Celia Howard had been, in a way, Philip's inspiration ever since the days when they quarreled and made up on the banks of the Deer field. And a fortunate thing for him it was that in his callow years there was a woman in whom he could confide. Her sympathy was everything, even if her advice was not always followed. In the years of student life and preparation they had not often met, but they were constant and painstaking correspondents. It was to her that he gave the running chronicle of his life, and poured out his heart and aspirations. Unconsciously he was going to school to a woman, perhaps the most important part of his education. For, though in this way he might never hope to understand woman, he was getting most valuable knowledge of himself.
As a guide, Philip was not long in discovering that Celia was somewhat uncertain. She kept before him a very high ideal; she expected him to be distinguished and successful, but, her means varied from time to time. Now she would have him take one path and now another. And Philip learned to read in this varying advice the changes in her own experience. There was a time when she hoped he would be a great scholar: there was no position so noble as that of a university professor or president. Then she turned short round and extolled the business life: get money, get a position, and then you can study, write books, do anything you like and be independent. Then came a time—this was her last year in college—when science seemed the only thing. That was really a benefit to mankind: create something, push discovery, dispel ignorance.
“Why, Phil, if you could get people to understand about ventilation, the necessity of pure air, you would deserve a monument. And, besides—this is an appeal to your lower nature—science is now the thing that pays.” Theology she never considered; that was just now too uncertain in its direction. Law she had finally approved; it was still respectable; it was a very good waiting-ground for many opportunities, and it did not absolutely bar him from literature, for which she perceived he had a sneaking fondness.
Philip wondered if Celia was not thinking of the law for herself. She had tried teaching, she had devoted herself for a time to work in a College Settlement, she had learned stenography, she had talked of learning telegraphy, she had been interested in women's clubs, in a civic club, in the political education of women, and was now a professor of economics in a girl's college.
It finally dawned upon Philip, who was plodding along, man fashion, in one of the old ruts, feeling his way, like a true American, into the career that best suited him, that Celia might be a type of the awakened American woman, who does not know exactly what she wants. To be sure, she wants everything. She has recently come into an open place, and she is distracted by the many opportunities. She has no sooner taken up one than she sees another that seems better, or more important in the development of her sex, and she flies to that. But nothing, long, seems the best thing. Perhaps men are in the way, monopolizing all the best things. Celia had never made a suggestion of this kind, but Philip thought she was typical of the women who push individualism so far as never to take a dual view of life.
“I have just been,” Celia wrote in one of her letters, when she was an active club woman, “out West to a convention of the Federation of Women's Clubs. Such a striking collection of noble, independent women! Handsome, lots of them, and dressed—oh, my friend, dress is still a part of it! So different from a man's convention! Cranks? Yes, a few left over. It was a fine, inspiring meeting. But, honestly, I could not exactly make out what they were federating about, and what they were going to do when they got federated. It sort of came over me, I am such a weak sister, that there is such a lot of work done in this world with no object except the doing of it.”
A more recent letter:—“Do you remember Aunt Hepsy, who used to keep the little thread-and-needle and candy shop in Rivervale? Such a dear, sweet, contented old soul! Always a smile and a good word for every customer. I can see her now, picking out the biggest piece of candy in the dish that she could afford to give for a little fellow's cent. It never came over me until lately how much good that old woman did in the world. I remember what a comfort it was to go and talk with her. Well, I am getting into a frame of mind to want to be an Aunt Hepsy. There is so much sawdust in everything—No, I'm not low-spirited. I'm just philosophical—I've a mind to write a life of Aunt Hepsy, and let the world see what a real useful life is.”
And here is a passage from the latest:—“What an interesting story your friend—I hope he isn't you friend, for I don't half like him—has made out of that Mavick girl! If I were the girl's mother I should want to roast him over the coals. Is there any truth in it?
“Of course I read it, as everybody did and read the crawl out, and looked for more. So it is partly our fault, but what a shame it is, the invasion of family life! Do tell me, if you happen to see her—the girl—driving in the Park or anywhere—of course you never will—what she looks like. I should like to see an unsophisticated millionaire-ess! But it is an awfully interesting problem, invented or not I'm pretty deep in psychology these days, and I'd give anything to come in contact with that girl. You would just see a woman, and you wouldn't know. I'd see a soul. Dear me, if I'd only had the chance of that Scotch woman! Don't you see, if we could only get to really know one mind and soul, we should know it all. I mean scientifically. I know what you are thinking, that all women have that chance. What you think is impertinent—to the subject.”
Indeed, the story of Evelyn interested everybody. It was taken up seriously in the country regions. It absorbed New York gossip for two days, and then another topic took possession of the mercurial city; but it was the sort of event to take possession of the country mind. New York millionaires get more than their share of attention in the country press at all times, but this romance became the subject of household talk and church and sewing-circle gossip, and all the women were eager for more details, and speculated endlessly about the possible character and career of the girl.
Alice wrote Philip from Rivervale that her aunt Patience was very much excited by it. “'The poor thing,' she said, 'always to have somebody poking round, seeing every blessed thing you do or don't do; it would drive me crazy. There is that comfort in not having anything much—you have yourself. You tell Philip that I hope he doesn't go there often. I've no objection to his being kind to the poor thing when they meet, and doing neighborly things, but I do hope he won't get mixed up with that set.' It is very amusing,” Alice continued, “to hear Patience soliloquize about it and construct the whole drama.
