Mr. Lloyd George. "LADIES AND GENTLEMEN, WITH THE LETTERS I HAVE PLACED BEFORE HIM OUR LEARNED FRIEND WILL NOW SPELL OUT SOMETHING THAT SIGNIFIES THE GREATEST HAPPINESS FOR IRELAND."
The Pig. "I CAN'T MAKE THE BEASTLY THING SPELL 'REPUBLIC.'"
Tuesday, February 10th.—As His Majesty read his gracious speech to the assembled Lords and Commons did his thoughts flow back for a moment to the last time he opened Parliament in person? It was on another February 10th, in 1914, and so little was the coming storm foreseen that the customary announcement, "My relations with Foreign Powers continue to be friendly," was followed by a special reference to the satisfactory progress of "my negotiations with the German Government and the Ottoman Government" regarding—Mesopotamia, of all places.
Since then everything has changed—save one. Ireland remains the skeleton at the feast. The condition of that unhappy country still causes His Majesty "grave concern," to be removed, let us piously hope, by the promised Home Rule Bill. It is true that, as Lord Dufferin said when moving the Address in the Lords, no one in Ireland appears to want the Bill; but then, as Colonel Sidney Peel, the Mover in the Commons, remarked with equal truth, the ordinary rules of thought do not apply to the Irish Question.
The Prime Minister has lately been advised by a candid friend to take a six months' holiday "to recover his resilience." Mr. Adamson and Sir Donald Maclean found him nowise lacking in that quality when he came to reply to their criticisms of the King's Speech. The Labour leader, convinced by a fortnight in Ireland that the present Administration was all wrong, and that the Government's Bill would do nothing to improve it, was bluntly asked, "Are we to withdraw the troops and leave the assassins in charge?" while the "Wee Free" champion, who had interpreted the recent by-elections as a sign that the time for the Coalition was past, was unkindly reminded that, at any rate, the results of these contests had furnished no encouragement to the party that he adorns. "But I am afraid I am getting controversial," said Mr. Llloyd George, to the amusement of the House, which had enjoyed his sword-play for half-an-hour; and with that he turned to the task of defending the new policy in Russia. Having failed to subdue the Bolshevists by force, we are now going to try the effect of commerce—a modern reading of "Trade Follows the Flag." The Labour Party cheered the new departure vociferously, but the rest of the House seemed a little chilly, and Mr. Churchill, at the Prime Minister's elbow, looked about as happy as Napoleon on the return from Moscow.
Lord Hugh Cecil raised the standard of economy, and complained that the legislative programme was extravagantly long. "A large number of Bills generally meant a large amount of expenditure." I have myself observed this phenomenon.
Wednesday, February 11th.—The Lords, having disposed of the Address with their usual celerity, welcomed Baron Riddell of Walton Heath (and, perhaps I may add, Bouverie Street) to their ranks, and then adjourned for a week.
If all Labour Members possessed the sweet reasonableness of Mr. Brace we should view the advent of a Labour Government without any of Mr. Churchill's misgivings. The Member for Abertillery argued the case for the nationalisation of mines so gently and genially that before he sat down I am sure that a good half of his hearers began to think that, after all, there was "something in it." Visions of a carboniferous millennium, when there would be no more strikes and hardly any accidents, and altruistic colliers would hew their hardest to get cheap and abundant coal for the community, floated before the mind's eye as Mr. Brace purred persuasively along.
(Mr. W. Brace).
"For he led us, he said, to a joyous land
Where waters gushed and fruit-trees grew,
And flowers put forth a fairer hue,
And everything was strange and new."
Unfortunately for the Nationalisers Mr. Lunn thought it necessary later to make a blood-and-thunder oration, threatening all sorts of dreadful things (including a boycott of the newspapers) if the Miners' demands were refused. Moreover, he made it clear that coal was only a beginning and that the Labour Party's ultimate objective was nationalisation all round, and wound up by reminding the House that "we are many and ye are few."
