Details, if fairly studied, would do much to nationalize our architecture. Why should we, in designing a capital or cornice, still cling to the classic acanthus or honeysuckle ornament, or even the English ivy, when we have such a fund of our own? The maize and the sugarcane, the potato blossom and the cotton boll afford so many mines of treasure, that it is surprising that they have not already been worked. In the architecture of the Central Park, however, a decided impetus has been given in this direction. The details of the grand terrace at the end of the Mall are as elaborate as those of a European cathedral, but they are all American—all our own.

Another excellent feature of our city houses is that little strip of garden in front, just within the sidewalk. For this, too, we think we have some claim of originality. At least it is not European, for in Berlin, Vienna, etc., some of the most palatial quarters are without so much as a sidewalk—the paving stones reaching from wall to wall. Such barrenness of arrangement cannot be relieved by any architecture, nor was there ever a building so good that it could not be improved by a setting of foliage. The power of mutual relief between art and nature is wonderful. To this is owing much of the effect of the celebrated 'Place Napoleon,' the court of the New Louvre at Paris. The contrast between the richly wrought façades of Caen stone and the foliage in the centre, is most grateful to the eye. Even the grand quadrangle of the Tuileries seems dismal after it, grand as are its ogre-roofed 'pavilions' and triumphal arch, for it lacks the refreshing verdure. The eye wearies of the everlasting buff color.

Not to overstep the subject, we will say just one word about the street plans of our cities. It is really shameful that these are not more studied. No one seems to think of adapting them to the surface of the ground, but everything must needs be graded flat, and rectangular blocks laid out thereon. Our Western cities, particularly, appear to crystallize in cubes—their monotony is painful. An occasional introduction of the curved street, so common in Britain, would be a delightful relief. The London 'Quadrant' is a superb example—the way in which the houses come into view, one by one, as you follow the curve, is not to be surpassed. But the chief secret of success in plotting a town is to seize upon the natural irregularities of the ground, and make them part and parcel of the design. The beauty of Edinburgh—the 'Scottish Athens,' as Dugald Stewart called it—is entirely owing to this. The new town is a 'wilderness of granite, magnificently dull,' and the old has barely enough of the picturesque to save it from being hideous. But there is a broad, natural ravine, dividing the two, which has been retained in its original shape, and being tastefully arranged with shrubbery and terraced walks, forms a fine park. Near one end of this the Castle Hill rises abruptly against the old town, while at the other end the view is closed by Calton Hill, with its classic monuments, and Arthur's Seat rising grandly beyond. Two or three bridges afford a level communication between the old town and the new, and Prince's street, the thoroughfare of the latter, forms a fine terrace along the northern edge of the ravine, passing midway the Scott monument, a superb spire of Gothic. This latter is perhaps the only commendable feature per se in the city—for the details of Edinburgh are notably poor, its pictorial effect arising solely from the very happy manner in which they are grouped, amphitheatre-like, around the 'Gardens.'

Did such a vale lie in the track of one of our cities, we would consider it an unlucky blemish, to be filled up at once to the general level. It would be named in the contract as such-and-such 'sunken lots,' and as the Castle Rock was digged down and dumped in, tax-payers would rejoice over the saved cartage. Having thus killed off Nature, we would put up squares of houses upon the dead level, while the local papers would comment upon the 'improvement of property.'

If we only had a Napoleon here, some think, his master mind might arrest this Vandalism, infuse some system into our rag-bag cities, and make each a Paris. But have we not Public Opinion, stronger than any despot? Let a little of this current, guided by taste, be turned into the channels of art, and the results will soon be forthcoming. We seem to be hampered, as yet, with a kind of feudal system of architecture; this will presently be done away with, for the American character is eclectic, and naturally selects and combines the best in art, as in politics and commerce. To combine English good sense without its heaviness, French vivacity without its hollowness, and the exuberance of German fancy without its inertia—to combine and reflect all these should be the mission of our architecture.

Neither is it too much to say that a genuine love for art may have its bearing on that part of us which is immortal. Not that any of these things will exist after this life, but as children are drilled by their teachers in many studies which have no practical bearing on their after life, so may we consider ourselves as only at boarding school with Nature while in this present temporary state; and if she has set us some lessons which do not appertain directly to our more exalted future, we should remember that this is her method of discipline. But she has done more; she has made the very tasks delightful. Are not such studies more beneficial and satisfactory than the idleness and play which fill up so much of our lives?

No student can succeed, however, who tamely copies his neighbor's work. Let us hope, then, that our art will soon drop its clumsy costume, and take to itself something natural and national; that it will become, as it should, the type of our Western civilization—a civilization that spreads itself, not by sword or sceptre or crozier, but by life and liberty and light.


JEFFERSON DAVIS AND REPUDIATION OF ARKANSAS BONDS

LETTER NO. III OF HON. ROBERT J. WALKER.