“But you cannot say, Philip, that you are not warned (!) and you know that Patience is almost a prophet in the way she has of putting things together. Celia was here recently looking after the little house that has been rented ever since the death of her mother. I never saw her look so well and handsome, and yet there was a sort of air about her as if she had been in public a good deal and was quite capable of taking care of herself. But she was that way when she was little.
“I think she is a good friend of yours. Well, Phil, if you do ever happen to see that Evelyn in the opera, or anywhere, tell me how she looks and what she has on—if you can.”
The story had not specially interested Philip, except as it was connected with Brad's newspaper prospects, but letters, like those referred to, received from time to time, began to arouse a personal interest. Of course merely a psychological interest, though the talk here and there at dinner-tables stimulated his desire, at least, to see the subject of them. But in this respect he was to be gratified, in the usual way things desired happen in life—that is, by taking pains to bring them about.
When Mr. Brad came back from his vacation his manner had somewhat changed. He had the air of a person who stands on firm ground. He felt that he was a personage. He betrayed this in a certain deliberation of speech, as if any remark from him now might be important. In a way he felt himself related to public affairs.
In short, he had exchanged the curiosity of the reporter for the omniscience of the editor. And for a time Philip was restrained from intruding the subject of the Mavick sensation. However, one day after dinner he ventured:
“I see, Mr. Brad, that your hit still attracts attention.” Mr. Brad looked inquiringly blank.
“I mean about the millionaire heiress. It has excited a wide interest.”
“Ah, that! Yes, it gave me a chance,” replied Brad, who was thinking only of himself.
“I've had several letters about it from the country.”
“Yes? Well, I suppose,” said Brad, modestly, “that a little country notoriety doesn't hurt a person.”
Philip did not tell his interlocutor that, so far as he knew, nobody in the country had ever heard the name of Olin Brad, or knew there was such a person in existence. But he went on:
“Certainly. And, besides, there is a great curiosity to know about the girl. Did you ever see her?”
“Only in public. I don't know Mavick personally, and for reasons,” and Mr. Brad laughed in a superior manner. “It's easy enough to see her.”
“How?”
“Watch out for a Wagner night, and go to the opera. You'll see where Mavick's box is in the bill. She is pretty sure to be there, and her mother. There is nothing special about her; but her mother is still a very fascinating woman, I can tell you. You'll find her sure on a 'Carmen' night, but not so sure of the girl.”
On this suggestion Philip promptly acted. The extra expense of an orchestra seat he put down to his duty to keep his family informed of anything that interested them in the city. It was a “Siegfried” night, and a full house. To describe it all would be very interesting to Alice. The Mavick box was empty until the overture was half through. Then appeared a gentleman who looked as if he were performing a public duty, a lady who looked as if she were receiving a public welcome, and seated between them a dark, slender girl, who looked as if she did not see the public at all, but only the orchestra.
Behind them, in the shadow, a middle-aged woman in plainer attire. It must be the Scotch governess. Mrs. Mavick had her eyes everywhere about the house, and was graciously bowing to her friends. Mr. Mavick coolly and unsympathetically regarded the house, quite conscious of it, but as if he were a little bored. You could not see him without being aware that he was thinking of other things, probably of far-reaching schemes. People always used to say of Mavick, when he was young and a clerk in a Washington bureau, that he looked omniscient. At least the imagination of spectators invested him with a golden hue, and regarded him through the roseate atmosphere that surrounds a many-millioned man. The girl had her eyes always on the orchestra, and was waiting for the opening of the world that lay behind the drop-curtain. Philip noticed that all the evening Mrs. Mavick paid very little attention to the stage, except when the rest of the house was so dark that she could distinguish little in it.
Fortunately for Philip, in his character of country reporter, the Mavick box was near the stage, and he could very well see what was going on in it, without wholly distracting his attention from Wagner's sometimes very dimly illuminated creation.
There are faces and figures that compel universal attention and admiration. Commonly there is one woman in a theatre at whom all glances are leveled. It is a mystery why one face makes only an individual appeal, and an appeal much stronger than that of one universally admired. The house certainly concerned itself very little about the shy and dark heiress in the Mavick box, having with regard to her only a moment's curiosity. But the face instantly took hold of Philip. He found it more interesting to read the play in her face than on the stage. He seemed instantly to have established a chain of personal sympathy with her. So intense was his regard that it seemed as if she must, if there is anything in the telepathic theory of the interchange of feeling, have been conscious of it. That she was, however, unconscious of any influence reaching her except from the stage was perfectly evident. She was absorbed in the drama, even when the drama was almost lost in darkness, and only an occasional grunting ejaculation gave evidence that there was at least animal life responsive to the continual pleading, suggesting, inspiring strains of the orchestra. In the semi-gloom and groping of the under-world, it would seem that the girl felt that mystery of life which the instruments were trying to interpret.
At any rate, Philip could see that she was rapt away into that other world of the past, to a practical unconsciousness of her immediate surroundings. Was it the music or the poetic idea that held her? Perhaps only the latter, for it is Wagner's gift to reach by his creations those who have little technical knowledge of music. At any rate, she was absorbed, and so perfectly was the progress of the drama repeated in her face that Philip, always with the help of the orchestra, could trace it there.
