Tired Tim. "'Ere, I don't arf like the look o' this, Bill."
Work-shy Willy. "No, more don't I, mate. Cuss that there Kaiser!"
Thanks to the courtesy of the Editor we are able to publish the following selections from the stories about cats sent in for the prize competition organised by The Scottish Meekly. The first received a complete edition of the sermons of Dr. Angus McHuish, the second a mounted photograph of Sir Nicholson Roberts, and the third a superb simulation gold pencil-case.
Here is a true story of a wild stray cat which I hope may interest your readers. Some years ago I lived with my parents (my father being a retired manufacturer of artificial eyes) on the banks of the river Dodder, near Dundrum. In the back-garden there was an old summer-house, where we used to store cabbages, disused kippers, Carlsbad plums and other odds and ends, and here a stray cat took up his abode in an empty porter cask during the latter part of January, 1901. He was of some rare breed and very beautiful in appearance—a blend between a marmadillo and a young loofah—but so savage that no one dared to touch him. During the cold months of the year we placed bottles of stout in the summer-house for him, the corks of which he drew with his claws, which were remarkably long. In the summer-time he used to forage for himself, subsisting mainly on roach, with an occasional conger-eel which he caught in the Dodder. One day early in April, 1902, the cat—whom we called Beethoven, because of his indulgence in moonlight fantasias—came to the back door mewing, and on opening the door my father found that it had lost an eye—probably in a fight—and evidently wished him to supply the loss artificially, which he did. I have never heard a cat purr so loudly as Beethoven did on that occasion. After that he completely lost his shyness and became quite one of the family, singing in the choir on Sundays and contributing to the larder during the week by his skill as a fisherman. He lived with us until a few months ago, when he unhappily died through inadvertently swallowing a cork. He is buried in our garden, and on the stone are inscribed the following lines composed by my mother—
Here lies Beethoven in his grave,
No earthly power could him save;
An envious cork blocked up his breath
And that was how he met his death.
Marine Villas, Brondesbury.
Piffles was a splendid pink Circassian—perfect in colour and shape, with glorious topaz eyes. But the extraordinary thing about him was a gift that he had for changing his colour. Thus my uncle, an old Anglo-Indian who always drank a bottle of Madeira after dinner, declared that from 10 P.M. onwards Piffles invariably seemed to him to be a bright crimson with green spots. Another peculiarity of Piffles was that he always followed the guns out shooting, and used to retrieve birds from the most difficult places. He practically ruled the household, took the boys back to school after the holidays, attended family prayers, and was learning to play the pianola when he was unfortunately killed by a crocodile which escaped from a travelling menagerie.
The Oaks, Long Boughton.
Last year I had a cat who, whenever she was offended, used to go to my bedroom and throw various articles out of the window. I was constantly finding purses, powder-puffs, artificial teeth, safety-pins, hymn-books, etc., on the lawn, and never suspected the culprit until she was caught in the act.
She also had a habit of sitting on the top of the front door and dropping golf-balls on the head of the postman, whom, either for his red hair or his Radical opinions, she disliked bitterly.
She would eat and drink anything, including ice-pudding and green Chartreuse, and was always peculiarly cheerful on Thursday evenings, when The Scottish Meekly reaches our house.
Steep Bank, Grogport.
"Better 'ave one and read about it now, Sir; it might be conteradicted in the morning."
"What do you do?" asked Charles, "when people want you to play lawn-tennis?"
"Sometimes I play," I said. "Sometimes I send Sophonisba. Sometimes I tell them that my head-keeper is away and I am obliged to look after the lop-ears. What happens to you?"
