NOTES AND QUERIES:

A MEDIUM OF INTER-COMMUNICATION FOR LITERARY MEN, ARTISTS, ANTIQUARIES, GENEALOGISTS, ETC.

"When found, make a note of."—CAPTAIN CUTTLE.

CONTENTS.

OUR THIRD VOLUME.

The commencement of our Third Volume affords an opportunity, which we gladly seize, of returning our best thanks to those kind friends and correspondents to whom we are indebted for our continued success. We thank them all heartily and sincerely; and we trust that the volume, of which we now present them with the First Number, will afford better proof of our gratitude than mere words. Such improvements as have suggested themselves in the course of the fourteen months during which NOTES AND QUERIES has been steadily working up its way to its present high position shall be effected; and nothing shall be wanting, on our part, which may conduce to maintain or increase its usefulness. And here we would announce a slight change in our mode of publication, which we have acceded to at the suggestion of several parties, in order to meet what may appear to many of our readers a trivial matter, but which is found very inconvenient in a business point of view—we allude to the diversity of price in our Monthly Parts.

To avoid this, and, as we have said, to meet the wishes of many of our friends, we propose to publish a fifth or supplementary number in every month in which there are only four Saturdays, so as to make the Monthly Parts one shilling and threepence each in all cases, with the exception of the months of January and July, which will include the Index of the preceding Half-yearly Volume, at the price of one shilling and ninepence each. Thus the yearly subscription to NOTES AND QUERIES, either in unstamped weekly Numbers or Monthly Parts, will be eighteen shillings.

Trusting that this, and all the other arrangements we are proposing to ourselves, may meet with the approbation of our friends and subscribers, we bid them Farewell! and wish them,—what we trust they wish to NOTES AND QUERIES—a Happy New Year, and many of them!

NOTES.

OLD BALLAD UPON THE "WINTER'S TALE."

Some of your correspondents may be able to give me information respecting an old ballad that has very recently fallen in my way, on a story similar to that of Shakspeare's Winter's Tale, and in some particulars still more like Greene's novel of Pandosto, upon which the Winter's Tale was founded. You are aware that the earliest known edition of Greene's novel is dated 1588, although there is room to suspect that it had been originally printed before that year: the first we hear of the Winter's Tale is in 1611, when it was acted at court, and it was not printed until it appeared in the folio of 1623.

The ballad to which I refer has for title The Royal Courtly Garland, or Joy after Sorrow: it is in ordinary type, and was "Printed and sold in Aldermary Churchyard, London." It has no date, and in appearance does not look older than from perhaps, 1690 to 1720; it may even be more recent, as at that period it is not easy to form a correct opinion either from typography or orthography: black-letter has a distinguishing character at various periods, so as to enable a judgment to be formed within, perhaps, ten years, as regards an undated production: but such is not the case with Roman type, or white-letter. What I suspect, however, is that this ballad is considerably older, and that my copy is only a comparatively modern reprint with some alterations; it requires no proof, at this time of day, to show that it was the constant habit of our old publishers of ephemeral literature to reprint ballads without the slightest notice that they had ever appeared before. This, in fact, is the point on which I want information, as to The Royal Courtly Garland, or Joy after Sorrow. Can any of your correspondents refer me to an older copy, or do they know of the existence of one which belongs to a later period? I cannot be ignorant of DR. RIMBAULT'S learning on such matters, and I make my appeal especially to him.

It is very possible that it may bear a different title in other copies, and for the sake of identification I will furnish a few extracts from the various "parts" (no fewer than six) into which the ballad is divided; observing that they fill a closely printed broadside, and that the production is entirely different from Jordan's versification of the Winter's Tale, under the title of The Jealous Duke and the injured Duchess, which came out in his Royal Arbor of Loyal Poesie, 8vo. 1664. It is singular that two ballads, hitherto wholly unknown, should have been written upon the same incidents of the same drama, although we are yet without evidence that Jordan's effusion was ever published as a broadside.

Not a single name is given to any of the persons in my Royal Courtly Garland, but the places of action are reversed exactly in the same way as in Greene's novel of Pandosto, where what Shakspeare represents as passing in Sicily occurs in Bohemia, and vice versa; moreover, the error of representing Bohemia as a maritime country belongs to my ballad, as well as to the novelist and the dramatist. The King of Bohemia, jealous of an "outlandish prince," who he suspected had intrigued with his queen, employs his cup-bearer to poison the prince, who is informed by the cup-bearer of the design against his life.