London, 10 Half Moon Street, Piccadilly,

January 28th, 1864

In two pamphlets, published by me last summer, Mr. Jefferson Davis was clearly convicted of sustaining the repudiation of the Union Bank bonds, and the Planters' Bank bonds of the State of Mississippi. These pamphlets were most extensively circulated throughout the United States, the United Kingdom, and upon the continent of Europe, and several confederate writers have since referred to them; but no attempt ever has been made, either by Mr. Davis himself, or by any of his agents or friends, to refute any one of the facts or deductions contained in those pamphlets. Indeed, the facts were founded upon authentic documents, official papers, and Mr. Davis's own two letters over signature, plainly and unequivocally sustaining the repudiation of Mississippi. It is true, in the case of the Union Bank bonds of Mississippi, that Mr. Davis justified their repudiation on the ground that the bonds of the State were unconstitutional. But the utter fallacy of this position was shown by two unanimous decisions of the highest judicial tribunal of the State of Mississippi, before whom this very question was brought directly for adjudication, affirming the constitutionality and validity of these bonds. When it is recollected, also, that this was the Court designated by the Constitution and laws of Mississippi, as the tribunal to which the ultimate decision of this question was referred, the wretched character of this pretext must be at once perceived. Mr. Davis's two repudiating letters were published by him in the spring and summer of 1849, yet one of these decisions by the highest judicial tribunal of Mississippi, quoted by me, affirming the validity and constitutionality of these very bonds, was made in 1842, and again unanimously reaffirmed in 1853. But still, Mr. Davis adhered to the same position. As to the Planters' Bank bonds, however, the repudiation of which was shown to have been justified by Mr. Davis, there never was even a pretext that they were illegal or unconstitutional. Nor is there any force in the suggestion, that these questions were decided before Mr. Davis came into public life. They were continuous questions, constantly discussed in the press and before legislative and judicial tribunals. And, we have seen, even as late as 1853, four years succeeding Mr. Davis's repudiating letters, the second decision was made by the highest judicial tribunal of Mississippi, reaffirming the validity and constitutionality of these bonds.

But I will now cite another instance of the advocacy of repudiation by Mr. Jefferson Davis, still more flagitious than that of Mississippi. It was that of the State bonds of Arkansas, the validity and constitutionality of which never has been disputed. A brief history of this transaction is as follows: In 1830, James Smithson, an eminent and wealthy citizen of London, in the kingdom of Great Britain, died, bequeathing, by his last will and testament, the whole of his property to the United States of America, in trust, to found at Washington, under the name of 'The Smithsonian Institution,' an establishment 'for the increase of diffusion of knowledge among men.' After some delay, the Congress of the United States, in 1836, passed an act, accepting the trust, and pledging the faith of the Government for the faithful application of the money to the noble purpose designated by the illustrious donor. Under this act, Richard Rush, one of our most distinguished citizens, who had been minister to England and to France, and had held the position of Secretary of State and of the Treasury, at Washington, was sent by the Government to London, to obtain from the Court of Chancery the fund, amounting to over $500,000. It is usual in the proceedings of the English Court of Chancery, when funds, under circumstances like these, are bequeathed to trustees for scientific or charitable purposes, not to part with the money to the trustee, except upon his filing in court absolute security for the faithful fulfilment of the trust. In this case, however, the High Court of Chancery in England, considering that to imply any laches or neglect of a trust so sacred, on the part of the Government of the United States, was an idea not to be entertained, did, by their decree, without any security, hand over all the money to the Government of the United States, to be appropriated to the purpose designated by the donor, receiving only the pledge given by the Congress of the United States, for the faithful appropriation of the money. Now, if there ever was any obligation, that would be considered sacred by the whole civilized world, it was this, and most faithfully has the Government of the United States executed this trust. Nay, it has done much more; it has granted forty acres of ground, belonging to the Government, in the city of Washington, gratuitously, for the erection of the buildings upon them, erected by the Government, are worth largely more than the whole bequest. Not only has the Government done this, but, upon the whole fund received from Mr. Smithson, it has always punctually paid an interest of six per cent. in gold upon the whole sum, and pledged its faith for a similar perpetual payment. It has also largely aided the institution by contributions to its museum, collections, and library, and by the gratuitous services of public officers in its behalf. Such was the bill passed by Congress in 1846, and which has always been most faithfully executed. So that the institution is now established upon a permanent basis, and is fulfilling all the great and noble purposes proposed by the illustrious donor. Now, in 1837, this fund was received by the Government of the United States, and invested by the Secretary of the Treasury, Mr. Woodbury, in the six per cent. bonds of the State of Arkansas at par, to the extent of over half a million of dollars. During the same year Arkansas invested this money in a bank, entitled 'The Real Estate Bank of Arkansas;' and of which the State was the great stockholder. In 1839, this Bank, having loaned out these funds to the citizens of Arkansas, became absolutely and totally insolvent, and has never been able to pay one cent on the dollar to any of its creditors. In 1839, the State of Arkansas failed to pay the interest on its bonds, and from that day to this has never paid one dollar either of interest or principal on any of these most sacred obligations.

