"Rise, oh, rise! The daylight dies:
The owls are hooting, ting, ting, ting!
Wake, oh, wake! Beside the lake
The elves are fluting, ting, ting, ting!
Welcoming our fairy king
We sing, sing, sing."

He sang the first four lines briskly and merrily, making the bluebells chime in time with the music; but the last two he sang quite slowly and gently, and merely waved the flowers backward and forward above his head. And when he had finished the first verse, he left off to explain.

"The name of our fairy king is Obberwon" (he meant Oberon, I believe), "and he lives over the lake—there—and now and then he comes in a little boat—and then we go and meet him—and then we sing this song, you know."

"And then you go and dine with him?" I said, mischievously.

"You shouldn't talk," Bruno hastily said; "it interrupts the song so."

I said I wouldn't do it again.

"I never talk myself when I'm singing," he went on, very gravely; "so you shouldn't either."

Then he tuned the bluebells once more, and sung:

"Hear, oh, hear! From far and near
A music stealing, ting, ting, ting!
Fairy bells adown the dells
Are merrily pealing, ting, ting, ting!
Welcoming our fairy king
We ring, ring, ring.

"See, oh, see! On every tree
What lamps are shining, ting, ting, ting!
They are eyes of fiery flies
To light our dining, ting, ting, ting!
Welcoming our fairy king
They swing, swing, swing.

"Haste, oh, haste! to take and taste
The dainties waiting, ting, ting, ting!
Honey-dew is stored—"

"Hush, Bruno!" I interrupted, in a warning whisper. "She's coming!"

Bruno checked his song only just in time for Sylvie not to hear him; and then, catching sight of her as she slowly made her way through the long grass, he suddenly rushed out headlong at her like a little bull, shouting, "Look the other way! Look the other way!"

"Which way?" Sylvie asked, in rather a frightened tone, as she looked round in all directions to see where the danger could be.

"That way!" said Bruno, carefully turning her round with her face to the wood. "Now, walk backward—walk gently—don't be frightened; you sha'n't t'ip!"

But Sylvie did "t'ip," notwithstanding; in fact he led her, in his hurry, across so many little sticks and stones, that it was really a wonder the poor child could keep on her feet at all. But he was far too much excited to think of what he was doing.

I silently pointed out to Bruno the best place to lead her to, so as to get a view of the whole garden at once; it was a little rising ground, about the height of a potato; and, when they had mounted it, I drew back into the shade that Sylvie mightn't see me.

I heard Bruno cry out triumphantly, "Now you may look!" and then followed a great clapping of hands, but it was all done by Bruno himself. Sylvie was quite silent; she only stood and gazed with her hands clasped tightly together, and I was half afraid she didn't like it after all.

Bruno, too, was watching her anxiously, and when she jumped down from the mound, and began wandering up and down the little walks, he cautiously followed her about, evidently anxious that she should form her own opinion of it all, without any hint from him. And when at last she drew a long breath, and gave her verdict,—in a hurried whisper, and without the slightest regard to grammar,—"It's the loveliest thing as I never saw in all my life before!" the little fellow looked as well pleased as if it had been given by all the judges and juries in England put together.

IT'S THE LOVELIEST THING AS I NEVER SAW IN ALL MY LIFE BEFORE!

"IT'S THE LOVELIEST THING AS I NEVER SAW IN ALL MY LIFE BEFORE!"

"And did you really do it all by yourself, Bruno?" said Sylvie. "And all for me?"

"I was helped a bit," Bruno began, with a merry little laugh at her surprise. "We've been at it all the afternoon; I thought you 'd like—" and here the poor little fellow's lip began to quiver, and all in a moment he burst out crying, and, running up to Sylvie, he flung his arms passionately round her neck, and hid his face on her shoulder.

There was a little quiver in Sylvie's voice too, as she whispered, "Why, what's the matter, darling?" and tried to lift up his head and kiss him.

But Bruno only clung to her, sobbing, and wouldn't be comforted till he had confessed all.

"I tried—to spoil your garden—first—but—I'll never—never——" and then came another burst of tears which drowned the rest of the sentence. At last he got out the words, "I liked—putting in the flowers—for you, Sylvie—and I never was so happy before," and the rosy little face came up at last to be kissed, all wet with tears as it was.

Sylvie was crying too by this time, and she said nothing but "Bruno dear!" and "I never was so happy before;" though why two children who had never been so happy before should both be crying was a great mystery to me.

I, too, felt very happy, but of course I didn't cry; "big things" never do, you know—we leave all that to the fairies. Only I think it must have been raining a little just then, for I found a drop or two on my cheeks.

After that they went through the whole garden again, flower by flower, as if it were a long sentence they were spelling out, with kisses for commas, and a great hug by way of a full-stop when they got to the end.

"Do you know, that was my river-edge, Sylvie?" Bruno began, looking solemnly at her.

Sylvie laughed merrily.

"What do you mean?" she said, and she pushed back her heavy brown hair with both hands, and looked at him with dancing eyes in which the big tear-drops were still glittering.

Bruno drew in a long breath, and made up his mouth for a great effort.

"I mean rev—enge," he said; "now you under'tand." And he looked so happy and proud at having said the word right at last that I quite envied him. I rather think Sylvie didn't "under'tand" at all; but she gave him a little kiss on each cheek, which seemed to do just as well.

So they wandered off lovingly together, in among the buttercups, each with an arm twined round the other, whispering and laughing as they went, and never so much as once looked back at poor me. Yes, once, just before I quite lost sight of them, Bruno half turned his head, and nodded me a saucy little good-bye over one shoulder. And that was all the thanks I got for my trouble.

I know you're sorry the story's come to an end—aren't you?—so I'll just tell you one thing more. The very last thing I saw of them was this: Sylvie was stooping down with her arms round Bruno's neck, and saying coaxingly in his ear, "Do you know, Bruno, I've quite forgotten that hard word; do say it once more. Come! Only this once, dear!"

But Bruno wouldn't try it again.


THE MOCKING-BIRD AND THE DONKEY.

(From the Spanish of the Mexican poet José Rosas.)

BY WILLIAM CULLEN BRYANT.

A mock-bird in a village
Had somehow gained the skill
To imitate the voices
Of animals at will.

And singing in his prison,
Once, at the close of day,
He gave, with great precision,
The donkey's heavy bray.

Well pleased, the mock-bird's master
Sent to the neighbors 'round,
And bade them come together
To hear that curious sound.

