Ray went off to mix, and Malone stared after him happily. This was really a nice place, he reflected; almost as nice as the City Hall Bar in Chicago, where he'd gone long ago with his father.

But he tore his mind away from the happy past, and concentrated instead on the miserable present. He decided for the last time that he was not going to ask Dorothea for the book—not just yet, anyhow. After all, it wasn't as if he needed the book; he knew his own name, and he knew Lynch's name, and he knew the names on the second page. And he didn't see any particular need for a picture of a red Cadillac, no matter how nicely colored it was.

So, he asked himself, why embarrass everybody by trying to get it back?

Of course, it was technically a crime to pick pockets, and that went double or triple for the pockets of FBI agents. But Malone told himself that he didn't feel like pressing charges, anyhow. And Dorothy probably didn't make a habit of pocket-picking.

He sighed and glanced at his watch. It was fifteen minutes of six.

Now he knew what his next move was going to be.

He was going to go back to his hotel and change his clothes.

That is, he amended, as soon as he finished the drink that Ray was setting up in front of him.

11

By the time Malone reached the Hotel New Yorker it was six-twenty. Malone hadn't reckoned with New York's rush-hour traffic, and, after seeing it, he still didn't believe it. Finding a cab had been impossible, and he had started for the subway, hoping that he wouldn't get lost and end up somewhere in Brooklyn.

But one look at the shrieking mob trying to sardine itself into the Seventh Avenue subway entrance had convinced him it was better to walk. Bucking the street crowds was bad enough. Bucking the subway crowds was something Malone didn't even want to think about.

He let himself into his room, and was taking off his shoes with a grateful sigh when there was a rap on the door of the bathroom that connected his room with Boyd's. Malone padded over to the door, his shoes in one hand. "Tom?" he said.

"You are expecting maybe Titus Moody?" Boyd called.

"Okay," Malone said. "Come on in."

Boyd pushed open the door. He was stripped to the waist, a state of dress which showed the largest expanse of chest Malone had ever seen, and he was carrying the small scissors which he used to trim his Henry VIII beard. He stabbed the scissors toward Malone, who shuffled back hurriedly.

"Listen," Boyd said. "Did you call the office after you left this afternoon?"

"No," Malone admitted. "Why? What happened?"

"There was a call for you," Boyd said. "Long distance, just before I left at five. I came on back to the hotel and waited until I heard you come in. Thought you might want to know about it."

"I do, I guess," Malone said. "Who from?" Looking at Boyd, a modern-day Henry VIII, the association was too obvious to be missed. Malone thought of Good Queen Bess, and wondered why she was calling him again.

And—more surprising—why she'd called him at FBI headquarters, when she must have known that he wasn't there.

"Dr. O'Connor," Boyd said.

"Oh," Malone said, somewhat relieved. "At Yucca Flats."

Boyd nodded. "Right," he said.

"You're to call operator nine."

"Thanks." Malone went over to the phone, remembered his shoes and put them down carefully on the floor. "Anything else of importance?" he asked.

"On the Cadillacs," Boyd said. "We've got a final report now. Leibowitz and Hardin finally finished checking the last of them; there weren't quite as many as we were afraid there were going to be. Red isn't a very popular color around here."

"Good," Malone said.

"And there isn't a doggone thing on any of 'em," Boyd said. "Oh, we cleared up a lot of small-time crime, one thing and another, but that's about all. No such thing as an electro-psionic brain to be found anywhere in the lot. Leibowitz says he's willing to swear to it."

Malone sighed. "I didn't think he'd find one," he said.

"You didn't?"

"No," Malone said.

Boyd stabbed at him with the scissors again. "Then why did you cause all that trouble?" he said.

"Because I thought we might find electro-psionic brains," Malone said wearily. "Or one, anyhow."

"But you just said—"

Malone picked up the phone, got long distance, and motioned Boyd to silence in one sweeping series of moves. The long-distance operator said, "Yes, sir? May we help you?"

"Give me operator nine," Malone said.

There was a buzz, a click, and a new voice which said, "Operator ni-yun. May we help you?"

"All nine of you?" Malone muttered. "Never mind. This is Kenneth
Malone. I've got a call from Dr. Thomas O'Connor at Yucca Flats.
Please connect me."

There was another buzz, a click and an ungodly howl which was followed by the voice of operator ni-yun saying, "We are connecting you. There will be a slight delay. We are sor-ree."

Malone waited. At last there was another small howl, and the screen lit up. Dr. O'Connor's face, as stern and ascetic as ever, stared through at Malone.

"I understand you called me," Malone said.

"Ah, yes," Dr. O'Connor said. "It's very good to see you again, Mr. Malone." He gave Malone a smile good for exchange at your corner grocery; worth, one icicle.

"It's good to see you too," Malone lied.

"Mr. Burris explained to me what it was that you wanted to talk to me about," O'Connor said, "Am I to understand that you have actually found a teleport?"

"Unless my theories are away off," Malone said, "I've done a lot better than that. I've found eight of them."

"Eight." Dr. O'Connor's smile grew perceptibly warmer. It now stood at about thirty-four degrees Fahrenheit. "That is really excellent, Mr. Malone. You have done a fine job."

"Thanks," Malone muttered. He wished that O'Connor didn't make him feel quite so much like a first-year law student talking to an egomaniacal professor.

"When can you deliver them?" O'Connor said.

"Well," Malone said carefully, "that depends." O'Connor seemed to view the teleports as pieces of equipment, he thought. "I can't deliver them until I catch them," he said. "And that's why I wanted to talk to you."

"Some slight delay," Dr. O'Connor said, "will be quite understandable." His face left no doubt that he didn't like the necessity of understanding anything that was going to keep him and the eight teleports apart for even thirty seconds longer, now that he knew about them.

"You see," Malone said, "they're kids. Juvenile delinquents, or something like that. But they are teleports, that's for sure."

"I see," Dr. O'Connor said.

"So we've got to nab them," Malone said. "And for that I need all the information I can get."

Dr. O'Connor nodded slowly. "I'll be happy," he said, "to give you any information I can provide."

Malone took a deep breath, and plunged. "How does this teleportation bit work, anyhow?" he said.

