By RICHARD LE GALLIENNE

Spring was once more in the world. As she sang to herself in the faraway woodlands her voice reached even the ears of the city, weary with the long winter. Daffodils flowered at the entrances to the Subway, furniture removing vans blocked the side streets, children clustered like blossoms on the doorsteps, the open cars were running, and the cry of the "cash clo'" man was once more heard in the land.

Yes, it was the spring, and the city dreamed wistfully of lilacs and the dewy piping of birds in gnarled old apple-trees, of dogwood lighting up with sudden silver the thickening woods, of water-plants unfolding their glossy scrolls in pools of morning freshness.

On Sunday mornings, the outbound trains were thronged with eager pilgrims, hastening out of the city, to behold once more the ancient marvel of the spring; and, on Sunday evenings, the railway termini were aflower with banners of blossom from rifled woodland and orchard carried in the hands of the returning pilgrims, whose eyes still shone with the spring magic, in whose ears still sang the fairy music.

And as I beheld these signs of the vernal equinox I knew that I, too, must follow the music, forsake awhile the beautiful siren we call the city, and in the green silences meet once more my sweetheart Solitude.

As the train drew out of the Grand Central, I hummed to myself,

and so I said good-by to the city, and went forth with beating heart to meet the spring.

I had been told of an almost forgotten corner on the south coast of Connecticut, where the spring and I could live in an inviolate loneliness—a place uninhabited save by birds and blossoms, woods and thick grass, and an occasional silent farmer, and pervaded by the breath and shimmer of the Sound.

Nor had rumor lied, for when the train set me down at my destination I stepped out into the most wonderful green hush, a leafy Sabbath silence through which the very train, as it went farther on its way, seemed to steal as noiselessly as possible for fear of breaking the spell.

After a winter in the town, to be dropped thus suddenly into the intense quiet of the country-side makes an almost ghostly impression upon one, as of an enchanted silence, a silence that listens and watches but never speaks, finger on lip. There is a spectral quality about everything upon which the eye falls: the woods, like great green clouds, the wayside flowers, the still farm-houses half lost in orchard bloom—all seem to exist in a dream. Everything is so still, everything so supernaturally green. Nothing moves or talks, except the gentle susurrus of the spring wind swaying the young buds high up in the quiet sky, or a bird now and again, or a little brook singing softly to itself among the crowding rushes.

Though, from the houses one notes here and there, there are evidently human inhabitants of this green silence, none are to be seen. I have often wondered where the countryfolk hide themselves, as I have walked hour after hour, past farm and croft and lonely door-yards, and never caught sight of a human face. If you should want to ask the way, a farmer is as shy as a squirrel, and if you knock at a farm-house door, all is as silent as a rabbit-warren.

As I walked along in the enchanted stillness, I came at length to a quaint old farm-house—"old Colonial" in its architecture—embowered in white lilacs, and surrounded by an orchard of ancient apple-trees which cast a rich shade on the deep spring grass. The orchard had the impressiveness of those old religious groves, dedicated to the strange worship of sylvan gods, gods to be found now only in Horace or Catullus, and in the hearts of young poets to whom the beautiful antique Latin is still dear.

The old house seemed already the abode of Solitude. As I lifted the latch of the white gate and walked across the forgotten grass, and up on to the veranda already festooned with wistaria, and looked into the window, I saw Solitude sitting by an old piano, on which no composer later than Bach had ever been played.

In other words, the house was empty; and going round to the back, where old barns and stables leaned together as if falling asleep, I found a broken pane, and so climbed in and walked through the echoing rooms. The house was very lonely. Evidently no one had lived in it for a long time. Yet it was all ready for some occupant, for whom it seemed to be waiting. Quaint old four-poster bedsteads stood in three rooms—dimity curtains and spotless linen—old oak chests and mahogany presses; and, opening drawers in Chippendale sideboards, I came upon beautiful frail old silver and exquisite china that set me thinking of a beautiful grandmother of mine, made out of old lace and laughing wrinkles and mischievous old blue eyes.