Not long after his departure, the queen, "who had never conceived before" (which varies both from Greene and Shakspeare), produces a daughter, which the king resolves to get rid of by turning it adrift at sea in "a little boat." He so informs the queen, and she in great grief provides the outfit for the infant voyager:

It is revealed to the king in a dream that his wife is innocent, but she soon dies of a broken-heart. Meanwhile, the prince, on his return to his own dominions, marries, and has a son. The infant princess is driven on shore in his kingdom, and is saved by an old shepherd, and brought up by him and his wife as their own child, they carefully concealing the riches they had found in the "little boat."

"Her" is misprinted him in the original, and the whole, as may be expected, is not a first-rate specimen of typography. The son of the prince sees and falls in love with the supposed shepherd's daughter, and, to avoid the anger of the prince his father, he secretly sails away with her and the old shepherd. By a storm they are driven on the coast of Bohemia:

Here we arrive at an incident which is found in Greene, but which Shakspeare had the judgment to avoid, making the termination of his drama as wonderful for its art, as delightful for its poetry. Greene and my ballad represent the king of Bohemia falling in love with his own daughter, whom he did not recognise. She effectually resisted his entreaties, and he resolves "to hang or burn" the whole party; but the old shepherd, to save himself, reveals that she is not his daughter, and produces "the mantle of gold" in which he had found her:

This discovery leads directly to the unwinding of the plot: the young prince makes himself known, and his father being sent for, the lovers are "married in triumph" in Bohemia, and the old shepherd is made "a lord of the court."

If any of your readers can inform me of another copy of the above ballad, especially unmodernised (the versification must have suffered in the frequent reprints) and in black-letter of an early date, they will do me a favour. At present I am unable to decide whether it was founded upon Greene's novel, Shakspeare's play, or upon some independent, possibly foreign, narrative. I am by no means satisfied that Greene's novel was not a translation, and we know that he was skilful in Italian, Spanish, and French.

J. PAYNE COLLIER.

I cannot find the particular Number of NOTES AND QUERIES, but unless I am greatly mistaken, in one of them, a correspondent gave praise (I am the last to say it was not deserved) to DR. MAGINN for suggesting that miching mallecho, in Hamlet, Act III. Sc. 2., was from the Spanish mucho malhecho. I never heard of DR. MAGINN's opinion until I saw it in your pages; but if you happen to be able to refer to the Shakspeare I superintended through the press in 1843, vol. vii. p 271., note 9., you will see that I propose the Spanish word malhecho as the origin of "mallecho." I did not think this point worth notice at the time, and I doubt whether it is worth notice now. If you leave out this postscript, as you are at perfect liberty to do, I shall conclude that you are of my opinion.

J.P.C.

CROSSING RIVERS ON SKINS.

The mode of crossing a river on skins, mentioned by Layard (Nineveh and its Remains, 5th edition, vol. i. p. 129., vol. ii. p. 381.) is also referred to in the works of the following ancient writers. I quote Facciolati Lexicon Totius Latinitatis, in vocibus Uter et Utricularius. [Edit. Furlanetto, 4to.]

"Frequens fuit apud veteres utrium usus ad flumina trananda, Liv. 21. 27. Hispani, sine ulla mole, in utres vestimentis conjectis, ipsi cetris suppositis incubantes, flumen tranavere, Cæs. B.G. i. 48. Lusitani, peritique earum regionum cetrati citerioris Hispaniæ, consectabantur, quibus erat proclive transnare flumen, quod consuetudo eorum omnium est, ut sine utribus ad exercitum non eant, (Cf. Herzog., qui longam huic loco adnotationem adscripsit), Curt. 7. 5. Utres quam plurimos stramentis refertos dividit; his incubantes transnavere amnem, Plin. 6. 29. 35. Arabes Ascitæ appellati, quoniam bubulos utres binos sternentes ponte piraticam exercent, h.e. utribus junctis tabulas instar pontis sternentes. Adde Front. Strat. 3. 13., et Ammian. 30. 1. med."

