dregs of society, loves a young Cornell University
student, and it works startling changes in her life and the lives of
those about her. The dramatic version is one of the sensations of the
season.
YOUNG WALLINGFORD. By George Randolph Chester. Illust. by F. R. Gruger and Henry Raleigh.
A series of clever swindles conducted by a cheerful young man, each of
which is just on the safe side of a State's prison offence. As
"Get-Rich-Quick Wallingford," it is probably the most amusing exposé of
money manipulation ever seen on the stage.
THE INTRUSION OF JIMMY. By P. G. Wodehouse. Illustrations by Will Grefe.
Social and club life in London and New York, an amateur burglary adventure and a love story. Dramatized under the title of "A Gentleman of Leisure," it furnishes hours of laughter to the play-goers.
THE LIGHT OF WESTERN STARS
Colored frontispiece by W. Herbert Dunton.
Most of the action of this story takes place near the turbulent Mexican
border of the present day. A New York society girl buys a ranch which
becomes the center of frontier warfare. Her loyal cowboys defend her
property from bandits, and her superintendent rescues her when she is
captured by them. A surprising climax brings the story to a delightful
close.
DESERT GOLD
Illustrated by Douglas Duer.
Another fascinating story of the Mexican border. Two men, lost in the
desert, discover gold when, overcome by weakness, they can go no
farther. The rest of the story describes the recent uprising along the
border, and ends with the finding of the gold which the two prospectors
had willed to the girl who is the story's heroine.
RIDERS OF THE PURPLE SAGE
Illustrated by Douglas Duer.
A picturesque romance of Utah of some forty years ago when Mormon
authority ruled. In the persecution of Jane Withersteen, a rich ranch
owner, we are permitted to see the methods employed by the invisible
hand of the Mormon Church to break her will.
THE LAST OF THE PLAINSMEN
Illustrated with photograph reproductions.
This is the record of a trip which the author took with Buffalo Jones,
known as the preserver of the American bison, across the Arizona desert
and of a hunt in "that wonderful country of yellow crags, deep canons
and giant pines." It is a fascinating story.
THE HERITAGE OF THE DESERT
Jacket in color. Frontispiece.
This big human drama is played in the Painted Desert. A lovely girl, who has been reared among Mormons, learns to love a young New Englander. The Mormon religion, however, demands that the girl shall become the second wife of one of the Mormons—
Well, that's the problem of this sensational, big selling story.
BETTY ZANE
Illustrated by Louis F. Grant.
This story tells of the bravery and heroism of Betty, the beautiful
young sister of old Colonel Zane, one of the bravest pioneers, life
along the frontier, attacks by Indians, Betty's heroic defense of the
beleaguered garrison at Wheeling, the burning of the Fort, and Betty's
final race for life, make up this never-to-be-forgotten story.