THE GIFT HORSE.

Mr. Asquith. "THERE YOU ARE, SIR; WARRANTED QUIET TO RIDE OR DRIVE. HE'S BY 'CONVERSATIONS' OUT OF 'PARLIAMENT,' AND I'VE CALLED HIM 'THE LIMIT.'"

Mr. Bonar Law. "MANY THANKS, BUT I DON'T SEEM TO CARE MUCH FOR HIS TEETH."


QUESTION TIME.

Effie. "Mummy, when you and Daddy was engaged did you engage him or did he engage you?


THE THREE WISHES.

(A Story for Little Innocents.)

Once upon the usual time, a poor but comparatively honest woodcutter dwelt in a tiny hut on the edge of a great forest. Since he was so poor, his fare was simplicity itself: black bread and a cheese of goat's milk, washed down by draughts of cold water bottled at a neighbouring spring—in a word, just those articles of food which your dear mamma has nowadays to order specially from the most expensive shops.

Well, one winter evening the poor man was enjoying (if you can call it so) his frugal supper as above, when there came a gentle tap at the door; and on opening it he perceived upon the threshold a very old woman dressed in a cloak of faded rags. She was so old and so remarkably ugly that had she been a duchess not the most inventive of reporters could have done better for her than "distinguished looking." So the woodcutter, not unnaturally, regarded his visitor with some suspicion.

"Kind Sir," quavered the old woman, "I perish with hunger. Grant me, I entreat you, a crust of bread."

"Ah!" said the woodcutter—to gain time. He was, of course, well aware that there was at least a sporting chance of the old woman being a fairy in disguise, in which case it would be perfectly sickening to have neglected so good a thing. On the other hand he knew also that there were a great many undeserving cases. As he was deliberating, however, he perceived beneath the old woman's gown the glitter of a white satin toe, and this decided him to risk it. [N.B. For our youthful readers, this is an infallible sign for the detection of disguised fairies—try it at the next pantomime you go to.] "Come in and welcome, Mother," said the woodcutter, and flung wide the door.

Accordingly the old woman entered the hut, and having done apparent justice to what was left of the woodcutter's meal, "Now," said she, striking an appropriate attitude, "behold!" and in the twinkling of an eye there she stood, the complete fairy, all shimmer and spangles.

"Well!" exclaimed the woodcutter, looking as astonished as he could manage, "I haven't a notion how that's done!"

"And as a reward for your hospitality," continued the fairy, "choose three wishes, and they shall be granted."

"I assure you," began the woodcutter politely, "nothing was further from my——" but a look in the fairy's eyes stopped him. "Of course, if you insist," he said; adding in rather a different tone, "Perhaps you'll excuse me for putting the matter on a business-like footing."

So saying, he produced from his pocket a small pamphlet entitled, On Transactions with Fairies; with Some Hints to Beginners. Having studied this for a moment, "I suppose," said the woodcutter, "that by 'wishes' you mean without restriction? Not anything within reason, or economies of that sort?"

The visitor looked surprised and a little hurt. "There is no such thing as reason in Fairyland," she said stiffly.

"The mistake was mine," said the woodcutter.

"Only one wish is closed to you," resumed the fairy; "you may not wish to have any more wishes."

"That's a pity," said the woodcutter, "especially as I'd only just thought of; it."

"An obvious precaution that we were obliged to take in our own interests. We lost heavily in that way at one time. But consider well. You have the choice of wealth beyond the dreams of avarice. You can become the most powerful monarch in the world. Beauty can be yours, or wisdom or piety. You can—"

"I wonder," asked the woodcutter, "if you'd mind not talking for a moment? This is a delicate crisis and demands concentration. I think that first of all," he continued thoughtfully, "I will suggest that you endow me with perfect and unalterable self-esteem for ever, so that in case I make a fool of myself over the other two wishes I shall not have the misery of perceiving it."

"It is done," said the fairy, and at once the woodcutter was sensible of an inward elation like the effect of good champagne, only more so.