But presently something more was evident to this sympathetic student of her face. She was not merely discovering the poet's world, she was finding out herself. As the drama unfolded, Philip was more interested in this phase than in the observation of her enjoyment and appreciation. To see her eyes sparkle and her cheeks glow with enthusiasm during the sword-song was one thing, but it was quite another when Siegfried began his idyl, that nature and bird song of the awakening of the whole being to the passion of love. Then it was that Evelyn's face had a look of surprise, of pain, of profound disturbance; it was suffused with blushes, coming and going in passionate emotion; the eyes no longer blazed, but were softened in a melting tenderness of sympathy, and her whole person seemed to be carried into the stream of the great life passion. When it ceased she sank back in her seat, and blushed still more, as if in fear that some one had discovered her secret.
Afterwards, when Philip had an opportunity of knowing Evelyn Mavick, and knowing her very well, and to some extent having her confidence, he used to say to himself that he had little to learn—the soul of the woman was perfectly revealed to him that night of “Siegfried.”
As the curtain went down, Mrs. Mavick, whose attention had not been specially given to the artists before, was clapping her hands in a great state of excitement.
“Why don't you applaud, child?”
“Oh, mother,” was all the girl could say, with heaving breast and downcast eyes.
All winter long that face seemed to get between Philip and his work. It was an inspiration to his pen when it ran in the way of literature, but a distinct damage to progress in his profession. He had seen Evelyn again, more than once, at the opera, and twice been excited by a passing glimpse of her on a crisp, sunny afternoon in the Mavick carriage in the Park-always the same bright, eager face. So vividly personal was the influence upon him that it seemed impossible that she should not be aware of it—impossible that she could not know there was such a person in the world as Philip Burnett.
Fortunately youth can create its own world. Between the secluded daughter of millions and the law clerk was a great gulf, but this did not prevent Evelyn's face, and, in moments of vanity, Evelyn herself, from belonging to Philip's world. He would have denied—we have a habit of lying to ourselves quite as much as to others—that he ever dreamed of possessing her, but nevertheless she entered into his thoughts and his future in a very curious way. If he saw himself a successful lawyer, her image appeared beside him. If his story should gain the public attention, and his occasional essays come to be talked of, it was Evelyn's interest and approval that he caught himself thinking about. And he had a conviction that she was one to be much more interested in him as a man of letters than as a lawyer. This might be true. In Philip's story, which was very slowly maturing, the heroine fell in love with a young man simply for himself, and regardless of the fact that he was poor and had his career to make. But he knew that if his novel ever got published the critics would call it a romance, and not a transcript of real life. Had not women ceased to be romantic and ceased to indulge in vagaries of affection?
Was it that Philip was too irresolute to cut either law or literature, and go in, single-minded, for a fortune of some kind, and a place? Or was it merely that he had confidence in the winning character of his own qualities and was biding his time? If it was a question of making himself acceptable to a woman—say a woman like Evelyn—was it not belittling to his own nature to plan to win her by what he could make rather than by what he was?
Probably the vision he had of Evelyn counted for very little in his halting decision. “Why don't you put her into a novel?” asked Mr. Brad one evening. The suggestion was a shock. Philip conveyed the idea pretty plainly that he hadn't got so low as that yet. “Ah, you fellows think you must make your own material. You are higher-toned than old Dante.” The fact was that Philip was not really halting. Every day he was less and less in love with the law as it was practiced, and, courting reputation, he would much rather be a great author than a great lawyer. But he kept such thoughts to himself. He had inherited a very good stock of common-sense. Apparently he devoted himself to his office work, and about the occupation of his leisure hours no one was in his confidence except Celia, and now and then, when he got something into print, Alice. Professedly Celia was his critic, but really she was the necessary appreciator, for probably most writers would come to a standstill if there was no sympathetic soul to whom they could communicate, while they were fresh, the teeming fancies of their brains.
The winter wore along without any incident worth recording, but still fruitful for the future, as Philip fondly hoped. And one day chance threw in his way another sensation. Late in the afternoon of a spring day he was sent from the office to Mavick's house with a bundle of papers to be examined and signed.
“You will be pretty sure to find him,” said Mr. Sharp, “at home about six. Wait till you do see him. The papers must be signed and go to Washington by the night mail.”
Mr. Mavick was in his study, and received Philip very civilly, as the messenger of his lawyers, and was soon busy in examining the documents, flinging now and then a short question to Philip, who sat at the table near him.
Suddenly there was a tap at the door, and, not waiting for a summons, a young girl entered, and stopped after a couple of steps.
“Oh, I didn't know—”
“What is it, dear?” said Mr. Mavick, looking up a moment, and then down at the papers.
“Why, about the coachman's baby. I thought perhaps—” She had a paper in her hand, and advanced towards the table, and then stopped, seeing that her father was not alone.
Philip rose involuntarily. Mr. Mavick looked up quickly. “Yes, presently. I've just now got a little business with Mr. Burnett.”
It was not an introduction. But for an instant the eyes of the young people met. It seemed to Philip that it was a recognition. Certainly the full, sweet eyes were bent on him for the second she stood there, before turning away and leaving the room. And she looked just as true and sweet as Philip dreamed she would look at home. He sat in a kind of maze for the quarter of an hour while Mavick was affixing his signature and giving some directions. He heard all the directions, and carried away the papers, but he also carried away something else unknown to the broker. After all, he found himself reflecting, as he walked down the avenue, the practice of the law has its good moments!