"You've asked a very delicate question," Dr. O'Connor said. "Actually, we can't be quite positive." His expression showed just how little he wanted to make this admission. "However," he went on, brightening, "there is some evidence which seems to show that it is basically the same process as psychokinesis. And we do have quite a bit of empirical data on psychokinesis." He scribbled something on a sheet of paper and said, "For instance, there's this." He held the paper up to the screen so that Malone could read it.

It said:

(m*d)/(f*t**2) = 1/k

Malone looked at it for some seconds. At last he said, "It's very pretty. What the hell is it?"

"This," Dr. O'Connor said, in a condescending tone of voice that meant, You should have known all along, but you're just hopeless, "is the basic formula for the phenomenon, where m is the mass in grams, d is the distance in centimeters, f is the force in dynes, and t is the time in seconds. K is a constant whose value is not yet known, and the numeral 1 is unity."

Malone said, "Hmm," and stared at the equation again. Somehow, the explanation was not very helpful. The numeral 1 was unity. He understood that much, all right, but it didn't seem to do him any good.

"As you can see," Dr. O'Connor went on, "the greater the force, and the longer time it is applied, the greater distance any given mass can be moved. Or, contrariwise, the more mass, the greater mass, that is, the easier it is to move it any given distance. This is, as you undoubtedly understand, not at all in contradistinction to physical phenomena."

"Ah," Malone said, feeling that something was expected of him, but not being quite sure what.

Dr. O'Connor frowned. "I must admit," he said, "that the uncertainty as to the constant k, and the lack of any real knowledge as to just what kind of force is being applied, have held up our work so far." Then his face smoothed out. "Of course, when we have the teleports to work with, we may derive a full set of laws which—"

"Never mind that now," Malone said.

"But our work is most important, Mr. Malone," Dr. O'Connor said with a motion of his eyebrows. "As I'm sure you must understand."

"Oh," Malone said, feeling if he'd been caught without his homework, "of course. But if you don't mind—"

"Yes, Mr. Malone?" Dr. O'Connor said smoothly.

"What I want to know," Malone said, "is this. What are the limitations of this—uh—phenomenon?"

Dr. O'Connor brightened up thoroughly. "Well, theoretically," he said, "there do not appear to be any limitations. However, practical limitations do exist. If the process is at all parallel with psychokinesis, or with levitation"—he stared at Malone, as if daring him to say that it wasn't—"if that parallel exists, then the subject is mentally limited by his own physical strength."

Malone said, "What?"

"Try and be patient, Mr. Malone," O'Connor said calmly. "Please. As I was saying, the subject is limited by his own physical strength. In other words, he cannot move psionically any subject larger than he can lift physically. This appears to be a psychological limitation which—"

"Oh," Malone said. "You mean he couldn't carry off a building, or anything like that?"

"Of course not," Dr. O'Connor said. "Nor, as a matter of fact, could he carry off anything that was securely bolted down. I hope you follow me."

"I think so," Malone said. "But look here. Suppose you handcuffed him to, say, a radiator, or a jail cell bar."

"Yes?"

"Could he get away?"

Dr. O'Connor appeared to consider this with some care. "Well," he said at last, "he certainly couldn't take the radiator with him, or the cell bar. If that's what you mean." He hesitated, looked slightly shamefaced, and then went on: "But you must realize that we lack any really extensive data on this phenomenon."

"Of course," Malone said.

"That's why I'm so very anxious to get those subjects," Dr. O'Connor said.

"Dr. O'Connor," Malone said earnestly, "that's just what I had in mind from the start. I've been going to a lot of extra trouble to make sure that those kids don't get killed or end up in reform schools or something, just so you could work with them."

"I appreciate that, Mr. Malone," O'Connor said gravely.

Malone felt as if someone had given him a gold star. Fighting down the emotion, he went on: "I know right now that I can catch one or two of them. But I don't know for sure that I can hold one for more than a fraction of a second."

"I see your problem," Dr. O'Connor said. "Believe me, Mr. Malone. I do see your problem."

"And is there a way out?" Malone said. "I mean a way I can hold on to them for—"

"At present," Dr. O'Connor said heavily, "I have no suggestions. I lack data."

"Oh, fine," Malone said. "We need the kids to get the data, and we need the data to get the kids." He sighed. "Hooray for our side," he added.

"There does appear to be something of a dilemma here," Dr. O'Connor admitted sadly.

"Dilemma is putting it mildly," Malone said.

Dr. O'Connor opened his mouth, shut it, opened it again and said, "I agree."

"Well," Malone said, "maybe one of us will think of something. If anything does occur to you, let me know at once."

"I certainly will," Dr. O'Connor said. "Believe me, Mr. Malone, I want you to capture those kids just as badly as you want to capture them yourself."

"I'll try," Malone said at random. He flipped off and turned with a sense of relief back to Boyd. But it looked as if Henry VIII had been hit on the head with a cow, or something equally weighty. Boyd looked glassy-eyed and slightly stunned.

"What's the matter with you?" Malone said. "Sick?"

"I'm not sick," Boyd said carefully. "At least I don't think I'm sick.
It's hard to tell."

"What's wrong?"

"Teleporting!" Boyd said. "Juvenile delinquents!"

Malone felt a sudden twinge in the area of his conscience. He realized that he had told Boyd nothing at all about what had been going on since the discovery of the notebook two nights ago. He filled his partner in rapidly, while Boyd stood in front of the mirror and rather shakily attempted to trim his beard.

"That's why I had the car search continue," Malone said. "I was fairly sure the fault wasn't in the cars, but the boys. But I had to make absolutely sure."

Boyd said, "Oh," chopped a small section out of the center of his beard and added, "Damn. My hand's shaky."

"Well," Malone said, "that's the story."

"It's a hell of a story," Boyd said. "And I don't want you to think I don't believe it. Because I don't."

"It's true," Malone said.

"That doesn't affect me," Boyd said. "I'll go along with the gag. But enough is enough. Vanishing teenagers. Ridiculous."

"Just so you go along with me," Malone said.

"Oh, I'll go along," Boyd said. "This is my vacation too, isn't it?
What's the next move, Mastermind?"

"We're going down to that warehouse," Malone said decisively. "I've got a hunch the kids have been hiding there ever since they left their homes yesterday."

"Malone," Boyd said. "What?"

"You mean we're going down to the warehouse tonight?" Boyd said.

Malone nodded.

"I might have known," Boyd said. "I might have known!"