On the 4th of March, 1845, I became Secretary of the Treasury of the United States, and having taken the deepest interest in this Smithsonian fund, and in its faithful application to the noble purpose of the donor, and inasmuch as one of my predecessors had invested these funds in these bonds, and the Government had made itself directly responsible for the faithful execution of this trust, I endeavored to reclaim, as far as possible, this money from the State of Arkansas, and to induce Congress to appropriate its own moneys to redeem the pledge of the Government, and fulfil this trust. My first official action on this subject was as follows: By act of Congress, five per cent. of the net proceeds of the sales of the public lands of the United States in Arkansas was payable to that State, for certain purposes designated in the act. There was, also, an act of Congress in force, authorizing the Secretary of the Treasury, where there were mutual debts and credits between the Government and any other person, to offset any debt due by any creditor of the United States, against any debt, so far as it would go, due by the United States to such creditor. I interpreted this act as authorizing me to withhold this five per cent. fund from the State of Arkansas and appropriate it, as far as it would go, in payment of the interest which had accumulated on the bonds of the State of Arkansas, in which my predecessor, Mr. Woodbury, on behalf of the Government, had invested the Smithsonian Fund; thus saving a small portion of the interest which had accrued on these bonds. For this act I was violently denounced by the Senators and Representatives of Arkansas in Congress, as also by the Legislature and Governor of the State, and strenuous efforts were made, unsuccessfully, first to induce me to revoke my action, and, secondly, to have it overruled by the Government. But I adhered to it, and declared openly, that if such a breach of trust were consummated, and my action overruled in the premises, I would resign my seat in the cabinet. My official action, however, was sustained by an almost unanimous public sentiment of Congress, and of the country. Indeed, beyond the limits of the State of Arkansas, and the circle of the repudiators of Mississippi, my course was sustained and approved.

Now, then, let us see what was the action of Mr. Jefferson Davis on the question of these Arkansas bonds. On reference to the journals of the House of Representatives, of the Congress of the United States, it appears that Mr. Jefferson Davis took his seat in that body, as one of the members elect from the State of Mississippi, on the 8th of December, 1845. (P. 56.) When the bill was pending for organizing the Smithsonian Institution, and making good for both principal and interest, the sum bequeathed by Mr. Smithson that had been invested by the Government of the United States in these Arkansas State bonds, Mr. Jefferson Davis, on the 29th April, 1846, as appears by the official proceedings of the House, page 749, moved an amendment: 'To add at the end of the section the following'—'Provided, however, That if the Governor of the State of Arkansas shall make it appear to the satisfaction of the Attorney-General of the United States, that he has used suitable means to obtain from the Real Estate Bank of the State of Arkansas, payment of the debt due by said Bank to the State of Arkansas, but without success, then, in that case, and until the arrears due by the said Real Estate Bank shall have been received into the Treasury of the State of Arkansas, the said State shall be and is hereby declared to be absolved from the promises on the face of her bonds by which the said State heretofore pledged her faith for the due payment of the principal and interest of said bonds.' Now, then, it will be remembered, that the legality and constitutionality of these Arkansas State bonds never has been disputed. These bonds were issued by the State, under direct authority of law, signed by the Governor, with the broad seal of the State attached, and recognized by the Government of the United States, by the investment of this sacred fund in these obligations. Nay, more, this fund thus received by the State from the Government on these bonds, had been invested, under the law of the State of Arkansas, in a Real Estate Bank, created by that State, and the money loaned to the citizens of the State. That State Bank, however, in 1839, became utterly and notoriously insolvent, and never did or could pay one cent in the dollar on its obligations. And, more especially, never did it pay, after 1839, one single cent of the principal or interest upon these State obligations. Now, then, this institution, in 1846, being absolutely and totally insolvent, its funds having been wasted and squandered without the possibility of recovery, either in whole or in part, Mr. Davis offers this resolution to authorize the State to repudiate its bonds, and that the Government should look only to this insolvent Bank for the payment of the principal and interest on these bonds, amounting then to over $700,000. It was not alleged by Mr. Davis, or by any other person, that these bonds were unconstitutional. No such pretext was ever made even by the State of Arkansas. It was a most atrocious case of open repudiation. And here, it matters not, so far as this question is concerned, what may have been the obligation of the Government of the United States to make good these funds. That is a totally distinct and independent question. The true and real issue in this case is this: Was not the State of Arkansas bound to pay these bonds, both interest and principal, as it fell due, in, which bonds, by the request and authority of the State, the Government of the United States had invested this Smithsonian fund? This obligation of the State of Arkansas, both moral and legal, is undisputed and indisputable; and yet Mr. Davis moved the resolution before quoted, absolving the State from the payment of the principal and interest of these bonds, except so far as the assets of her own Bank, then notoriously bankrupt, should avail to make good these obligations. That is, the Congress of the United States, by solemn act, was to authorize the State of Arkansas to repudiate her solemn obligations. Recollect, this was not a case of Mississippi bonds, of which State Mr. Davis was then a Representative in Congress, but it was the case of Arkansas, another State, having on the floor of Congress its own Senators and Representatives. But it is a very remarkable fact, that Mississippi, for many years, had then repudiated her own bonds, that Mr. Davis justified and sustained that repudiation, and that now he appears on behalf of Arkansas to induce Congress, by solemn act, to authorize that State to repudiate her obligations also. Thus was it that Mr. Davis travelled out of his own State into another, to make the Government of the United States a party to the repudiation of her bonds by the State of Arkansas. Let me not be misunderstood. I do not mean to say, that Mr. Davis proposed or intended that the Government of the United States should repudiate its faith, plighted to the British Court of Chancery, to make good this fund. That is not the question. It is entirely collateral. But, what he did do was this, and there stands his own resolution, offered by himself in the Congress of the United States, which, if carried into effect, would have released the State of Arkansas from these bonds, or, in Mr. Davis's own words, 'The said State shall be and is hereby declared to be absolved from the promises on the face of her bonds, by which the said State heretofore pledged her faith for the due payment of the principal and interest of said bonds.'