They came, and all were talking
In praise of what they heard,
And one delighted lady
Would fain have bought the bird.

A donkey listened sadly,
And said: "Confess I must
That these are shallow people,
And terribly unjust.

"I'm bigger than the mock-bird,
And better bray than he,
Yet not a soul has uttered
A word in praise of me."

THE FAMOUS HORSES OF VENICE.


BY MARY LLOYD.

No doubt you all know something of Venice, that wonderful and fairy-like city which seems to rise up out of the sea; with its bridges and gondolas; its marble palaces coming down to the water's edge; its gay ladies and stately doges. What a magnificent pageant was that which took place every Ascension Day, when the doge and all his court sailed grandly out in the "Bucentaur," or state galley, with gay colors flying, to the tune of lively music, and went through the oft-repeated ceremony of dropping a ring into the Adriatic, in token of marriage between the sea and Venice! This was a custom instituted as far back as 1177. The Venetians having espoused the cause of the pope, Alexander III., against the emperor, Frederic Barbarossa, gained a great victory over the imperial fleet, and the pope, in grateful remembrance of the event, presented the doge with the ring symbolizing the subjection of the Adriatic to Venice.

But one of the most wonderful things about Venice is that, with the exception of those I intend to tell you about, there are no horses there. How charming it must be, you think, when you want to visit a friend, to run down the marble steps of some old palace, step into a gondola, and glide swiftly and noiselessly away, instead of jolting and rumbling along over the cobble-stones! And then to come back by moonlight, and hear the low plash of the oar in the water, and the distant voices of the boatmen singing some love-sick song,—oh, it's as good as a play!

Of course there are no carts in Venice; and the fish-man, the vegetable-man, the butcher, the baker, and the candlestick maker, all glide softly up in their boats to the kitchen door with their vendibles, and chaffer and haggle with the cook for half an hour, after the manner of market-men the world over.

So you see the little black-eyed Venetian boys and girls gaze on the brazen horses in St. Mark's Square with as much wonder and curiosity as ours when we look upon a griffin or a unicorn.

THE HORSES OF ST. MARK'S

THE HORSES OF ST. MARK'S.

These horses—there are four of them—have quite a history of their own. They once formed part of a group made by a celebrated sculptor of antiquity, named Lysippus. He was of such acknowledged merit that he was one of the three included in the famous edict of Alexander, which gave to Apelles the sole right of painting his portrait, to Lysippus that of sculpturing his form in any style, and to Pyrgoteles that of engraving it upon precious stones.

Lysippus executed a group of twenty-five equestrian statues of the Macedonian horses that fell at the passage of the Granicus, and of this group the horses now at Venice formed a part. They were carried from Alexandria to Rome by Augustus, who placed them on his triumphal arch. Afterward Nero, Domitian and Trajan, successfully transferred them to arches of their own.

When Constantine removed the capital of the Roman empire to the ancient Byzantium, he sought to beautify it by all means in his power, and for this purpose he removed a great number of works of art from Rome to Constantinople, and among them these bronze horses of Lysippus.

In the early part of the thirteenth century the nobles of France and Germany, who were going on the fourth crusade, arrived at Venice and stipulated with the Venetians for means of transport to the Holy Land. But instead of proceeding to Jerusalem they were diverted from their original intention, and, under the leadership of the blind old doge, Dandolo, they captured the city of Constantinople. The fall of the city was followed by an almost total destruction of the works of art by which it had been adorned; for the Latins disgraced themselves by a more ruthless vandalism than that of the Vandals themselves.

But out of the wreck the four bronze horses were saved and carried in triumph to Venice, where they were placed over the central porch of St. Mark's Cathedral. There they stood until Napoleon Bonaparte in 1797 removed them with other trophies to Paris; but after his downfall they were restored, and, as Byron says in "Childe Harold":

"Before St. Mark still glow his steeds of brass,
Their gilded collars glittering in the sun;
But is not Doria's menace come to pass?
Are they not bridled?"—

Apropos of the last two lines I have quoted, I must tell you an incident of history.

During the middle ages, when so many of the Italian cities existed as independent republics, there was a great deal of rivalry between Genoa and Venice, the most important of them. Both were wealthy commercial cities; both strove for the supremacy of the sea, upon which much of their prosperity depended, and each strove to gain the advantage over the other. This led to many wars between them, when sometimes one would gain the upper hand, and sometimes the other. At length, in the year 1379, the Genoese defeated the Venetians in the battle of Pola, and then took Chiozza, which commanded, as one might say, the entrance to Venice. The Venetians, alarmed beyond measure, sent an embassy to the Genoese commander, Pietro Doria, agreeing to any terms whatever, imploring only that he would spare the city. They also sent the chief of the prisoners they had taken in the war in order to appease the fierce anger of the general. "Take back your captives, ye gentlemen of Venice," was the too confident reply of the haughty Doria; "we will release them and their companions. On God's faith, ye shall have no peace till we put a curb into the mouths of those wild horses of St. Mark's. Place but the reins once in our hands, and we shall know how to bridle them for the future."

Armed with the courage and energy which despair alone can give, the Venetians rallied for the defence of their city. Women and children joined in the preparations. All private feuds, jealousies and animosities were forgotten in the common danger. All were animated by the one feeling of implacable hatred of the Genoese. Pisani, an old commander, who had been unjustly imprisoned through the envy of his fellow-citizens, was released and put in command of the fleet. On coming out of his cell, he was surrounded by those who had injured him, who implored him to forget the injustice with which he had been treated. He partook of the sacrament with them in token of complete forgetfulness and forgiveness, and then proceeded against the enemy. The confidence of the republic had not been misplaced. His bravery, skill and foresight, together with the aid of another brave captain, Carl Zeno, saved the city, retook Chiozza, and completely humiliated the Genoese, who were now willing to sue for peace. So that, after all, Doria's angry menace was the means of saving the independence of the city, and the proud possession of the bronze horses of St. Mark's.


CHRISTMAS CARD.


(SEE "LETTER-BOX.")


THE PETERKINS' CHARADES.


BY LUCRETIA P. HALE.

Ever since they had come home from the great Centennial at Philadelphia, the Peterkins had felt anxious to have "something." The little boys wanted to get up a "great Exposition," to show to the people of the place who had not been able to go to Philadelphia. But Mr. Peterkin thought it too great an effort, and it was given up.

