When I closed the door, sir, it was almost dark in the store-room. I'd never been in the Light before in a gale of wind. I wondered why I was shivering so, till I found it was the floor below me shivering, and the walls and stair. Horrible crunchings and grindings ran away up the tower, and now and then there was a great thud somewhere, like a cannon-shot in a cave. I tell you, sir, I was alone, and I was in a mortal fright for a minute or so. And yet I had to get myself together. There was the light up there not tended to, and an early dark coming on and a heavy night and all, and I had to go. And I had to pass that door.

You'll say it's foolish, sir, and maybe it was foolish. Maybe it was because I hadn't eaten. But I began thinking of that door up there the minute I set foot on the stair, and all the way up through that howling dark well I dreaded to pass it. I told myself I wouldn't stop. I didn't stop. I felt the landing underfoot and I went on, four steps, five—and then I couldn't. I turned and went back. I put out my hand and it went on into nothing. That door, sir, was open again.

I left it be; I went on up to the light-room and set to work. It was Bedlam there, sir, screeching Bedlam, but I took no notice. I kept my eyes down. I trimmed those seven wicks, sir, as neat as ever they were trimmed; I polished the brass till it shone, and I dusted the lens. It wasn't till that was done that I let myself look back to see who it was standing there, half out of sight in the well. It was her, sir.

"Where'd you come from?" I asked. I remember my voice was sharp.

"Up Jacob's-ladder," said she, and hers was like the syrup of flowers.

I shook my head. I was savage, sir. "The ladder's carried away."

"I cast it off," said she, with a smile.

"Then," said I, "you must have come while I was asleep." Another thought came on me heavy as a ton of lead. "And where's he?" said I. "Where's the boat?"

"He's drowned," said she, as easy as that. "And I let the boat go adrift. You wouldn't hear me when I called."

"But look here," said I. "If you came through the store-room, why didn't you wake me up? Tell me that!" It sounds foolish enough, me standing like a lawyer in court, trying to prove she couldn't be there.

She didn't answer for a moment. I guess she sighed, though I couldn't hear for the gale, and her eyes grew soft, sir, so soft.

"I couldn't," said she. "You looked so peaceful—dear one."

My cheeks and neck went hot, sir, as if a warm iron was laid on them. I didn't know what to say. I began to stammer, "What do you mean—" but she was going back down the stair, out of sight. My God sir, and I used not to think she was good-looking!

I started to follow her. I wanted to know what she meant. Then I said to myself, "If I don't go—if I wait here—she'll come back." And I went to the weather side and stood looking out of the window. Not that there was much to see. It was growing dark, and the Seven Brothers looked like the mane of a running horse, a great, vast, white horse running into the wind. The air was a-welter with it. I caught one peep of a fisherman, lying down flat trying to weather the ledge, and I said, "God help them all to-night," and then I went hot at sound of that "God."

I was right about her, though. She was back again. I wanted her to speak first, before I turned, but she wouldn't. I didn't hear her go out; I didn't know what she was up to till I saw her coming outside on the walk-around, drenched wet already. I pounded on the glass for her to come in and not be a fool; if she heard she gave no sign of it.

There she stood, and there I stood watching her. Lord, sir—was it just that I'd never had eyes to see? Or are there women who bloom? Her clothes were shining on her, like a carving, and her hair was let down like a golden curtain tossing and streaming in the gale, and there she stood with her lips half open, drinking, and her eyes half closed, gazing straight away over the Seven Brothers, and her shoulders swaying, as if in tune with the wind and water and all the ruin. And when I looked at her hands over the rail, sir, they were moving in each other as if they bathed, and then I remembered, sir.

A cold horror took me. I knew now why she had come back again. She wasn't a woman—she was a devil. I turned my back on her. I said to myself: "It's time to light up. You've got to light up"—like that, over and over, out loud. My hand was shivering so I could hardly find a match; and when I scratched it, it only flared a second and then went out in the back draught from the open door. She was standing in the doorway, looking at me. It's queer, sir, but I felt like a child caught in mischief.

"I—I—was going to light up," I managed to say, finally.

"Why?" said she. No, I can't say it as she did.