What was there in this trivial incident that so magnified it in Philip's mind, day after day? Was it that he began to feel that he had established a personal relation with Evelyn because she had seen him? Nothing had really happened. Perhaps she had not heard his name, perhaps she did not carry the faintest image of him out of the room with her. Philip had read in romances of love at first sight, and he had personal experience of it. Commonly, in romances, the woman gives no sign of it, does not admit it to herself, denies it in her words and in her conduct, and never owns it until the final surrender. “When was the first moment you began to love me, dear?” “Why, the first moment, that day; didn't you know it then?” This we are led to believe is common experience with the shy and secretive sex. It is enough, in a thousand reported cases, that he passed her window on horseback, and happened to look her way. But with such a look! The mischief was done. But this foundation was too slight for Philip to build such a hope on.
Looking back, we like to trace great results to insignificant, momentary incidents—a glance, a word, that turned the current of a life. There was a definite moment when the thought came to Alexander that he would conquer the world! Probably there was no such moment. The great Alexander was restless, and at no initial instant did he conceive his scheme of conquest. Nor was it one event that set him in motion. We confound events with causes. It happened on such a day. Yes, but it might have happened on another. But if Philip had not been sent on that errand to Mavick probably Evelyn would never have met him. What nonsense this is, and what an unheroic character it makes Philip! Is it supposable that, with such a romance as he had developed about the girl, he would not some time have come near her, even if she had been locked up with all the bars and bolts of a safety deposit?
The incident of this momentary meeting was, however, of great consequence. There is no such feeder of love as the imagination. And fortunate it was for Philip that his romance was left to grow in the wonder-working process of his own mind. At first there had been merely a curiosity in regard to a person whose history and education had been peculiar. Then the sight of her had raised a strange tumult in his breast, and his fancy began to play about her image, seen only at a distance and not many times, until his imagination built up a being of surpassing loveliness, and endowed with all the attractions that the poets in all ages have given to the sex that inspires them. But this sort of creation in the mind becomes vague, and related to literature only, unless it is sustained by some reality. Even Petrarch must occasionally see Laura at the church door, and dwell upon the veiled dreamer that passed and perhaps paused a moment to regard him with sad eyes. Philip, no doubt, nursed a genuine passion, which grew into an exquisite ideal in the brooding of a poetic mind, but it might in time have evaporated into thin air, remaining only as an emotional and educational experience. But this moment in Mr. Mavick's library had given a solid body to his imaginations, and a more definite turn to his thought of her.
If, in some ordinary social chance, Philip had encountered the heiress, without this previous wonderworking of his imagination in regard to her, the probability is that he would have seen nothing especially to distinguish her from the other girls of her age and newness in social experience. Certainly the thought that she was the possessor of uncounted millions would have been, on his side, an insuperable barrier to any advance. But the imagination works wonders truly, and Philip saw the woman and not the heiress. She had become now a distinct personality; to be desired above all things on earth, and that he should see her again he had no doubt.
This thought filled his mind, and even when he was not conscious of it gave a sort of color to life, refined his perceptions, and gave him almost sensuous delight in the masterpieces of poetry which had formerly appealed only to his intellectual appreciation of beauty.
He had not yet come to a desire to share his secret with any confidant, but preferred to be much alone and muse on it, creating a world which was without evil, without doubt, undisturbed by criticism. In this so real dream it was the daily office work that seemed unreal, and the company and gossip of his club a kind of vain show. He began to frequent the picture-galleries, where there was at least an attempt to express sentiment, and to take long walks to the confines of the city-confines fringed with all the tender suggestions of the opening spring. Even the monotonous streets which he walked were illumined in his eyes, glorified by the fullness of life and achievement. “Yes,” he said again and again, as he stood on the Heights, in view of the river, the green wall of Jersey and the great metropolis spread away to the ocean gate, “it is a beautiful city! And the critics say it is commonplace and vulgar.” Dear dreamer, it is a beautiful city, and for one reason and another a million of people who have homes there think so. But take out of it one person, and it would have for you no more interest than any other huge assembly of ugly houses. How, in a lover's eyes, the woman can transfigure a city, a landscape, a country!
Celia had come up to town for the spring exhibitions, and was lodging at the Woman's Club. Naturally Philip saw much of her, indeed gave her all his time that the office did not demand. Her company was always for him a keen delight, an excitement, and in its way a rest. For though she always criticised, she did not nag, and just because she made no demands, nor laid any claims on him, nor ever reproached him for want of devotion, her society was delightful and never dull. They dined together at the Woman's Club, they experimented on the theatres, they visited the galleries and the picture-shops, they took little excursions into the suburbs and came back impressed with the general cheapness and shabbiness, and they talked—talked about all they saw, all they had read, and something of what they thought. What was wanting to make this charming camaraderie perfect? Only one thing.
It may have occurred to Philip that Celia had not sufficient respect for his opinions; she regarded them simply as opinions, not as his.
One afternoon, in the Metropolitan Picture-Gallery, Philip had been expressing enthusiasm for some paintings that Celia thought more sentimental than artistic, and this reminded her that he was getting into a general way of admiring everything.
“You didn't use, Philip, to care so much for pictures.”
“Oh, I've been seeing more.”
“But you don't say you like that? Look at the drawing.”
“Well, it tells the story.”
“A story is nothing; it's the way it's told. This is not well told.”