"Tom," Malone said. "What's wrong?"

"Oh, nothing," Boyd said. "Nothing at all. Everything's fine and dandy. I think I'm going to commit suicide, but don't let that bother you."

"What happened?" Malone said.

Boyd stared at him. "You happened," he said. "You and the teen-agers and the bloody damn warehouse happened. Three days' work—ruined."

Malone scratched his head, found out that his head still hurt and put his hand down again. "What work?" he said.

"For three days," Boyd said, "I've been taking this blonde chick all over New York. Wining her. Dining her. Spending money as if I were Burris himself, instead of the common or garden variety of FBI agent. Night clubs. Theaters. Bars. The works. Malone, we were getting along famously. It was wonderful."

"And tonight—" Malone said.

"Tonight," Boyd said, "was supposed to be the night. The big night. The payoff. We've got a date for dinner—T-bone steak, two inches thick, with mushrooms. At her apartment, Malone. She will probably—"

"You'll have to break it," Malone said sympathetically. "Too bad, but it can't be helped now. You can pick up a sandwich before you go."

"A sandwich," Boyd said with great dignity, "is not my idea of something to eat."

"Look, Tom—" Malone began.

"All right, all right," Boyd said tiredly. "Duty is duty. I'll go call her."

"Fine," Malone said. "And meanwhile, I'll get us a little insurance."

"Insurance?"

"John Henry Fernack," Malone said, "and his Safe and Loft Squad."

12

The warehouse was locked up tight, all right, Malone thought. In the dim light that surrounded the neighborhood, it stood like a single stone block, alone near the waterfront. There were other buildings nearby, but they seemed smaller; the warehouse loomed over Malone and Boyd threateningly. They stood in a shadow-blacked alley just across the street, watching the big building nervously, studying it for weak points and escape areas.

Boyd whispered softly, "Do you think they have a look-out?"

Malone's voice was equally low. "We'll have to assume they've got at least one kid posted," he said. "But they can't be watching all the time. Remember, they can't do everything."

"They don't have to," Boyd said. "They do quite enough for me. Do you realize that, right now, I could be—"

"Break it up," Malone said. He took a small handset from his pocket and pressed the stud. "Lynch?" he whispered.

A tinny voice came from the earpiece. "Here, Malone."

"Have you got them located yet?" Malone said.

"Not yet," Lynch's voice replied. "We're working on a triangulation now. Just hold on for a minute or so. I'll let you know as soon as we've got results."

The police squads—Lynch and his men, the warehouse precinct men, and the Safe and Loft Squad—had set up a careful cordon around the area, and were now hard at work trying to determine two things.

First, they had to know whether there was anybody in the building at all.

Second, they had to be able to locate anyone in the building with precision.

The silence of the downtown warehouse district helped. They had several specially designed, highly sensitive directional microphones aimed at the building from carefully selected spots around the area, trying to pick up the muffled sounds of speech or motion within the warehouse. The watchmen in buildings nearby had been warned off for the time being so that their footsteps wouldn't occlude any results.

Malone waited, feeling nervous and cold. Finally Lynch's voice came through again. "We're getting something, all right," he said. "There are obviously several people in there. You were right, Malone."

"Thanks," Malone said. "How about that fix?"

"Hold it a second," Lynch said. Wind swept off the river at Malone and Boyd. Malone closed his eyes and shivered. He could smell fish and iodine and waste, the odor of the Hudson as it passes the city. Across the river lights sparkled warmly. Here there was nothing but darkness.

A long time passed, perhaps ten seconds.

Then Lynch's voice was back. "Sergeant McNulty says they're on the top floor, Malone," he said. "Can't tell how many for sure. But they're talking and moving around."

"It's a shame these things won't pick up the actual words at a distance," Malone said.

"Just a general feeling of noise is all we get," Lynch said. "But it does some good."

"Sure," Malone said. "Now listen carefully. Boyd and I are going in.
Alone."

Lynch's voice whispered, "Right."

"If those mikes pick up any unusual ruckus—any sharp increase in the noise level—come running," Malone said. "Otherwise, just sit still and wait for my signal. Got that?"

"Check," Lynch said.

Malone pocketed the radiophone. "Okay, Tom," he whispered. "This is it."

"Right," Boyd muttered. "Let's move in."

"Wait a minute," Malone said. He took his goggles and brought them down over his eyes, adjusting the helmet on his head. Boyd did the same. Malone flicked on the infrared flashlight he held in his hand.

"Okay?" he whispered. "Check," Boyd said.

Thanks to the goggles, both of them could see the normally invisible beams of the infrared flashlight. They'd equipped themselves to move in darkness without betraying themselves, and they'd be able to see where a person without equipment would be blind.

Malone stayed well within the shadows as he moved silently around to the alley behind the warehouse, and then to a narrow passageway that led to the building next door. Boyd followed a few feet behind him along the carefully planned route.

Malone unlocked the small door that led into the ground floor of the building adjoining. As he did so, he heard a sound behind him and called, "Tom?"

"Hey, Malone," Boyd whispered. "It's—"

Before there was any outcry, Malone rushed back. Boyd was struggling with a figure in the dimness. Malone grabbed the figure and clamped his hand over its mouth. It bit him. He swore in a low voice, and clamped the hand over the mouth again.

It hadn't taken him more than half a second to realize what, whoever it was who struggled in his arms, it wasn't a boy.

"Shut up!" Malone hissed in her ear. "I won't hurt you."

The struggle stopped immediately. Malone gently eased his hand off the girl's mouth. She turned and looked at him.

"Kenneth Malone," she said, "you look like a man from Mars."

"Dorothea!" Malone gasped. "What are you doing here? Looking for your brother?"

"Never mind that," she said. "You play too rough. I'm going home to
Mother."

"Answer me!" Malone said.

"All right," Dorothea said. "You must know anyhow, since you're here…. Yes, I'm looking for that fatheaded brother of mine. But now I suppose it's too late. He'll—he'll go to prison."

Her voice broke. Malone found his shoulder suddenly occupied by a crying face.

"No," he said quickly. "No. Please. He won't."

"Really?"

Boyd whispered: "Malone, what is this? It's a hell of a place for a date. And I—"

"Oh, shut up," Malone told him in a kindly fashion. He turned back to Dorothea. "I promise he won't," he said. "If I can just talk to your brother, make him listen to reason, I think we can get him and the others off. Believe me."