"Utricularii vocabantur qui utriculos, seu utres inflatos ratibus ita subjiciebant, ut iisdem flumina transnare possent. Eorum collegium in quibusdam urbibus ad flumen aliquod sitis habebatur, ideoque utricularii sæpe cum nautis conjunguntur, Inscr. ap. Mur. 531, n. 4. Ex voto a solo templum ex suo fecerunt collegio utriculariorum."

JANUS DOUSA.

Manpadt House, near Haarlem.

FOLK LORE OF SOUTH NORTHAMPTONSHIRE, NO. 3.

Hedgehog.—Among other animals looked upon in a superstitious light, we have the hedgehog, who, in addition to his still credited attribute of sucking cows, is looked upon by our rustics as the emblem of craft and cunning; playing the same part in our popular stories as Reynard in the more southern fabliaux. They tell concerning him, the legend given by M.M. Grimm, of the race between the Hare and Hedgehog. The Northamptonshire version makes the trial of speed between a fox and hedgehog. In all other respects the English tale runs word for word with the German.

Hares.—Besides the ancient superstition attached to the crossing of the path by one of these animals, there is also a belief that the running of one along the street or mainway of a village, portends fire to some house in the immediate vicinity.

Toads.—Belief in their venomous nature is yet far from being extinct. This, added to the ill-defined species of fascination which they are supposed to exercise, has caused them here, as elsewhere, to be held in great abhorrence. I have heard persons who ought to have known better, exclaim on the danger of gazing upon one of the harmless reptiles. The idea respecting the fascinating powers of the toad, is by no means confined to our district. Witness the learned Cardan:

"Fascinari pueros fixo intuitu magnorum bufonum et maximè qui è subterraneo specu aut sepulchris prodierint, utque ob id occulto morbo perire, haud absurdum est."—De Rerum Varietate, lib. xvi. c. 90.

Crickets, contrary to the idea prevailing in the western counties, are supposed to presage good luck, and are therefore most carefully preserved. Their presence is believed to be a sure omen of prosperity; while, on the other hand, their sudden departure from a hearth which has long echoed with their cry, betokens approaching misfortune, and is regarded as the direst calamity that can happen to the family.

Magpies.—To see one magpie alone bodes bad luck; two, good luck; three, a "berrin;" four, a wedding. This is our version of the saying: Grose gives it differently.

Spiders.—When a spider is found upon your clothes, or about your person, it signifies that you will shortly receive some money. Old Fuller, who was a native of Northamptonshire, thus quaintly moralises this superstition:

"When a spider is found upon our clothes, we use to say, some money is coming towards us. The moral is this: such who imitate the industry of that contemptible creature may, by God's blessing, weave themselves into wealth and procure a plentiful estate."—Worthies, p.58. Pt. 2. ed. 1662.

Omens of death and misfortune are also drawn from the howling of dogs—the sight of a trio of butterflies—the flying down the chimney of swallows or jackdaws; and swine are sometimes said to give their master warning of his death by giving utterance to a peculiar whine, known and understood only by the initiated in such matters. Gaule, in his Mag-astromancers Posed and Puzzled, Lond. 1652, p. 181, ranks among evil omens "the falling of swallows down the chimney" and "the grunting of swine."

T.S.

MINOR NOTES.

Kentish Town in the last Century—

"Thursday night some villains robbed the Kentish Town Stage, and stripped the passengers of their money, watches, and buckles. In the hurry they spared the pockets of Mr. Corbyn, the druggist; but he, content to have neighbour's fare, called out to one of the rogues, 'Stop, friend, you have forgot to take my money'."—Morning Chron. and Land Advertiser, Jan. 9. 1773.

Murray's Hand-book for Devon and Cornwall.—The author does not mention Haccombe Chapel or the Oswell Rocks, both near Newton; the latter is a most picturesque spot, and the view near and far most interesting!—A notice of the tiles, and of the 2ft. 2in effigy at Haccombe, appears in the Arch. Journal, iii. 151. 237.—The monuments are in fine preservation up to the last of the "Haccombes" ante 1342, which is perfect. The chapel would be improved by the removal of the two pews and of the family arms from the velvet cloth on the communion-table!—Tavistock Church has an east window by Williment; pattern, and our Saviour in the centre.—The church by Dartmouth Castle contains a brass and armorial gallery; the visitor should sail round the rock at the harbour entrance, it's appearance from seaward is fine.—Littleham Church has a decorated wooden screen, very elegant.—A work on the Devonshire pulpits and screens would be valuable.