"I'm really managing this rather well," he thought with a smile. "I wish the foreman of the lumber works, who called me a fool yesterday, could see me now!"

And immediately there was the foreman, blinking and rubbing his eyes, and gazing with irritation at the fairy and the woodcutter. The latter laughed pleasantly.

"That," he said to the fairy, "is distinctly one up to you! If it wasn't for the gift of self-esteem I should be calling myself every kind of idiot. But the best of us are liable to error!"

"You have now," the fairy reminded him, "one wish left. Will you desire that your task-master here be returned to the place whence he came?"

"I will not," said the woodcutter. "If it amuses him to stay, he is quite welcome. If not, I imagine him to be capable of walking. Let me see. At the present moment the only wants I can suggest are both few and simple; a million pounds invested in Government stock, the constitution of a gladiator, and to be as wise as the greatest fool on earth imagines himself—these are the lot. But no doubt I shall recollect others presently."

"One wish only," the fairy repeated a little sharply, "and that without delay, for time presses."

"You needn't rub it in," said the woodcutter. "I have already made my choice. Are you ready? Go! I wish to have everything I really want in the world." He paused expectantly, and even a little apprehensively.

"It is done," said the fairy; but nothing happened.

"That's all right!" said the woodcutter with obvious relief. "I will now, as an extra, wish both you and the foreman good evening."

Whereupon he bowed them politely out of the hut and returned chuckling to his hygienic diet. Which appears to show that even in the year Once men were not always the fools that they are usually represented.


AIDS TO ADVERTISERS.

Miles of Free Advertisements by using Rubber Letter Soles. (These can be inked at will by bulb attached to tubes running down legs of operator.)


THE NOSE HAS IT.

I was presiding at one of my periodical stocktakings.

"Sort them all out," I had said, "and let me see them."

When I had reached home they were all there, on view.

There were thirty-four this time. I went through them—A.H.L., T.W.T., E.F., G.H., M.L.K., O.T., B., F.W.H., and so forth.

"What a lot," I said.

"Yes; I think it's the biggest lot you've ever had. Last time there were only seventeen."

"And what did we do about them?" I asked.

"You went through them and nothing happened."

"I didn't send any back?" I said in astonishment.

"No. You got ready to, and then, I don't know why, but you didn't."

"What a low trick!" I said. "Worse than borrowing books. Some of these are pretty good, aren't they?"

"Yes, this one"—holding up F.W.H.—"is a beauty. The very finest quality."

I took it and felt it.

"It is," I said. "I wonder where he buys them. Bond Street, I suppose. Is there anything else as good as that one?"

"No, nothing quite so good; but these are all right;" and I was handed E.F. and M.L.K.

I felt them too.

"Yes," I said, "they're first-rate."

I laid them on one side.

"Very well," I said, gathering the rest into a bunch, "see that all those go back with my compliments, best thanks and regrets for the delay. I'll keep these three a day or so longer for patterns."

Did I say that all this happened last year? It did.

Yesterday I had another borrowed-handkerchief parade and found forty-three. The spectacle was not without its pathos. F.W.H. now had a lot of holes; so had E.F. and M.L.K. But of a softness still!

All the old friends were there too, in spite of what I had directed.

"I thought these were to have gone back," I said. "Didn't I say so?"

"Yes; but—"

"But what?"

"I didn't think you really meant it."

I suppose I didn't.


"Herr Ballin ... spends his whole day in the offices of his company on the Alster, and rarely leaves Hamburg except for business journeys or to escape from some public cemetery."—Manchester Guardian.

Why is he so unpopular?


"Some day, perhaps a few centuries hence, if it is desired to turn the ship to the starboard, the order starboard will be given, and to the star-order 'starboard' will be given, and to the star-simpler, does it not?"

Naval and Military Record.

Much.


"With the exception of the police, Press representatives, and photographers there were comparatively few people in the thoroughfare. The photographers were requested by the police to refrain from operating, and they withdrew, while the remainder found their virgil very cold and unexciting."

Newcastle Daily Journal.