There was one little room that particularly interested me, a tiny bedroom all white, and at the window the red roses were already in bud. But what caught my eye with peculiar sympathy was a small bookcase, in which were some twenty or thirty volumes, wearing the same forgotten expression—forgotten and yet cared for—which lay like a kind of memorial charm upon everything in the old house. Yes, everything seemed forgotten and yet everything, curiously—even religiously—remembered. I took out book after book from the shelves, once or twice flowers fell out from the pages—and I caught sight of a delicate handwriting here and there and frail markings. It was evidently the little intimate library of a young girl. What surprised me most was to find that quite half the books were in French—French poets and French romancers: a charming, very rare edition of Ronsard, a beautifully printed edition of Alfred de Musset, and a copy of Théophile Gautier's Mademoiselle de Maupin. How did these exotic books come to be there alone in a deserted New England farm-house?

This question was to be answered later in a strange way. Meanwhile I had fallen in love with the sad, old, silent place, and as I closed the white gate and was once more on the road, I looked about for someone who could tell me whether or not this house of ghosts might be rented for the summer by a comparatively living man.

I was referred to a fine old New England farm-house shining white through the trees a quarter of a mile away. There I met an ancient couple, a typical New England farmer and his wife; the old man, lean, chin-bearded, with keen gray eyes flickering occasionally with a shrewd humor, the old lady with a kindly old face of the withered-apple type and ruddy. They were evidently prosperous people, but their minds—for some reason I could not at the moment divine—seemed to be divided between their New England desire to drive a hard bargain and their disinclination to let the house at all.

Over and over again they spoke of the loneliness of the place. They feared I would find it very lonely. No one had lived in it for a long time, and so on. It seemed to me that afterwards I understood their curious hesitation, but at the moment only regarded it as a part of the circuitous New England method of bargaining. At all events, the rent I offered finally overcame their disinclination, whatever its cause, and so I came into possession—for four months—of that silent old house, with the white lilacs, and the drowsy barns, and the old piano, and the strange orchard; and, as the summer came on, and the year changed its name from May to June, I used to lie under the apple-trees in the afternoons, dreamily reading some old book, and through half-sleepy eyelids watching the silken shimmer of the Sound.

I had lived in the old house for about a month, when one afternoon a strange thing happened to me. I remember the date well. It was the afternoon of Tuesday, June 13th. I was reading, or rather dipping here and there, in Burton's Anatomy of Melancholy. As I read, I remember that a little unripe apple, with a petal or two of blossom still clinging to it, fell upon the old yellow page. Then I suppose I must have fallen into a dream, though it seemed to me that both my eyes and my ears were wide open, for I suddenly became aware of a beautiful young voice singing very softly somewhere among the leaves. The singing was very frail, almost imperceptible, as though it came out of the air. It came and went fitfully, like the elusive fragrance of sweetbrier—as though a girl was walking to and fro, dreamily humming to herself in the still afternoon. Yet there was no one to be seen. The orchard had never seemed more lonely. And another fact that struck me as strange was that the words that floated to me out of the aerial music were French, half sad, half gay snatches of some long-dead singer of old France, I looked about for the origin of the sweet sounds, but in vain. Could it be the birds that were singing in French in this strange orchard? Presently the voice seemed to come quite close to me, so near that it might have been the voice of a dryad singing to me out of the tree against which I was leaning. And this time I distinctly caught the words of the sad little song:

But, though the voice was at my shoulder, I could see no one, and then the singing stopped with what sounded like a sob; and a moment or two later I seemed to hear a sound of sobbing far down the orchard. Then there followed silence, and I was left to ponder on the strange occurrence. Naturally, I decided that it was just a day-dream between sleeping and waking over the pages of an old book; yet when next day and the day after the invisible singer was in the orchard again, I could not be satisfied with such mere matter-of-fact explanation.

went the voice to and fro through the thick orchard boughs,

It was certainly uncanny to hear that voice going to and fro the orchard, there somewhere amid the bright sun-dazzled boughs—yet not a human creature to be seen—not another house even within half a mile. The most materialistic mind could hardly but conclude that here was something "not dreamed of in our philosophy." It seemed to me that the only reasonable explanation was the entirely irrational one—that my orchard was haunted: haunted by some beautiful young spirit, with some sorrow of lost joy that would not let her sleep quietly in her grave.