A.C.

Judges Walk, Hampstead.—A friend of mine, residing at Hampstead, has communicated to me the following information, which I forward to you as likely to instruct your readers.

He states that the oldest inhabitant of Hampstead, Mr. Rowbotham, a clock and watchmaker, died recently, at the age of ninety. He told his son and many other persons, that in his youth the Upper Terrace Avenue, on the south-west side of Hampstead Heath was known by the name of "The Judges' Walk," from the circumstance of prisoners having been tried there during the plague of London. He further stated, that he had received this information from his grandmother.

C.R. WELD

Somerset House.

Gray's Alcaic Ode.—A question asked in Vol. i., p. 382, whether "Gray's celebrated Latin Ode is actually to be found entered at the Grande Chartreuse?" is satisfactorily answered in the negative at p. 416. of the same volume, and its disappearance traced to the destructive influence of the first French Revolution.

It may not, however, be without interest to some of your readers to know, that this elegant "Alcaic" was to be found at the Chartreuse not very long before the outbreak of that great political tempest, proof of which will be found in the following extract taken from the 9th volume of Malte-Brun's Annales des Voyages, Paris, 1809. It is found in a paper entitled "Voyage à la Grande Chartreuse en 1789. Par M. T*******," and is in p. 230:

"L'Album, ou le grand livre dans lequel les étrangers inscrivent leurs noms, présente quelquefois une lecture intéressante. Nous en copiâmes quelques pages. Le morceau le plus digne d'être conservé est sans doute l'Ode latine suivante du célèbre poëte anglais Gray. Je ne crois pas qu'elle ait été publiée encore."

Then follows the ode, as usually printed, excepting that in the third line,

the words "nam certe" are transposed.

G.B.

Fleet Marriages.—The General Evening Post, June 27-29, 1745, contains the following singular Note of a Fleet Marriage:—

"Yesterday came on a cause at Doctors' Commons, wherein the plaintiff brought his action against the defendant for pretending to be his wife. She in her justification pleaded a marriage at the Fleet the 6th of February, 1737, and produced a Fleet certificate, which was not allowed as evidence: she likewise offered to produce the minister she pretended married them, but he being excommunicate for clandestine marriages, could not be received as a witness. The court thereupon pronounced against the marriage, and condemned her in 28l., the costs of the suit."

Y.S.

QUERIES.

HISTORIE DES SÉVARAMBES.

The authorship of Gaudentio di Lucca has recently been discussed by some of your correspondents, and it has been shown that this Voyage Imaginaire was written by Simon Berington, a Catholic priest, and the member of a family resident for many years in Herefordshire. The following Query will relate to another work of the same class, but of an earlier date.

The Histoire des Sévarambes is a fictitious account of a nation in the Southern Ocean, visited by a supposed navigator named Siden. It's first appearance was as an English work, with this title:

"The History of the Sevarites or Sevarambi, a nation inhabiting part of the third continent, commonly called Terræ Australes Incognitæ; with an account of their admirable government, religion, customs, and language. Written by one Captain Siden, a worthy person, who, together with many others, was cast upon those coasts, and lived many years in that country. London: printed for Henry Brome, at the Gun, at the west end of St. Paul's Churchyard, 1675. 12mo. pp. 114." No preface.

There is a second part, "more wonderful and delightful than the first," published in 1679 (pp. 140.). The licence by Roger Lestrange bears date Feb. 25. 1678/9. There is a short preface, without signature, arguing that the country of the Sevarites is not fabulous.

A copy of the original edition of these two parts is in the British Museum.

Shortly after its publication in England, this work appeared in France with the following title:—

"Histoire des Sévarambes, peuples qui habitent une partie du troisième continent ordinairement appellé Terre Australe, contenant un compte exact du gouvernement, des mœurs, de la réligion et du langage de cette nation, jusques aujourd'hui inconnue aux peuples de l'Europe. Traduite de l'Anglois." First Part, Paris, 1677. 2 vols. 12mo. Second Part, 1678-9. 3 vols. 12mo.