The Prime Minister is not the man either to miss a chance or refuse a challenge. The tone of his reply was set by Mr. Lunn, not by Mr. Brace; and though he had plenty of solid arguments to advance against the motion the most telling passage in his speech was a quotation from "Comrade Trotsky," showing what Nationalisation had spelt in Soviet Russia—labour conscription in its most drastic shape. The nation, he declared, that had fought for liberty throughout the world would stand to the death against this new bondage.
Result: Amendment defeated by 329 to 64.
Thursday, February 12th.—This was the first Question-day of the new Session, and the House was flattered to see Mr. Lloyd George in his place, despite the counter-claims of the Peace Conference at St. James's Palace. Evidently he means this year to "stick to the shop" more closely, in view, perhaps, of the possible return from Paisley of the old proprietor.
To a Labour Member's complaint that several ex-Generals had been appointed as divisional Food officers, Mr. McCurdy replied that no preference was given to military candidates. But why not? Where will you find more competent judges of alimentary questions than in the higher ranks of His Majesty's Forces?
In attacking the provisions of the Peace Treaty with Germany as "impracticable," Sir Donald Maclean revealed himself as a diligent student of a recent notorious book. Most of his observations—excepting, perhaps, the statement that he had "no sentimental tenderness for the Germans"—were marked with the brand of Keynes, and his assertion that the utmost Germany could pay was two thousand millions came bodily from that eminent statistician. To the same inspiration was possibly due the unhappy suggestion that our chief Ally was pursuing a policy of revenge.
For this he was promptly pulled up by Lord Robert Cecil, who warned him not to judge the policy of France by the utterances of certain French newspapers. Lord Robert had, however, his own quarrel with the Government, who, according to his account, had done nothing to set Central Europe on its legs again, except to send it a certain amount of food—not, one would would have thought, an altogether bad preliminary.
It was a pity that Mr. Balfour had not a stronger indictment to answer, for he was dialectically at his best. After complimenting the Opposition leader on his "charming tones and anodyne temper" he proceeded to take up his challenge—"if I may call it a challenge." If Germany was in doubt as to the amount she might be called upon to pay, she had her remedy, for the Peace Treaty especially provided that she might offer a "lump sum." The list of war-criminals was long, no doubt, but we had limited our own demands to those who were guilty of gratuitous brutality. As for the condition of Central Europe, that was not the fault of the Peace Treaty, it was the fault of the War, and this country had done all it reasonably could to remedy it.
The Opposition insisted on taking a division, and were beaten by 254 to 60. So far the "doomed Coalition" seems to be doing rather well.
When the opal lights in the West had died
And night was wrapping the red ferns round,
As I came home by the woodland side
I heard the cry of a single hound.
The huntsman had gathered his pack and gone;
The last late hoof had echoed away;
The horn was twanging a long way on
For the only hound that was still astray.
While, heedless of all but the work in hand,
Up through the brake where the brambles twine,
Crying his joy to the drowsy land
Javelin drove on a burning line.
The air was sharp with a touch of frost;
The moon came up like a wheel of gold;
The wall at the end of the woods he crossed
And flung away on the open wold.
And long as I listened beside the stile
The larches echoed that eerie sound,
Steady and tireless, mile on mile,
The hunting cry of a single hound.
W.H.O.
"Village General Stores Wanted for dis. soldier: also widow and daughter; price no object if genuine."—Daily Paper.
"H.B. Playford is 6 feet 5 inches, or thereabouts, in height, has a fabulous reach, and weighs 13½ stone. He rowed No. 8 in the Jesus four, beaten by Leander at Henley."—Times.
A fabulous reach indeed! So fabulous that it made the four look as long as an eight.
"I've hit on something at last," cried Charles exultantly, throwing himself down on my second-best armchair.
"I wish you wouldn't hit on it so hard," I complained; "the springs are half-broken already. What's the trouble?"
"Have you ever heard," he inquired, "of the black-coated salariat?"
"The egg of the greater green-backed woodpecker—"
"It isn't a bird," he said; "it's a class of people that works with its brains. And the hand of Labour, according to my evening paper, is being held out to it."
"But suppose one wears a pepper-and-salt suit," I said, "and writes 'Society Gossip.' What about that?"