“It pleases me. Look at that girl.”
“Yes, she is domestic. I admit that. But I'm not sure I do not prefer an impressionistic girl, whom you can't half see, to such a thorough bread-and-butter miss as this.”
“Which would you rather live with?”
“I'm not obliged to live with either. In fact, I'd rather live with myself. If it's art, I want art; if it's cooking and sewing, I want cooking and sewing. If the artist knew enough, he'd paint a woman instead of a cook.”
“Then you don't care for real life?”
“Real life! There is no such thing. You are demonstrating that. You transform this uninteresting piece of domesticity into an ideal woman, ennobling her surroundings. She doesn't do it. She is level with them.”
“It would be a dreary world if we didn't idealize things.”
“So it would. And that is what I complain of in such 'art' as this. I don't know what has got into you, Phil. I never saw you so exuberant. You are pleased with everything. Have you had a rise in the office? Have you finished your novel?”
“Neither. No rise. No novel. But Tweedle is getting friendly. Threw an extra job in my way the other day. Do you think I'd better offer my novel, when it is done, to Tweedle?”
“Tweedle, indeed!”
“Well, one of our clients is one of the great publishing firms, and Tweedle often dines with the publisher.”
“For shame, Phil!”
Philip laughed. “At any rate, that is no meaner than a suggestion of Brad's. He says if I will just weave into it a lot of line scenery, and set my people traveling on the great trunk, stopping off now and then at an attractive branch, the interested railroads would gladly print it and scatter it all over the country.”
“No doubt,” said Celia, sinking down upon a convenient seat. “I begin to feel as if there were no protection for anything. And, Phil, that great monster of a Mavick, who is eating up the country, isn't he a client also?”
“Occasionally only. A man like Mavick has his own lawyers and judges.”
“Did you ever see him?”
“Just glimpses.”
“And that daughter of his, about whom such a fuss was made, I suppose you never met her?”
“Oh, as I wrote you, at the opera; saw her in her box.”
“And—?”
“Oh, she's rather a little thing; rather dark, I told you that; seems devoted to music.”
“And you didn't tell what she wore.”
“Why, what they all wear. Something light and rather fluffy.”
“Just like a man. Is she pretty?”
“Ye-e-s; has that effect. You'd notice her eyes.” If Philip had been frank he would have answered,
“I don't know. She's simply adorable,” and Celia would have understood all about it.
“And probably doesn't know anything. Yes, highly educated? I heard that. But I'm getting tired of 'highly educated'; I see so many of them. I've been making them now for years. Perhaps I'm one of them. And where am I? Don't interrupt. I tell you it is a relief to come across a sweet, womanly ignoramus. What church does she go to?”
“Who?”
“That Mavick girl.”
“St. Thomas', I believe.”
“That's good—that's devotional. I suppose you go there too, being brought up a Congregationalist?”
“At vespers, sometimes. But, Celia, what is the matter with you? I thought you didn't care—didn't care to belong to anything?”
“I? I belong to everything. Didn't I write you reams about my studies in psychology? I've come to one conclusion. There are only two persons in the world who stand on a solid foundation, the Roman Catholic and the Agnostic. The Roman Catholic knows everything, the Agnostic doesn't know anything.”
Philip was never certain when the girl was bantering him; nor, when she was in earnest, how long she would remain in that mind and mood. So he ventured, humorously:
“The truth is, Celia, that you know too much to be either. You are what they call emancipated.”
“Emancipated!” And Celia sat up energetically, as if she were now really interested in the conversation. “Become the slave of myself instead of the slave of somebody else! That's the most hateful thing to be, emancipated. I never knew a woman who said she was emancipated who wasn't in some ridiculous folly or another. Now, Phil, I'm going to tell you something. I can tell you. You know I've been striving to have a career, to get out of myself somehow, and have a career for myself. Well, today—mind, I don't say tomorrow”—(and there was a queer little smile on her lips)—“I think I will just try to be good to people and things in general, in a human way.”
“And give up education?”
“No, no. I get my living by education, just as you do, or hope to do, by law or by letters; it's all the same. But wait. I haven't finished what I was going to say. The more I go into psychology, trying to find out about my mind and mind generally, the more mysterious everything is. Do you know, Phil, that I'm getting into the supernatural? You can't help running into it. For me, I am not side-tracked by any of the nonsense about magnetism and telepathy and mind-reading and other psychic imponderabilities. Isn't it queer that the further we go into science the deeper we go into mystery?
“Now, don't be shocked, I mean it reverently, just as an illustration. Do you think any one knows really anything more about the operation in the world of electricity than he does about the operation of the Holy Ghost? And yet people talk about science as if it were something they had made themselves.”
“But, Celia—”
“No, I've talked enough. We are in this world and not in some other, and I have to make my living. Let's go into the other room and see the old masters. They, at least, knew how to paint—to paint passion and character; some of them could paint soul. And then, Phil, I shall be hungry. Talking about the mind always makes me hungry.”
Philip was always welcome at his uncle's house in Rivervale. It was, of course, his home during his college life, and since then he was always expected for his yearly holiday. The women of the house made much of him, waited on him, deferred to him, petted him, with a flattering mingling of tenderness to a little boy and the respect due to a man who had gone into the world. Even Mr. Maitland condescended to a sort of equality in engaging Philip in conversation about the state of the country and the prospects of business in New York.