There was, however, a new water-trough needed on the town-common, and the ladies of the place thought it ought to be something handsome,—something more than a common trough,—and they ought to work for it.

Elizabeth Eliza had heard at Philadelphia how much women had done, and she felt they ought to contribute to such a cause. She had an idea, but she would not speak of it at first, not until after she had written to the lady from Philadelphia. She had often thought, in many cases, if they had asked her advice first, they might have saved trouble.

Still, how could they ask advice before they themselves knew what they wanted? It was very easy to ask advice, but you must first know what to ask about. And again: Elizabeth Eliza felt you might have ideas, but you could not always put them together. There was this idea of the water-trough, and then this idea of getting some money for it. So she began with writing to the lady from Philadelphia. The little boys believed she spent enough for it in postage-stamps before it all came out.

But it did come out at last that the Peterkins were to have some charades at their own house for the benefit of the needed water-trough,—tickets sold only to especial friends. Ann Maria Bromwich was to help act, because she could bring some old bonnets and gowns that had been worn by an aged aunt years ago, and which they had always kept. Elizabeth Eliza said that Solomon John would have to be a Turk, and they must borrow all the red things and Cashmere scarfs in the place. She knew people would be willing to lend things.

Agamemnon thought you ought to get in something about the Hindoos, they were such an odd people. Elizabeth Eliza said you must not have it too odd, or people would not understand it, and she did not want anything to frighten her mother. She had one word suggested by the lady from Philadelphia in her letters,—the one that had "Turk" in it,—but they ought to have two words.

"Oh yes," Ann Maria said, "you must have two words; if the people paid for their tickets, they would want to get their money's worth."

Solomon John thought you might have "Hindoos"; the little boys could color their faces brown to look like Hindoos. You could have the first scene an Irishman catching a hen, and then paying the water-taxes for "dues," and then have the little boys for Hindoos.

A great many other words were talked of, but nothing seemed to suit. There was a curtain, too, to be thought of, because the folding doors stuck when you tried to open and shut them. Agamemnon said the Pan-Elocutionists had a curtain they would probably lend John Osborne, and so it was decided to ask John Osborne to help.

If they had a curtain they ought to have a stage. Solomon John said he was sure he had boards and nails enough, and it would be easy to make a stage if John Osborne would help put it up.

All this talk was the day before the charades. In the midst of it Ann Maria went over for her old bonnets and dresses and umbrellas, and they spent the evening in trying on the various things,—such odd caps and remarkable bonnets! Solomon John said they ought to have plenty of bandboxes; if you only had bandboxes enough, a charade was sure to go off well; he had seen charades in Boston. Mrs. Peterkin said there were plenty in their attic, and the little boys brought down piles of them, and the back parlor was filled with costumes.

Ann Maria said she could bring over more things if she only knew what they were going to act. Elizabeth Eliza told her to bring anything she had,—it would all come of use.

The morning came, and the boards were collected for the stage. Agamemnon and Solomon John gave themselves to the work, and John Osborne helped zealously. He said the Pan-Elocutionists would lend a scene also. There was a great clatter of bandboxes, and piles of shawls in corners, and such a piece of work in getting up the curtain! In the midst of it, came in the little boys, shouting, "All the tickets are sold at ten cents each!"

"Seventy tickets sold!" exclaimed Agamemnon.

"Seven dollars for the water-trough!" said Elizabeth Eliza.

"And we do not know yet what we are going to act!" exclaimed Ann Maria.

But everybody's attention had to be given to the scene that was going up in the background, borrowed from the Pan-Elocutionists. It was magnificent, and represented a forest.

"Where are we going to put seventy people?" exclaimed Mrs. Peterkin, venturing, dismayed, into the heaps of shavings and boards and litter.

The little boys exclaimed that a large part of the audience consisted of boys, who would not take up much room. But how much clearing and sweeping and moving of chairs was necessary before all could be made ready! It was late, and some of the people had already come to secure good seats even before the actors had assembled.

"What are we going to act?" asked Ann Maria.

"I have been so torn with one thing and another," said Elizabeth Eliza, "I haven't had time to think!"

"Haven't you the word yet?" asked John Osborne, for the audience was flocking in, and the seats were filling up rapidly.

"I have got one word in my pocket," said Elizabeth Eliza, "in the letter from the lady from Philadelphia. She sent me the parts of the word. Solomon John is to be a Turk, but I don't yet understand the whole of the word."

"You don't know the word and the people are all here!" said John Osborne, impatiently.

"Elizabeth Eliza!" exclaimed Ann Maria, "Solomon John says I'm to be a Turkish slave, and I'll have to wear a veil. Do you know where the veils are? You know I brought them over last night."

"Elizabeth Eliza! Solomon John wants you to send him the large cashmere scarf," exclaimed one of the little boys, coming in. "Elizabeth Eliza! you must tell us what kind of faces to make up!" cried another of the boys.

And the audience were heard meanwhile taking their seats on the other side of the thin curtain.

"You sit in front, Mrs. Bromwich, you are a little hard of hearing; sit where you can hear."

"And let Julia Fitch come where she can see," said another voice.

"And we have not any words for them to hear or see!" exclaimed John Osborne behind the curtain.

"Oh, I wish we'd never determined to have charades!" exclaimed Elizabeth Eliza. "Can't we return the money!"

"They are all here; we must give them something!" said John Osborne, heroically.

"And Solomon John is almost dressed," reported Ann Maria, winding a veil around her head.

"Why don't we take Solomon John's word 'Hindoos' for the first?" said Agamemnon.

John Osborne agreed to go in the first, hunting the "hin," or anything, and one of the little boys took the part of the hen, with the help of a feather duster. The bell rang, and the first scene began.

It was a great success. John Osborne's Irish was perfect. Nobody guessed it, for the hen crowed by mistake; but it received great applause.

Mr. Peterkin came on in the second scene to receive the water-rates, and made a long speech on taxation. He was interrupted by Ann Maria as an old woman in a huge bonnet. She persisted in turning her back to the audience, and speaking so low nobody heard her; and Elizabeth Eliza, who appeared in a more remarkable bonnet, was so alarmed, she went directly back, saying she had forgotten something. But this was supposed to be the effect intended, and it was loudly cheered.

Then came a long delay, for the little boys brought out a number of their friends to be browned for Hindoos. Ann Maria played on the piano till the scene was ready. The curtain rose upon five brown boys done up in blankets and turbans.