"That's just my point. All these accepted lines of distinction are absolutely wrong. It isn't what people work at that divides them, it's the way they travel to their work. Sir Thomas Malory knew that. When Lancelot was going to rescue Guinevere he had his white horse badly punctured by a bushment of archers and had to finish the journey in a woodcutter's cart. And that was a great disgrace to him and made the Queen's ladies laugh. It would be just the same with the typists of a rich employer if his motor-car broke down and he had to arrive in a bus. How do you get to town in the morning yourself?"
"I am a Tuber," I said sadly. "Every bright morning I say I will go by bus, but when I reach the Tube station the draught sucks me in through the door, the man grabs me by the collar, throws me into the sink, lifts up the plug and down we go into the drain-pipe together. I think I have the brand of Tubal Cain on my brow. It is a kind of perpetual crease—"
"I too Tube," said Charles; "but I know many eminently respectable bus people as well. Especially bus-women. They ride about, they tell me, on the most fantastically labelled vehicles and are always seeing new suburbs swim into their ken, and gazing—
'Out over London with a wild surmise,
Silent upon a seat of No. 10,'
or whatever the bally thing may be. But I never join their rash adventures. I belong to a different milieu. I move in a sort of social underworld. Not that I can deny, of course, that there is a certain amount of overlapping."
"I overlapped twice to-day myself," I said, "and as the second one was knitting a jumper—"
"And then there are the Tram-ites," he went on. "I don't understand their world either. The tram, I am told, suddenly plunges with a loud roar like a walrus under the streets of Holborn and emerges on the Embankment. The hansom cabs were called the gondolas of London. The trams, I suppose, are the submarines. But they are not of my life. I do not mingle with them."
"I mingled with a tram once," I said. "I clasped it warmly by the rail as it was going by, but I missed the step with my foot. It spurned me rather badly. But kindly explain what you're driving at."
"All these classes," said Charles, "have their own friendships, their own jolts and jars, their own way of being bullied by conductors and thrown into the mud and squeezed into cages and arranged upon straps. But they have one great thing in common, distinct though they may be. They are all passengers, all takers of tickets. There is going to be a Bus Union, a Tube Union, and a Tram Union, and when necessary they will combine."
"Against what?"
"Against the motorists, first and foremost," said Charles. "The opulent people who ride a-wallop to their offices in cars. Suppose that Ethelinda Bellairs, who is a trifle absent-minded, has got the sack for typing a letter like this: 'I beg to acknowledge the receipt of your communication of the 25th ult., and ask you to note that a sudden sense of indefinable yearning seized Hephzibah. She closed her eyes and slowly swayed towards him. Awaiting the favour of an early reply, etc.'—what happens? There is an immediate strike of the Bus Union until she is reinstated. If necessary the two other branches of the Amalgamated Society of Passengers are called out. No case of hardship will be too insignificant for the A.S.P. We shall all carry a symbol in the shape of a secret season ticket. When the strike occurs nobody will go to work in the morning. All the stations and starting-places will be picketed; business will be paralysed."
"Except for the stout fellows who walk," I suggested.
"They will find it very lonely at their offices," said Charles. "Nobody wants to work if there's any excuse to avoid it, and the beauty of the thing is that we can strike not only against ordinary employers, but against the raising of fares, and against the N.U.R. or the Vehicle and Transport Workers Union itself. That will be the quickest strike that has ever been struck. You can't go on banging lifts and gates and rushing about in empty buses without anybody to shove into the dirt or any thumbs to snip bits out of. It takes all the enjoyment out of life."
"And where exactly do you come in?" I asked.
"I intend to be the Organising Secretary of the A.S.P.," he said. "It will be hard work, but very meritorious."
"Rather a nuisance won't it be on strike days," I inquired, "going round and visiting a few thousand pickets on foot in your black coat, with the brain waves working on top?"
"The O.S. of the A.S.P.," answered Charles magnificently, "will not move about on foot. He will be provided with a handsome motor-car."
Constable. "Now then, what are you doin' up here?"