"But you—"

"Please," Malone said. "Believe me."

"Oh, Ken," Dorothea said, raising her head. "Do you mean it?"

"Sure I mean it," Malone said. "What have I been saying? The
Government needs these kids."

"The Government?"

"It's nothing to worry about," Malone said. "Just go on home now, and
I'll call you tomorrow. Late tonight, if I can. All right?"

"No," Dorothea said. "It's not all right. Not at all."

"But—"

Boyd hissed, "Malone!"

Malone ignored him. He had a bigger fight on his hands. "I'm not going home," Dorothea announced. "I'm going in there with you. After all," she added, "I can talk more sense into Mike's head than you can."

"Now look," Malone began.

Dorothea grinned in the darkness. "If you don't take me along," she said quietly, "I'll scream and warn them."

Malone surrendered at once. He had no doubt at all that Dorothea meant what she said. And, after all, the girl might really be some use to them. And there probably wouldn't be much danger.

Of course there wouldn't, he thought. He was going to see to that.

"All right," he said. "Come along. Stick close to us, and don't worry about the darkness. We can see, even if you can't, so let us guide you. And for heaven's sake be quiet!"

Boyd whispered, "Malone, what's going on?"

"She's coming with us," Malone said, pointing to Dorothea.

Boyd shrugged. "Malone," he said, "who do you think you are? The Pied
Piper of Hamelin?"

Malone wheeled and went ahead. Opening the door, he played his I-R flashlight on the room inside and he, Boyd, and Dorothea trailed in, going through rooms piled with huge boxes. They went up an iron stairway to the second floor, and so on up to the roof.

They moved quickly across the roof to the wall of the warehouse, which was two stories higher than the building they were on. Of course there were no windows in the warehouse wall facing them, except on the top story.

But there was a single, heavy, fireproof emergency exit. It would have taken power machinery or explosive to open that door from the outside without a key, although from the inside it would open easily. Fortunately, Malone had a key.

He took it out and stepped aside. "Give that lock the works," he whispered to Boyd.

Boyd took a lubricant gun from his pocket and fired three silent shots of special oil into the lock. Then he shot the hinges, and the cracks around the door.

They waited for a minute or two while the oil, forced in under pressure, did its work. Then Malone fitted the key carefully into the lock and turned it, slowly and delicately.

The door swung open in silence. Malone slipped inside, followed by
Boyd and Dorothea Fueyo.

Infrared equipment went on again, and the eerie illumination spread over their surroundings. Malone tapped Boyd on the shoulder, and jerked his thumb toward the back stairs. This was plainly no time for talk.

From the floor above, they could hear the murmur of youthful voices.

They started for the stairway. Fortunately, the building was of the steel-and-concrete type; there were no wooden floors to creak and groan beneath their feet.

At the bottom of the stairs, they paused. Voices came down the stairwell clearly, even words being defined in the silence.

"…and quit harping on whose fault it was." Malone recognized Mike Fueyo's voice. "That FBI guy was onto us, and we had to pull out; you know that. We always figured we'd have to pull out some day. So why not now?"

"Yeah," another voice said. "But you didn't have to go and vanish right under that Fed's nose. You been beating it into our heads not to do that sort of stuff ever since we first found out we could make this vanishing bit. And then you go and do it in front of a Fed. Sure, you got a big bang out of it, but is it smart? I ask you—"

"Yeah?" Mike said. "Listen, Silvo, they never would've got onto us if it hadn't been for your stupid tricks. Slugging a cop on the dome. Cracking up a car. You and your bug for speed!"

Malone blinked. Then it hadn't been Miguel Fueyo who'd hit Sergeant
Jukovsky, but Silvo. Malone tried to remember the list of Silent
Spooks. Silvo Envoz—that was his name.

"You slugged the FBI guy, Mike," Silvo said. "And now you got us all on the run. That's your fault, Mike. I want to see my old lady."

"I had to slug him," Mike said. "Listen, all Ramon's stuff was in that
Cadillac. What would've happened if he'd found all that stuff?"

"So what happened anyway?" a third voice said (That was probably
Ramon Otravez, Malone thought.) "He found your stupid notebook, didn't
he? He went yelling to the cops, didn't he? We're running, ain't we?
So what's the difference?"

"Shut up!" Mike roared.

"You ain't telling me to shut up!"

"Me either," Silvo yelled. "You think you're a great big big-shot! You think you're king of the world!"

"Who figured out the Vanish?" Mike screamed. "You'd all be a bunch of bums if I hadn't showed you that! And you know it! You'd all—"

"Don't give us that," Silvo said. "We'd have been able to do it, same as you. Like you said, anybody who's got talent could do it. There were guys you tried to teach—"

"Sure," said a fourth voice. "Listen, Fueyo, you're so bright—so why don't you try teaching it to somebody who don't have the talent?"

"Yeah," said voice number five. "You think you could teach that flashy sister of yours the Vanish?"

"You shut up about my sister, Phil!" Mike screamed.

"So what's so great about her?"

"She got that book back from the Fed," Mike said. "That's what. It's enough!"

"Hell," a voice said, "any dame with a little—"

"Shut your goddamn face before I shut it for you!"

Malone couldn't tell who was yelling what at who after a minute. They all seemed unhappy about being on the run from the police, and they were all tired of being cooped up in a warehouse under Mike's orders. Mike was the only person they could take it out on—and Mike was under heavy attack.

Two of the boys, surprisingly, seemed to side with him. The other five were trying to outshout them. Malone wondered if it would become a fight, and then realized that these kids could hardly fight each other when the one who was losing could always fade out.

He leaned over and whispered to Dorothea and Boyd, "Let's sneak up there while the argument's going on."

"But—" Boyd began.

"Less chance of their noticing us," Malone explained, and Started forward.

They tiptoed up the stairs and got behind a pile of crates in the shadows, while invective roared around them. This floor was lit by a single small bulb hanging from a socket in the ceiling. The windows were hung with heavy blankets to keep the light from shining out.

The kids didn't notice anything except each other. Malone took a couple of deep breaths and began to look around.