"I am thankful that is over," said Elizabeth Eliza, "for now we can act my word. Only I don't myself know the whole."

"Never mind, let us act it," said John Osborne, "and the audience can guess the whole."

"The first syllable must be the letter P," said Elizabeth Eliza, "and we must have a school."

Agamemnon was master, and the little boys and their friends went on as scholars. All the boys talked and shouted at once, acting their idea of a school by flinging peanuts about, and scoffing at the master.

"They'll guess that to be 'row,'" said John Osborne in despair; "they'll never guess 'P'!"

The next scene was gorgeous. Solomon John, as a Turk, reclined on John Osborne's army-blanket. He had on a turban, and a long beard, and all the family shawls. Ann Maria and Elizabeth Eliza were brought in to him, veiled, by the little boys in their Hindoo costumes.

This was considered the great scene of the evening, though Elizabeth Eliza was sure she did not know what to do,—whether to kneel or sit down; she did not know whether Turkish women did sit down, and she could not help laughing whenever she looked at Solomon John. He, however, kept his solemnity. "I suppose I need not say much," he had said, "for I shall be the 'Turk who was dreaming of the hour.'" But he did order the little boys to bring sherbet, and when they brought it without ice, insisted they must have their heads cut off, and Ann Maria fainted, and the scene closed.

"What are we to do now?" asked John Osborne, warming up to the occasion.

"We must have an 'inn' scene," said Elizabeth Eliza, consulting her letter; "two inns if we can."

"We will have some travelers disgusted with one inn, and going to another," said John Osborne.

"Now is the time for the bandboxes," said Solomon John, who, since his Turk scene was over, could give his attention to the rest of the charade.

Elizabeth Eliza and Ann Maria went on as rival hostesses, trying to draw Solomon John, Agamemnon and John Osborne into their several inns. The little boys carried valises, hand-bags, umbrellas and bandboxes. Bandbox after bandbox appeared, and when Agamemnon sat down upon his, the applause was immense. At last the curtain fell.

"Now for the whole," said John Osborne, as he made his way off the stage over a heap of umbrellas.

"I can't think why the lady from Philadelphia did not send me the whole," said Elizabeth Eliza, musing over the letter.

"Listen, they are guessing," said John Osborne. "'D-ice-box.' I don't wonder they get it wrong."

"But we know it can't be that!" exclaimed Elizabeth Eliza, in agony. "How can we act the whole if we don't know it ourselves!"

"Oh, I see it!" said Ann Maria, clapping. "Get your whole family in for the last scene."

Mr. and Mrs. Peterkin were summoned to the stage, and formed the background, standing on stools; in front were Agamemnon and Solomon John, leaving room for Elizabeth Eliza between; a little in advance, and in front of all, half kneeling, were the little boys in their India rubber boots.

The audience rose to an exclamation of delight, "the Peterkins!"

It was not until this moment that Elizabeth Eliza guessed the whole.

"What a tableau!" exclaimed Mr. Bromwich; "the Peterkin family guessing their own charade."


A DOUBLE RIDDLE. [A]


BY J.G.H.

There is a word of music's own
That lifts the soul to see and do,—
A happy word, that leaps alone
From lips by pleasure touched anew,

Which, if it join thy parted name,
O Blessed Virgin! bears a curse,
Than which the fatal midnight flame,
Or fateful war, holds nothing worse!

What is this word, with baleful charm,
To change the sweetest name we know
To one surcharged with subtile harm?—
And what the strange, new name of woe?

And if you guess this riddle well,
And speak this word in answer true,
How may it lift—I pray you tell—
The tuneful soul to see and do?

[A] The answer will be given in "Letter-Box" of January number.

UNDER THE LILACS


BY LOUISA M. ALCOTT.


CHAPTER 1

A MYSTERIOUS DOG.

The elm-tree avenue was all overgrown, the great gate was never unlocked, and the old house had been shut up for several years. Yet voices were heard about the place, the lilacs nodded over the high wall as if they said, "We could tell fine secrets if we chose," and the mullein outside the gate made haste to reach the keyhole that it might peep in and see what was going on.

If it had suddenly grown up like a magic bean-stalk, and looked in on a certain June day, it would have seen a droll but pleasant sight, for somebody evidently was going to have a party.

From the gate to the porch went a wide walk, paved with smooth slabs of dark stone, and bordered with the tall bushes which met overhead, making a green roof. All sorts of neglected flowers and wild weeds grew between their stems, covering the walls of this summer parlor with the prettiest tapestry. A board, propped on two blocks of wood, stood in the middle of the walk, covered with a little plaid shawl much the worse for wear, and on it a miniature tea service was set forth with great elegance. To be sure, the tea-pot had lost its spout, the cream-jug its handle, the sugar-bowl its cover, and the cups and plates were all more or less cracked or nicked; but polite persons would not take notice of these trifling deficiencies, and none but polite persons were invited to this party.

On either side of the porch was a seat, and here a somewhat remarkable sight would have been revealed to any inquisitive eye peering through the aforesaid key-hole. Upon the left-hand seat lay seven dolls, upon the right-hand seat lay six, and so varied were the expressions of their countenances, owing to fractures, dirt, age and other afflictions, that one would very naturally have thought this a doll's hospital, and these the patients waiting for their tea. This, however, would have been a sad mistake; for, if the wind had lifted the coverings laid over them, it would have disclosed the fact that all were in full dress, and merely reposing before the feast should begin.

There was another interesting feature of the scene which would have puzzled any but those well acquainted with the manners and customs of dolls. A fourteenth rag baby, with a china head, hung by her neck from the rusty knocker in the middle of the door. A sprig of white and one of purple lilac nodded over her, a dress of yellow calico, richly trimmed with red flannel scallops, shrouded her slender form, a garland of small flowers crowned her glossy curls, and a pair of blue boots touched toes in the friendliest, if not the most graceful, manner. An emotion of grief, as well as of surprise, might well have thrilled any youthful breast at such a spectacle, for why, oh! why, was this resplendent dolly hung up there to be stared at by thirteen of her kindred? Was she a criminal, the sight of whose execution threw them flat upon their backs in speechless horror? Or was she an idol, to be adored in that humble posture? Neither, my friends. She was blonde Belinda, set, or rather hung, aloft, in the place of honor, for this was her seventh birthday, and a superb ball was about to celebrate the great event.