"Well, you know what lawn-tennis is like nowadays. In the bygone butter-pat era I could hold my own with the best of them. Golf had hardly come in, and when one wasn't playing cricket, and the spilliken set had been mislaid, and tiddley-winks was voted too rough, a couple of sets or so was rather fun. Soft undulating courts, very hard to keep a footing on, and plenty of sticks and leaves to assist one's screws, and patches of casual whiting here and there so that you could say that it wasn't a fault but hit the line. Now all that is changed. Panther-limbed, hawk-eyed young persons leap about the lawn dressed in white from top to toe. They play on fast and level lawns, entirely circumscribed by a kind of deep-sea trawling apparatus. They want you to hit hard and well. I have only two strokes when I hit hard. One of them pierces the bottom of the seine or drag-net fixed across the fairway, the other brings the man round from the next-door garden but two to say that his cucumbers are catching cold. And then I do not understand their terms. What is a 'fore-hand drive'? It sounds like the coaching Marathon. And how do you put on top spin? Do you wind your racquet round and round the ball and then pull it away suddenly, or what? And cross-volleys—what in the world are they?"
"Goodness knows," I said. "My own volleys are the best-tempered little chaps alive. But, hang it! no one can force you to play lawn-tennis if you don't want to."
"Can't they?" said Charles. "That's just the point. They do. They say to me, 'You play golf and cricket; of course you can play tennis. Easiest thing in the world.' Swish! swish! they go, making a ferocious cross-hand top-lead from baulk with their umbrellas. 'That's how to do it. You'll soon get into the way of the stroke.' 'That's just what I'm afraid of,' I say, leaping nervously on to the table. But it's no good. 'Come round next Saturday afternoon,' they say, 'we shall be expecting you,' and pass rapidly into the night before I can refuse."
"One can always have a sick headache," I reminded him.
"I did that once," said Charles. "I had been asked to play in a tournament, and at dinner the next evening I sat next to the girl who ought to have been my partner in the mixed handicaps, and we had meringues. No, it isn't safe, and besides one might always want to play golf. I think the best thing is to go once and trust to one's own skill not to be asked again. Anyhow, I don't believe the Jenkinsons will give me another invitation for some time."
"What happened?" I asked. "I suppose when they've sewn up the net and bought new balls——"
"No, it wasn't that," he answered, with a dreamy smile. "You know the Jenkinsons. You know how keen they are on tennis and how proud of their court. I did everything I could to save them, but they would have me. I said I had no racquet except the one I had used for landing trout in the spring, and they told me I could get it restrung. I said I had no shoes, and they told me any shoes would do. I couldn't tell them I had no flannels, because they wouldn't have believed me. So I went. I wore an old blue cricket cap on the back of my head: I wore long white trousers not turned up, and I wore brown shoes."
"And your racquet?" I asked.
"I borrowed a real tennis-racquet," replied Charles; "one of those narrow, rather wistful-looking things, with a kink in its head. I thought it would complete the languid artistic effect and help to convince them. It had rained a good deal in the morning, and I rather hoped we might spend the time looking at the conservatory and have muffins for tea. But no. When I reached the house I found that they had decided to play. They laughed at me a good deal, of course—at my cap, and my racquet, and my trousers, and my brown shoes. When we had taken up our stations in the arena they told me I was to serve first. I sent the ball high up into the air underhand and ran swiftly to the net." He paused melodramatically.
"Go on," I said. "Was it the solar plexus or the eye?"
"No," he answered sadly, "I was unwounded; but that was the last stroke I played. When I served that service they laughed at me again, but when I ran to the net they ceased to laugh. They said they could easily find someone else to complete the four. They pressed me to sit and watch for the remainder of the afternoon. Indeed, they were quite firm about it."
"I don't understand," I said. "Was it your face that frightened them in the blue cap?"
"Not so much my face," he answered gently, "as my feet."
"What was the matter with them?"
"There are big nails," he said softly, "in my brown golf shoes."
Trooper. "Come on behind here and travel with us, Jim!"
Jim (from horse-box). "Not much. None of your third-class for me."
It is a strange thing that, much as women have entered the writing lists with men, there is one branch of literature which they rarely attempt. Take away Mrs. Browning and Christina Rossetti and you will scarcely find a love poem by a woman, or, at any rate, a love poem which takes the woman's point of view. Probably many of the most cherished sentimental songs which wake the echoes of the drawing-room and conservatory are the work of women; but they write as men. It is always the masculine aspect which is set before the public; the beloved is always feminine. And yet marriage statistics show that precisely as many men have married as women. But during the preliminary period of exalted emotion any love poetry that was written was written by the men.