Burglar. "Wotcher s'pose I'm doin'? Feedin' the pussy-cats?"
"A van containing £3,000 worth of woollen goods has been stolen from Broad-street, Bloomsbury. It was left unattended by the driver, who went into a restaurant for dinner and later was found empty at Holloway."—Provincial Paper.
We know that kind of restaurant.
"Accounting for Women."—American Paper.
We had always been told there was no accounting for them.
"Carnival."
Those who imagined that they were to be given a dramatic version of Mr. Compton Mackenzie's romance must have been shocked to find that the entertainment provided at the New Theatre was just a variation, from an Italian source, of the general idea of Pagliacci. But it was the only palpable shock they sustained, for never did a play run a more obvious course from start to finish. When you have for your leading character an actor-manager, who plays the part of Othello, with his wife as Desdemona (how well we know to our cost this conjugal form of nepotism), and discusses in private life the character of the Moor—whether a man would be likely to indulge his jealousy on grounds so inadequate—speaking with the detached air of one who is absolutely confident of his own wife's fidelity, you don't need much intelligence to foresee what the envy of the gods is preparing for him. The remainder is only a matter of detail—what particular excuse, for instance, the lady will find for a diversion, and to what lengths she will go.
Simonetta (Miss Hilda Bayley). "Are you pleased with my fancy dress? It was to be a great surprise."
Count Andrea (Mr. Neilson-Terry). "Nothing surprises me in this play."
In the present case her only excuse was the old one, that she was "treated like a child." Certainly she deserved to be, for her behaviour was of the most wilful and wayward; but she was the mother of a strapping boy, and a woman who is thought old enough to play, in the premier Italian company, the part of Desdemona (with the accent, too, on the second syllable) could hardly justify her complaint that she was regarded as a juvenile.
The choice of the Alfieri Theatre for the scene of the culmination of the domestic drama seemed to touch the extreme of improbability. The actors were not a poor travelling company of mummers, as in Pagliacci, with no decent private accommodation for this kind of thing. The protagonist of Carnival was lodged in a perfectly good Venetian palace, where there was every convenience for having the matter out with his wife and her lover. For the rest the plot was commonplace to the verge of banality.
As Silvio Steno, in his home life, Mr. Matheson Lang was excellently natural, but as Othello his make-up spoilt his nice face and tended to alienate me. As Simonetta (I got very sick of the name) Miss Hilda Bayley had a difficult part, and failed, from no great fault of her own, to attach our sympathies, till in the end she explained her rather inscrutable conduct in a defence which gave us for the first time a sense of sincerity in her character. There was too much play with her Carnival dress of a Bacchante, which, perhaps, was less intriguing than we were given to understand. Mr. Dennis Neilson-Terry has a certain distinction, but he did not make a very perfect military paramour. His intonation seemed to lack control, and he has a curious habit of baring his upper teeth when he is getting ready to make a forcible remark.
As for the scenes, they were alleged to be Venice (where the Doges wedded the sea), but there was no visible sign of water. You called for a gondola, which always sounds better than a taxi, but it never appeared. Perhaps, however, for one has not always been very happy in one's experiences of stage navigation, this was just as well.
"Peter Ibbetson."
That incorrigible romanticist, George du Maurier of happy memory, was so transparently sincere as to be disarming. No use telling him "life's not like that." "That's just it," he'd say, and get on with his pleasant illusions. Peter Ibbetson is certainly not tuned to the moods of this decade, but it would be a pity if we all became too sophisticated to enjoy such occasional excursions into the land of almost-grown-up make-believe.
If life doesn't give you what you want, then "cross your legs, put your hands behind your head," go to sleep and live a dream-life of your own devising—that is the theme. The bare essentials of the story are that the beloved Mimsy of Peter's happy childhood becomes the wife of a distinctly unfaithful duke; while Peter finds himself in prison for killing his quite gratuitously wicked uncle, and for forty years reprieved convict and deceived duchess meet in dreams till her death divides and his again unites them.
It is a considerable tribute to both author and adapter (the late John Raphael) that their work should, at the height of the barking season, hold an audience silent and apparently enthralled, in spite of the handicap that, in order to make the story in any degree intelligible, much time had to be given to more or less tedious explanations.
