| Paragraph. | Page. | |||
| Adjoining Rooms | 38 to 47 | |||
| Advancing Colors | 77, 78, 79, 80, 89 | |||
| Angles, Illusion of | 113, 114, 115, 117 | |||
| Artificial Light, Colors of | 86 | |||
| Balance of Pattern | 75, 76 | |||
| Borders | 61, 62, 81, 86 | |||
| Bric-à-brac | 60, 89 | |||
| Black, The Use of | 33 | |||
| Color Nomenclature | 9 | |||
| Complexion | 160 | |||
| Contrasting Colors | 12, 14 to 24 | |||
| Contrast Analogies | 17 to 20 | |||
| Ceiling | 37, 42, 43, 93 | |||
| Curtains | 53 to 56 | |||
| Cove and Ceiling | 56 | |||
| Cornice | 63 | |||
| Chair Coverings | 64 | |||
| Colors that Give Size to a Room | (See Receding Colors) | |||
| Carpet | 81 | |||
| Color Sympathies | 95 | |||
| Curves, The Use of | 107, 108, 111, 114, 116, 118 | |||
| Color Terms | 120 to 134 | |||
| Chart | 127 | |||
| Dress, Depressing Influences | 161 | |||
| Dress, Woman’s | 160 | |||
| Decorative Illumination | 141 | |||
| Definitions | 89 | |||
| Draperies | 42, 43 | |||
| Decorative Proportions | 37 | |||
| Exciting Colors | 94, 160 | |||
| Frieze, The Use of | (See Wall Proportions, also Room Combinations) | |||
| Floors | 42, 81, 84, 86, 87 | 42, 43 | ||
| Gray, The Use of | 32, 91, 92 | |||
| Guide to Color Harmony | 127 | |||
| Harmonies Mechanically Determined | 132 | |||
| Height Effects | 75, 76 | |||
| Harmony of Analogy | 13, 17, 27, 93 | |||
| Harmonies | 10 | |||
| Illusion in the Use of Lines | 107 to 119 | |||
| Intensification of Color | 31, 33, 159 | |||
| Joy in Lines | (See Curves) | |||
| Lights and Shadows | 158 | |||
| Lighting a Room, Candle-power Needed | 157 | |||
| Light Installation | 84 | |||
| Light, Effect on Color | 82 | |||
| Luminous Colors | (See Advancing Colors) | |||
| Large Room, Dark | 34 | |||
| Low-Ceiling Rooms | 58 | |||
| Large Rooms | 58 | |||
| Large, Well-Lighted Rooms | 26 | 34 | ||
| Light | 1, 8 | |||
| Mixing Colors | 8 | |||
| Neutrals | 121 | |||
| National Types of Color | 47, 48 | |||
| Nature Colors | 35, 96 | |||
| North Light | 37, 59, 90, 91 | |||
| Proportions in Color Contrast | 22 to 24, 28 to 30, 35 | |||
| Pigments, The Use of | 22 | |||
| Proportions Effected by Design | (See Decorative Proportions) | |||
| Proportions Effected by Color | 77 | |||
| Period Uses of Color | 47, 48 | |||
| Psychology of Color | 94 | |||
| Picture Moldings | 50 | |||
| Plate-Rails | 48 to 59 | |||
| Progression of Color | 34, 39 | |||
| Prismatic Colors | 6, 7, 8 | |||
| Room Combinations | 23 to 28 | |||
| Rugs | 81, 84 | |||
| Rooms Under Normal Conditions | 42, 43 | |||
| Receding Colors | 77, 80, 89 | |||
| Reflection | 5, 135, 155, 156 | |||
| Spectrum | 1 | |||
| Small Dark Rooms | 21 | 35 | ||
| Small Well-Lighted Rooms | 25 | 35 | ||
| Sequence of Color | 34, 35, 36, 41 | |||
| South Light | 37, 59 | |||
| Side-wall | 48 to 57, 92 | |||
| Small Room, High Ceiling | 35 | |||
| Small Room, Low Ceiling | 35 | |||
| Side-wall as Keynote | 92 | |||
| Straight Lines, Effect of | 107, 109, 111-113, 115-117, 119 | |||
| Seriousness in Lines | (See Straight Lines) | |||
| Spectrum Theories | 121, 122 | |||
| Trade Terms Meaningless | 124, 125 | |||
| Taste in Color, to Determine | 94 | |||
| White, The Use of | 31, 33, 88, 89, 98, 159, 160 | |||
| Wood Trims | 48 to 59 | |||
| Wainscoting | 48 to 57, 62, 93 | 42, 43 | ||
| Width Effects | 82 to 85, 87 | |||
| Wall Proportions | 33 to 34 |