Surely, as the advancement of woman proceeds, and she adds territory upon territory to her kingdom, she will redress the balance and write love poetry too.
A very few changes in certain of the classic lyrics indicate how near the two varieties of love poems can be: male and female. Thus, why should not "he" as well as "she" have dwelt among untrodden ways? Why should not "he" have walked in beauty like the night? Poe wrote magically about Annabel Lee; why should not one of his female relatives, for example, have written in a similar strain? Something like this:—
It was many and many a year ago,
In a kingdom by the sea,
That a gentleman lived whom you may know
By the name of Hannibal Lee;
And this gentleman lived with no other thought
Than to love and be loved by me.
Women must see to it that men do not have it all their own way for ever. Landor was moved to a perfect lyric by love of Rose Aylmer. Is the following any less perfect?
Ah! what avails the sceptred race?
Ah! what the form divine?
What every virtue, every grace?
George Aylmer, all were thine.
George Aylmer, whom these wakeful eyes
May weep, but never see,
A night of memories and sighs
I consecrate to thee.
George is of course not the only name, nor is Aylmer. The adaptrix, however, must be careful that the Christian name is a monosyllable and the other a dissyllable.
Again, in the following feminine version of a Shakspearean song the name is subject to alteration:—
Who is Bertie? What is he
That all the girls commend him?
Handsome, brave and wise is he;
The heavens such grace did lend him
That he might admired be.
Examples might be adduced from many poets, but two more will suffice. A female Tennyson might have begun a song in the following terms:—
It is the youthful miller,
And he is grown so dear, so dear,
That I would be the pencil
That trembles on his ear:
For 'midst his curls by day and night
I'd touch his neck so warm and white.
Finally, let us look at the very prince of love poets—Robbie Burns. Two of his most famous songs might as well have been written of swains as maidens. Here is one in which in the most natural way in the world lassie becomes laddie, and Mary, Harry:—
Go, fetch to me a cup o' tea,
And take it from a silver caddie,
That I may drink a health to thee,
A service to my bonnie laddie!
The boat rocks at the pier o' Leith,
Fu' loud the wind blaws frae the Ferry,
The ship rides by the Berwick-Law,
And I maun leave my bonnie Harry.
Is that injured by the change? Not a bit. And here is another in which we have successfully introduced a variation of the original name:—
Of a' the airts the wind can blaw
I dearly like the west,
For there the bonnie laddie lives,
The laddie I lo'e best.
There wild woods grow, and rivers row
By mony a fleecy flock,
But day and night my fancy's flight
Is ever wi' my Jock.
After reading these famous stanzas in their amended form our women poets may perhaps take heart and emulate them: to the immense delight of their fiancés, who like to be wooed as well as to woo, and have never shied very much at adulation.
For weeks past the press had discussed little but the coming boxing contest between Smasher Mike and the famous heavy-weight champion, Mauler Mills, for a purse of £20,000 and enormous side stakes. Photographs of the Mauler in every conceivable attitude had been published daily, together with portraits of his wife, his two children, his four maiden aunts and the pink-eyed opossum which he regarded as his mascot. Full descriptions of his training day by day, with details of his diet, his reading, his amusements and his opinions on war, divorce, the clergy and kindred subjects, testified to the extraordinary interest taken by the public in the titanic struggle.
But with regard to Smasher Mike the newspapers were at a loss. The Daily Flash indeed declared him to be the son of a popular Cabinet Minister, and triumphantly published photographs of Downing Street, the Woolsack, the Ladies' Gallery and Black Rod. The Daily Rocket, on the other hand, described him as a herculean docker, discovered and trained by a syndicate of wealthy Americans, and issued photographs of Tilbury Station, Plymouth Hoe and the Statue of Liberty in New York harbour. The fact remained that the identity of the daring challenger was a well-kept secret.
Mauler Mills was too experienced a pugilist to be perturbed by the mystery surrounding his adversary. The stakes had been handed in, and the purse of £20,000, in one pound-notes, had formed a full-page illustration in The Trumpet, with a photo of the Mauler eating gooseberries inset. Content with this knowledge, he trained faithfully and well, treated the interviewers with great courtesy, and publicly announced that Smasher Mike would be knocked out early in the third round by means of a left hook to the jaw.