We confess that the Roman poet often used to leave us cold and unexcited too.


First Motorist (after very narrow shave). "But why all this fuss? We haven't damaged you. You can't bring an action against us."

Second Motorist. "I know I can't, sir, I know I cant; that's just my point."


LOVE'S LABOUR.

I walked into Charles's room with undoubted meaning—that is to say, he could see I intended to be there.

"Hello!" said Charles. "Help yourself to a chair."

"Thanks," I said—"thanks," and I sat down.

Charles looked at me thoughtfully. "There's something the matter," he said.

"Ah! You've noticed it too, Charles. I thought so myself."

"Have you any idea what it is?" he asked.

I looked him steadily in the face. "Charles," I began, "you are a stockbroker. You know the value of money." He groaned.

"Very well, I have a question to ask you—a simple financial question. It is this. What, in your opinion as a stockbroker, a level-headed stockbroker, is the least one can start on?"

"It all depends," he said. "Of course there's the deposit of securities, £1000, and then—"

I waved my hand. "My dear man," I said, "I'm not thinking of marrying the Stock Exchange."

Charles closed his eyes. "Good Lord," he murmured. "Poor old thing. I never thought of this. Take a cigarette—or perhaps you don't smoke now."

I took a cigarette with a fine independence. I carried it further and borrowed a match.

"Now," I said, "we must try and keep to the point. What is the least one can start on?"

"I don't know," he replied. "I've never begun. By the way, I must congratulate you. Who is she?"

"Daphne," I said, and smiled wanly.

"You don't look well."

"I love her," I said simply, and the pathos of it all fairly gripped me.

Charles smoothed his hair. "We'd better stick to business," he said.

In an instant I was a business man. "Right," I said crisply. "Let me put the question in another way. What is the least on which one can start?"

"Well, it all depends on what sort of an establishment you wish to keep up. If you—"

"Nothing," I said quickly, "is good enough for Daphne. She's so absolutely sweet. She sings, Charles, divinely. She dresses perfectly. She plays the pianoforte exquisitely. She sings, did I say, divinely."

"Talking of establishments," said Charles—

"You're right," I agreed, and I moved into a chair by the table and drew out my fountain pen. "We shall want a house," I began helpfully.

"A house? Oh, yes, I know. One of those things with rooms. Just one house would do for a start, I suppose?"

I regarded him sorrowfully. "Charles, this is a serious matter."

"There's humour in everything if you look for it. How about eight hundred?"

"Eight hundred!" I laughed brokenly.

"Well, seven hundred?"

"Ha! ha!"

"Six hundred? Dash it, that's very little."

"Charles," I pleaded.

"I don't want to be hard," he said, "but in justice to the people who come to stay with you I can't go any lower."

"Not if we did without wine?"

"Six hundred."

"Wine and cigars, Charles?"

"Six hundred."

"I'll give up auction."

Charles cleared his throat as though about to make a concession.

"Make it five," I pleaded. "Make it five and you shall be my best man."

"Very well," he said, "I make it five hundred."

"And now, Charles, good-bye."

"Why good-bye?"

"I love her," I said simply.

"Poor old thing," he said. "Let me know about the wedding. I must make a point of being there."

I pressed his hand. "You're a brick," I said.

Then I hurried out into a taxi and drove to Daphne's.

She refused me.


THE LEAN-TO SHED.

(Communicated by an eight-year-old.)

I've a palace set in a garden fair,

And, oh, but the flowers are rich and rare,

Always growing

And always blowing

Winter or summer—it doesn't matter—

For there's never a wind that dares to scatter

The wonderful petals that scent the air

About the walls of my palace there.

And the palace itself is very old,

And it's built of ivory splashed with gold.

It has silver ceilings and jasper floors

And stairs of marble and crystal doors;

And whenever I go there, early or late,

The two tame dragons who guard the gate

And refuse to open the frowning portals

To sisters, brothers and other mortals,

Get up with a grin

And let me in.

And I tickle their ears and pull their tails

And pat their heads and polish their scales;

And they never attempt to flame or fly,

Being quelled by me and my human eye.