Both parts are dedicated to Monsieur Riquet, Baron de Bonrepos; and the dedications are both signed with the initials D.V.D.E.L.

The British Museum contains no French edition of this work earlier than an Amsterdam reprint of 1716. The above account of the early French edition is taken from the Dictionnaire Historique of Prosper Marchand (La Haye, 1758), tom. i. p. 11., art. ALLAIS. This article (which may be cited as a model of bibliographical research) attributes the authorship of the Histoire des Sévarambes, upon evidence, which, if not conclusive, is very strong, to Denis Vairasse, or Vayrasse. Marchand explains the initials appended to the dedications of the French edition to mean, Denis Vairasse d'Allais en Languedoc. He likewise considers Siden as the anagram of Denis; and Sevarias, the legislator of the Sevarambians, as the anagram of Vairasse. Some of the religious opinions expressed in this fiction were thought bold, and the authorship of the work was at one time much discussed: it was attributed both to Isaac Vossius and Leibnitz. It was translated into Dutch, German, and Italian; and there is an English edition, London, 1738, in 1 vol. 8vo., in which the preface from the French edition, alluding to Plato's Republic, More's Utopia, and Bacon's New Atlantis, not to be found in the original English edition, is introduced. This volume is entitled—

"The History of the Sevarambians, a people of the south continent, in five parts, containing, &c. Translated from the Memoirs of Capt. Siden, who lived fifteen years amongst them."

The work is included in the collection of Voyages Imaginaires, tom. v., where the editor speaks of the distinguished place which it holds among the fictions of that class; but he says that its authorship was unknown or uncertain. An account of another fictitious voyage to the Terra Australis, with a description of an imaginary people, published in 1692, may be seen in Bayle's Dict., art. SADEUR, Voyages Imaginaires, tom. xxiv.

According to the account given by Marchand, Vairasse began life by serving in the army in Piedmont, and he afterwards studied the law. Subsequently he went to England, where he is stated to have attempted to penetrate the intrigues of the court, and to discover the maxims of the English Government. In 1665, he was in the ship commanded by the Duke of York against the Dutch; and some years afterwards, having been regarded as an accomplice in the designs of a public minister (apparently Lord Clarendon), he was forced to retire with him, and follow him to Paris. He re-entered the military service, and was with the French army which invaded Holland in 1672. Afterwards he taught English and French at Paris; he likewise published a French Grammar, and an abridgment of it in the English language (1683). He was of the reformed religion.

It is possible that Vairasse's visit to England may have been connected with his religion. He appears, during his residence here, to have acquired the English language; but it is difficult to understand what are the designs of Lord Clarendon in which he was an "accomplice." Lord Clarendon's exile took place in 1667; which hardly accords with the expression "some years" after 1665. No person of the name of Vairasse is mentioned as having accompanied Lord Clarendon in his banishment.

The first part of the History of the Sevarambians was published in English in 1675, two years before the French edition of the first part. The second parts were published at London and Paris in the same year. Even if Vairasse did not leave England with Lord Clarendon, he had left it before the year in which the first part of this work appeared in English: for he is stated to have been with the French army in Holland in 1672. It is therefore difficult to account for the publication of the English version of the History of the Sevarambians before its publication in France, upon the assumption that Vairasse was the author. The writer of the life of Vairasse (art. ALLAIS) in the Biographical Dictionary of the Society of Useful Knowledge thinks that he may have been only the translator: but the facts collected by Marchand show that he claimed the authorship; and there is no trace of its composition by any Englishman. Besides, its prior publication in England is just as inexplicable upon the assumption of his being the translator, as upon that of his being the author.

Query, Is Vairasse's residence in England mentioned by any English writer? And can any light be thrown upon the authorship of the History of the Sevarambians from any English source?

L.

ORIGINS OF PRESENT PENNY POSTAGE.