All things considered, he thought, the kids had fixed the place up pretty nicely. The unused warehouse had practically been made over into an apartment. There were chairs, beds, tables, and everything else in the line of furnishings for which the kids could conceivably have any use. There were even some floor lamps scattered around, but they weren't plugged in. Malone guessed that a job would have to be done on the warehouse wiring to get the floor lamps in operation, and the kids just hadn't got around to it yet.

By now the boys were practically standing toe-to-toe, ripping air-blueing epithets at each other. Not a single hand was lifted.

Malone stared at them for a second, then turned to Dorothea. "We'll wait till they calm down a little," he whispered. "Then you go out and talk to them. Tell them we won't hurt them or lock them up or anything. All we want to do is talk to them for awhile."

"All right," she whispered back.

"They can vanish any time they want to," Malone said, "so there's no reason for them not to listen to—"

He stopped suddenly, listening. Over the shouting, screaming, and cursing of the kids, he heard motion on the floor below.

Cops?

It couldn't be, he told himself. But when he took out his radiophone, his hands were shaking a little.

Lynch's voice was already coming over it when Malone thumbed it on.

"…so hang on, Malone! I repeat: We heard the ruckus, and we're coming in! We're on our way! Hang on, Malone!"

The voice stopped. There was a click.

Malone stared at the handset, fascinated and horrified. He swallowed. "No, Lynch!" he whispered, afraid to talk any louder for fear the kids would hear him. "No! Don't come up. Go away. Repeat: Go away! Stay away, Lynch!"

It was no use. The radiophone was dead.

Lynch, apparently thinking Malone's set had been smashed in the fight, or else that Malone was unconscious, had shut his own receiver off.

There was absolutely nothing that Malone could do.

The kids were still yelling at the top of their voices, but the thundering of heavy, flat feet galumphing up from the lower depths couldn't be ignored for long. All the boys noticed it at about the same time. They jerked their heads round to face the stairway. Malone and his compatriots crouched lower behind the boxes.

Mike Fueyo was the first to speak. "Don't vanish yet," he snapped.
"Let's see who it is."

The internal dissent among the Silent Spooks disappeared as if it had never been, as they faced a common foe. Once again they fell naturally under Fueyo's leadership. "If it's cops," he said, "we'll give 'em the grasshopper play we worked out. We'll show 'em."

"They can't fool with us," another boy said. "Sure. The grasshopper play."

It was cops, all right. Lieutenant Lynch ran up the stairs waving his billy in a heroic fashion, followed by a horde of blue-clad officers.

"Where's Malone?" Lynch shouted as he came through the doorway.

"Where's your what?" Mike yelled back, and the fight was on.

Later, Malone thought that he should have been surprised, but he wasn't. There wasn't any time to be surprised. The kids didn't disappear.

They spread out over the floor of the room easily and lightly, and the cops charged them in a great blundering mass.

Naturally, the kids winked out one by one—and re-formed in the center of the cops' muddle. Malone saw one cop raise his billy and swing it at Mike. Mike watched it come down and vanished at the last instant. The cop's billy descended on the head of another cop, standing just behind where Mike had been.

The second cop, blinded by the blow on his head, swung back and hit the first cop. Meanwhile, Mike was somewhere else.

Malone stayed crouched behind the boxes. Dorothea stood up and shouted, "Mike! Mike! We just want to talk to you!"

Unfortunately, the police were making such a racket that this could not be heard more than a foot or so from the speaker. Lynch himself charged into the mass, swinging his billy and his free fist, and laying others out one after the other. Pretty soon the floor was littered with cops. Lynch was doing yeoman duty, but it was hard to tell what side he was on.

The vanishing trick Mike had worked out was being used by all of the kids. Cops were hitting other cops, Lynch was hitting everybody, and the kids were winking on and off all over the loft. It was a scene of tremendous noise and carnage.

Malone suddenly sprang to his feet and charged into the melee, shouting at the top of his lungs and swinging both fists. The first person he saw was one of the teen-agers, and he charged him with abandon.

He should, he reflected, have known better. The kid disappeared. Malone caromed off the stomach of a policeman, received a blow on the shoulder from his billy, and rebounded into the arms of a surprised police officer at the edge of the battle.

"Who're you?" the officer gasped.

"Malone," Malone said.

"You on our side?"

"How about you?" Malone said.

"I'm a lieutenant here," the officer said. "In charge of the warehouse precinct. I—"

Malone and the lieutenant stepped nimbly aside as another cop careened by them, waving his billy helplessly. They looked away as the crash came. The cop had fallen over a table, and now lay with his legs in the air, supported by the overturned table, blissfully unconscious.

"We seem," Malone said, "to be in an area of some activity. Let's move."

They shifted away a few feet. Malone looked into the foray and saw Boyd at work, roaring and going after the kids. One of them had established a kind of game with him. He appeared just in front of Boyd, who rushed at him, arms outstretched. As Boyd almost reached him, the kid disappeared, and reappeared again just behind Boyd. He tapped the FBI agent gently on the shoulder; Boyd turned and the process was repeated.

Boyd seemed to be getting winded.

"Damn kids," the lieutenant muttered suddenly, and dashed back into the fray. Malone looked around, saw Mike Fueyo flickering in and out at the edges, and headed for him.

A cop swung at Mike, missed, and hit Malone on the arm. Malone swore. The cop backed off, looking in a bewildered fashion for his victim, who was nowhere in sight. Then Malone caught sight of him, at the other edge of the fight. He started to work his way around.

He tried to avoid blows, but it wasn't always possible. A reeling cop caught his lapel and tore it, and Lynch, indefatigable in battle, managed to graze his chin with a blow meant for one of the disappearing boys. Other cops were battling each other, going after the kids and clutching empty air, cursing and screaming unheard orders in the fracas.

Malone ducked past Lynch, rubbed at his chin and looked for Mike. In the tangle of bodies it was getting hard to see. There was the sound of breaking ceramics as a floor lamp went over, and then a table followed it, but Malone avoided both. He looked for Mike Fueyo.

A cop clutched him around the middle, out of nowhere, said, "Sorry, buddy. Who the hell are you?" and dove back into the mass of bodies. Malone caught his breath and forged onward.

There was Mike, at the edge of the fight, watching everything coolly. No cop was near him. In the dim light the place looked like a scene from hell, a special hell for policemen.

Malone wove through battling hordes to the edge, and came out a few feet away from Mike Fueyo.