Then I pour them drink out of golden flagons,

Drink for my two tame trusty dragons....

But John,

Who's a terrible fellow for chattering on,

John declares

They are Teddy-bears;

And the palace itself, he has often said,

Is only the gardener's lean-to shed.

In the vaulted hall where we have the dances

There are suits of armour and swords and lances,

Plenty of steel-wrought who's-afraiders,

All of them used by real crusaders;

Corslets, helmets and shields and things

Fit to be worn by warrior-kings,

Glittering rows of them—

Think of the blows of them,

Lopping,

Chopping,

Smashing

And slashing

The Paynim armies at Ascalon....

But, bother the boy, here comes our John

Munching a piece of currant cake,

Who says the lance is a broken rake,

And the sword with its keen Toledo blade

Is a hoe, and the dinted shield a spade,

Bent and useless and rusty-red,

In the gardener's silly old lean-to shed.

And sometimes, too, when the night comes soon

With a great magnificent tea-time moon,

Through the nursery-window I peep and see

My palace lit for a revelry;

And I think I shall try to go there instead

Of going to sleep in my dull small bed.

But who are these

In the shade of the trees

That creep so slow

In a stealthy row?

They are Indian braves, a terrible band,

Each with a tomahawk in his hand,

And each has a knife without a sheath

Fiercely stuck in his gleaming teeth.

Are the dragons awake? Are the dragons sleepers?

Will they meet and scatter these crafty creepers?

What ho! ... But John, who has sorely tried me,

Trots up and flattens his nose beside me;

Against the window he flattens it

And says he can see

As well as me,

But never an Indian—not a bit;

Not even the top of a feathered head,

But only a wall and the lean-to shed.

R. C. L.


IN EXTREMIS.

A Nut lay dying. He was twenty-five. He had had a good time—too good—and the end was near.

There was no hope, but alleviation was possible. "Is there anything," he was asked, "that you would like?"

He was plucky and prepared for the worst.

"Yes," he said, "I'd like to know what I've spent since I was twenty. Could that be arranged?"

"Easily," they said.

"Good," he replied. "Then tell me what I've spent on my bally old stomach—on food."

"On food," they replied. "We find that you have spent on yourself an average of a pound a day for food. For five years that is, roughly, £1825."

"Roughly?" said the Nut.

"Yes. Counting one leap year, it would be £1826. But then you have entertained with some freedom, bringing the total to £3075."

"Yes," said the Nut. "And what about drinks?"

"We find," was the reply, "that on drinks your average has been eighteen shillings a day, or £1643 8s. 0d. in all."

"Good heavens!" said the Nut. "What a noble thirst! And clothes?"

"The item of clothes comes to £940," they said.

"Only three figures!" said the Nut. "How did I come to save that odd £60, I wonder?"

"Not by any idea of economy," they replied. "Merely a want of time."

"And let's see," said the Nut, "what else does one spend money on? Oh, yes, taxis. How much for taxis?"

"Your taxis," they said, "work out at seven shillings a day, or £639 2s. 0d."

"And tips?" the Nut inquired.

"Tips," they said, "come to £456."

The Nut lay back exhausted and oxygen was administered. He was very near the end.

"One thing more," he managed to ask. "What have I paid in cloak-room fees for my hat and stick?"

"Only £150," they said.

But it was enough: he fell back dead.


"An extremely able statement of the case for Federation is made up in a little book by Mr. Murray Macdonald and Lord Charnwood, which is just published (T. Fisher Unwin, 22s. 6d.)"—Daily News.

Look out for a really big book by the same authors, at £22.


We have long waited for a good definition of "tact," and here it is in The Transvaal Leader:—

"The police handled the large crowds who assembled at the station with considerable tact. One obstreperous fellow who appeared to be the worse for liquor got the butt-end of a rifle in his jaw after grossly insulting a constable, and he was then chased off by the crowd, who appeared to appreciate the tact of the police."