"Why?" said I. "My God!"

She came nearer, laughing, as if with pity, low, you know. "Your God? And who is your God? What is God? What is anything on a night like this?"

I drew back from her. All I could say anything about was the light.

"Why not the dark?" said she. "Dark is softer than light—tenderer—dearer than light. From the dark up here, away up here in the wind and storm, we can watch the ships go by, you and I. And you love me so. You've loved me so long, Ray."

"I never have!" I struck out at her. "I don't! I don't!"

Her voice was lower than ever, but there was the same laughing pity in it. "Oh yes, you have." And she was near me again.

"I have?" I yelled. "I'll show you! I'll show you if I have!"

I got another match, sir, and scratched it on the brass. I gave it to the first wick, the little wick that's inside all the others. It bloomed like a yellow flower. "I have?" I yelled, and gave it to the next.

Then there was a shadow, and I saw she was leaning beside me, her two elbows on the brass, her two arms stretched out above the wicks, her bare forearms and wrists and hands. I gave a gasp:

"Take care! You'll burn them! For God's sake——"

She didn't move or speak. The match burned my fingers and went out, and all I could do was stare at those arms of hers, helpless. I'd never noticed her arms before. They were rounded and graceful and covered with a soft down, like a breath of gold. Then I heard her speaking close to my ear.

"Pretty arms," she said. "Pretty arms!"

I turned. Her eyes were fixed on mine. They seemed heavy, as if with sleep, and yet between their lids they were two wells, deep and deep, and as if they held all the things I'd ever thought or dreamed in them. I looked away from them, at her lips. Her lips were red as poppies, heavy with redness. They moved, and I heard them speaking:

"Poor boy, you love me so, and you want to kiss me—don't you?"

"No," said I. But I couldn't turn around. I looked at her hair. I'd always thought it was stringy hair. Some hair curls naturally with damp, they say, and perhaps that was it, for there were pearls of wet on it, and it was thick and shimmering around her face, making soft shadows by the temples. There was green in it, queer strands of green like braids.

"What is it?" said I.

"Nothing but weed," said she, with that slow, sleepy smile.

Somehow or other I felt calmer than I had any time. "Look here," said I. "I'm going to light this lamp." I took out a match, scratched it, and touched the third wick. The flame ran around, bigger than the other two together. But still her arms hung there. I bit my lip. "By God, I will!" said I to myself, and I lit the fourth.

It was fierce, sir, fierce! And yet those arms never trembled. I had to look around at her. Her eyes were still looking into mine, so deep and deep, and her red lips were still smiling with that queer, sleepy droop; the only thing was that tears were raining down her cheeks—big, glowing round, jewel tears. It wasn't human, sir. It was like a dream.

"Pretty arms," she sighed, and then, as if those words had broken something in her heart, there came a great sob bursting from her lips. To hear it drove me mad. I reached to drag her away, but she was too quick, sir; she cringed from me and slipped out from between my hands. It was like she faded away, sir, and went down in a bundle, nursing her poor arms and mourning over them with those terrible, broken sobs.

The sound of them took the manhood out of me—you'd have been the same, sir. I knelt down beside her on the floor and covered my face.

"Please!" I moaned. "Please! Please!" That's all I could say. I wanted her to forgive me. I reached out a hand, blind, for forgiveness, and I couldn't find her anywhere. I had hurt her so, and she was afraid of me, of me, sir, who loved her so deep it drove me crazy.

I could see her down the stair, though it was dim and my eyes were filled with tears. I stumbled after her, crying, "Please! Please!" The little wicks I'd lit were blowing in the wind from the door and smoking the glass beside them black. One went out. I pleaded with them, the same as I would plead with a human being. I said I'd be back in a second. I promised. And I went on down the stair, crying like a baby because I'd hurt her, and she was afraid of me—of me, sir.

She had gone into her room. The door was closed against me and I could hear her sobbing beyond it, broken-hearted. My heart was broken too. I beat on the door with my palms. I begged her to forgive me. I told her I loved her. And all the answer was that sobbing in the dark.

And then I lifted the latch and went in, groping, pleading. "Dearest—please! Because I love you!"