The betting on Mauler Mills was a hundred to one.
Young Lord Tamerton was in desperate straits. The estate to which he had succeeded at the age of ten had been administered during his minority by a fraudulent executor, who had absconded to South America with his ill-gotten wealth. Matters had since gone steadily from bad to worse, and the young peer was now face to face with utter ruin.
An effort had been made to retrieve the family fortunes by the marriage of his sister, the beautiful Lady Margaret Tamerton, to her cousin, the wealthy Sir Ernest Scrivener, but the providential discovery that the latter was already married under the alias of Marmaduke Moorsdyke had prevented the match. Since then Sir Ernest had been their implacable and relentless enemy, and his desperate attempt to kidnap Lady Margaret had only been frustrated by the skill and courage of the famous athlete, Ralph Wonderson.
Lord Tamerton was seated at a grand piano, playing Bach and moodily reflecting on these matters, when Ralph Wonderson himself entered the room, vaulting lightly over piano and performer as he did so.
"What's the matter, Fred?" he asked. "You look blue."
Lord Tamerton dramatically threw £8 4s. 6d. on the table.
"This morning I pawned the Island Cup, which you won for us," he said bitterly. "That is the result, and that is what stands between me and starvation." His voice broke, "And—and between Madge and starvation," he added.
Ralph laughed gaily. "I'm not rich," he said, "and if I were I don't suppose you'd accept money from me. But I came here purposely to put you in the way of making it. Wager as heavily as you can on Smasher Mike. The odds are a hundred to one against him. I can introduce you to a man who will consider your name sufficient security for a loan of £5,000. That will bring you in £500,000, which should secure you at any rate from absolute privation. As for little Madge—well, I have a bare £8,000 a year, but if——"
A light step was heard behind him, and a small hand stole into his own.
"I would marry you," said Lady Margaret, "I would marry you if it were only £7,000."
As the lovers gazed fondly into each other's eyes, a sinister figure emerged from the grand piano and slipped out noiselessly through the open door.
Burglar (to his mate). "See wot people gits fur bein' unpatriotic! It's a pure treat to give these 'ere gold 'oarders a lesson."
"Milton scarcely heard her. He was too intent upon wondering how Robert came to be dining tête-à-tête with the one-time Adeline Goodrin, and—if the truth be told—upon that amazing woman, herself."
"Daily Mail" feuilleton.
From Chemistry of Plant Products:—
"D'Arbamont concludes that starch, and presumably also sugar, may or may not be essential for the formation of chlorophyll."
We came to the same conclusion long ago.
| The Allies will probably reach here | And then sweep round with a sudden flanking movement |
| Excited Veteran. "The Allies will probably reach here" | "And then sweep round with a sudden flanking movement." |
The heroine of Alberta and the Others (Sidgwick and Jackson) was the eldest of an orphaned family of girls and boys who were finding life a little boring in an English village; and when an unexpected legacy made her mistress of a couple of town lots in a place called Sunshine, in Western Canada, nothing would content her but to emigrate with the whole tribe—reinforced by a delightful Aunt Mary and an animal known as the Meritorious Cat—to the Land of Promise. The book is the history of how they got on there. Naturally, from the circumstances of their start and the giddy altitude of Alberta's hopes, you will be prepared for its being, to some extent at least, a story of disillusion. Miss Madge S. Smith, who wrote it, says that it is all true; and indeed there is much in the tale that stamps it as the outcome of personal experience. This being so, I could wish that her attitude in the matter had been a little less uncompromisingly English. In many ways the language and general outlook of the daughter of an Oxford don will no doubt differ considerably from that of a Canadian-born inhabitant of a prairie township; but that is no good reason for assuming an air of patronage. However, this defect, though it exists, is not so pronounced as to spoil one's enjoyment of an entertaining record, written, as the publishers say, "in high spirits throughout," and having, I fancy, just this much fiction mingled with its obvious fact, that it ends with a general pairing off and the prospect of three weddings—which seems, as Lady Bracknell observed in a similar connection, "a number considerably above the average that statistics have laid down for our guidance." But at least it is the amende honorable to the Land of Promise.