A RAG-BABY HUNG FROM THE RUSTY KNOCKER

"A RAG-BABY HUNG FROM THE RUSTY KNOCKER."

All were evidently awaiting a summons to the festive board, but such was the perfect breeding of these dolls that not a single eye out of the whole twenty-seven (Dutch Hans had lost one of the black beads from his worsted countenance) turned for a moment toward the table, or so much as winked, as they lay in decorous rows, gazing with mute admiration at Belinda. She, unable to repress the joy and pride which swelled her sawdust bosom till the seams gaped, gave an occasional bounce as the wind waved her yellow skirts or made the blue boots dance a sort of jig upon the door. Hanging was evidently not a painful operation, for she smiled contentedly, and looked as if the red ribbon around her neck was not uncomfortably tight; therefore, if slow suffocation suited her, who else had any right to complain? So a pleasing silence reigned, not even broken by a snore from Dinah, the top of whose turban alone was visible above the coverlet, or a cry from baby Jane, though her bare feet stuck out in a way that would have produced shrieks from a less well-trained infant.

Presently voices were heard approaching, and through the arch which led to a side path came two little girls, one carrying a small pitcher, the other proudly bearing a basket covered with a napkin. They looked like twins, but were not—for Bab was a year older than Betty, though only an inch taller. Both had on brown calico frocks, much the worse for a week's wear, but clean pink pinafores, in honor of the occasion, made up for that, as well as the gray stockings and thick boots. Both had round rosy faces rather sunburnt, pug noses somewhat freckled, merry blue eyes, and braided tails of hair hanging down their backs like those of the dear little Kenwigses.

BAB AND BETTY ON THEIR WAY TO THE TEA-PARTY

BAB AND BETTY ON THEIR WAY TO THE TEA-PARTY.

"Don't they look sweet?" cried Bab, gazing with maternal pride upon the left-hand row of dolls, who might appropriately have sung in chorus, "We are seven."

"Very nice; but my Belinda beats them all. I do think she is the splendidest child that ever was!" And Betty set down the basket to run and embrace the suspended darling, just then kicking up her heels with joyful abandon.

"The cake can be cooling while we fix the children. It does smell perfectly delicious!" said Bab, lifting the napkin to hang over the basket, fondly regarding the little round loaf that lay inside.

"Leave some smell for me!" commanded Betty, rushing back to get her fair share of the spicy fragrance.

The pug noses sniffed it up luxuriously, and the bright eyes feasted upon the loveliness of the cake, so brown and shiny, with a tipsy-looking B in pie-crust staggering down one side, instead of sitting properly atop.

"Ma let me put it on the very last minute, and it baked so hard I couldn't pick it off. We can give Belinda that piece, so it's just as well," observed Betty, taking the lead, as her child was queen of the revel.

"Let's set them round, so they can see too," proposed Bab, going, with a hop, skip and jump, to collect her young family.

Betty agreed, and for several minutes both were absorbed in seating their dolls about the table, for some of the dear things were so limp they wouldn't sit up, and others so stiff they wouldn't sit down, and all sorts of seats had to be contrived to suit the peculiarities of their spines. This arduous task accomplished, the fond mammas stepped back to enjoy the spectacle, which, I assure you, was an impressive one. Belinda sat with great dignity at the head, her hands genteelly holding a pink cambric pocket-handkerchief in her lap. Josephus, her cousin, took the foot, elegantly arrayed in a new suit of purple and green gingham, with his speaking countenance much obscured by a straw hat several sizes too large for him; while on either side sat guests of every size, complexion and costume, producing a very gay and varied effect, as all were dressed with a noble disregard of fashion.

"They will like to see us get tea. Did you forget the buns?" inquired Betty, anxiously.

"No; got them in my pocket." And Bab produced from that chaotic cupboard two rather stale and crumbly ones, saved from lunch for the fete. These were cut up and arranged in plates, forming a graceful circle around the cake, still in its basket.

"Ma couldn't spare much milk, so we must mix water with it. Strong tea isn't good for children, she says." And Bab contentedly surveyed the gill of skim-milk which was to satisfy the thirst of the company.

"While the tea draws and the cake cools let's sit down and rest; I'm so tired!" sighed Betty, dropping down on the door-step and stretching out the stout little legs which had been on the go all day; for Saturday had its tasks as well as its fun, and much business had preceded this unusual pleasure.

Bab went and sat beside her, looking idly down the walk toward the gate, where a fine cobweb shone in the afternoon sun.

"Ma says she is going over the house in a day or two, now it is warm and dry after the storm, and we may go with her. You know she wouldn't take us in the fall, 'cause we had whooping-cough and it was damp there. Now we shall see all the nice things; wont it be fun?" observed Bab, after a pause.

"Yes, indeed! Ma says there's lots of books in one room, and I can look at 'em while she goes round. May be I'll have time to read some, and then I can tell you," answered Betty, who dearly loved stories and seldom got any new ones.

"I'd rather see the old spinning-wheel up garret, and the big pictures, and the queer clothes in the blue chest. It makes me mad to have them all shut up there when we might have such fun with them. I'd just like to bang that old door down!" And Bab twisted round to give it a thump with her boots. "You needn't laugh; you know you 'd like it as much as me," she added, twisting back again, rather ashamed of her impatience.

"I didn't laugh."

"You did! Don't you suppose I know what laughing is?"

"I guess I know I didn't."

"You did laugh! How darst you tell such a fib?"

"If you say that again I'll take Belinda and go right home; then what will you do?"

"I'll eat up the cake."

"No, you wont! It's mine, ma said so, and you are only company, so you'd better behave or I wont have any party at all, so now."

This awful threat calmed Bab's anger at once, and she hastened to introduce a safer subject.

"Never mind; don't let's fight before the children. Do you know ma says she will let us play in the coach-house next time it rains, and keep the key if we want to."

"Oh, goody! that's because we told her how we found the little window under the woodbine, and didn't try to go in, though we might have just as easy as not," cried Betty, appeased at once, for after a ten years' acquaintance she had grown used to Bab's peppery temper.

"I suppose the coach will be all dust and rats and spiders, but I don't care. You and the dolls can be the passengers, and I shall sit up in front and drive."

"You always do. I shall like riding better than being horse all the time with that old wooden bit in my mouth, and you jerking my arms off," said poor Betty, who was tired of being horse all the time.

"I guess we'd better go and get the water now," suggested Bab, feeling that it was not safe to encourage her sister in such complaints.