And next day I had a curious confirmation of my theory. Once more I was lying under my favorite apple-tree, half reading and half watching the Sound, lulled into a dream by the whir of insects and the spices called up from the earth by the hot sun. As I bent over the page, I suddenly had the startling impression that someone was leaning over my shoulder and reading with me, and that a girl's long hair was falling over me down on to the page. The book was the Ronsard I had found in the little bedroom. I turned, but again there was nothing there. Yet this time I knew that I had not been dreaming, and I cried out:

"Poor child! tell me of your grief—that I may help your sorrowing heart to rest."

But, of course, there was no answer; yet that night I dreamed a strange dream. I thought I was in the orchard again in the afternoon and once again heard the strange singing—but this time, as I looked up, the singer was no longer invisible. Coming toward me was a young girl with wonderful blue eyes filled with tears and gold hair that fell to her waist. She wore a straight, white robe that might have been a shroud or a bridal dress. She appeared not to see me, though she came directly to the tree where I was sitting. And there she knelt and buried her face in the grass and sobbed as if her heart would break. Her long hair fell over her like a mantle, and in my dream I stroked it pityingly and murmured words of comfort for a sorrow I did not understand.... Then I woke suddenly as one does from dreams. The moon was shining brightly into the room. Rising from my bed, I looked out into the orchard. It was almost as bright as day. I could plainly see the tree of which I had been dreaming, and then a fantastic notion possessed me. Slipping on my clothes, I went out into one of the old barns and found a spade. Then I went to the tree where I had seen the girl weeping in my dream and dug down at its foot.

I had dug little more than a foot when my spade struck upon some hard substance, and in a few more moments I had uncovered and exhumed a small box, which, on examination, proved to be one of those pretty old-fashioned Chippendale work-boxes used by our grandmothers to keep their thimbles and needles in, their reels of cotton and skeins of silk. After smoothing down the little grave in which I had found it, I carried the box into the house, and under the lamplight examined its contents.

Then at once I understood why that sad young spirit went to and fro the orchard singing those little French songs—for the treasure-trove I had found under the apple-tree, the buried treasure of an unquiet, suffering soul, proved to be a number of love-letters written mostly in French in a very picturesque hand—letters, too, written but some five or six years before. Perhaps I should not have read them—yet I read them with such reverence for the beautiful, impassioned love that animated them, and literally made them "smell sweet and blossom in the dust," that I felt I had the sanction of the dead to make myself the confidant of their story. Among the letters were little songs, two of which I had heard the strange young voice singing in the orchard, and, of course, there were many withered flowers and such like remembrances of bygone rapture.

Not that night could I make out all the story, though it was not difficult to define its essential tragedy, and later on a gossip in the neighborhood and a headstone in the churchyard told me the rest. The unquiet young soul that had sung so wistfully to and fro the orchard was my landlord's daughter. She was the only child of her parents, a beautiful, willful girl, exotically unlike those from whom she was sprung and among whom she lived with a disdainful air of exile. She was, as a child, a little creature of fairy fancies, and as she grew up it was plain to her father and mother that she had come from another world than theirs. To them she seemed like a child in an old fairy-tale strangely found on his hearth by some shepherd as he returns from the fields at evening—a little fairy girl swaddled in fine linen, and dowered with a mysterious bag of gold.

Soon she developed delicate spiritual needs to which her simple parents were strangers. From long truancies in the woods she would come home laden with mysterious flowers, and soon she came to ask for books and pictures and music, of which the poor souls that had given her birth had never heard. Finally she had her way, and went to study at a certain fashionable college; and there the brief romance of her life began. There she met a romantic young Frenchman who had read Ronsard to her and written her those picturesque letters I had found in the old mahogany work-box. And after a while the young Frenchman had gone back to France, and the letters had ceased. Month by month went by, and at length one day, as she sat wistful at the window, looking out at the foolish sunlit road, a message came. He was dead. That headstone in the village churchyard tells the rest. She was very young to die—scarcely nineteen years; and the dead who have died young, with all their hopes and dreams still like unfolded buds within their hearts, do not rest so quietly in the grave as those who have gone through the long day from morning until evening and are only too glad to sleep.

Next day I took the little box to a quiet corner of the orchard, and made a little pyre of fragrant boughs—for so I interpreted the wish of that young, unquiet spirit—and the beautiful words are now safe, taken up again into the aerial spaces from which they came.

But since then the birds sing no more little French songs in my old orchard.