I will not pretend that the motives of the characters were clear or that (for me) the phantasy quite passed the test of being translated from the medium of the written word into that of canvas, gauze and costumed players, with those scufflings of dim figures in the semi-darkness and that furtive and by no means noiseless zeal of scene-shifters; or, again, that I was much attracted by a picture of the life after death, in which opera-going (please cf. Mr. Vale Owen) figured so prominently. Indeed I think that the play would be better if it ended with the death of the dreamers and did not attempt that hazardous last passage.
But certainly there were quite admirable tableaux and some very intelligent individual playing—in contrast with the team-work of (particularly) the First Act, which was ragged and amateurish.
Mr. Basil Rathbone's Peter was an effective study, avoiding Scylla of the commonplace and Charybdis of the mawkish—no mean feat. A young man with a future, I dare hazard; with a gift of clear utterance, and sensibility and a useful figure.
It is a good deal to say that Miss Constance Collier so contrived her Duchess of Towers as to make us understand Peter's worship.
Miss Jessie Bateman's Mrs. Deane seemed to me an exceedingly competent piece of work, and Mr. Gilbert Hare thoroughly enjoyed every mouthful of Colonel Ibbetson's wickedness, and made us share his appreciation. And you couldn't accuse him of over-playing, though he certainly looked too bad to be true.
Mr. William Burchill's little sketch of an old French officer was almost too poignant.
Why the landlord of the Tête Noir was got up to resemble Mr. Will Evans so closely is a deep matter I could not fathom, and, if ever I kill my uncle, may Fate send me a less rhetorical chaplain than Mr. Cyril Sworder!
One of the oldest of Mr. Punch's young men thought he would like to hear some orchestral music on Monday week last, so he dropped in at the Queen's Hall to assist at a concert of the new British Symphony Orchestra. The name of the founder and conductor, Mr. Raymond Roze, was already familiar, for Mr. Punch's young man was old enough to remember Mr. Roze's mother, Marie Roze, in her brilliant prime as prima donna of the Carl Rosa Company; and he is glad to know that she is still living in her beloved Paris, where she was decorated by M. Thiers for her gallant conduct during the siege of 1870. So it is pleasant to find her son so actively associated in the good work of finding permanent musical engagements for demobilised soldiers in the British Symphony Orchestra.
The B.S.O. men are not home-keeping soldiers. Every one of them has served over-seas, and it was a pity that their names and the record of their services were not printed in the programme, for it is a fine and inspiriting list, and a striking disproof of the old tradition that musicians must needs be long-haired, sallow and unathletic. Alert and young and vigorous they appealed to the eye as well as to the ear, and they played, as they fought, gloriously, these minstrel boys who had all gone to the War. Strings and woodwind, brass and percussion, all are up to the best professional level.
There is no movement which has a stronger claim on all men and women of goodwill than that for providing employment for demobilized soldiers, and the British Symphony Orchestra is a first-rate contribution to that desirable end. The personnel of the orchestra is all that can be desired. It was bad luck that Mr. Raymond Roze was prevented by illness from conducting last week, but the band was fortunate in securing an admirable substitute in Mr. Frank Bridge. Mr. Punch gives the scheme his blessing without reserve, but with a word of advice. To win for the B.S.O. the success it deserves will need good judgment as well as energy and efficiency. The art of programme-framing has to be studied with especial care in view of the powerful but, we believe, perfectly friendly competition of other established organizations. Last week's programme had its beaux moments, but it had also at least two mauvais quarts d'heure. The men, however, were splendid.
P.W.S. (who has taken a Spring fishing). "And this is what I've paid three 'undred quid for!"
"To-day everything Asquithian has a rosy hue. To begin with, there arrived a horseshoe of white chrysanthemums with the words 'Good luck' worked in green."—Daily Paper.
"Shakespeare's 'Otehllo' has fallen upon evil days."—Evening Paper.
It certainly seems to be having a bad spell.