A chance for Mr. Lloyd George:—The Deforestation of Bootle.


Instructor. "Now then, none of that hupside down flying 'ere; you ain't in the haviation corps."


"FOR PROFESSIONAL SERVICES."

"You know this sort of thing isn't good enough," said I, returning the document to Minerva.

"His charges are certainly high," observed the lady of the house; "but I don't think, Jack, we could get as good a doctor anywhere for less money."

"I don't complain about the charges; I suppose they are all right. What I object to is this pompous way of telling me I am in his debt: 'Mr. John Spratt to Dr. Thom. For Professional Services to date, Ten Guineas.'"

"But, my dear, they all do it like that."

"Then they shouldn't. Tradesmen give full particulars of all charges made for their services: why not doctors?"

"Oh, they would never agree to that, Jack!" said Minerva in surprise. "It isn't etiquette. After all, a doctor is a doctor!"

"Let us hope so. At times I doubt it. But that is not the story. How do you suppose I am to check this account without the necessary details?"

"My dear," exclaimed Minerva, "how positively quaint you are! One never dreams of checking a doctor's account; one simply pays. Imagine asking a doctor for an invoice! The idea!"

"And a jolly good idea too," I said. "Then we should know where we were. Would you pass your butcher's bills if they merely said, 'For Commercial Services to date'?"

"That is quite a different matter. Doctors are not butchers."

"Sometimes surgeons are, so it comes to much the same. Anyhow, I object to paying money without knowing what for. Let's apply for an invoice, if only for the principle of the thing."

"We'll do nothing of the sort," said Minerva rather sharply. "It sounds so mean, Jack, to ask a doctor for a detailed account—almost as if we didn't trust him."

"I shall mention that to the butcher next time I see him, and to the other tradesmen. It will save you a lot of trouble about the domestic accounts."

"Don't be absurd. If you're so anxious to have those petty details I think I can remember all the doctor's visits for you, without worrying him."

I drew out a sheet of account-paper.

"The first time he came this year," she began, "was to attend Tommy. You remember—after that New Year party. He called twice—no, three times to see him."

"'Item 1,' I wrote. 'To overhauling and repairing Tommy's tummy, time and material, say 15s.' When Tommy next overeats himself I shall attend to his little business myself. Yes?"

"Then there was Aunt Maria who was staying with us and imagined she had appendicitis, poor old thing! You remember the specialist, Jack?"

"I remember the specialist's fee—three guineas for absolute tomfoolery! 'Item 2. To diagnosing Aunt Maria and failing to find anything wrong and recommending appendicitis.... ' Shall we say a guinea for Aunt Maria's put-up job? I ought to get my money back since nothing was found in Aunt Maria. There should be at least a discount on false alarms."

"Then there was Baby," continued Minerva. "We didn't know what was wrong with him—and really I don't think now there was very much the matter, although I felt so anxious at the time. But the doctor never would explain fully."

"Of course not; that would be giving the game away. 'Item 3. To baby to rights, 2s. 11d.'"

"Two-and-elevenpence for baby!" protested Minerva. "If Aunt Maria was worth a guinea—"

"She was not. I said so at the time."

"—Baby is certainly worth more than two-and-elevenpence."

"Well, make it two pounds eleven. I don't care either way. What I want is an approximate idea of the way this fellow makes up his total."

"If he's charging two pounds eleven for all the little he did to Baby, he's certainly charging too much, Jack; and you ought to see him about it at once."

"Well, what next?"

"That was all, I think.... Oh, no. There was the time about Maudie's cold."

"Oh, those kids' colds!"

"Well, my dear, I have spoken to the children about it until I am tired. Do be reasonable."

"'Item 4. To thawing Maudie's chest, lubricating throat, and taking hard edge off voice, time and expenses.' ... How much?"

"He was only twice at Maudie, three times at Tommy. What did you put down for Tommy?"

"Fifteen bob; but Maudie is bigger than Tommy."

"She is big for her age," reflected Minerva. "I remember asking the doctor if he thought she was growing too fast."

"He'd call that a consultation."