Fueyo didn't see him. He was looking at Boyd instead—still stumbling back and forth as the teen-ager baiting him winked on and off in front of him and behind him. He was laughing.

Malone came up silently from behind. The trip seemed to take hours. He was being very quiet, although he was reasonably sure that even if he yelled he wouldn't be heard. But he didn't want to take the slightest chance.

He sprang on Mike, and attached the handcuffs to his wrist and to
Mike's wrist within ten seconds.

"Ha!" he said involuntarily. "Now come with me!"

He gave his end of the handcuffs a tremendous yank.

He started to stagger, trailing an empty cuff behind him, flailing his arms wildly. Ahead of him he could see a big cop with an upraised billy. Malone tried to alter his course, but it was too late. He skidded helplessly into the cop, who jerked round and swung the billy automatically. Malone said: "Ugh," as he caught the blow on the cheekbone, bounced off the cop and kept going.

He careened past a blur of figures, trying to avoid hard surfaces and other human beings. But there was—

Oh, no, Malone thought. Lynch.

Lynch was ready to swing. His fist was cocked, and he was heading for one of the teen-agers with murder in his eye. Malone knew their paths were going to intersect. "Watch out," he yelled. "Watch out, it's me! Stop me! Somebody stop me!" He went completely unheard.

Lynch swung and missed, hitting a cop who had been hiding behind the teen-ager. The cop went down to join the wounded, and Lynch roared like a bull and swung around, looking for more enemies.

That was when Malone hit him.

Long afterward, he remembered Lynch's hat sailing through the air, and landing in the center of a struggling mass of policemen. He remembered Lynch saying, "So there you are!" and swinging before he looked.

He remembered the blow on the chin.

And then he remembered falling, and falling, and falling. Somewhere there was a voice: "Where the hell are they? They've disappeared for good."

And then, for long seconds, nothing.

He woke up with a headache, but it wasn't too bad. Surprisingly, not much time had passed; he got up and dusted off his trousers, looking around at the battlefield. Wounded and groaning cops were lying all over. The room was a shambles; the walking wounded—which comprised the rest of the force—were stumbling around in a slow, hopeless sort of fashion.

Lynch was standing next to him. "Malone," he said, "I'm sorry. I hit you, didn't I?"

"Uh-huh," Malone said. "You seemed to be hitting every body."

"I was trying for the kids," Lynch said.

"So was I," Malone said. "I got the cuffs on one and yanked him along, but he disappeared and left me with the cuffs."

"Great," Lynch said. "Hell of a raid."

"Very jolly," Malone agreed. "Fun and games were had by all."

A cop stumbled up, handed Lynch his cap and disappeared without a word. Lynch stared mournfully at it. The emblem was crushed, and the cap looked rather worn and useless. He put it on his head, where it assumed the rakish tilt of a hobo's favorite tam-o'-shanter, and said, "I hope you're not thinking of blaming me for this fiasco."

"Not at all," Malone said nobly. He hurt all over, but on reflection he thought that he would probably live. "It was nobody's fault." Except, he thought, his own. If he'd only told Lynch to come in when called for—and under no other circumstances—this wouldn't have happened. He looked around at the remains of New York's Finest, and felt guilty.

The lieutenant from the local precinct limped up, rubbing a well-kicked shin and trying to disentangle pieces of floor lamp from his hair. "Listen, Lynch," he said, "What's with these kids? What's going on here? Look at my men."

"Some days," Lynch said, "it just doesn't pay to get up."

"Sure," the local man said. "But what do I do now?"

"Make your reports."

"But—"

"To the Commissioner," Lynch said, "and to nobody else. If this gets into the papers, heads will roll."

"My head is rolling right now," the local man said. "Know what one of those kids did? Stood in front of a floor lamp. I swung at him and he vanished. Vanished! I hit the lamp, and then the lamp hit me."

"Just see that this doesn't get out," Lynch said.

"It can't," the local man said. "Anybody who mentioned this to a reporter would just be laughed out of town. It's not possible." He paused thoughtfully, and added, "We'd all be laughed out of town."

"And probably replaced with the FBI," Lynch said morosely. He looked at Malone. "Nothing personal, you understand," he said.

"Of course," Malone said. "We can't do any more here, can we?"

"I don't think we can do any more anywhere," Lynch said. "Let's lock the place up and leave and forget all about it."

"Fine," Malone said. "I've got work to do." He looked around, found
Dorothea and signaled to her. "Come on, Dorothea. Where's Boyd?"

"Here I am," Boyd said, walking slowly across the big room to Malone.
He had one hand held to his chin.

"What's the matter with you?" Malone asked.

Boyd took his hand away. There was a bald spot the size of a quarter on the point of his chin. "One of those kids," he said sadly, "has a hell of a strong grip. Come on, Miss Fueyo. Come on, Malone. Let's get out of here."

13

"Logically," Malone said, "there has to be some way to catch them." He looked around the hotel room as though he expected to find an answer painted in big black letters on the wall. "Logically," he said again, and tried to think of what came next. He liked the sound of the word, but that was as far as it went.

"That's fine," Boyd said. He sat on a chair, staring gloomily at the floor and rubbing the bald spot on his chin with a single, sad, inquisitive forefinger. "There has to be an answer. You're probably right. But what the hell is it?"

Malone started to answer, and then wondered what he had been going to say. He sunk himself in thought. There was a knock at the door. "Who's there?" he called, glad of any relief at all.

"It's me," a small voice said. "Dorothea."

"Come in," Malone said.

The door opened. Dorothea came in, shut the door behind her, and looked around the room a little awkwardly.

"Did you get a good night's sleep?" Malone said.

She nodded. "I guess so," she said. "Sure. It was nice of you to get me a room for the night. I mean, I guess I was—well…"

"Forget it," Malone said grandly. "You were upset and tired, that's all. Hell, in the car on the way back here last night, you fainted."

"I did not faint," she said.

"Well," Malone said, "you sure looked like—"

"I was tired," Dorothea said.

Malone shrugged. "Okay. You were tired."

"You're not mad, are you," she said, "because I stole your notebook?"

"Of course not," Malone said. "I said forget it, didn't I? Sit down and help us out."

"Help you?" she said.

"That's right," Boyd said. "Help us figure out how to catch this bunch of maniacs before they steal everything in New York."

Dorothea said, "Maniacs? I—" and Malone interrupted her in a hurry.