I heard her speak down near the floor. There wasn't any anger in her voice; nothing but sadness and despair.

"No," said she. "You don't love me, Ray. You never have."

"I do! I have!"

"No, no," said she, as if she was tired out.

"Where are you?" I was groping for her. I thought, and lit a match. She had got to the door and was standing there as if ready to fly. I went toward her, and she made me stop. She took my breath away. "I hurt your arms," said I, in a dream.

"No," said she, hardly moving her lips. She held them out to the match's light for me to look and there was never a scar on them—not even that soft, golden down was singed, sir. "You can't hurt my body," said she, sad as anything. "Only my heart, Ray; my poor heart."

I tell you again, she took my breath away. I lit another match. "How can you be so beautiful?" I wondered.

She answered in riddles—but oh, the sadness of her, sir.

"Because," said she, "I've always so wanted to be."

"How come your eyes so heavy?" said I.

"Because I've seen so many things I never dreamed of," said she.

"How come your hair so thick?"

"It's the seaweed makes it thick," said she smiling queer, queer.

"How come seaweed there?"

"Out of the bottom of the sea."

She talked in riddles, but it was like poetry to hear her, or a song.

"How come your lips so red?" said I.

"Because they've wanted so long to be kissed."

Fire was on me, sir. I reached out to catch her, but she was gone, out of the door and down the stair. I followed, stumbling. I must have tripped on the turn, for I remember going through the air and fetching up with a crash, and I didn't know anything for a spell—how long I can't say. When I came to, she was there, somewhere, bending over me, crooning, "My love—my love—" under her breath like, a song.

But then when I got up, she was not where my arms went; she was down the stair again, just ahead of me. I followed her. I was tottering and dizzy and full of pain. I tried to catch up with her in the dark of the store-room, but she was too quick for me, sir, always a little too quick for me. Oh, she was cruel to me, sir. I kept bumping against things, hurting myself still worse, and it was cold and wet and a horrible noise all the while, sir; and then, sir, I found the door was open, and a sea had parted the hinges.

I don't know how it all went, sir. I'd tell you if I could, but it's all so blurred—sometimes it seems more like a dream. I couldn't find her any more; I couldn't hear her; I went all over, everywhere. Once, I remember, I found myself hanging out of that door between the davits, looking down into those big black seas and crying like a baby. It's all riddles and blur. I can't seem to tell you much, sir. It was all—all—I don't know.

I was talking to somebody else—not her. It was the Inspector. I hardly knew it was the Inspector. His face was as gray as a blanket, and his eyes were bloodshot, and his lips were twisted. His left wrist hung down, awkward. It was broken coming aboard the Light in that sea. Yes, we were in the living-room. Yes, sir, it was daylight—gray daylight. I tell you, sir, the man looked crazy to me. He was waving his good arm toward the weather windows, and what he was saying, over and over, was this:

"Look what you done, damn you! Look what you done!"

And what I was saying was this:

"I've lost her!"

I didn't pay any attention to him, nor him to me. By and by he did, though. He stopped his talking all of a sudden, and his eyes looked like the devil's eyes. He put them up close to mine. He grabbed my arm with his good hand, and I cried, I was so weak.

"Johnson," said he, "is that it? By the living God—if you got a woman out here, Johnson!"

"No," said I. "I've lost her."

"What do you mean—lost her?"

"It was dark," said I—and it's funny how my head was clearing up—"and the door was open—the store-room door—and I was after her—and I guess she stumbled, maybe—and I lost her."

"Johnson," said he, "what do you mean? You sound crazy—downright crazy. Who?"

"Her," said I. "Fedderson's wife."

"Who?"

"Her," said I. And with that he gave my arm another jerk.

"Listen," said he, like a tiger. "Don't try that on me. It won't do any good—that kind of lies—not where you're going to. Fedderson and his wife, too—the both of 'em's drowned deader 'n a door-nail."

"I know," said I, nodding my head. I was so calm it made him wild.

"You're crazy! Crazy as a loon, Johnson!" And he was chewing his lip red. "I know, because it was me that found the old man laying on Back Water Flats yesterday morning—me! And she'd been with him in the boat, too, because he had a piece of her jacket tore off, tangled in his arm."