"It is not many people who would dare to leave their children all alone with such a lovely cake, and know they wouldn't pick at it," said Betty proudly, as they trotted away to the spring, each with a little tin pail in her hand.

Alas, for the faith of these too confiding mammas! They were gone about five minutes, and when they returned a sight met their astonished eyes which produced a simultaneous shriek of horror. Flat upon their faces lay the fourteen dolls, and the cake, the cherished cake, was gone!

For an instant the little girls could only stand motionless, gazing at the dreadful scene. Then Bab cast her water-pail wildly away, and doubling up her fist, cried out fiercely:

"It was that Sally! She said she'd pay me for slapping her when she pinched little Mary Ann, and now she has. I'll give it to her! You run that way. I'll run this. Quick! quick!"

Away they went, Bab racing straight on, and bewildered Betty turning obediently round to trot in the opposite direction as fast as she could, with the water splashing all over her as she ran, for she had forgotten to put down her pail. Round the house they went, and met with a crash at the back door, but no sign of the thief appeared.

"In the lane!" shouted Bab.

"Down by the spring!" panted Betty, and off they went again, one to scramble up a pile of stones and look over the wall into the avenue, the other to scamper to the spot they had just left. Still nothing appeared but the dandelions' innocent faces looking up at Bab, and a brown bird scared from his bath in the spring by Betty's hasty approach.

Back they rushed, but only to meet a new scare, which made them both cry "Ow!" and fly into the porch for refuge.

A strange dog was sitting calmly among the ruins of the feast, licking his lips after basely eating up the last poor bits of bun when he had bolted the cake, basket and all.

"Oh, the horrid thing!" cried Bab, longing to give battle but afraid, for the dog was a peculiar as well as a dishonest animal.

"He looks like our China poodle, doesn't he?" whispered Betty, making herself as small as possible behind her more valiant sister.

He certainly did; for, though much dirtier than the well-washed China dog, this live one had the same tassel at the end of his tail, ruffles of hair round his ankles, and a body shaven behind and curly before. His eyes, however, were yellow, instead of glassy black, like the other's, his red nose worked as he cocked it up, as if smelling for more cakes in the most impudent manner, and never during the three years he had stood on the parlor mantel-piece had the China poodle done the surprising feats with which this mysterious dog now proceeded to astonish the little girls almost out of their wits.

First he sat up, put his fore-paws together, and begged prettily; then he suddenly flung his hind legs into the air, and walked about with great ease. Hardly had they recovered from this shock when the hind legs came down, the fore legs went up, and he paraded in a soldierly manner to and fro, like a sentinel on guard. But the crowning performance was when he took his tail in his mouth and waltzed down the walk, over the prostrate dolls, to the gate and back again, barely escaping a general upset of the ravaged table.

Bab and Betty could only hold each other tight and squeal with delight, for never had they seen anything so funny; but when the gymnastics ended, and the dizzy dog came and stood on the step before them barking loudly, with that pink nose of his sniffing at their feet and his queer eyes fixed sharply upon them, their amusement turned to fear again, and they dared not stir.

"Whish, go away!" commanded Bab.

"Scat!" meekly quavered Betty.

To their great relief the poodle gave several more inquiring barks, and then vanished as suddenly as he appeared. With one impulse the children ran to see what became of him, and after a brisk scamper through the orchard saw the tasseled tail disappear under the fence at the far end.

"Where do you s'pose he came from?" asked Betty, stopping to rest on a big stone.

"I'd like to know where he's gone, too, and give him a good beating, old thief," scolded Bab, remembering their wrongs.

"Oh dear, yes! I hope the cake burnt him dreadfully if he did eat it," groaned Betty, sadly remembering the dozen good raisins she chopped up, and the "lots of 'lasses" Ma put into the dear lost loaf.

"The party's all spoilt, so we may as well go home," and Bab mournfully led the way back.

Betty puckered up her face to cry, but burst out laughing in spite of her woe, "It was so funny to see him spin round and walk on his head! I wish he'd do it all over again; don't you?"

"Yes; but I hate him just the same. I wonder what ma will say when—why! why!"—and Bab stopped short in the arch, with her eyes as round and almost as large as the blue saucers on the tea-tray.

"What is it? oh, what is it?" cried Betty, all ready to run away if any new terror appeared.

"Look! there! it's come back!" said Bab in an awe-stricken whisper, pointing to the table.

Betty did look and her eyes opened even wider,—as well they might,—for there, just where they first put it, was the lost cake, unhurt, unchanged, except that the big B. had coasted a little further down the gingerbread hill.


CHAPTER II.

WHERE THEY FOUND HIS MASTER.

Neither spoke for a minute, astonishment being too great for words; then, as by one impulse, both stole up and touched the cake with a timid little finger, quite prepared to see it fly away in some mysterious and startling manner. It remained sitting tranquilly in the basket, however, and the children drew a long breath of relief, for, though they did not believe in fairies, the late performances did seem rather like witchcraft.

"The dog didn't eat it!"

"Sally didn't take it!"

"How do you know?"

"She never would have put it back."

"Who did?"

"Can't tell, but I forgive 'em."

"What shall we do now?" asked Betty, feeling as if it would be very difficult to settle down to a quiet tea-party after such unusual excitement.

"Eat that cake up just as fast as ever we can," and Bab divided the contested delicacy with one chop of the big knife, bound to make sure of her own share at all events.

It did not take long, for they washed it down with sips of milk and ate as fast as possible, glancing round all the while to see if the queer dog was coming again.

"There! now I'd like to see any one take my cake away," said Bab, defiantly crunching her half of the pie-crust B.

"Or mine either," coughed Betty, choking over a raisin that wouldn't go down in a hurry.

"We might as well clear up, and play there had been an earthquake," suggested Bab, feeling that some such convulsion of nature was needed to explain satisfactorily the demoralized condition of her family.

"That will be splendid. My poor Linda was knocked right over on her nose. Darlin' child, come to your mother and be fixed," purred Betty, lifting the fallen idol from a grove of chickweed, and tenderly brushing the dirt from Belinda's heroically smiling face.

"She'll have croup to-night as sure as the world. We'd better make up some squills out of this sugar and water," said Bab, who dearly loved to dose the dollies all round.

"P'r'aps she will, but you needn't begin to sneeze yet awhile. I can sneeze for my own children, thank you, ma'am," returned Betty, sharply, for her usually amiable spirit had been ruffled by the late occurrences.