"Police Commissioner Fernack has called twice this morning already," he said. "He's screaming about all the burglaries that have been occurring since midnight last night."

"Oh," Dorothea said. "You mean the Spooks? Mike and the others?
They've been stealing again?"

"They sure have, Miss Fueyo," Boyd said.

"I guess they're furnishing their new hideout," Malone said. "Wherever it is. Only God knows."

"And even if He told us," Boyd said, "it wouldn't do us any good.
Chase 'em out of there, and they'd go somewhere else."

Malone stood up, fished for his cigarettes and lit one. "What we need," he said, blowing out smoke, "is some way to trap 'em and hold 'em. And I don't see how we can do either."

"After last night," Dorothea said, "I really don't see—"

"Wait a minute," Boyd said. "You said trap, didn't you?" He looked slowly and speculatively at Dorothea Fueyo.

A second passed.

"Oh, no, you don't!" she said. "Oh, no. Not on your life. I'll help catch him if I can, because I know you don't mean to hurt him or the others. But I wouldn't want Mike to know about it. You're not using me as bait in any trap."

Boyd looked at Malone, shook his head slowly, and said disconsolately,
"Well, it was an idea." He returned his gaze to the floor.

The furtive gleam of the half bottle of bourbon on Malone's dresser caught his eye. He'd had it sent up the night before, feeling the need of some medicinal refreshment. Now it winked at him. He ignored it resolutely. "Dorothea," he said.

"Yes?"

"Dorothea, do you have any idea how far one of those kids can go when he teleports?"

"No," Dorothea said. "I really haven't any idea about any of it. Mike tried to teach me once, but I guess I just don't have the talent."

"Oh," Malone said.

"I wish I could help," Dorothea said.

Silence fell, and gloom followed it.

Time ticked by. The bourbon bottle resumed its seductive winking.

"There is one thing," Dorothea said suddenly. "He did say one thing about it."

"What?" Malone said eagerly.

"He said you couldn't teleport to some place you haven't been before.
You've got to be able to visualize where you're going."

Malone said, "Hmm." It seemed like the right answer. Dorothea's statement was a fact, certainly, but he didn't see how the fact fit in anywhere.

"He didn't mention anything about distance, and I don't think any of the Spooks ever tested it for that," Dorothea said.

"There probably is a distance limit," Malone said. "At least if Dr.
O'Connor's theories are right. I just wish I knew what the limit was."

Silence fell again. Malone sighed. Dorothea sighed. Boyd sighed, looked around at the others and muttered, "Damn thing's catching." He got up and walked over to the dresser and picked up the bottle of bourbon.

"You, too?" Malone murmured, but Boyd didn't hear him.

"I don't care if it is early in the morning," he said, resolutely. "I need a drink. I need something to take the fog out of my head, anyhow." He poured himself a shot, held the bottle aloft, and said, "Dorothea? Malone?"

The girl shook her head.

Malone was tempted but he put Satan behind him with decision. "No," he said firmly. "The way I feel now, one drink would probably immobilize me."

Dorothea chuckled. "You sound just like Mike," she said.

"Mike doesn't drink in the morning either?" Malone said.

"Of course he doesn't," Boyd said. "Mike is a nice kid. A swell kid."

"You keep quiet," Dorothea shot at him. She turned back to Malone. "Mike never drinks at all," she said. "He says it immobilizes him—just what you said."

Somewhere in the black galactic depths of Malone's mind, a very small hot star gulped, took a deep breath and became a supernova.

The light was tremendous! It shed beams over everything, beams of a positively supernal brilliance. And in the all-pervasive brightness of that single inner light, bits of data began to fall into place with all the precision of aerial bombs, each falling neatly and exactly into its own little predetermined bomb crater.

It was beautiful. It was magnificent. Malone felt all choked up.

None of the Silent Spooks drank. He remembered Kettleman telling him that. And the Queen never touched the stuff either.

"What's wrong?" Boyd said.

"Malone, you look green."

"I feel green," Malone said. "I feel like newly sprung grass. I feel as if I had just hatched out of something. I feel wonderful."

"It's the strain," Boyd said. "That's what it is, strain. You've cracked at last."

Malone ignored him. "Tell me," he said to Dorothea with elaborate casualness, "when your brother says that, what does he mean?"

"What?" she said. "Oh, I don't know. I—" She stopped and her eyes widened. "You don't think that—"

"I don't know," Malone said. "But we can sure as hell find out."

Dorothea blinked. "What can you do?" she said. "I mean, to find out.
You can't force them to drink or anything, can you?"

"No," Malone said. "I can't do that. But it does give me an idea."

Boyd held his untasted drink in his hand, staring at Malone and the girl. "What are you two talking about?" he said. "Or is this the special Captain Midnight code? I left my code ring home this week."

"Boyd," Malone snapped, "get on the phone."

"Are you sure it will hold me?" Boyd said.

"I want you to call Dr. O'Connor at Yucca Flats," Malone said. "Shut up and listen."

There was silence.

Finally Boyd said, "I don't hear anything."

"Never mind," Malone said. "I mean listen to me. I know it's pretty early out where O'Connor is, but that doesn't matter now. Wake him up. Wake everybody up, for all I care."

"Malone," Boyd said carefully, "are you sure you haven't gone nuts?"

Malone grinned cheerfully. "No," he said. "Are you? Now listen: find out what effect drugs have on psionic abilities."

"Drugs?" Boyd said, and then his eyes lit up. "My God!" he said. "We might have something, at that!"

"Get the Queen up too," Malone said. "Ask her the same question. I hope we do have something."

"So do I," Dorothea said.

"And if we get the information we're hoping to get, I want Her Majesty on the first plane to New York," Malone said. "I don't care what strings you have to pull to get that done. Call Burris if you have to. It'll be worth it." Malone paused. "Hell," he said, "call him anyway and tell him what's happened. But get the Queen here!"

"Right!" Boyd said. He dove for the phone and started dialing.
Suddenly he looked around. "Hey!" he yelled. "Where are you going?"

Malone, one hand on the door, turned. "Down to see Fernack," he said. "I've got to make some arrangements. I'm betting we're right, Tom!" He charged out the door, slamming it. A second passed and it opened again. Malone's head popped back in. "Dorothea," he said. "When Tom gets off the phone call your mother. Tell her you're going to be away for a day or two—two at the most—and she's not to worry. We'll need you, and her, too, to talk to Mike when the time comes. So stick around."