"I know," said I, nodding again, like that.

"You know what, you crazy, murdering fool?" Those were his words to me, sir.

"I know," said I, "what I know."

"And I know," said he, "what I know."

And there you are, sir. He's Inspector. I'm—nobody.


At the Gate

By MYLA JO CLOSSER

From the Century Magazine. By permission of the Century Company and Myla J. Closser.

A shaggy Airedale scented his way along the highroad. He had not been there before, but he was guided by the trail of his brethren who had preceded him. He had gone unwillingly upon this journey, yet with the perfect training of dogs he had accepted it without complaint. The path had been lonely, and his heart would have failed him, traveling as he must without his people, had not these traces of countless dogs before him promised companionship of a sort at the end of the road.

The landscape had appeared arid at first, for the translation from recent agony into freedom from pain had been so numbing in its swiftness that it was some time before he could fully appreciate the pleasant dog-country through which he was passing. There were woods with leaves upon the ground through which to scurry, long grassy slopes for extended runs, and lakes into which he might plunge for sticks and bring them back to—But he did not complete his thought, for the boy was not with him. A little wave of homesickness possessed him.

It made his mind easier to see far ahead a great gate as high as the heavens, wide enough for all. He understood that only man built such barriers and by straining his eyes he fancied he could discern humans passing through to whatever lay beyond. He broke into a run that he might the more quickly gain this inclosure made beautiful by men and women; but his thoughts outran his pace, and he remembered that he had left the family behind, and again this lovely new compound became not perfect, since it would lack the family.

The scent of the dogs grew very strong now, and coming nearer, he discovered, to his astonishment that of the myriads of those who had arrived ahead of him thousands were still gathered on the outside of the portal. They sat in a wide circle spreading out on each side of the entrance, big, little, curly, handsome, mongrel, thoroughbred dogs of every age, complexion, and personality. All were apparently waiting for something, someone, and at the pad of the Airedale's feet on the hard road they arose and looked in his direction.

That the interest passed as soon as they discovered the new-comer to be a dog puzzled him. In his former dwelling-place a four-footed brother was greeted with enthusiasm when he was a friend, with suspicious diplomacy when a stranger, and with sharp reproof when an enemy; but never had he been utterly ignored.

He remembered something that he had read many times on great buildings with lofty entrances. "Dogs not admitted," the signs had said, and he feared this might be the reason for the waiting circle outside the gate. It might be that this noble portal stood as the dividing-line between mere dogs and humans. But he had been a member of the family, romping with them in the living-room, sitting at meals with them in the dining-room, going upstairs at night with them, and the thought that he was to be "kept out" would be unendurable.

He despised the passive dogs. They should be treating a barrier after the fashion of their old country, leaping against it, barking, and scratching the nicely painted door. He bounded up the last little hill to set them an example, for he was still full of the rebellion of the world; but he found no door to leap against. He could see beyond the entrance dear masses of people, yet no dog crossed the threshold. They continued in their patient ring, their gaze upon the winding road.

He now advanced cautiously to examine the gate. It occurred to him that it must be fly-time in this region, and he did not wish to make himself ridiculous before all these strangers by trying to bolt through an invisible mesh like the one that had baffled him when he was a little chap. Yet there were no screens, and despair entered his soul. What bitter punishment these poor beasts must have suffered before they learned to stay on this side the arch that led to human beings! What had they done on earth to merit this? Stolen bones troubled his conscience, runaway days, sleeping in the best chair until the key clicked in the lock. These were sins.

At that moment an English bull-terrier, white, with liver-colored spots and a jaunty manner, approached him, snuffling in a friendly way. No sooner had the bull-terrier smelt his collar than he fell to expressing his joy at meeting him. The Airedale's reserve was quite thawed by this welcome, though he did not know just what to make of it.

"I know you! I know you!" exclaimed the bull-terrier, adding inconsequently, "What's your name?"

"Tam o'Shanter. They call me Tammy," was the answer, with a pardonable break in the voice.

"I know them," said the bull-terrier. "Nice folks."

"Best ever," said the Airedale, trying to be nonchalant, and scratching a flea which was not there. "I don't remember you. When did you know them?"