Why should Congress release Arkansas from the payment of her State obligations? Why thus justify the repudiation of her bonds? Can any other reason be assigned than this, that Mr. Jefferson Davis was looking to the repudiated bonds of Mississippi, and was endeavoring to establish a precedent, by solemn act of the Congress, by which, if adopted as a principle, Mississippi, and every other defaulting State, could be justified in the repudiation of their bonds also. It is to the credit of the Congress of the United States, that Mr. Davis's resolution was rejected without a division, and without a count. When it is recollected, that at this very time, I, as Secretary of the Treasury, was appropriating the five per cent. found payable by the Government to the State of Arkansas toward the liquidation of these bonds against the protest of that State, the further meaning of these movements will be clearly perceived. Had this resolution of Mr. Davis passed the two Houses of Congress, absolving the State of Arkansas from the payment of these bonds, I could, of course, as Secretary of the Treasury, no longer have withheld that fund from the State, and appropriated it, so far as it went, toward the liquidation of the interest accrued and accruing on these bonds. It appears, then, by conclusive and official evidence, that Mr. Jefferson Davis's repudiation of State obligations, was not confined to his own State, nor even to the State of Arkansas; but that he desired to make the Government of the United States, by solemn act of Congress, a party directly sanctioning such atrocious violations of State faith and State obligations.

R. J. Walker.


APHORISMS.

NO. III.

Two Rules.-To get safely and comfortably through the world, one must observe two rules: first, keep your eyes open; second, keep them shut.

Not to see the actual realities of our daily existence, is the part of a fool.

Not to notice the thousand and one petty faults of others, and the ever-recurring petty annoyances of our circumstances, is the part of a wise man.

Even injuries intentionally done to us, are often best disposed of by resolutely ignoring them.

So of evils that cannot be remedied—the less we know of them the better. Not to see an ill sight, is often just as good as to remove it from existence.

We need only to add: This seeing and not seeing, depends very much upon the will. The wolf that wills it can easily see the lamb disturbing the water that he drinks, even while the lamb is below him on the bank of the stream; and the lamb, by a stern resolve, can refuse to see the injustice which it has no power to remedy. The will of man is little less than omnipotent in the wide sphere of its appropriate power; and that sphere is much wider than feeble-minded people may suppose.


LITERARY NOTICES.

Life and Correspondence of Theodore Parker, Minister of the Twenty-eighth Congregational Society, Boston. By John Weiss. In 2 volumes. New York: D. Appleton & Co., 443 & 445 Broadway.

A work of two large octavo volumes, containing 1,020 pages, with two portraits of Mr. Parker, and some vignettes on wood. The author is John Weiss, and the biography is exceedingly well written, a great deal of it being given directly from Mr. Parker's own letters and journals. He was born in Massachusetts in 1810, and died in Italy before he had completed his fiftieth year. He was brought up on his father's farm, taught school while in his teens to provide money for further progress, prepared himself for the university, taught a higher school during his college course, studied the classics, acquired German, French, and Spanish, became a divinity student in Cambridge, added Danish, Swedish, Arabic and Syriac, Anglo-Saxon and Modern Greek, was ordained a Unitarian minister in 1837, and settled at West Roxbury. His labors were great: he preached, lectured, translated, edited, and wrote. His health sank under his arduous mental toil. He went abroad to regain it, and died in Florence in 1860. Whatever we may think of his creed, as a preacher he was able and earnest. He was a man of varied gifts, of wide and detailed culture. He was opposed to slavery, and stood in bold antagonism to the Fugitive Slave Law. He was blamed, perhaps maligned, during his lifetime, but posterity will acknowledge him as a man of large brain and generous heart. His letters are exceedingly interesting, touching upon almost every subject now under discussion.