Then he was gone.

* * * * *

Twelve hours later, Kenneth J. Malone was sitting quietly in a small room at the rear of a sporting-goods store on upper Madison Avenue, trying to remain calm and hoping that the finest, most beautiful hunch he had ever had in his life was going to pay off. With him were Boyd and two agents from the 69th Street office. They were sitting quietly too, but there was a sense of enormous excitement in the air. Malone wanted to get up and walk around, but he didn't dare. He clamped his hands in his lap and sat tight.

They waited in silence, not daring to talk. There was no sound except for the faint whoosh of their breathing through the gas masks they were wearing, and the muffled hiss from a tank nearby.

There was no reason why the plan shouldn't work. Malone told himself.

It looked foolproof. But he didn't believe it would work. This was the time, he assured himself, that his luck ran out. He'd been lucky for too long, and now the wheel was going to turn and he'd be lost. All he could do was wait for it, and hope.

Her Majesty had said definitely that this would be the place the Spooks would hit tonight. She had no doubts about it. And Malone couldn't think of a single reason why she might be wrong. But maybe he'd got the address mixed up. Maybe the Spooks were somewhere else right now, robbing what they pleased, safe from capture….

His hunch about drugs had been correct, or at least everybody had said it was correct. Dr. O'Connor had assured Boyd that the deleterious effects of drugs on psionic abilities had been known ever since the early days of Dr. Rhine's pioneering work, more than twenty years before. And Good Queen Bess had admitted the same thing. She never drank, she said, because on the one occasion when she'd tried it, she'd lost her telepathic ability, and "My goodness, it was just like going blind."

Burris had had to put on the pressure, but it had worked. The Queen had been flown to New York, under psychiatric guard just as soon as possible after Boyd's phone call, and she'd been able to pick up Mike Fueyo without any trouble at all as soon as she was within the same city, and close enough to him.

It doesn't do much good to know where a teleporter is, Malone thought. But it's extremely handy to know where he's going to be. And if you also know what he plans to do when he gets where he's going, you've got an absolute lead-pipe cinch to work with.

The Queen had provided that lead-pipe cinch. Reading Mike's mind, she'd told Malone that he planned to raid the sporting-goods store with the rest of the Spooks that night. Lucky again, Malone thought; he might have had to wait two or three days before the Spooks set up a robbery.

But, of course, he might just be riding for some kind of horrible, unforeseen fall.

The main part of the sporting-goods store was fairly well lit, even at night, though it was by no means brightly illuminated. There were show-window lights on, and the street lamp from outside cast a nice glow. But the back room was dark, and the four men there were well concealed. A curtain closed the room off, and Malone watched the front of the store through a narrow opening in it. He stared through it until his eyes ached, afraid to blink in case he missed the appearance of the Spooks. Everything had to go off just right, precisely on schedule.

And it was going to happen any minute, he told himself nervously. In just a few minutes, everything would be over.

Malone held his breath.

Then he saw the figure walk slowly by the glass front of the shop, looking in with elaborate casualness. He was casing the joint, making sure there were none left in it.

Mike Fueyo.

Malone tried to breathe, and couldn't.

Seconds ticked by.

And then—almost magically—they appeared. Eight of them, almost simultaneously, in the center of the room.

Mike Fueyo spoke in a low, controlled voice. "Okay, now," he said.
"Let's move fast. We—"

And that was all he said.

The odorless anesthetic gas that filled the room had its sudden effect. Fueyo dropped out like a light.

The other seven followed him within seconds. Ramon Otravez, the tallest of them, stayed on his feet a little longer than the rest, obviously trying with all his strength to teleport himself out of danger, but the effects of the fast-working gas had already been felt. He was, literally, too stunned to move.

He too slumped to the floor.

For a second after that, none of the men in the rear room moved.

Then Malone said, "All right, boys. Let's get them out of here. They can't stay too long in this atmosphere." The men started forward into the front room, toward the still bodies. "Boyd," Malone said. "Get out front and wave the ambulance over here. I'll get the air-conditioners working and stop the gas."

He reached down and turned off the valve on the gently hissing tank of anesthetic gas that sat on the floor near him. "You guys get the kids," he said. "And let's make it fast, okay?"

14

"The one thing we had to worry about," Malone said, pouring some more champagne into the two hollow-stemmed glasses, "was whether it was possible to give them just enough synthecaine. Too little, and they'd still be able to teleport. Too much, and they'd be too groggy."

Dorothea relaxed in her chair and looked around at the hotel room walls with contentment. She looked like the proverbial cat who has swallowed the cream. "It looked to me as if it worked," she said. "Mike seemed pretty normal—except that he had that awful trapped feeling."

Malone handed her one of the filled glasses with an air. He was beginning slowly to feel less like the nervous, uncertain Kenneth J. Malone, and more and more like Sir Kenneth Malone. "I can see why he felt trapped," he said. "If a guy's been unhampered by four walls all the time, even only for a year or so, he's certainly going to feel penned in when he loses the ability to get through them. It might be just a little claustrophobic." He grinned, proud of himself. "Claustrophobic," he said again. "My tongue and palate are in excellent condition."

"The main thing is," Dorothea said, "that everybody's so happy. Commissioner Fernack, even—with Mr. Burris promising to give him a medal."

"And Lynch," Malone said reflectively. "He'll get a promotion out of this for sure. And good old Kettleman."

"Kettleman?" Dorothea said. "Oh, the funny fat man. He's some kind of social worker or something."

"And now he's getting a scroll from the FBI," Malone said. "A citation for coming up with the essential clue in this case. Even though he didn't know it was the essential clue. You know," he added reflectively, "one thing puzzles me about that man."

"Yes?"

"Well," Malone said, "he worked in your neighborhood. You knew him."

"Of course I did," Dorothea said. "We all knew Kettleman."

"He said he had a lot of success as a social worker," Malone said.
"Now, I've met him. And talked with him. And I just can't picture—"

"Oh," Dorothea said. "We keep him around—kept him around, I mean—as a sort of joke. A pet, or a mascot. Of course, he never did catch on. I don't suppose he has yet."

Malone laughed. "Nope," he said. "He hasn't."