"About fourteen tags ago, when they were first married. We keep track of time here by the license-tags. I had four."

"This is my first and only one. You were before my time, I guess." He felt young and shy.

"Come for a walk, and tell me all about them," was his new friend's invitation.

"Aren't we allowed in there?" asked Tam, looking toward the gate.

"Sure. You can go in whenever you want to. Some of us do at first, but we don't stay."

"Like it better outside?"

"No, no; it isn't that."

"Then why are all you fellows hanging around here? Any old dog can see it's better beyond the arch."

"You see, we're waiting for our folks to come."

The Airedale grasped it at once, and nodded understandingly.

"I felt that way when I came along the road. It wouldn't be what it's supposed to be without them. It wouldn't be the perfect place."

"Not to us," said the bull-terrier.

"Fine! I've stolen bones, but it must be that I have been forgiven, if I'm to see them here again. It's the great good place all right. But look here," he added as a new thought struck him, "do they wait for us?"

The older inhabitant coughed in slight embarrassment.

"The humans couldn't do that very well. It wouldn't be the thing to have them hang around outside for just a dog—not dignified."

"Quite right," agreed Tam. "I'm glad they go straight to their mansions. I'd—I'd hate to have them missing me as I am missing them." He sighed. "But, then, they wouldn't have to wait so long."

"Oh, well, they're getting on. Don't be discouraged," comforted the terrier. "And in the meantime it's like a big hotel in summer—watching the new arrivals. See, there is something doing now."

All the dogs were aroused to excitement by a little figure making its way uncertainly up the last slope. Half of them started to meet it, crowding about in a loving, eager pack.

"Look out; don't scare it," cautioned the older animals, while word was passed to those farthest from the gate: "Quick! Quick! A baby's come!"

Before they had entirely assembled, however, a gaunt yellow hound pushed through the crowd, gave one sniff at the small child, and with a yelp of joy crouched at its feet. The baby embraced the hound in recognition, and the two moved toward the gate. Just outside the hound stopped to speak to an aristocratic St. Bernard who had been friendly:

"Sorry to leave you, old fellow," he said, "but I'm going in to watch over the kid. You see, I'm all she has up here."

The bull-terrier looked at the Airedale for appreciation.

"That's the way we do it," he said proudly.

"Yes, but—" the Airedale put his head on one side in perplexity.

"Yes, but what?" asked the guide.

"The dogs that don't have any people—the nobodies' dogs?"

"That's the best of all. Oh, everything is thought out here. Crouch down,—you must be tired,—and watch," said the bull-terrier.

Soon they spied another small form making the turn in the road. He wore a Boy Scout's uniform, but he was a little fearful, for all that, so new was this adventure. The dogs rose again and snuffled, but the better groomed of the circle held back, and in their place a pack of odds and ends of the company ran down to meet him. The Boy Scout was reassured by their friendly attitude, and after petting them impartially, he chose an old-fashioned black and tan, and the two passed in.

Tam looked questioningly.

"They didn't know each other!" he exclaimed.

"But they've always wanted to. That's one of the boys who used to beg for a dog, but his father wouldn't let him have one. So all our strays wait for just such little fellows to come along. Every boy gets a dog, and every dog gets a master."

"I expect the boy's father would like to know that now," commented the Airedale. "No doubt he thinks quite often, 'I wish I'd let him have a dog.'"

The bull-terrier laughed.

"You're pretty near the earth yet, aren't you?"

Tam admitted it.

"I've a lot of sympathy with fathers and with boys, having them both in the family, and a mother as well."

The bull-terrier leaped up in astonishment.

"You don't mean to say they keep a boy?"

"Sure; greatest boy on earth. Ten this year."

"Well, well, this is news! I wish they'd kept a boy when I was there."

The Airedale looked at his new friend intently.

"See here, who are you?" he demanded.

But the other hurried on:

"I used to run away from them just to play with a boy. They'd punish me, and I always wanted to tell them it was their fault for not getting one."

"Who are you, anyway?" repeated Tam. "Talking all this interest in me, too. Whose dog were you?"

"You've already guessed. I see it in your quivering snout. I'm the old dog that had to leave them about ten years ago."