"'Item 5. To advising on rate of speed recommended for Maudie's growth, one guinea.'"

"I might have saved that charge," sighed Minerva. "But that was all. How much does it come to?"

"Allowing two visits to Maudie to be equal to three visits to Tommy, the total bill amounts to six pounds three shillings."

"But that's four pounds seven less than he charges."

"And observe I am allowing two pounds eleven for Baby's fidgets—or rather for your fidgets about baby—on the basis of Aunt Maria being worth a guinea a whim."

"Two pounds eleven for looking at Baby's tongue every other day when there was nothing really the matter with him at all! It's preposterous, Jack. There must be something wrong. You must see Dr. Thom at once about that account. Call to-morrow, dear, on your way to town."


I called. After all there is, as Minerva says, something inexpressibly mean in asking a doctor for a detailed account. This thought occurred to me as Dr. Thom shook hands, beaming as usual with that genial heart-warming smile of his.

"Ah—er—Doctor—my wife would like to see you first time you're passing," I managed to say.

"Nothing serious, I hope?"

"Nothing much. A little matter of detail—that is—I mean Maudie's chest—or rather Tommy's stomach."

"Oh, we'll soon put that right, bless you. Don't you worry yourself about that, Mr. Spratt. Beautiful morning, isn't it?"


A little rough on Tommy, perhaps, but rougher on me.


THE AMERICA CUP.

Here comes two noble beasts in, a moon and a lion.

A Midsummer Night's Dream, Act. V., Scene 1.

[It is announced that the Defender is to be named Half Moon.]


THE WARRANT.

Our village cobbler, Roberts, has reduced the principle, "Put not thy trust in any child of man," to its very lowest and worst. He regards himself as simply born to be robbed and oppressed. Yet is he so mild and uncomplaining and unassuming about it all that no one, even the most persistent robber and oppressor, could ever find it in his heart to do him down. But even so his pessimism and readiness to be done are such that he must make it very hard for people to spare him sometimes. I have this story from our local banker, who was called upon by the Income Producer Company, Limited (of some obscure address in the City of London) to put the matter right.

It appears that Roberts had, after many years of economy, amassed some savings, which from the first he regarded as bound to land him in trouble. He indulged in twenty £1 shares in the I. P. Co., Ltd., only because he had to do something with the twenty pounds. He told everybody that he neither expected to see his capital again nor even to get any interest on it. He hinted darkly at worse things to come from the transaction, though what these might be he didn't pretend to know.

I have no inside knowledge of the I. P. Company, except that its stock doesn't appear among the use of Trustee Securities. But whatever trustees may think of it, it did declare at the end of 1913 (after a somewhat prolonged silence) a decent dividend on its ordinary shares. Maybe this was by reason of its innate honesty; maybe it was simply because it hadn't the heart to deny his rights to such a man as Roberts. Anyhow it declared its dividend, and, what is more, proceeded to pay it in the manner usual to limited companies.

And so in due course Roberts received a formidable-looking piece of paper, with the title, in very impressive lettering, "Dividend Warrant," and below the figures £1 8s. 3d.

There must be many, among the uninstructed classes, who have no idea what a dividend warrant may be, but few would, I think, at once take the dismal view of the thing that Roberts took.

By return of post the Secretary of the Income Producer Company, Limited, received an envelope addressed in a shaky hand and enclosing a postal order for a pound, together with a letter from Roberts, in which he prayed for a few days of grace, in which a poor but honest old man might raise the further 8s. 3d. thus demanded of him by legal process.


"The bride will be supported by five piers."

Evening Standard.

Read this aloud to your wife and see if she isn't jealous. And then try her with this from The Greater Britain Messenger:—

"Big Dams and what they mean to the Church."

She ought to be shocked.


McTavish. "Noo, ma frien', see me sendin' the wee ba' scootin' ower the bonny bur-r-r-n!"

"McTavish. (to caddie). "Awa', ye great sumph, an' tak' it oot o' yon dur-r-r-ty ditch!"


