DUGALD MOORE.

A poet of remarkable ingenuity and power, Dugald Moore was born in Stockwell Street, Glasgow, in 1805. His father, who was a private soldier in one of the Highland regiments, died early in life, leaving his mother in circumstances of poverty. From his mother's private tuition, he received the whole amount of his juvenile education. When a child he was sent to serve as a tobacco-boy for a small pittance of wages, and as a youth was received into the copper-printing branch of the establishment of Messrs James Lumsden and Son, booksellers, Queen Street. He very early began to write verses, and some of his compositions having attracted the notice of Mr Lumsden, senior, that benevolent gentleman afforded him every encouragement in the prosecution of his literary tastes. Through Mr Lumsden's personal exertions in procuring subscribers, he was enabled to lay before the public in 1829 a volume of poems entitled "The African, a Tale, and other Poems." Of this work a second edition was required in the following year, when he likewise gave to the world a second volume, with the title "Scenes from the Flood; the Tenth Plague, and other Poems." "The Bridal Night, and other Poems," a volume somewhat larger than its predecessors, appeared from his pen in 1831. The profits of these publications enabled him to commence on his own account as a bookseller and stationer in the city. His shop, No. 96 Queen Street, became the rendezvous of men of letters, and many of the influential families gave its occupant the benefit of their custom.

In 1833, Moore published "The Bard of the North, a series of Poetical Tales, illustrative of Highland Scenery and Character;" in 1835, "The Hour of Retribution, and other Poems;" and in 1839, "The Devoted One, and other Poems." He died unmarried, after a brief illness, on the 2d January 1841, in his thirty-sixth year, leaving a competency for the support of his aged mother. Buried in the Necropolis of the city, a massive monument, surmounted by a bust, has been raised by his personal friends in tribute to his memory. Though slightly known to fame, Moore is entitled to rank among the most gifted of the modern national poets. Possessed of a vigorous conception, a lofty fancy, intense energy of feeling, and remarkable powers of versification, his poetry is everywhere impressed with the most decided indications of genius. He has chosen the grandest subjects, which he has adorned with the richest illustration, and an imagery copious and sublime. Had he occupied his Muse with themes less exalted, he might have enjoyed a wider temporary popularity; as it is, his poems will find admirers in future times.

RISE, MY LOVE.

JULIA.

LUCY'S GRAVE.

THE FORGOTTEN BRAVE.

THE FIRST SHIP.

WEEP NOT.

TO THE CLYDE.

REV. T. G. TORRY ANDERSON.

Devoted to the important duties of the clerical office, Mr Torry Anderson experienced congenial recreation in the cultivation of music and song, and in the occasional composition of both. He composed, in 1833, the words and air of "The Araby Maid," which speedily obtained a wide popularity. The music and words of the songs, entitled "The Maiden's Vow," and "I Love the Sea," were composed in 1837 and 1854, respectively. To a work, entitled "Poetical Illustrations of the Achievements of the Duke of Wellington and his Companions in Arms," published in 1852, he extensively contributed. During the summer of 1855, he fell into bad health, and was obliged to resign his incumbency. He afterwards resided on his estate of Fawsyde, to which he had succeeded, in 1850, on the death of his uncle, Dr Young. He died at Aberdeen on the 20th of June 1856, in his fifty-first year. He was three times married—first, in 1828, to Mrs Gaskin Anderson of Tushielaw, whose name he adopted to suit the requirements of an entail; secondly, he espoused, in 1838, Elizabeth Jane, daughter of Dr Thomas Sutter, R.N.; and lastly, Mrs Hill, widow of Mr William Hill, R.N., whom he married in 1854. He has left a widow and six children.

THE ARABY MAID.

THE MAIDEN'S VOW.

I LOVE THE SEA.

GEORGE ALLAN.

On terminating his connexion with the Dumfries Journal, Allan proceeded to Edinburgh, where he was immediately employed by the Messrs Chambers as a literary assistant. In a letter addressed to a friend, about this period, he thus expresses himself regarding his enterprising employers:—

Besides contributing many interesting articles to Chambers's Edinburgh Journal, and furnishing numerous communications to the Scotsman newspaper, Allan wrote a "Life of Sir Walter Scott," in an octavo volume, which commanded a wide sale, and was much commended by the public press. In preparing that elegant work, the "Original National Melodies of Scotland," the ingenious editor, Mr Peter M'Leod, was favoured by him with several songs, which he set forth in that publication, with suitable music. In 1834, some of his relatives succeeded, by political influence, in obtaining for him a subordinate situation in the Stamp Office,—one which at once afforded him a certain subsistence, and did not necessarily preclude the exercise of his literary talents. But a constitutional weakness of the nervous system did not permit of his long enjoying the smiles of fortune. He died suddenly at Janefield, near Leith, on the 15th August 1835, in his thirtieth year. In October 1831, he had espoused Mrs Mary Hill, a widow, eldest daughter of Mr William Pagan, of Curriestanes, and niece of Allan Cunningham, who, with one of their two sons, still survives. Allan was a man of singularly gentle and amiable dispositions, a pleasant companion, and devoted friend. In person he was tall and rather thin, with a handsome, intelligent countenance. An enthusiast in the concerns of literature, it is to be feared that he cut short his career by overstrained application. His verses are animated and vigorous, and are largely imbued with the national spirit.[20]

IS YOUR WAR-PIPE ASLEEP?[21]

II.—(M'Crimman.)

III.—(Clansmen.)

I WILL THINK OF THEE YET.

LASSIE, DEAR LASSIE.

WHEN I LOOK FAR DOWN ON THE VALLEY BELOW ME.[22]

I WILL WAKE MY HARP WHEN THE SHADES OF EVEN.[23]

THOMAS BRYDSON.

A man of fine fancy and correct taste, Mr Brydson was, in early life, much devoted to poetical composition. In 1829, he published a duodecimo volume of "Poems;" and a more matured collection of his poetical pieces in 1832, under the title of "Pictures of the Past." He contributed, in prose and verse, to the Edinburgh Literary Journal; the Republic of Letters, a Glasgow publication; and some of the London annuals. Though fond of correspondence with his literary friends, and abundantly hospitable, he latterly avoided general society, and, in a great measure, confined himself to his secluded parish of Kilmalcolm. Among his parishioners he was highly esteemed for the unction and fervour which distinguished his public ministrations, as well as for the gentleness of his manners and the generosity of his heart. Of domestic animals he was devotedly fond. He took delight in pastoral scenery, and in solitary musings among the hills. His poetry is pervaded by elegance of sentiment and no inconsiderable vigour of expression.

ALL LOVELY AND BRIGHT.