"Their old dog Bully?"

"Yes, I'm Bully." They nosed each other with deeper affection, then strolled about the glades shoulder to shoulder. Bully the more eagerly pressed for news. "Tell me, how are they getting along?"

"Very well indeed; they've paid for the house."

"I—I suppose you occupy the kennel?"

"No. They said they couldn't stand it to see another dog in your old place."

Bully stopped to howl gently.

"That touches me. It's generous in you to tell it. To think they missed me!"

For a little while they went on in silence, but as evening fell, and the light from the golden streets inside of the city gave the only glow to the scene, Bully grew nervous and suggested that they go back.

"We can't see so well at night, and I like to be pretty close to the path, especially toward morning."

Tam assented.

"And I will point them out. You might not know them just at first."

"Oh, we know them. Sometimes the babies have so grown up they're rather hazy in their recollection of how we look. They think we're bigger than we are; but you can't fool us dogs."

"It's understood," Tam cunningly arranged, "that when he or she arrives you'll sort of make them feel at home while I wait for the boy?"

"That's the best plan," assented Bully, kindly. "And if by any chance the little fellow should come first,—there's been a lot of them this summer—of course you'll introduce me?"

"I shall be proud to do it."

And so with muzzles sunk between their paws, and with their eyes straining down the pilgrims' road, they wait outside the gate.


Ligeia

By EDGAR ALLAN POE

And the will therein lieth, which dieth not. Who knoweth the mystery of the will, with its vigor? For God is but a great will pervading all things by nature of its intentness. Man doth not yield himself to the angels, nor unto death utterly, save only through the weakness of his feeble will.—Joseph Glanvill.

I cannot, for my soul, remember how, when, or even precisely where, I first became acquainted with the lady Ligeia. Long years have since elapsed, and my memory is feeble through much suffering. Or, perhaps, I cannot now bring these points to mind, because, in truth, the character of my beloved, her rare learning, her singular yet placid cast of beauty, and the thrilling and enthralling eloquence of her low musical language, made their way into my heart by paces so steadily and stealthily progressive, that they have been unnoticed and unknown. Yet I believe that I met her first and most frequently in some large, old, decaying city near the Rhine. Of her family—I have surely heard her speak. That it is of a remotely ancient date cannot be doubted. Ligeia! Ligeia! Buried in studies of a nature more than all else adapted to deaden impressions of the outward world, it is by that sweet word alone—by Ligeia—that I bring before mine eyes in fancy the image of her who is no more. And now, while I write, a recollection flashes upon me that I have never known the paternal name of her who was my friend and my bethrothed, and who became the partner of my studies, and finally the wife of my bosom. Was it a playful charge on the part of my Ligeia? or was it a test of my strength of affection, that I should institute no inquiries upon this point? or was it rather a caprice of my own—a wildly romantic offering on the shrine of the most passionate devotion? I but indistinctly recall the fact itself—what wonder that I have utterly forgotten the circumstances which originated or attended it? And, indeed, if ever that spirit which is entitled Romance—if ever she, the wan misty-winged Ashtophet of idolatrous Egypt, presided, as they tell, over marriages ill-omened, then most surely she presided over mine.