'Would you be good, and fill each human duty?
One art's enough for that—the finest art—
See but the good in every human heart.'

Was He Successful? A Novel. By Richard B. Kimball, Author of 'St. Leger,' 'Undercurrents,' 'Romance of Student Life,' etc. New York; Carleton, publisher, 413 Broadway. Leipsic: Tauchnitz. 1864.

The readers of The Continental have been favored with the first perusal of this monitory novel. It is an accurate delineation of men and manners found too frequently in our midst, and the moral should be deeply graven on every heart. We feel the more at liberty to recommend this work, as it was commenced in our columns before the present corps of editors had entered upon their labors, and we cordially wish every species of success to Mr. Kimball.

Musical Sketches. By Eliza Polko. Translated from the sixth German edition, by Fanny Fuller. Philadelphia: Frederick Leypoldt. New York: F. W. Christern.

We think this book will become a favorite with our people. It contains sketches, legends, and traditions of many of the great musicians. Bach, Gluck, Mozart, Mendelssohn, Pergolesi, Schubert, Scarlatti, Weber, Paganini, Gretry, Catalani, Malibran, Handel, Anderle, Haydn, Boieldieu, Cimarosa, Beethoven, Lully, Berger, etc., float pleasantly through its fanciful pages. Romance and reality mingle genially together, the reality half persuading us that the romance is true. It is appreciative and tender in the original, and the translation is well executed. The vignette of the music-making cherubs is really beautiful.

Husks. Colonel Floyd's Wards. By Marion Harland. New York: Sheldon & Co., 335 Broadway.

Few young writers have attained so sudden a popularity as Marion Harland. We believe it well deserved. Her plots are interesting, her characters well drawn, her style natural, her morals unexceptionable. Of the two tales composing the present volume, we prefer 'Colonel Floyd's Wards.' The interest is well sustained, and Virginian society and manners truthfully depicted.

Diary, from November 18, 1862, to October 18, 1863. By Adam Gurowski. Volume Second. New York: Carleton, publisher, 413 Broadway.

Has Count Gurowski's course toward his own unfortunate country, heroic Poland, been sufficiently loyal and faithful to induce us to put much confidence in his portraitures of the men and events of the land of his adoption?

The Great Consummation. The Millennial Rest; or, The World as it Will Be. By Rev. John Cumming, D. D., F. R. S. E., Minister of the Scottish National Church, Crown Court, Covent Garden; Author of 'The Great Tribulation,' and 'The Great Preparation.' Second Series. New York: Carleton, publisher, 413 Broadway.

The writings of the Rev. Dr. Cumming are too well known to the public to need any characterization at our hands. His style is clear and simple, and we believe it is his desire to awaken and win souls. Although frequently miscomprehending the dogmas of the Mother Church, he is neither narrow nor bigoted in his religious views. In the volume under consideration, he takes passages found principally in Isaiah and Revelations as texts to describe the Millennium which he believes at hand. He strives to inculcate the lesson, 'Be ye therefore ready.'

Cudjo's Cave. By J. T. Trowbridge, Author of 'Neighbor Jackwood,' 'The Drummer Boy,' etc. Boston: Tilton & Co.

We believe Mr. Trowbridge has achieved a real success in his Cudjo. The plot is well conceived and sustained, and the interest never flags from the first page to the last. There is no dull reading in the book, no interminable preludes or introductions. We are presented in the very first chapter to the hero, the young schoolmaster, about to be tarred and feathered by a brutal mob. And a real hero he proves himself in his gentleness, conscientiousness, and manly moral and physical courage. Carl, the German boy, is an inimitable picture of young German life and character. Toby, the house negro, is, in his mingled stupidity, cunning, and faithfulness, drawn to the life. Nor are the negroes of the cave less excellent. Events hurry forward, different characters are strangely grouped, new elements and capacities constantly developed, while truth to the original conception is constantly adhered to. Graphic descriptions and picturesque situations abound. If scenes of violence occur, it is because they are true to the history of the hour. We close by extracting the closing sentence of this loyal and natural novel: 'For peaceful days, a peaceful and sunny literature: and may Heaven hasten the time when there shall be no more strife, and no more human bondage; when, under the folds of the starry flag, from the lake chain to the gulf, and from sea to sea, freedom, peace, and righteousness shall reign; when all men shall love each other, and the nations shall know God!'

United States Wall Atlas. Constructed and drawn under the direction of A. Guyot, by Ernest Sandoz. New York: Published by Charles Scribner, 124 Grand street.

This is a physical map of the United States, giving the altitudes (within certain limits) of the surface of the land, the height of the principal mountains, the courses of the ranges and also of the rivers, together with many other interesting particulars. The principal political divisions and the chief towns are also indicated. The names of that profound and earnest savant, Prof. A. Guyot, and of his talented nephew, E. Sandoz, are a sufficient guarantee of the accuracy and excellence of this useful work.

A Budget of Fun for Little Folks. By Aunt Maggie. Boston: Loring, publisher, 319 Washington street.