It was July. When Philip went to sleep at night—he was in the front chamber reserved for guests—the loud murmur of the Deerfield was in his ears, like a current bearing him away into sweet sleep and dreams in a land of pleasant adventures. Only in youth come such dreams. Later on the sophisticated mind, left to its own guidance in the night, wanders amid the complexities of life, calling up in confusion scenes long forgotten or repented of, images only registered by a sub-conscious process, dreams to perplex, irritate, and excite.
In the morning the same continuous murmur seemed to awake him into a peaceful world. Through the open window came in the scents of summer, the freshness of a new day. How sweet and light was the air! It was indeed the height of summer. The corn, not yet tasseled, stood in green flexible ranks, moved by the early breeze. In the river-meadows haying had just begun. Fields of timothy and clover, yellowing to ripeness, took on a fresh bloom from the dew, and there was an odor of new-mown grass from the sections where the scythes had been. He heard the call of the crow from the hill, the melody of the bobolink along the meadow-brook; indeed, the birds of all sorts were astir, skimming along the ground or rising to the sky, keeping watch especially over the garden and the fruit-trees, carrying food to their nests, or teaching their young broods to fly and to chirp the songs of summer. And from the woodshed the shrill note of the scythe under the action of the grindstone. No such vivid realization of summer as that.
Philip stole out the unused front door without disturbing the family. Whither? Where would a boy be likely to go the first thing? To the barn, the great cavernous barn, its huge doors now wide open, the stalls vacant, the mows empty, the sunlight sifting in through the high shadowy spaces. How much his life had been in that barn! How he had stifled and scrambled mowing hay in those lofts! On the floor he had hulled heaps of corn, thrashed oats with a flail—a noble occupation—and many a rainy day had played there with girls and boys who could not now exactly describe the games or well recall what exciting fun they were. There were the racks where he put the fodder for cattle and horses, and there was the cutting-machine for the hay and straw and for slicing the frozen turnips on cold winter mornings.
In the barn-yard were the hens, just as usual, walking with measured step, scratching and picking in the muck, darting suddenly to one side with an elevated wing, clucking, chattering, jabbering endlessly about nothing. They did not seem to mind him as he stood in the open door. But the rooster, in his oriental iridescent plumage, jumped upon a fence-post and crowed defiantly, in warning that this was his preserve. They seemed like the same hens, yet Philip knew they were all strangers; all the hens and flaunting roosters he knew had long ago gone to Thanksgiving. The hen is, or should be, an annual. It is never made a pet. It forms no attachments. Man is no better acquainted with the hen, as a being, than he was when the first chicken was hatched. Its business is to live a brief chicken life, lay, and be eaten. And this reminded Philip that his real occupation was hunting hens' eggs. And this he did, in the mows, in the stalls, under the floor-planks, in every hidden nook. The hen's instinct is to be orderly, and have a secluded nest of her own, and bring up a family. But in such a communistic body it is a wise hen who knows her own chicken. Nobody denies to the hen maternal instincts or domestic proclivities, but what an ill example is a hen community!
And then Philip climbed up the hill, through the old grass-plot and the orchard, to the rocks and the forest edge, and the great view. It had more meaning to him than when he was a boy, and it was more beautiful. In a certain peaceful charm, he had seen nothing anywhere in the world like it. Partly this was because his boyish impressions, the first fresh impressions of the visible world, came back to him; but surely it was very beautiful. More experienced travelers than Philip felt its unique charm.
When he descended, Alice was waiting to breakfast with him. Mrs. Maitland declared, with an approving smile on her placid, aging face, that he was the same good-for-nothing boy. But Alice said, as she sat down to the little table with Philip, “It is different, mother, with us city folks.” They were in the middle room, and the windows opened to the west upon the river-meadows and the wooded hills beyond, and through one a tall rose-bush was trying to thrust its fragrant bloom.
What a dainty breakfast! Alice flushed with pleasure. It was so good of him to come to them. Had he slept well? Did it seem like home at all? Philip's face showed that it was home without the need of saying so. Such coffee-yes, a real aroma of the berry! Just a little more, would he have? And as Alice raised the silver pitcher, there was a deep dimple in her sweet cheek. How happy she was! And then the butter, so fresh and cool, and the delicious eggs—by the way, he had left a hatful in the kitchen as he came in. Alice explained that she did not make the eggs. And then there was the journey, the heat in the city, the grateful sight of the Deerfield, the splendid morning, the old barn, the watering-trough, the view from the hill everything just as it used to be.
“Dear Phil, it is so nice to have you here,” and there were tears in Alice's eyes, she was so happy.
After breakfast Philip strolled down the country road through the village. How familiar was every step of the way!—the old houses jutting out at the turns in the road; the glimpse of the river beyond the little meadow where Captain Rice was killed; the spring under the ledge over which the snap-dragon grew; the dilapidated ranks of fence smothered in vines and fireweeds; the cottages, with flower-pots in front; the stores, with low verandas ornamented with boxes and barrels; the academy in its green on the hill; the old bridge over which the circus elephant dared not walk; the new and the old churches, with rival steeples; and, not familiar, the new inn.