By ARTHUR MACHEN

It was during the Retreat of the Eighty Thousand, and the authority of the Censorship is sufficient excuse for not being more explicit. But it was on the most awful day of that awful time, on the day when ruin and disaster came so near that their shadow fell over London far away; and, without any certain news, the hearts of men failed within them and grew faint; as if the agony of the army in the battlefield had entered into their souls.

On this dreadful day, then, when three hundred thousand men in arms with all their artillery swelled like a flood against the little English company, there was one point above all other points in our battle line that was for a time in awful danger, not merely of defeat, but of utter annihilation. With the permission of the Censorship and of the military expert, this corner may, perhaps, be described as a salient, and if this angle were crushed and broken, then the English force as a whole would be shattered, the Allied left would be turned, and Sedan would inevitably follow.

All the morning the German guns had thundered and shrieked against this corner, and against the thousand or so of men who held it. The men joked at the shells, and found funny names for them, and had bets about them, and greeted them with scraps of music-hall songs. But the shells came on and burst, and tore good Englishmen limb from limb, and tore brother from brother, and as the heat of the day increased so did the fury of that terrific cannonade. There was no help, it seemed. The English artillery was good, but there was not nearly enough of it; it was being steadily battered into scrap iron.

There comes a moment in a storm at sea when people say to one another, "It is at its worst; it can blow no harder," and then there is a blast ten times more fierce than any before it. So it was in these British trenches.

There were no stouter hearts in the whole world than the hearts of these men; but even they were appalled as this seven-times-heated hell of the German cannonade fell upon them and overwhelmed them and destroyed them. And at this very moment they saw from their trenches that a tremendous host was moving against their lines. Five hundred of the thousand remained, and as far as they could see the German infantry was pressing on against them, column upon column, a gray world of men, ten thousand of them, as it appeared afterwards.

There was no hope at all. They shook hands, some of them. One man improvised a new version of the battle-song, "Good-by, good-by to Tipperary," ending with "And we shan't get there." And they all went on firing steadily. The officer pointed out that such an opportunity for high-class fancy shooting might never occur again; the Tipperary humorist asked, "What price Sidney Street?" And the few machine guns did their best. But everybody knew it was of no use. The dead gray bodies lay in companies and battalions, as others came on and on and on, and they swarmed and stirred, and advanced from beyond and beyond.

"World without end. Amen," said one of the British soldiers with some irrelevance as he took aim and fired. And then he remembered—he says he cannot think why or wherefore—a queer vegetarian restaurant in London where he had once or twice eaten eccentric dishes of cutlets made of lentils and nuts that pretended to be steak. On all the plates in this restaurant there was printed a figure of St. George in blue, with the motto, "Adsit Anglis Sanctus Georgius"—"May St. George be a present help to the English." This soldier happened to know Latin and other useless things, and now, as he fired at his man in the gray advancing mass—three hundred yards away—he uttered the pious vegetarian motto. He went on firing to the end, and at last Bill on his right had to clout him cheerfully over the head to make him stop, pointing out as he did so that the King's ammunition cost money and was not lightly to be wasted in drilling funny patterns into dead Germans.

For as the Latin scholar uttered his invocation he felt something between a shudder and an electric shock pass through his body. The roar of the battle died down in his ears to a gentle murmur; instead of it, he says, he heard a great voice and a shout louder than a thunder-peal crying, "Array, array, array!"

His heart grew hot as a burning coal, it grew cold as ice within him, as it seemed to him that a tumult of voices answered to his summons. He heard, or seemed to hear, thousands shouting: "St. George! St. George!"

"Ha! Messire, ha! sweet Saint, grant us good deliverance!"

"St. George for merry England!"

"Harow! Harow! Monseigneur St. George, succor us!"

"Ha! St. George! Ha! St. George! a long bow and a strong bow."

"Heaven's Knight, aid us!"

And as the soldier heard these voices he saw before him, beyond the trench, a long line of shapes, with a shining about them. They were like men who drew the bow, and with another shout, their cloud of arrows flew singing and tingling through the air towards the German hosts.

The other men in the trench were firing all the while. They had no hope; but they aimed just as if they had been shooting at Bisley.

Suddenly one of them lifted up his voice in the plainest English.