"The vexed question, 'What is a new-laid egg?' is at present confronting a committee of poultry experts."—Daily Telegraph.
The Committee should invite a hen to sit on it.
An "under-cut":—
"Earl Beatty is setting an example in hustle at the Admiralty. Photographed yesterday hurrying to lunch."—Daily Paper.
His Lordship's example is superfluous. The Admiralty has nothing to learn about hurrying to lunch.
Mistress. "Can you explain how it is, Jane, that whenever I come into the kitchen I always find you reading?"
Jane. "I think it must be them rubber 'eels you wears, Ma'am."
(By Mr. Punch's Staff of Learned Clerks.)
Mr. John Hastings Turner, who had already to his credit a play, a novel and various successful revues, has now produced, in A Place in the World (Cassell), what is, I understand, to some extent a fictional version of his play. How far this may be so I am uncertain (not having seen the play), but I am by no means uncertain that it makes here a wholly admirable story, one moreover that shows a notable advance in Mr. Turner's art as novelist, being firmer in touch and generally more matured than anything he has yet written. The plot concerns the adventures, spiritual and other, of Madame Iris Iranovna, pampered cosmopolitan beauty, when fate or her own egotistical whim had dumped her as a temporary dweller in the semi-detached villas of suburbia. The theme, you observe, is one that might excuse the wildest farce, since the effect of Iris upon her unfamiliar surroundings was naturally devastating. Mr. Turner however has chosen the more ambitious path of high comedy. In Iris herself, and even more in the kindly old vicar who so unexpectedly confronts her with her own weapons of wit and worldly wisdom, he has drawn two characters of genuine and moving humanity. I shall not tell you how the conflict (essential to real comedy) works itself out, nor after what fashion the empty brilliance of Iris is humiliated and transformed. If I have a criticism of Mr. Turner's method, it is that, as with Bunthorne, a "tendency to soliloquy" is growing upon him which will need watching. But he clothes his reflections pleasantly enough. Already known as what the old lady called "an agreeable rattlesnake," he has now proved himself a story-teller of conspicuous promise.
Von Falkenhayn's General Headquarters 1914-1916 and its Critical Decisions (Hutchinson) seems an honester book than Ludendorff's; less political, less querulous, less egoistic. Von Falkenhayn, who was War Minister when the War began and retained his office after he had superseded Von Moltke as Chief of the General Staff, shows himself incurably Prussian, refusing even to consider the possibility that any State which could wage war effectively would hesitate to do so from any ethical or humanitarian scruple. "Don't bother about a just cause, but see that it appears just before men," he seems to say. "The surprise effect of gas (at Ypres) was very great," is all the comment that tragic episode draws from him. He was a submarine campaign whole-hogger. But he has his own soldierly virtues of modesty and loyalty, and refuses to air his personal grievances in the matter of his supersession by the Hindenburg-Ludendorff syndicate. If, as seems likely, he speaks the truth, as he had opportunity to see it, we must revise our too flattering estimates of the German superiority in numbers and attribute a good deal of the stubbornness of their defence to their quicker appreciation of the character of siege war. The holding of front-line trenches with few men and consequent immense saving of life was, according to the General, practised by the German Command long before we discovered its value. He gives a reasoned criticism, which has to the layman a plausible air, to the effect that the relative failure of Joffre's great combined Champagne-Flanders offensive of 1915 was due to the overcrowding of the attacking armies. General von Falkenhayn, though he has a prejudice for the German soldier, can bring himself to testify to the valour of his British and French opponent. A readable and conscientious account of a difficult stewardship.