Jean Belin; or, The Adventures of a Little French Boy. By Alfred de Brehat. Translated from the French. Boston: Loring, publisher, 319 Washington street. For sale by O. S. Felt, 36 Walker street, New York.

Two very pleasant books for children. The first contains the adventures of a knitting society, interspersed with sundry novel fairy tales, and the second is intended to supply the need felt by all the little ones when 'Robinson Crusoe' and the 'Swiss Family Robinson' have been exhausted. The tale is lively and well told, and the characters natural and ably sustained. We notice in both works an occasional inaccuracy of expression. Such slight blemishes do not materially impair the excellence of these sprightly volumes, but a little more attention would have sufficed to render them entirely free from error. The examples of language placed before youth cannot be too carefully revised. With this minute exception, we heartily recommend the 'Budget of Fun' and 'Jean Belin,' especially the latter, to all young people.

Carrot-Pomade, with twenty-six Illustrations by Augustus Hoppin. 'Hair ten carats fine.' New York: James G. Gregory, publisher, 46 Walker street.

A ludicrous satire, and well deserved, on the general style of advertisements. Hoppin is too well known to need laudation. His illustrations are irresistibly comic. What could be happier than the cupids of the brush and comb on the frontispiece? The poor 'krittur which furnished the grease' is well conceived and executed.

Poems. By Henry Peterson. Philadelphia: J. B. Lippincott.

A volume of graceful verses. We quote its dedication: 'To the members of that hard-working, poorly rewarded editorial profession, who make so many reputations for others, and so few for themselves, this book is respectfully dedicated by one of the fraternity.' 'Abra's Vision' is a happy rendering of Leigh Hunt's 'Abou Ben Adhem.'

Appleton's United States Postal Guide; containing the Chief Regulations of the Post Office; and a complete List of Post Offices throughout the United States, with other information for the People. Published Quarterly. New York: D. Appleton & Co., 443 & 445 Broadway. One dollar per annum. Price, 25 cents.

This volume has been prepared with the sanction of Mr. Blair, Postmaster General, and is an authorized medium of information between the Post Office Department and the public. It meets a want very generally felt, and will be welcomed by the community at large. Its table of contents is a full one; we have space but for a few items: 'Officers, and recent Orders of the Department; Rates of Postage to Foreign Countries; Rates of Domestic Postage; Date of Sailing of Foreign Steamers; Establishment of Post Offices; Mail Contracts; Penalties in certain cases; Suggestions to the Public; Time occupied in the transmission of Letters; Local Post Office Regulations; List of Post Offices in the United States, etc. We regard the condensation of important and indeed almost necessary information as of great value to our people.

Legends of the Birds. By Charles Godfrey Leland. Illustrated by F. Moras. Philadelphia: Frederick Leypoldt, publisher. New York: for sale by F. W. Christern, 763 Broadway.

An exquisite volume, containing illuminated pictures of the Birds of the Legends. Very beautiful are the legends, tenderly and simply told in the golden words of a poet. They are calculated to teach us humanity toward the winged creatures of the air, so often the victims of our cruel sports. We have The Swallow, The Eagle, The Robin, The Cock, The Swan, The Falcon, The Wood Dove, The Humming Bird, The Scarlet Tannager, The Peacock, and The Owl, each bird occupying his own illuminated page; each with his own simple and touching legend. Mr. Leland's little poems will speak to many a heart, and many a mother will read them aloud to the wild boys begging for guns to devastate our forests, to inspire them with mercy for these flying flowers, these musicians of the air. Paper, print, type, arabesques, and designs, are excellent. We heartily congratulate Mr. Leypoldt on the beauty of the publication.

Hand Book of Calisthenics and Gymnastics: A Complete Drill Book for Schools, Families, and Gymnasiums. With Music to accompany the Exercises. Illustrated from original designs. By J. Madison Watson. New York and Philadelphia: Schermerhorn, Bancroft & Co. Chicago: George Sherwood. 1864.

The American people are waking up to the importance of physical culture, struggling to develop muscle, to strengthen weak nerves, and to build up national bodily vigor. The purpose of the volume before us is to solve this problem. The author "has aimed to make it a complete gymnastic drill book, with words of command and classes of movements systematically arranged, embracing all necessary exercises for the lungs, the voice, the organs of speech, the joints, and the muscles."

Part 1st, under the head of Vocal Gymnastics, treats of Respiration, Phonetics, and Elocution; concise and clear principles and rules are given, accompanied by examples and exercises sufficiently numerous to enable the student to bring them completely within his comprehension and under his control. We regard this part of the work before us as exceedingly important. To read aloud well is one of the rarest of accomplishments, though one of the most desirable, and the training of the voice is absolutely necessary to attain this end. When properly pursued, such exercises are exceedingly invigorating. 'In forming and undulating the voice,' says Dr. Combe, 'not only the chest, but also the diaphragm and abdominal muscles are in constant action, and communicate to the stomach and bowels a healthy and agreeable stimulus.' The poetic selections are made with great taste, and are admirably fitted to achieve the end for which they are designed.