"Gawd help us!" he bellowed to the man next to him, "but we're blooming marvels! Look at those gray ... gentlemen, look at them! D'ye see them? They're not going down in dozens nor in 'undreds; it's thousands, it is. Look! look! there's a regiment gone while I'm talking to ye."

"Shut it!" the other soldier bellowed, taking aim, "what are ye gassing about?"

But he gulped with astonishment even as he spoke, for, indeed, the gray men were falling by the thousands. The English could hear the guttural scream of the German officers, the crackle of their revolvers as they shot the reluctant; and still line after line crashed to the earth.

All the while the Latin-bred soldier heard the cry:

"Harow! Harow! Monseigneur, dear Saint, quick to our aid! St. George help us!"

"High Chevalier, defend us!"

The singing arrows fled so swift and thick that they darkened the air, the heathen horde melted from before them.

"More machine guns!" Bill yelled to Tom.

"Don't hear them," Tom yelled back.

"But, thank God, anyway; they've got it in the neck."

In fact, there were ten thousand dead German soldiers left before that salient of the English army, and consequently there was no Sedan. In Germany, a country ruled by scientific principles, the Great General Staff decided that the contemptible English must have employed shells containing an unknown gas of a poisonous nature, as no wounds were discernible on the bodies of the dead German soldiers. But the man who knew what nuts tasted like when they called themselves steak knew also that St. George had brought his Agincourt Bowmen to help the English.

By GUY DE MAUPASSANT

We were speaking of sequestration, alluding to a recent lawsuit. It was at the close of a friendly evening in a very old mansion in the Rue de Grenelle, and each of the guests had a story to tell, which he assured us was true.

Then the old Marquis de la Tour-Samuel, eighty-two years of age, rose and came forward to lean on the mantelpiece. He told the following story in his slightly quavering voice.

"I, also, have witnessed a strange thing—so strange that it has been the nightmare of my life. It happened fifty-six years ago, and yet there is not a month when I do not see it again in my dreams. From that day I have borne a mark, a stamp of fear,—do you understand?

"Yes, for ten minutes I was a prey to terror, in such a way that ever since a constant dread has remained in my soul. Unexpected sounds chill me to the heart; objects which I can ill distinguish in the evening shadows make me long to flee. I am afraid at night.

"No! I would not have owned such a thing before reaching my present age. But now I may tell everything. One may fear imaginary dangers at eighty-two years old. But before actual danger I have never turned back, mesdames.

"That affair so upset my mind, filled me with such a deep, mysterious unrest that I never could tell it. I kept it in that inmost part, that corner where we conceal our sad, our shameful secrets, all the weaknesses of our life which cannot be confessed.

"I will tell you that strange happening just as it took place, with no attempt to explain it. Unless I went mad for one short hour it must be explainable, though. Yet I was not mad, and I will prove it to you. Imagine what you will. Here are the simple facts:

"It was in 1827, in July. I was quartered with my regiment in Rouen.

"One day, as I was strolling on the quay, I came across a man I believed I recognized, though I could not place him with certainty. I instinctively went more slowly, ready to pause. The stranger saw my impulse, looked at me, and fell into my arms.

"It was a friend of my younger days, of whom I had been very fond. He seemed to have become half a century older in the five years since I had seen him. His hair was white, and he stooped in his walk, as if he were exhausted. He understood my amazement and told me the story of his life.

"A terrible event had broken him down. He had fallen madly in love with a young girl and married her in a kind of dreamlike ecstasy. After a year of unalloyed bliss and unexhausted passion, she had died suddenly of heart disease, no doubt killed by love itself.

"He had left the country on the very day of her funeral, and had come to live in his hotel at Rouen. He remained there, solitary and desperate, grief slowly mining him, so wretched that he constantly thought of suicide.

"'As I thus came across you again,' he said, 'I shall ask a great favor of you. I want you to go to my château and get some papers I urgently need. They are in the writing-desk of my room, of our room. I cannot send a servant or a lawyer, as the errand must be kept private. I want absolute silence.

"'I shall give you the key of the room, which I locked carefully myself before leaving, and the key to the writing-desk. I shall also give you a note for the gardener, who will let you in.

"'Come to breakfast with me to-morrow, and we'll talk the matter over.'