Many of your readers have, I doubt not, perused with interest the vivid sketch of the origin of the Penny Postage System, given by Miss Martineau in her History of England during the Thirty Years' Peace, vol. ii. p. 425., and have seen in the incident of the shilling letter delivered to the poor cottager, somewhere in the Lake district—refused by her from professed inability to pay the postage—paid for by Mr. Rowland Hill, who happened most opportunely to be passing that way—and, when opened, found to be blank (this plan being preconcerted between the woman and her correspondent, to know of each other's welfare without the expense of postage). A remarkable instance of "how great events from little causes spring," and have bestowed much admiration on the penetration of Mr. Hill's mind, which "wakened up at once to a significance of the fact," nor ever rested till he had devised and effected his scheme of Post-office Reform; though all the while an uncomfortable feeling might be lurking behind as to the perfect credibility of so interesting a mode of accounting for the initiation of this great social benefit.

I confess to having had some suspicions myself as to the trustworthiness of this story; and a few days since my suspicions were fully confirmed by discovering that the real hero of the tale was not the Post-office Reformer, but the poet Coleridge; unless, indeed, which is surely out of the range of ordinary probabilities, the same event, corresponding exactly as to place and amount of postage, happened to two persons at separate times.

Coleridge relates the story himself, in one of his "conversations," of which memoranda are preserved in the interesting volumes published by Moxon in 1836 (ii. 114.). "One day,"

"when I had not a shilling to spare, I was passing by a cottage at Keswick where a carter was demanding a shilling for a letter, which the woman of the house appeared unwilling to give, and at last declined to take. I paid the postage, and when the man was out of sight, she told me that the letter was from her son, who took that means of letting her know that he was well. The letter was not to be paid for. It was then opened and found to be blank."

Now, while so many copies of "NOTES AND QUERIES" pass through the Post-office, it is to be hoped one at least may remain there, and be the means of inducing Mr. Hill to inform us whether Miss Martineau had any authority for fathering this story upon him; and whether the Post-office Reform is really indebted to any such trivial incident for its original idea.

E. VENABLES.

RED BOOK OF THE IRISH EXCHEQUER.

On one of the vellum leaves of which the Red Book of the Irish Exchequer is composed, there is depicted a pen and ink sketch of that court. In the centre of the picture is the table, which is covered (as it is at this day) with a chequered cloth, whereon are placed a bag upon which are the words "Baga cum rotulis," a book with a clasp, five large pieces of money, and a strip of parchment, upon which is written, "Ceo vous, &c." The table is surrounded on its four equal sides by thirteen human figures, namely, six at the top of the picture, three on the left hand, three on the right, and one at the bottom. Of the six figures at the top of the sketch, all of whom wear robes, he who is on the right hand holds a wand, bears upon his head a cap, and is in the act of leaving the court, exclaiming, "Ademayn." To the right of this man, who is probably the crier of the court, is one of the officers carrying a piece of parchment, upon which is written in contracted law Latin, "Preceptum fuit Vicecomiti per breve hujus Scaccarii." To the right of the last-named figure is another officer of the court, who is in the act of examining his pen by placing its nib at a short distance from his eyes; and this person carries in his left hand a piece of parchment upon which are written, in like character, the words "Memorandum quod x die Maii, &c." To the right of this officer, who is probably the Chief Remembrancer, is placed another officer, wearing a cap, who is in the act of writing upon a piece of parchment bearing the words "Henricus dei gratia." The two remaining figures at the top of the picture are apparently conversing together: to one of them are applied the words, "Eynt bre vic.," with another word following the last which is scarcely decypherable; and to the other the word "Elgyn" seems to have reference; such word being placed upon the ample sleeve of his gown. The three figures on the left of the picture are probably the three Barons. The head-dress of the judge who is sitting at the extreme right of the bench, varies in its form from that which is worn by the baron who is seated in the centre; and the third baron, who is sitting at the left, has his head uncovered. The first-named baron seems in the act of counting or reckoning the pieces of coin which are placed before him upon the table, and says "xx d.;" the baron in the centre, who wears a cap similar in form to the night-cap now commonly used, says "Voyr dire;" and the third baron says "Soient forfez." Opposite to the judges, and to the right of the picture, are three persons wearing gowns, and standing at the bar of the court. One of these points towards his face with the first finger of his right hand, and says, "Oy de brie;" the figure to his left extends his right arm towards the bench, and exclaims, "Soit oughte;" and the third figure says, "Chalange." This man, the handle of whose sword is distinctly visible on his right side, whose outer sleeves are wide and flowing, whose under garment is buttoned tightly at the wrist, and whose boots are in shape similar to ladies' boots of modern times, closely laced to the leg, has placed the thumb of his left hand between the thumb and first finger of his right. And, lastly, at the bottom of the picture is seated the sheriff, bearing upon his head a hood or cap, upon which the words "Vic. tot & unit" are written. Query, Are the persons here represented the barons and officers of the Exchequer? and, more especially, who are the persons who exclaim "Oy de brie," "Soit oughte," and "Chalange"?