From the cover of A Tail of Gold (Hodder and Stoughton) I gather with respectful interest that its author, Mr. David Hennessey, recently won four hundred pounds with another story in open competition. I did not read the story in question, but in view of its satisfactory financial result I may be permitted to express a hope that it was considerably better work than the present volume. Let me be entirely fair. A Tail of Gold has some pictures of Australian mining life that are not without interest; but I am bound to add that a careful and sympathetic perusal has failed to disclose any other reason for its existence. The plot, so far as there is one, concerns the chequered career of a certain Major Smart, who seems to have been by no means all that a major should be. Amongst other unpleasing peculiarities, he was apparently possessed of a fetish that brought misfortune or death to all who were associated with him. These results were in the main involuntary; but it is only just to add that Smart was not above assisting nature to take her course. Thus, some years before the opening of the story, he had deliberately buried one poor lady alive in a cave containing sulphide of mercury. Never ask me why. I am as muddled by this as I am over his further conduct in leaving with the corpse every possible clue in the way of letters and ciphers that could bring his guilt home to him. In any ordinary novel he would have been convicted in a few chapters; but A Tail of Gold wags (if I may use the term) so leisurely, and its action is so much impeded by false starts and repetitions and general haphazardness, that there is no telling how long it might not have continued but for the limitations of volume form. No, I can't pretend I liked it much.
Madame Albanesi, in The Cap of Youth (Hutchinson), cannot be accused of excessive kindness to her own sex, for the charming women of the book are almost snuffed out by two poisonous females, Lady Bollington and Lady Catherine Chiltern. Indeed these ladies are a little too much of a bad thing, and, not for the first time, I am left thinking how wonderfully Madame Albanesi's novels might be improved if she could persuade herself to bestow an occasional virtue upon her wicked characters. The heroine, Virginia, escaped from the hands of one of the pair only to fall under the thumb of the other. I must admit, however, that Lady Catherine had some reason to be angry at having Virginia suddenly dumped upon her as a derelict daughter-in-law. Why Brian Chiltern married in haste and then left his wife to endure such impossible conditions you must find out for yourself, but I fancy you will agree that his delicacy of feeling amounted to sheer stupidity. Nevertheless this story is bound to be popular, and I should have had no complaint to make if I did not feel that its author has it in her to do better work.
Even readers to whom American humour is generally a little indigestible may glean some smiles from Penrod (Hodder and Stoughton), provided that it is taken in small doses and not in the lump. If this book were to be considered a study of the normal American boy I should cry with vigour, "Save me from the breed," but as a fanciful account of a thorough and egregious imp of mischief I can, within limits, offer my congratulations to Mr. Booth Tarkington. The triumph of Penrod lies in the fact that, although he brought woe and tribulation to his relations and exasperated his friends to the point of insanity, it is nevertheless impossible to suppress an affection for him. Ofttimes and hard his father chastised him with rods, but Penrod merely accepted these beatings as the price that had to be paid for leading an adventurous life, and showed not the smallest signs of repentance. Yes, I like Penrod, though I have not any great desire to meet him in the flesh. It grieves me, however, that such a character as Mr. Kinosling should have been dragged in by the heels. If fatuous clerics are worth any novelist's attention they certainly are not worth Mr. Tarkington's, and the only effect Mr. Kinosling had upon me was to fortify my conviction that it is far easier to begin a book of humour than to finish it.
Loud swells the roar of traffic in the street,
The motor-buses rumble on and wind
Their plaintive warnings as they come behind
Faint folk who dally, dazed by summer heat;
The reckless taxis seem a deal too fleet
To country cousins nervously inclined,
And raucous news-boys fret the curious mind
With spicy rumours of the foe's defeat.
But suddenly a hush falls everywhere:
Stopp'd is each taxi with its languid load,
And, as the City's silence deeper grows,
Only a barrel-organ churns the air
While Peggy (in the middle of the road)
Pauses to put some powder on her nose!