"I promised to render him that slight service. It would mean but a pleasant excursion for me, his home not being more than twenty-five miles from Rouen. I could go there in an hour on horseback.

"At ten o'clock the next day I was with him. We breakfasted alone together, yet he did not utter more than twenty words. He asked me to excuse him. The thought that I was going to visit the room where his happiness lay shattered, upset him, he said. Indeed, he seemed perturbed, worried, as if some mysterious struggle were taking place in his soul.

"At last he explained exactly what I was to do. It was very simple. I was to take two packages of letters and some papers, locked in the first drawer at the right of the desk of which I had the key. He added:

"'I need not ask you not to glance at them.'

"I was almost hurt by his words, and told him so, rather sharply. He stammered:

"'Forgive me. I suffer so much!'

"And tears came to his eyes.

"I left about one o'clock to accomplish my errand.

"The day was radiant, and I rushed through the meadows, listening to the song of the larks, and the rhythmical beat of my sword on my riding-boots.

"Then I entered the forest, and I set my horse to walking. Branches of the trees softly caressed my face, and now and then I would catch a leaf between my teeth and bite it with avidity, full of the joy of life, such as fills you without reason, with a tumultuous happiness almost indefinable, a kind of magical strength.

"As I neared the house I took out the letter for the gardener, and noted with surprise that it was sealed. I was so amazed and so annoyed that I almost turned back without fulfilling my mission. Then I thought that I should thus display over-sensitiveness and bad taste. My friend might have sealed it unconsciously, worried as he was.

"The manor looked as though it had been deserted the last twenty years. The gate, wide-open and rotten, held, one wondered how. Grass filled the paths; you could not tell the flower-beds from the lawn.

"At the noise I made kicking a shutter, an old man came out from a side-door and was apparently amazed to see me there. I dismounted from my horse and gave him the letter. He read it once or twice, turned it over, looked at me with suspicion, and asked:

"'Well, what do you want?'

"I answered sharply:

"'You must know it as you have read your master's orders. I want to get in the house.'

"He appeared overwhelmed. He said:

"'So—you are going in—in his room?'

"I was getting impatient.

"'Parbleu! Do you intend to question me, by chance?'

"He stammered:

"'No—monsieur—only—it has not been opened since—since the death. If you will wait five minutes, I will go in to see whether——'

"I interrupted angrily:

"'See here, are you joking? You can't go in that room, as I have the key!'

"He no longer knew what to say.

"'Then, monsieur, I will show you the way.'

"'Show me the stairs and leave me alone. I can find it without your help.'

"'But—still—monsieur——'

"Then I lost my temper.

"'Now be quiet! Else you'll be sorry!'

"I roughly pushed him aside and went into the house.

"I first went through the kitchen, then crossed two small rooms occupied by the man and his wife. From there I stepped into a large hall. I went up the stairs, and I recognized the door my friend had described to me.

"I opened it with ease and went in.

"The room was so dark that at first I could not distinguish anything. I paused, arrested by that moldy and stale odor peculiar to deserted and condemned rooms, of dead rooms. Then gradually my eyes grew accustomed to the gloom, and I saw rather clearly a great room in disorder, a bed without sheets having still its mattresses and pillows, one of which bore the deep print of an elbow or a head, as if someone had just been resting on it.

"The chairs seemed all in confusion. I noticed that a door, probably that of a closet, had remained ajar.

"I first went to the window and opened it to get some light, but the hinges of the outside shutters were so rusted that I could not loosen them.

"I even tried to break them with my sword, but did not succeed. As those fruitless attempts irritated me, and as my eyes were by now adjusted to the dim light, I gave up hope of getting more light and went toward the writing-desk.

"I sat down in an arm-chair, folded back the top, and opened the drawer. It was full to the edge. I needed but three packages, which I knew how to distinguish, and I started looking for them.

"I was straining my eyes to decipher the inscriptions, when I thought I heard, or rather felt a rustle behind me. I took no notice, thinking a draft had lifted some curtain. But a minute later, another movement, almost indistinct, sent a disagreeable little shiver over my skin. It was so ridiculous to be moved thus even so slightly, that I would not turn round, being ashamed. I had just discovered the second package I needed, and was on the point of reaching for the third, when a great and sorrowful sigh, close to my shoulder, made me give a mad leap two yards away. In my spring I had turned round, my hand on the hilt of my sword, and surely had I not felt that, I should have fled like a coward.