J.F.F.

MINOR QUERIES.

Abbey of Shapp, or Hepp.—I shall be much obliged to any of your readers who can inform me whether the Chartulary of the Abbey of Shapp, or Hepp, in Westmoreland, is now in existence; and if so, where it is. In the Monasticon, vol. vi. p. 869., it is stated that in 1638 it was in the possession of Lord William Howard, of Naworth; but though a search has been made among Lord William's papers and MSS. in the possession of his descendant, the Earl of Carlisle, at Castle Howard, the Chartulary is not now to be found among them.

J.C.

"Talk not of Love."—Do any of your musical correspondents know the author of the following song, and whether it has ever appeared in print? I have it in manuscript, set to a very fine tune, but have never seen or heard it elsewhere.

A.M.

Lucy and Colin.—Can you tell me who was the author of "Lucy and Colin," so beautifully translated by Vincent Bourne, and by him entitled "Lucia et Corydon"?

In Southey's Common-place Book, 3d series, I found the following in p. 712.:—

"Of the wretched poem Colin and Lucy (Tickel?) published as a fragment of Elizabeth's age, the reviewer says, 'Is this the language of Q. Elizabeth's time, or something better? But to whatever age, or to whatever author we are indebted for this beautiful piece, it must be allowed an honour to both, and therefore worth contending for on behalf of our own time.'"

I wonder whether this be the "Colin and Lucy" that V. Bourne translated.

I have not Tickel's works, and therefore cannot discover whether he be the author of that beautiful (whatever Southey may say) ballad beginning with—

A.B.

Chapel, Printing-office.—Is there any other authority than Creery's Press for the statement that printing-offices are called chapels? Whatever may have been the case, at present the word "chapel" is applied to the persons, or companionship, employed in the office, not to the office itself.

GOMER.

Cockade is a ribband worn in the hat, as defined by Dr. Johnson. Query, What is the origin of its use by officers of the army and navy; who are privileged to wear it; when was it first introduced; and by what authority, if any, is it sanctioned or confined to the army and navy?

A.E.

Suem, Ferling, Grasson—In a copy of Court Roll, dated the 40th year of Elizabeth, and relating to the manor of Rotherfield, co. Sussex, these words occur:—

"R. K. cepit extra manus domini unam suem trẽ nat' de ferling," &c.

I shall be obliged to any of your correspondents who will explain the words suem and ferling.

What is the etymology of grasson, a word used in some north-country manors for a fine paid on alienation of copyhold lands?

C.W.G.

Cranmer's Descendants.—Being much interested in everything that concerns the martyrs of the Reformation, and not the less so from being descended (in the female line) from the father of Archbishop Cranmer, I should be very glad if any of your correspondents could inform me whether there are any of his male descendants still in existence. Gilpin, in his Lives of the Reformers, says that the Archbishop's wife and children lived in great obscurity. This was probably on account of the prejudice, which had hardly passed away, against the marriage of the clergy; but surely the descendants of so great a man, if there be such, have not lost the records or pedigree by which their descent can be verified.

C.D.F.

Collections of Pasquinades.—Can any of your correspondents inform me whether a collection has ever been published of the satirical verses affixed to the torso of Menelaus, at the corner of the Palazzo Braschi at Rome, and commonly known as Pasquinades, from the name of a tailor whose shop stood near the place of its discovery? (See Nibby Itinerario di Roma, ii. 409.) I send you a specimen which I do not remember to have seen in print. It was occasioned by the Pope Pius VI. (Braschi) having placed his own coat of arms in various parts of St. Peter's. They consisted of the double-headed eagle, two stars, a lily, and the head of a boy, puffing at it.