I wish I could feel as enthusiastic about The Booming of Bunkie (Jenkins) as Mr. Peter McMunn, who, falling off a motor-cycle, landed in that quiet Scots village and proceeded to turn it, by a series of stunts, into a well-known watering-place. He undertook the job, I gather, partly for a joke and partly for the bright eyes of Evelyn Kirbet, whose father put up the money for the purposes of publicity and propaganda. The transformation of a hamlet into a seaside resort has been treated as a sort of psychological romance by Mr. Oliver Onions in Mushroom Town, where the human beings are a background as it were for the bricks and mortar; Mr. A.S. Neill, having chosen to make a farce of it, has provided a hero who believes in humorous advertisements, and has evidently persuaded the author to take him at his own valuation. This is hardly to be wondered at, since Mr. McMunn seems always keener on popping his puns than on selling his goods. Specimens are given of speeches, press articles, posters and cinema productions, but the fun rages with the most furious intensity round the golf links, where eighteen holes have been compressed into the usual space of one and the winner stands to lose drinks. There are also some parodies of Robert Burns, some jokes about bathing-machines and some digs at the Kirk. One has been, of course, before to seaside places that were a bit too bracing, and I am afraid that the air of Bunkie leaves me cold.
I really think that The World of Wonderful Reality (Hodder and Stoughton) may come to be something of a test for your true follower of Mr. E. Temple Thurston. You recall the ingredients that went towards the first, or Beautiful Nonsense, book? Sentiment in the slums, Venice with a very big V and poverty passim might be regarded as its composition. Well, here you have John and Jill home again; no more Venice, a palpably decreasing sentiment and only poverty to fill up with. I am bound to confess that I found John's protracted preparation for his nuptials rather less than enough as subject-matter for a whole book. Of course all this time there remained Amber (you recollect her; she "also ran" for the John stakes), and at the back of your mind a comfortable conviction that two strings are still better than one. Having censured the book for insufficient plot, I had better not proceed to give away what there is. I will content myself with a personal doubt as to whether John and Jill will quite reduplicate their former triumph—and that for various reasons, not least because (for purposes of sequel, I suppose) even Jill herself has been permitted so grave a lapse from the attitude of stand-anything-so-long-as-it's-slummy-enough that so endeared her to her former public. Touch that and the bloom is indeed gone.
With the Chinks (Lane), a volume of the "Active Service Series," treats of the training of Chinese coolies for work with the Labour Corps in the B.E.F. The special interest of the racial type was, for me, exhausted by the charming photographs; the task remaining for Mr. Daryl Klein, Lieutenant in the Chinese Labour Corps, of so conveying the atmosphere as to absorb the reader's attention, was not achieved. On the two main aspects of the topic, the origin in China and the result in France, he makes no serious attempt. I got no clear impression of the coolie at home or of why he took to being an ally, and I was left with but the vaguest conception of the unit in France, since the narrative ended at the disembarcation. Lastly, I have with regret to complain of one sentence in particular, where he tells us: "It is high time I said something about the officers." He had, from the general reader's point of view, already said too much. It is a pity to have to speak thus moderately of a war-book obviously written with care and treating of an enterprise which must have cost much labour in the achieving and, in the achievement, must have duly contributed to our victory. For those personally involved it will be a welcome memento. For the conscientious historian it will have a certain unique value. And in fairness it must be added that in the latter half there are touches of humour and humanity which make the reading easy and pleasant.
It has been my lot, and I am far from complaining about it, to read many war-books, but never has my luck been more completely in than when With the Persian Expedition (Arnold) fell into my hands. Major Donohoe, while never losing sight of his main object, finds time to tell us a number of entertaining stories with a sedate humour which is most attractive. Seldom has an expedition set out on a wilder errand than this of the "Hush-hush" Brigade, or, as it was officially known, the "Dunsterville" or "Bagdad Party." It was commanded by General Dunsterville, and briefly its objects were to combat Bolshevism, train Persian levies, prevent the Huns and Turks from threatening India by way of the Caspian Sea, and a few other little things of the same nature. The men of this "party" were picked men, and it is enough to say that their courage was as high as their numbers were few. It is indeed a mystery why any of them escaped with their lives, for, as experience proved, it was one thing to train Persian levies and another to get them to fight when they were wanted to. And without the levies the "Hush-Hush" party was outnumbered again and again. I could have wished that the excellent map which is firmly embedded in the binding had been detachable, for the interest of the chronicle compelled me constantly to refer to it, and I suffered great distraction.
Sidelights of Song (Long), by Mr. Gilbert Collins, contains a few sets of verse which have appeared in Punch.