And he knew everybody, young and old, at doorways, in the fields or gardens, and had for every one a hail and a greeting. How he enjoyed it all, and his self-consciousness added to his pleasure, as he swung along in his well-fitting city clothes, broad-shouldered and erect—it is astonishing how much a tailor can do for a man who responds to his efforts. It is a pleasure to come across such a hero as this in real life, and not have to invent him, as the saying is, out of the whole cloth. Philip enjoyed the world, and he enjoyed himself, because it was not quite his old self, the farmer's boy going on an errand. There must be knowledge all along the street that he was in the great law office of Hunt, Sharp & Tweedle. And, besides, Philip's name must be known to all the readers of magazines in the town as a writer, a name in more than one list of “contributors.” That was fame. Translated, however, into country comprehension it was something like this, if he could have heard the comments after he had passed by:
“Yes, that's Phil Burnett, sure enough; but I'd hardly know him; spruced up mightily. I wonder what he's at?”
“I heard he was down in New York trying to law it. I heard he's been writin' some for newspapers. Accordin' to his looks, must pay a durn sight better'n farmin'.”
“Well, I always said that boy wa'n't no skeezics.”
Almost the first question Philip asked Alice on his return was about the new inn, the Peacock Inn.
“There seemed a good deal of stir about it as I passed.”
“Why, I forgot to tell you about it. It's the great excitement. Rivervale is getting known. The Mavicks are there. I hear they've taken pretty much the whole of it.”
“The Mavicks?
“Yes, the New York Mavicks, that you wrote us about, that were in the paper.”
“How long have they been there?”
“A week. There is Mrs. Mavick and her daughter, and the governess, and two maids, and a young fellow in uniform—yes, livery—and a coachman in the same, and a stableful of horses and carriages. It upset the village like a circus. And they say there's a French chef in white cap and apron, who comes to the side-door and jabbers to the small boys like fireworks.”
“How did it come about?”
“Naturally, I guess; a city family wanting a quiet place for summer in the country. But you will laugh. Patience first discovered it. One day, sitting at the window, she saw a two-horse buggy driven by the landlord of the Peacock, and a gentleman by his side. 'Well, I wonder who that is-city man certainly. And wherever is he going? May be a railroad man. But there is nothing the matter with the railroad. Shouldn't wonder if he is going to see the tunnel. If it was just that, the landlord wouldn't drive him; he'd send a man. And they keep stopping and pointing and looking round. No, it isn't the railroad, it's scenery. And what can a man like that want with scenery?
“He does look like a railroad man. It may be tunnel, but it isn't all tunnel. When the team came back in the afternoon, Patience was again at the window; she had heard meantime from Jabez that a city man was stopping at the Peacock. There he goes, and looking round more than ever. They've stopped by the bridge and the landlord is pointing out. It's not tunnel, it's scenery. I tell you, he is a city boarder. Not that he cares about scenery; it's for his family. City families are always trying to find a grand new place, and he has heard of Rivervale and the Peacock Inn. Maybe the tunnel had something to do with it.”
“Why, it's like second sight.”
“No, Patience says it's just judgment. And she generally hits it. At any rate, the family is here.”
The explanation of their being there—it seemed to Philip providential—was very simple. Mr. Mavick had plans about the Hoosac Tunnel that required him to look at it. Mrs. Mavick took advantage of this to commission him to look at a little inn in a retired village of which she had heard, and to report on scenery and climate. Warm days and cool nights and simplicity was her idea. Mavick reported that the place seemed made for the family.
Evelyn was not yet out, but she was very nearly out, and after the late notoriety Mrs. Mavick dreaded the regular Newport season. And, in the mood of the moment, she was tired of the Newport palace. She always said that she liked simplicity—a common failing among people who are not compelled to observe it. Perhaps she thought she was really fond of rural life and country ways. As she herself said,
“If you have a summer cottage at Newport or Lenox, it is necessary to go off somewhere and rest.” And then it would be good for Evelyn to live out-of-doors and see the real country, and, as for herself, as she looked in the mirror, “I shall drink milk and go to bed early. Henderson used to say that a month in New Hampshire made another woman of me.”
Oh, to find a spot where we could be undisturbed, alone and unknown. That was the program. But Carmen simply could not be anywhere content if she were unnoticed. It was not so easy to give up daily luxury, and habits of ease at the expense of attendants, or the ostentation which had become a second nature. Therefore the “establishment” went along with her to Rivervale, and the shy, modest little woman, who had dropped down into the country simplicity that she so dearly loved, greatly enjoyed the sensation that her coming produced. It needed no effort on her part to produce the sensation. The carriage, and coachman and footman in livery, would have been sufficient; and then the idea of one family being rich enough to take the whole hotel!
The liveries, the foreign cook in his queer cap and apron, and all the goings-on at the Peacock were the inexhaustible topic of talk in every farmhouse for ten miles around. Rivervale was a self-respecting town, and principled against luxury and self-indulgence, and judged with a just and severe judgment the world of fashion and of the grasping, wicked millionaires. And now this world with all its vain show had plumped down in the midst of them. Those who had traveled and seen the ostentation of cities smiled a superior smile at the curiosity and wonder exhibited, but even those who had never seen the like were cautious about letting their surprise appear. Especially in the presence of fashion and wealth would the independent American citizen straighten his backbone, reassuring himself that he was as good as anybody. To be sure, people flew to windows when the elegant equipage dashed by, and everybody found frequent occasion to drive or walk past the Peacock Inn. It was only the novelty of it, in a place that rather lacked novelties.