Part 2d, under the head of Calisthenics, exhibits a varied course of exercises without the aid of apparatus. Pupils are taught to beat time, and use is thus made of the magic power of rhythmical movement. Nineteen pieces of piano music are given, which are well chosen, and appropriately introduced.

Part 3d, under the head of Gymnastics, presents a wider collection of exercises for wands, dumb bells, Indian clubs, and hand rings, than any of the books we have yet seen. All the exercises are arranged in accordance with well-known principles of Anatomy, Physiology, and Hygiene. 'In presenting a new system of Calisthenics and Gymnastics, a series of illustrations from original designs is indispensable.' These are remarkably well drawn and executed. Accent, quantity, with Iambic, Trochaic, Anapestic, and Dactylic Rhythms, are practically given in the work, which, should the student have poetic talent, would be of great use to him in making his own verses, while to the reader of poetry a knowledge of them is indispensable.

We heartily commend this book to the notice of our readers—to all who prize physical culture, health, and symmetrical education. We hope it may find its way into our schools and families.

Print, paper, and the mechanical execution of this valuable Hand Book are really excellent.

Light on Shadowed Paths. By T. S. Arthur, Author of 'Ten Nights in a Bar Room,' 'Steps toward Heaven,' 'Golden Grain,' etc. New York: Carleton, publisher, 413 Broadway.

The books of T. S. Arthur have had a very wide circulation both in this country and in England. This volume is composed of thirty-three short tales, well calculated to touch and soothe the popular heart. They are tender, moral, and simple.


JANUARY PERIODICALS RECEIVED.

The Universalist Quarterly. Boston: Published by T. Tompkins & Co. New York: H. Lyon, 119 Nassau street.

Contents: The Logic and the End of the Rebellion. The Eastern Church and Council of Nice. Salvation in Christ not Limited to this Life. Contributions of Science to Religion. History of the Doctrine of a Future Life. Atheism and its Exponents. Formula of Baptism. The Universalists as a Christian Sect. General Review. Recent Publications. American and English Quarterlies.

The North American Review, January 1st, 1864. Editors: Prof. James Russell Lowell and Charles Eliot Norton, Esqs. Boston: Crosby & Nichols, 117 Washington street. New York: H. Dexter, Hamilton & Co., Sinclair Tousey, and D. G. Francis.

Contents: Ticknor's Life of Prescott. The Bible and Slavery. The Ambulance System. The Bibliotheca Sacra. Immorality in Politics. The Early Life of Governor Winthrop. The Sanitary Commission. Renan's Life of Jesus. The President's Policy. Critical Notices.

The Christian Examiner.—Contents: Weiss's Life of Theodore Parker. Uhland. The Patience of Hope. Arthur Schopenhauer. The System and Order of Christ's Ministry. Ticknor's Life of Prescott. Our Ambulance System. The Two Messages. Review of Current Literature. New Publications Received. Boston: By the Proprietors, at Walker, Wise & Co.'s, 245 Washington street.


EDITOR'S TABLE.

ARTISTS' RECEPTION.

The evening of February 4th, 1864, will long be remembered as the occasion of one of the most delightful receptions ever given in the Tenth-street Studio Building. The Committee deserve great praise for the successful manner in which they filled without crowding the pleasant exhibition-room and the many interesting studios. Their task was certainly not an easy one, and merits imitation by all managers of social entertainments.

Want of space must for the present prevent any description of the fine works exhibited; suffice it to say that the Committee—Whittredge, McEntee, Thompson, as well as Gifford, Eastman Johnson, Bierstadt, Beard, the Weirs, Hazeltine, William Hart, Dana, Leutze, Gignoux, Shattuck, Brown, Suydam, etc., were all worthily represented. New York has reason to be proud of her artists.

Amusing incidents were not wanting. As we stood before Beard's 'Watchers' (an impressive representation of a company of crows watching the last struggles of a dying deer), we heard a lady ask her attendant the meaning of the picture and of its name. The reply was, 'Why—do you not see? Those birds are owls, and they are asleep, and the deer is asleep too, and so they are all watchers!' 'Ah!' returned the lady, as if this lucid explanation had flooded the subject with light. We were accompanied by a very bright young girl, who, desirous of visiting the studio of Mr. Church, and disappointed at learning that it had not been opened to the guests of the building, exclaimed, 'Heart of the Andes, indeed! Where is his own?' No lover of the true and the beautiful could have resisted the pleading of those earnest blue eyes. We also overheard that 'the Tenth-street boys hold their heads mighty high!' Long may they continue to do so, and long may success of every kind crown their efforts, whether as artists or as conscientious, patriotic men!

GOUNOD'S 'FAUST.'