"A tall woman, dressed in white, was facing me, standing behind the chair in which I had sat a second before.

"Such a shudder ran through me that I almost fell back! Oh, no one who has not felt them can understand those gruesome and ridiculous terrors! The soul melts; your heart seems to stop; your whole body becomes limp as a sponge, and your innermost parts seem collapsing.

"I do not believe in ghosts; and yet I broke down before the hideous fear of the dead; and I suffered, oh, I suffered more in a few minutes, in the irresistible anguish of supernatural dread, than I have suffered in all the rest of my life!

"If she had not spoken, I might have died. But she did speak; she spoke in a soft and plaintive voice which set my nerves vibrating. I could not say that I regained my self-control. No, I was past knowing what I did; but the kind of pride I have in me, as well as a military pride, helped me to maintain, almost in spite of myself, an honorable countenance. I was making a pose, a pose for myself, and for her, for her, whatever she was, woman, or phantom. I realized this later, for at the time of the apparition, I could think of nothing. I was afraid.

"She said:

"'Oh, you can be of great help to me, monsieur!'

"I tried to answer, but I was unable to utter one word. A vague sound came from my throat.

"She continued:

"'Will you? You can save me, cure me. I suffer terribly. I always suffer. I suffer, oh, I suffer!'

"And she sat down gently in my chair. She looked at me.

"'Will you?'

"I nodded my head, being still paralyzed.

"Then she handed me a woman's comb of tortoise-shell, and murmured:

"'Comb my hair! Oh, comb my hair! That will cure me. Look at my head—how I suffer! And my hair—how it hurts!'

"Her loose hair, very long, very black, it seemed to me, hung over the back of the chair, touching the floor.

"Why did I do it? Why did I, shivering, accept that comb, and why did I take between my hands her long hair, which left on my skin a ghastly impression of cold, as if I had handled serpents? I do not know.

"That feeling still clings about my fingers, and I shiver when I recall it.

"I combed her, I handled, I know not how, that hair of ice. I bound and unbound it; I plaited it as one plaits a horse's mane. She sighed, bent her head, seemed happy.

"Suddenly she said, 'Thank you!' tore the comb from my hands, and fled through the door which I had noticed was half opened.

"Left alone, I had for a few seconds the hazy feeling one feels in waking up from a nightmare. Then I recovered myself. I ran to the window and broke the shutters by my furious assault.

"A stream of light poured in. I rushed to the door through which that being had gone. I found it locked and immovable.

"Then a fever of flight seized on me, a panic, the true panic of battle. I quickly grasped the three packages of letters from the open desk; I crossed the room running, I took the steps of the stairway four at a time. I found myself outside, I don't know how, and seeing my horse close by, I mounted in one leap and left at a full gallop.

"I didn't stop till I reached Rouen and drew up in front of my house. Having thrown the reins to my orderly, I flew to my room and locked myself in to think.

"Then for an hour I asked myself whether I had not been the victim of an hallucination. Certainly I must have had one of those nervous shocks, one of those brain disorders such as give rise to miracles, to which the supernatural owes its strength.

"And I had almost concluded that it was a vision, an illusion of my senses, when I came near to the window. My eyes by chance looked down. My tunic was covered with hairs, long woman's hairs which had entangled themselves around the buttons!

"I took them off one by one and threw them out of the window with trembling fingers.

"I then called my orderly. I felt too perturbed, too moved, to go and see my friend on that day. Besides, I needed to think over what I should tell him.

"I had his letters delivered to him. He gave a receipt to the soldier. He inquired after me and was told that I was not well. I had had a sunstroke, or something. He seemed distressed.

"I went to see him the next day, early in the morning, bent on telling him the truth. He had gone out the evening before and had not come back.

"I returned the same day, but he had not been seen. I waited a week. He did not come back. I notified the police. They searched for him everywhere, but no one could find any trace of his passing or of his retreat.

"A careful search was made in the deserted manor. No suspicious clue was discovered.

"There was no sign that a woman had been concealed there.

"The inquest gave no result, and so the search went no further.

"And in fifty-six years I have learned nothing more. I never found out the truth."