OUR BOOKING-OFFICE.

(By Mr. Punch's Staff of Learned Clerks.)

Mr. Charles Inge has brought to the shaping of Square Pegs (Methuen) some good and healthy thoughts about life and love and the waste of both, so that you get a wholesome impression of soundness and sincerity. And there's a dedication which makes one think the author is writing of realities which have been seen at close quarters. Bernard Farquharson, the big-hearted colonial, returning to England and seeing the waste of potentially good men in preposterous casual jobs which cannot lead anywhere, longs to give them the chances of the big spaces in South Africa (where, of course, there are no Labour troubles and a man's a man for a' that!). He ventures his capital in The Dictator, a Fleet Street derelict, in order to promote his emigration scheme, and his capital departs before either his public or the big-wigs are convinced. I can't think that Bernard had really thought out his scheme. And I wonder what he would have done if the little band of square pegs he got together in desperation hadn't had the sense to refuse his offer to ship them over to South Africa with his few remaining sovereigns. They would certainly have been in a fine round hole at the other side. But Bernard did a better thing. The only emigrant in his party was Leonora, and I like to think they lived happily ever after on his little orange-farm. I can only hope that his rival, Pike-Sarpe, a horrible little unctuous cad of a solicitor, will shortly do something to attract the official attention of the Law Society.


There will, I have no doubt, be joy in many a gentle heart over the glad news that Mrs. George Wemyss, whose Professional Aunt made for her so many friends, has created yet another charming relation. Grannie for Granted (Constable) is the story of a delightful old lady who from her country home takes a placid and grandmaternal interest in the affairs of her descendants—their love affairs mostly, of course, or the engaging chatter of the smaller third generation. Some of the sayings of the latter are worthy examples of the "good enough for Punch" variety, which, as most persons with married friends know too well, is a phrase covering a wide range of quality. Most of them, however, are excellent and ring true. Of the love-affairs I feel myself a less competent judge, but I should fancy their appeal will be compelling to the expert. It is perhaps impossible for a book of this type wholly to avoid the charge of being sugary or pretty-pretty, but with my hand on my heart I can declare that Mrs. Wemyss has done less to deserve it than most other writers would. I shudder, for example, to imagine what certain Transatlantic novelists would have done with the same material. In fine, here is as pleasant and likeable a treatise on l'art d'être Grand'-mère as anyone need wish to read. I am uncertain as to the precise significance of the title, which may refer to the fact that you have only to ask a grannie and get what you want, or to the equal truism that grandmotherly devotion is often accepted as a matter of course. However it doesn't really matter. The important thing is that the public have asked Mrs. Wemyss for "another of the same," and the request has been appropriately "granted."


I happen to have incontrovertible proof (of the external kind) that the one and only Mr. G. K. Chesterton is the author of The Flying Inn (Methuen). Otherwise I should have judged, by internal evidence, that it was the work of an inferior writer of the same name as himself, and, curiously enough, the same initials. Though hesitating to encourage litigation I should have been inclined to recommend Mr. Chesterton to apply as soon as possible for an injunction to restrain this person from doing anything further to damage the real G. K. C.'s reputation. I should have hinted that every now and then I had come upon a passage which might well be the work of the author of Heretics and Tremendous Trifles, and that only the intolerable dulness of the book as a whole persuaded me that it had been written by another hand. It deals with the adventures of Lord Ivywood and Captain Dalroy, men of opposite views on the subject of temperance. Lord Ivywood, having by some mysterious means (not explained) acquired despotic power in England, issued an edict that all inns should be abolished. At the same time he decreed that alcoholic liquor might be sold wherever an inn-sign stood. Captain Dalroy accordingly stole the sign of "The Old Ship," and carried it about with him, setting it up wherever his fancy dictated. And that, on my honour as a Learned Clerk, is the whole plot of a fat, closely-printed book of more than three hundred pages. I hope I have a fairly catholic appreciation of humour; certainly, I can enjoy most things, from Meredith to the American coloured comic supplement; but The Flying Inn was too much for me. It cannot have been easy to write, even given useful characters like Lord Ivywood and Captain Dalroy, whose remarks can be made to run into three or four pages; but it is considerably harder to read. There are good things in it, just as there is gold (I understand) in sea-water, but the process of extraction is tedious.