This opera has attracted large audiences wherever it has been represented, and has elicited much attention and criticism from the musical public. Dwight's Journal of Music, Boston, January 23d, contains the best review of its merits and defects which we have thus far chanced to meet. Mr. Dwight gives M. Gounod ample credit for the good judgment, common sense, science, taste, poetic feeling, rich and highly dramatic orchestration, ingenious musical characterization of individuals and situations, and the many passages of beautiful music found in this elaborate work, but denies to him the highest inspiration, the spontaneity of genius, and the attainment of any very lofty ideal in the production of continuous, elevated, and soul-entrancing melodies. We think this a pretty fair statement of the facts in the case. Mr. Dwight, however, says: 'Not even Mozart in 'Don Juan' had so great a subject;' and in this connection we feel compelled to offer a few remarks. We think every great composer owes it to his own God-gift, and to the human beings whom he is to influence, not to select intrinsically repulsive subjects, and such have we found both 'Don Juan' and 'Faust.' Now we are not morbidly fastidious, and we well know the freedom that must be accorded to art, that it may have ample scope and range in the delineation of human feeling and romantic situation; but when we see a representation of 'Don Juan,' we instinctively strive to ignore the plot, with its odious characters (the sensual Don, the coarse-minded servant, the unwomanly, man-seeking Elvira, the vengeful Anna, the insignificant Ottavio, the light-headed and shallow-hearted Zerlina), and live only in the beautiful music which the prodigality of genius has wasted upon so poor a theme. Not even that libretto could degrade the pure, serious, and essentially innocent character of Mozart's conceptions; but, in turn, his refined musical conception has been unable to lift the subject from the mire of Da Ponte's delineation. We know that page after page has been written to unfold the mystic meanings and profound philosophy contained in the story, but our observation has been, that the effect of the whole upon pure minds is simply—disgust. The musical grandeur of the finale rarely saves its becoming ludicrous in the representation, and the good joke of a life of unblushing immorality is in no way lessened by the appearance of demons, in whose existence half the world (at least of of opera goers) has ceased to believe.

The 'Faust' is nearly, if not quite, as bad. The undisguised sensuality of Faust, both in Goethe's drama and in the operatic rendering, is such that it nearly destroys our sympathy with Margaret, and scenes that should be pathetic are either merely repulsive, or excite our indignation to such a degree that we 'turn all our tears to sparks of fire.'

Nothing but loathing can attend the open, deliberate, and utterly gross destruction of virtue as planned and executed by that miserable libertine. Mephistopheles himself is scarcely more corrupt, and the representation of these two great poisonous spiders, weaving their meshes round their unfortunate and but too easy prey, can never in any sense impress us as lofty specimens of high art.

How different is the plot of 'Fidelio,' where one can yield oneself to the beauty of the music and the pathos of the story without a single jarring sensation!

Let the masters then beware! Music is essentially pure, and should never by great minds be wedded to coarse ideas. The subject must have an influence upon the immortality of the work. The really noble and truly art-loving men and women of all countries will, as they advance in mental cultivation and comprehension of the higher aims of art, banish such gross delineations and festering moral sores from the stage, and fine musical works thus sullied will continue to live solely as represented by such instrument or instruments as may best be calculated to express their real value and meaning.

We go to the opera for relaxation, improvement, and enjoyment, and none of these can be found in the spectacle of noble means perverted to corrupt ends. May the day soon come when such important channels of public amusement and instruction may be guided by a refined taste and correct views of the intimate connection between the Beautiful and the Absolute Good!

Ballads of the War.

THE DEATH OF COLONEL SHAW.

By Isabella McFarlane.

Loud rang the voice of the chieftain,
As the Fifty-fourth rushed on:
'Charge on the guns of Wagner,
Charge—and the fort is won!'

On—like a wave of the ocean,
Dashing against a rock!—
Back—ah! back—all broken,
Like a wave from the fruitless shock.

Thus from the guns of Wagner
The Fifty-fourth surged back:
But the voice of their brave young chieftain
Checked not their backward track

For there, on the sands by Wagner,
The gallant Shaw lay low,
'Midst a heap of his brave black soldiers,
Left in the hands of the foe.

Not a flag was lowered in his honor,
Not a gun its deep voice gave,
When, on the sands by Wagner,
Shaw was laid in the grave.

Not a friend stood over his coffin,
Shedding tears on his gory breast;
But instead, was curse and insult,
Cruel laughter, ribald jest.

Wide and deep was the trench they hollowed,
Where the gallant Shaw was laid,
With forty negro soldiers
Piled over his noble head.

Yes, forty negro soldiers,
Whose hearts were hearts of steel,
Who had fought in the cause of freedom,
Who had died for their country's weal.

Was it then so great dishonor
For that chief so young and brave—
Who had led them on to the battle—
To be with them in the grave?

Nay—most just was the mandate
That in death they should not part,
For he loved his poor black brothers,
With a true and steadfast heart.

Move not his honored ashes—
Let him slumber where he lies,
Till the voice of the great Archangel
Sounds the trumpet-call to the skies![25]