And yet there prevailed in the community a vague sense that millions were there, and a curious expectation of some individual benefit from them. All the young berry-pickers were unusually active, and poured berries into the kitchen door of the inn. There was not a housewife who was not a little more anxious about the product of her churning; not a farmer who did not think that perhaps cord-wood would rise, that there would be a better demand for garden “sass,” and more market for chickens, and who did not regard with more interest his promising colt. When he drove to the village his rig was less shabby and slovenly in appearance. The young fellows who prided themselves upon a neat buggy and a fast horse made their turnouts shine, and dashed past the inn with a self-conscious air. Even the stores began to “slick up” and arrange their miscellaneous notions more attractively, and one of them boldly put in a window a placard, “Latest New York Style.” When the family went to the Congregational church on Sunday not the slightest notice was taken of them—though every woman could have told to the last detail what the ladies wore—but some of the worshipers were for the first time a little nervous about the performance of the choir, and the deacons heard the sermon chiefly with reference to what a city visitor would think of it.
Mrs. Mavick was quite equal to the situation. In the church she was devout, in the village she was affable and friendly. She made acquaintances right and left, and took a simple interest in everybody and everything. She was on easy terms with the landlord, who declared, “There is a woman with no nonsense in her.” She chatted with the farmers who stopped at the inn door, she bought things at the stores that she did not want, and she speedily discovered Aunt Hepsy, and loved to sit with her in the little shop and pick up the traditions and the gossip of the neighborhood. And she did not confine her angelic visits to the village. On one pretense and another she made her way into every farmhouse that took her fancy, penetrated the kitchens and dairies, and got, as she told McDonald, into the inner life of the people.
She must see the grave of Captain Moses Rice. And on this legitimate errand she one day carried her fluttering attractiveness and patchouly into the Maitland house. Mrs. Maitland was civil, but no more. Alice was civil but reserved—a great many people, she said, came to see the graves in the old orchard. But Mrs. Mavick was not a bit abashed. She expressed herself delighted with everything. It was such a rest, such a perfectly lovely country, and everybody was so hospitable! And Aunt Hepsy had so interested her in the history of the region! But it was difficult to get her talk responded to.
However, when Miss Patience came in she made better headway. She had heard so much of Miss Maitland's apartments. She herself was interested in decorations. She had tried to do something in her New York home. But there were so many ideas and theories, and it was so hard to be natural and artificial at the same time. She had no doubt she could get some new ideas from Miss Maitland. Would it be asking too much to see her apartments? She really felt like a stranger nowhere in Rivervale. Patience was only too delighted, and took her into her museum of natural history, art, religion, and vegetation.
“She might have gone to the grave-yard without coming into the house,” Alice remarked.
“Oh, well,” said her mother, “I think she is very amusing. You shouldn't be so exclusive, Alice.”
“Mother, I do believe she paints.”
With Patience, Mrs. Mavick felt on surer ground.
“How curious, how very curious and delightful it is! Such knowledge of nature, such art in arrangement.”
“Oh, I just put them up,” said Patience, “as I thought they ought by rights to be put up.”
“That's it. And you have combined everything here. You have given me an idea. In our house we have a Japan room, and an Indian room, and a Chinese room, and an Otaheite, and I don't know what—Egyptian, Greek, and not one American, not a really American. That is, according to American ideas, for you have everything in these two rooms. I shall write to Mr. Mavick.” (Mr. Mavick never received the letter.)
When she came away it was with a profusion of thanks, and repeated invitations to drop in at the inn. Alice accompanied her to the first stone that marked the threshold of the side door, and was bowing her away, when Mr. Philip swung over the fence by the wood-shed, with a shot-gun on his shoulder, and swinging in his left hand a gray squirrel by its bushy tail, and was immediately in front of the group.
“Ah!” involuntarily from Mrs. Mavick. An introduction was inevitable.
“My cousin, Mr. Burnett, Mrs. Mavick.” Philip raised his cap and bowed.
“A hunter, I see.”
“Hardly, madam. In vacations I like to walk in the woods with a gun.”
“Then you are not—”
“No,” said Philip, smiling, “unfortunately I cannot do this all the time.”
“You are of the city, then?”
“With the firm of Hunt, Sharp & Tweedle.”
“Ah, my husband knows them, I believe.”
“I have seen Mr. Mavick,” and Philip bowed again.
“How lucky!”
Mrs. Mavick had an eye for a fine young fellow—she never denied that—and Philip's manly figure and easy air were not lost on her. Presently she said:
“We are here for a good part of the summer. Mr. Mavick's business keeps him in the city and we have to poke about a good deal alone. Now, Miss Alice, I am so glad I have met your cousin. Perhaps he will show us some of the interesting places and the beauties of the country he knows so well.” And she looked sideways at Philip.
“Yes, he knows the country,” said Alice, without committing herself.
“I am sure I shall be delighted to do what I can for you whenever you need my services,” said Philip, who had reasons for wishing to know the Mavicks which Alice did not share.
“That's so good of you! Excursions, picnics oh, we will arrange. You must come and help me arrange. And I hope,” with a smile to Alice, “you can persuade your cousin to join us sometimes.”
Alice bowed, they all bowed, and Mrs. Mavick said au revoir, and went swinging her parasol down the driveway. Then she turned and called back, “This is the first long walk I have taken.” And then she said to herself, “Rather stiff, except the young man and the queer old maid. But what a pretty girl the younger must have been ten years ago! These country flowers!”