Miss Una Silberrad's novels are invariably good, and Cuddy Yarborough's Daughter (Constable), is among the best of them. Cuddy himself is delightfully irresponsible, and I felt a pang of disappointment when he disappeared from the scene, although, considering that he became increasingly lazy and comatose as he grew older, his decease, perhaps, was not premature. Apart from his affability, Cuddy's only claim to distinction lay in the fact that he was the father of his daughter. Violet's lot fell in rather stony places; as a child she was practically the guardian of her own father, and after his death she was governess to the child of a woman as irresponsible as Cuddy, but not half so comfortable to live with. Men swarmed round this Lady Lassiter, and she loved most of them. Under the circumstances it was fortunate that she had a most unsuspicious and tolerant husband. With no hesitation I recommend the tale of Cuddy and his daughter to the notice of all except the ultra-moderns. But, lest I should fail as a critic if I did no carping, I will say that, though I do not belong to any Society for the Prevention of Cruelty to Infinitives, I should like Miss Silberrad to look at page 94, where she will find one that is not only split but split to smithereens.


On the paper wrapper of Sarah Eden (Mills and Boon) the publishers themselves call it "a novel of great distinction." Filled as I am with the natural lust of the reviewer to contradict a publisher about his own wares, I am bound to admit that I can find no phrase more apt for the impression this book has made upon me. There is exceptional distinction in the scheme of Miss E. S. Stevens' story, and there is even more in the grave charm and dignity of its telling. It is the record of the development of a singular and beautiful character; "a spiritual adventure" might have been its sub-title, for the events in Sarah Eden's life were those of mind rather than body. There are two main divisions of the story: in the first we watch Sarah from her beginnings as a quiet introspective child in her Devon home, and through the short course of her unsatisfactory married life. With considerable skill the author has here shown the various forces that were at work building up the heroine's character, and that strange blending of a practical and commanding efficiency with the idealism of a dreamer that exactly fitted her for the part she plays in the second half of her story. The change comes with the sudden death of her husband, and the first of the ecstatic visions that compelled Sarah Eden to leave her native country and prepare a place for her Divine Master in the home of His first coming. Thenceforward the scene is in Jerusalem, where Sarah establishes herself at the head of her strange little company of fanatics. You can see how large is the plan of such a tale; it is one of which you could not reasonably expect a wholly satisfactory ending, and to my mind the latter portion is the weaker. But there are some delightful scenes of life in modern Jerusalem. And Sarah Eden herself remains always a profoundly moving personality. For her alone the book deserves to be called "a novel of great distinction."


BEHIND THE SCENES IN THE PUBLIC SERVICE.

Municipal inflator preparing a coachman for an important public function.


A CRY FOR GUIDANCE.

(In a weekly paper, a correspondent—presumably in the first raptures—recommends falling in love as a cure for all worries.)

It is all very well to go talking like that,

But tell me, pray, how does one do it?

How feel at the sight of a hobble or hat

A passionate impulse to woo it?

I'm eager enough of my woes to be rid,

But Cupid needs help in the placing

Of shafts in a heart that's apparently hid

'Neath a tough pachydermatous casing.

I have mingled with maidens—the tender, the hard,

The coy and the clinging—in legions;

But none has contrived to inflict on the bard

A jolt in the cardiac regions;

Must I turn for assistance to science or art,

Or put my predicament meekly

To "Mona" who handles affairs of the heart

In Sensitive Simperings (weekly)?

Your wonderful cure, my beneficent lad,

For me, who am ready to try it,

Is robbed of its worth by your failure to add

A hint as to how they supply it.

So nice a prescription I'm anxious to trust;

'Tis milder than pills or emulsion;

But I can't fall in love; I require to be thrust,

And you ought to supply the propulsion.