"I didn't sneeze! I've got enough to do to talk and cry and cough for my own poor dears without bothering about yours," cried Bab, even more ruffled than her sister.

"Then who did? I heard a real, live sneeze just as plain as anything," and Betty looked up to the green roof above her, as if the sound came from that direction.

A yellow-bird sat swinging and chirping on the tall lilac-bush, but no other living thing was in sight.

"Birds don't sneeze, do they?" asked Betty, eying little Goldy suspiciously.

"You goose! of course they don't."

"Well, I should just like to know who is laughing and sneezing round here. May be it is the dog," suggested Betty, looking relieved.

"I never heard of a dog's laughing, except Mother Hubbard's. This is such a queer one, may be he can, though. I wonder where he went to?" and Bab took a patient survey down both the side paths, quite longing to see the funny poodle again.

"I know where I'm going to," said Betty, piling the dolls into her apron with more haste than care. "I'm going right straight home to tell Ma all about it. I don't like such actions, and I'm afraid to stay."

"I aint; but I guess it is going to rain, so I shall have to go anyway," answered Bab, taking advantage of the black clouds rolling up the sky, for she scorned to own that she was afraid of anything.

Clearing the table in a summary manner by catching up the four corners of the cloth, Bab put the rattling bundle into her apron, flung her children on the top, and pronounced herself ready to depart. Betty lingered an instant to pick up odds and ends that might be spoilt by the rain, and when she turned from taking the red halter off the knocker, two lovely pink roses lay on the stone steps.

"Oh, Bab, just see! Here's the very ones we wanted. Wasn't it nice of the wind to blow 'em down?" she called out, picking them up and running after her sister, who had strolled moodily along, still looking about her for her sworn foe, Sally Folsom.

The flowers soothed the feelings of the little girls, because they had longed for them, and bravely resisted the temptation to climb up the trellis and help themselves, since their mother had forbidden such feats, owing to a fall Bab got trying to reach a honeysuckle from the vine which ran all over the porch.

Home they went and poured out their tale, to Mrs. Moss's great amusement, for she saw in it only some playmate's prank, and was not much impressed by the mysterious sneeze and laugh.

"We'll have a grand rummage Monday, and find out what is going on over there," was all she said.

But Mrs. Moss could not keep her promise, for on Monday it still rained, and the little girls paddled off to school like a pair of young ducks, enjoying every puddle they came to, since India rubber boots made wading a delicious possibility. They took their dinner, and at noon regaled a crowd of comrades with an account of the mysterious dog, who appeared to be haunting the neighborhood, as several of the other children had seen him examining their back yards with interest. He had begged of them, but to none had he exhibited his accomplishments except Bab and Betty, and they were therefore much set up, and called him "our dog" with an air. The cake transaction remained a riddle, for Sally Folsom solemnly declared that she was playing tag in Mamie Snow's barn at that identical time. No one had been near the old house but the two children, and no one could throw any light upon that singular affair.

It produced a great effect, however; for even "teacher" was interested, and told such amazing tales of a juggler she once saw that doughnuts were left forgotten in dinner-baskets, and wedges of pie remained suspended in the air for several minutes at a time, instead of vanishing with miraculous rapidity as usual. At afternoon recess, which the girls had first, Bab nearly dislocated every joint of her little body trying to imitate the poodle's antics. She had practiced on her bed with great success, but the wood-shed floor was a different thing, as her knees and elbows soon testified.

"It looked just as easy as anything; I don't see how he did it," she said, coming down with a bump after vainly attempting to walk on her hands.

"My gracious, there he is this very minute!" cried Betty, who sat on a little wood-pile near the door.

There was a general rush, and sixteen small girls gazed out into the rain as eagerly as if to behold Cinderella's magic coach, instead of one forlorn dog trotting by through the mud.

"Oh, do call him in and make him dance!" cried the girls, all chirping at once, till it sounded as if a flock of sparrows had taken possession of the shed.

"I will call him, he knows me," and Bab scrambled up, forgetting how she had chased the poodle and called him names two days ago.

He evidently had not forgotten, for though he paused and looked wistfully at them, he would not approach, but stood dripping in the rain with his frills much bedraggled, while his tasseled tail wagged slowly, and his pink nose pointed suggestively to the pails and baskets, nearly empty now.

"He's hungry; give him something to eat, and then he'll see that we don't want to hurt him," suggested Sally, starting a contribution with her last bit of bread and butter.

Bab caught up her new pail, and collected all the odds and ends, then tried to beguile the poor beast in to eat and be comforted. But he only came as far as the door, and sitting up, begged with such imploring eyes that Bab put down the pail and stepped back, saying pitifully:

"The poor thing is starved; let him eat all he wants and we wont touch him."

The girls drew back with little clucks of interest and compassion, but I regret to say their charity was not rewarded as they expected, for, the minute the coast was clear, the dog marched boldly up, seized the handle of the pail in his mouth, and was off with it, galloping down the road at a great pace. Shrieks arose from the children, especially Bab and Betty, basely bereaved of their new dinner-pail; but no one could follow the thief, for the bell rang, and in they went, so much excited that the boys rushed tumultuously forth to discover the cause.

By the time school was over the sun was out, and Bab and Betty hastened home to tell their wrongs and be comforted by mother, who did it most effectually.

"Nevermind, dears, I'll get you another pail, if he doesn't bring it back as he did before. As it is too wet for you to play out, you shall go and see the old coach-house as I promised. Keep on your rubbers and come along."

This delightful prospect much assuaged their woe, and away they went, skipping gayly down the graveled path, while Mrs. Moss followed, with skirts well tucked up, and a great bunch of keys in her hand, for she lived at the Lodge and had charge of the premises.

The small door of the coach-house was fastened inside, but the large one had a padlock on it, and this being quickly unfastened, one half swung open, and the little girls ran in, too eager and curious even to cry out when they found themselves at last in possession of the long-coveted old carriage. A dusty, musty concern enough, but it had a high seat, a door, steps that let down, and many other charms which rendered it most desirable in the eyes of children.

Bab made straight for the box and Betty for the door, but both came tumbling down faster than they went up, when, from the gloom of the interior came a shrill bark, and a low voice saying quickly: "Down, Sancho, down!"

"Who is there?" demanded Mrs. Moss, in a stern tone, backing toward the door with both children clinging to her skirts.

The well-known curly white head was popped out of the broken window, and a mild whine seemed to say, "Don't be alarmed, ladies; we wont hurt you."

"Come out this minute, or I shall have to come to get you," called Mrs. Moss, growing very brave all of a sudden as she caught sight of a pair of small, dusty shoes under the coach.

"Yes 'm, I'm coming as fast as I can," answered a meek voice, as what appeared to be a bundle of rags leaped out of the dark, followed by the poodle, who immediately sat down at the bare feet of his owner with a watchful air, as if ready to assault any one who might approach too near.

"Now, then, who are you, and how did you get here?" asked Mrs. Moss, trying to speak sternly, though her motherly eyes were already full of pity as they rested on the forlorn little figure before her.


CHAPTER III.

BEN.

"Please 'm, my name is Ben Brown, and I'm traveling."

"Where are you going?"

"Anywheres to get work."

"What sort of work can you do?"

"All kinds. I'm used to horses."

"Bless me! such a little chap as you?"

"I'm twelve, ma'am, and can ride anything on four legs;" and the small boy gave a nod that seemed to say, "Bring on your Cruisers. I'm ready for 'em."

"Haven't you got any folks?" asked Mrs. Moss, amused but still anxious, for the sunburnt face was very thin, the eyes big with hunger or pain, and the ragged figure leaned on the wheel as if too weak or weary to stand alone.

"No,'m, not of my own; and the people I was left with beat me so, I—run away." The last words seemed to bolt out against his will, as if the woman's sympathy irresistibly won the child's confidence.

"Then I don't blame you. But how did you get here?"

"I was so tired I couldn't go any further, and I thought the folks up here at the big house would take me in. But the gate was locked, and I was so discouraged, I jest lay down outside and give up."

"Poor little soul, I don't wonder," said Mrs. Moss, while the children looked deeply interested at mention of their gate.

The boy drew a long breath, and his eyes began to twinkle in spite of his forlorn state as he went on, while the dog pricked up his ears at mention of his name:

"While I was restin' I heard some one come along inside, and I peeked, and saw them little girls playin'. The vittles looked so nice I couldn't help wantin' 'em; but I didn't take nothin',—it was Sancho, and he took the cake for me."

Bab and Betty gave a gasp and stared reproachfully at the poodle, who half closed his eyes with a meek, unconscious look that was very droll.

"And you made him put it back?" cried Bab.

"No; I did it myself. Got over the gate when you was racin' after Sanch, and then clim' up on the porch and hid," said the boy, with a grin.

"And you laughed?" asked Bab.

"Yes."

"And sneezed?" added Betty.

"Yes."

"And threw down the roses?" cried both.

"Yes; and you liked 'em, didn't you?"

"Course we did! What made you hide?" said Bab.

"I wasn't fit to be seen," muttered Ben, glancing at his tatters as if he'd like to dive out of sight into the dark coach again.

"How came you here?" demanded Mrs. Moss, suddenly remembering her responsibility.

"I heard them talk about a little winder and a shed, and when they'd gone I found it and come in. The glass was broke, and I only pulled the nail out. I haven't done a mite of harm sleepin' here two nights. I was so tuckered out I couldn't go on nohow, though I tried a Sunday."

"And came back again?"

"Yes, 'm; it was so lonesome in the rain, and this place seemed kinder like home, and I could hear 'em talkin' outside, and Sanch he found vittles, and I was pretty comfortable."

"Well, I never!" ejaculated Mrs. Moss, whisking up a corner of her apron to wipe her eyes, for the thought of the poor little fellow alone there for two days and nights with no bed but musty straw, no food but the scraps a dog brought him, was too much for her. "Do you know what I'm going to do with you?" she asked, trying to look calm and cool, with a great tear running down her wholesome, red cheek, and a smile trying to break out at the corners of her lips.

"No, ma'am; and I dunno as I care. Only don't be hard on Sanch; he's been real good to me, and we're fond of one another; aint us, old chap?" answered the boy, with his arm around the dog's neck, and an anxious look which he had not worn for himself.

"I'm going to take you right home, and wash and feed and put you in a good bed, and to-morrow—well, we'll see what'll happen then," said Mrs. Moss, not quite sure about it herself.

"You're very kind, ma'am. I'll be glad to work for you. Aint you got a horse I can see to?" asked the boy, eagerly.

"Nothing but hens and a cat."

Bab and Betty burst out laughing when their mother said that, and Ben gave a faint giggle, as if he would like to join in if he only had the strength to do it. But his legs shook under him, and he felt a queer dizziness; so he could only hold on to Sancho, and blink at the light like a young owl.

"Come right along, child. Run on, girls, and put the rest of the broth to warming, and fill the kettle. I'll see to the boy," commanded Mrs. Moss, waving off the children, and going up to feel the pulse of her new charge, for it suddenly occurred to her that he might be sick and not safe to take home.

The hand he gave her was very thin, but clean and cool, and the black eyes were clear though hollow, for the poor lad was half starved.

"I'm awful shabby, but I aint dirty. I had a washin' in the rain last night, and I've jest about lived on water lately," he explained, wondering why she looked at him so hard.

"Put out your tongue."

He did so, but took it in again to say quickly:

"I aint sick—I'm only hungry; for I haven't had a mite but what Sanch brought for three days, and I always go halves; don't I, Sanch?"

The poodle gave a shrill bark, and vibrated excitedly between the door and his master as if he understood all that was going on, and recommended a speedy march toward the promised food and shelter. Mrs. Moss took the hint, and bade the boy follow her at once and bring his "things" with him.

"I aint got any. Some big fellers took away my bundle, else I wouldn't look so bad. There's only this. I'm sorry Sanch took it, and I'd like to give it back if I knew whose it was," said Ben, bringing the new dinner pail out from the depths of the coach where he had gone to housekeeping.

"That's soon done; it's mine, and you're welcome to the bits your queer dog ran off with. Come along, I must lock up," and Mrs. Moss clanked her keys suggestively.

Ben limped out, leaning on a broken hoe-handle, for he was stiff after two days in such damp lodgings, as well as worn out with a fortnight's wandering through sun and rain. Sancho was in great spirits, evidently feeling that their woes were over and his foraging expeditions at an end, for he frisked about his master with yelps of pleasure, or made playful darts at the ankles of his benefactress, which caused her to cry, "Whish!" and "Scat!" and shake her skirts at him as if he were a cat or hen.