There is one dear topic, however, on which my memory fails me not. It is the person of Ligeia. In stature she was tall, somewhat slender, and, in her latter days, even emaciated. I would in vain attempt to portray the majesty, the quiet ease of her demeanor, or the incomprehensible lightness and elasticity of her footfall. She came and departed as a shadow. I was never made aware of her entrance into my closed study, save by the dear music of her low sweet voice, as she placed her marble hand upon my shoulder. In beauty of face no maiden ever equaled her. It was the radiance of an opium-dream—an airy and spirit-lifting vision more wildly divine than the phantasies which hovered about the slumbering souls of the daughters of Delos. Yet her features were not of that regular mold which we have been falsely taught to worship in the classical labors of the heathen. "There is no exquisite beauty," says Bacon, Lord Verulam, speaking truly of all the forms and genera of beauty, "without some strangeness in the proportion." Yet, although I saw that the features of Ligeia were not of a classic regularity—although I perceived that her loveliness was indeed "exquisite," and felt that there was much of "strangeness" pervading it, yet I have tried in vain to detect the irregularity and to trace home my own perception of "the strange." I examined the contour of the lofty and pale forehead—it was faultless—how cold indeed that word when applied to a majesty so divine!—the skin rivaling the purest ivory, the commanding extent and repose, the gentle prominence of the regions above the temples; and then the raven-black, the glossy, the luxuriant, and naturally-curling tresses, setting forth the full force of the Homeric epithet, "hyacinthine!" I looked at the delicate outlines of the nose—and nowhere but in the graceful medallions of the Hebrews had I beheld a similar perfection. There were the same luxurious smoothness of surface, the same scarcely perceptible tendency to the aquiline, the same harmoniously curved nostrils speaking the free spirit. I regarded the sweet mouth. Here was indeed the triumph of all things heavenly—the magnificent turn of the short upper lip—the soft, voluptuous slumber of the under—the dimples which sported, and the color which spoke—the teeth glancing back, with a brilliancy almost startling, every ray of the holy light which fell upon them in her serene and placid yet most exultingly radiant of all smiles. I scrutinized the formation of the chin—and, here, too, I found the gentleness of breadth, the softness and the majesty, the fullness and the spirituality, of the Greek—the contour which the god Apollo revealed but in a dream, to Cleomenes, the son of the Athenian. And then I peered into the large eyes of Ligeia.

For eyes we have no models in the remotely antique. It might have been, too, that in these eyes of my beloved lay the secret to which Lord Verulam alludes. They were, I must believe, far larger than the ordinary eyes of our own race. They were even fuller than the fullest of the gazelle eyes of the tribe of the valley of Nourjahad. Yet it was only at intervals—in moments of intense excitement—that this peculiarity became more than slightly noticeable in Ligeia. And at such moments was her beauty—in my heated fancy thus it appeared perhaps—the beauty of beings either above or apart from the earth—the beauty of the fabulous Houri of the Turk. The hue of the orbs was the most brilliant of black, and, far over them, hung jetty lashes of great length. The brows, slightly irregular in outline, had the same tint. The "strangeness," however, which I found in the eyes was of a nature distinct from the formation, or the color, or the brilliancy of the features, and must, after all, be referred to the expression. Ah, word of no meaning! behind whose vast latitude of mere sound we intrench our ignorance of so much of the spiritual. The expression of the eyes of Ligeia! How for long hours have I pondered upon it! How have I, through the whole of a midsummer night, struggled to fathom it! What was it—that something more profound than the well of Democritus—which lay far within the pupils of my beloved? What was it? I was possessed with a passion to discover. Those eyes! those large, those shining, those divine orbs! they became to me twin stars of Leda, and I to them devoutest of astrologers.

There is no point, among the many incomprehensible anomalies of the science of mind, more thrillingly exciting than the fact—never, I believe, noticed in the schools—than in our endeavors to recall to memory something long forgotten, we often find ourselves upon the very verge of remembrance, without being able, in the end, to remember. And thus how frequently, in my intense scrutiny of Ligeia's eyes, have I felt approaching the full knowledge of their expression—felt it approaching—yet not quite be mine—and so at length entirely depart! And (strange, oh, strangest mystery of all!) I found, in the commonest objects of the universe, a circle of analogies to that expression. I mean to say that, subsequently to the period when Ligeia's beauty passed into my spirit, there dwelling as in a shrine, I derived, from many existences in the material world, a sentiment such as I felt always around, within me, by her large and luminous orbs. Yet not the more could I define that sentiment, or analyze, or even steadily view it. I recognized it, let me repeat, sometimes in the survey of a rapidly growing vine—in the contemplation of a moth, a butterfly, a chrysalis, a stream of running water. I have felt it in the ocean—in the falling of a meteor. I have felt it in the glances of unusually aged people. And there are one or two stars in heaven (one especially, a star of the sixth magnitude, double and changeable, to be found near the large star in Lyra) in a telescopic scrutiny of which I have been made aware of the feeling. I have been filled with it by certain sounds from stringed instruments, and not unfrequently by passages from books. Among innumerable other instances, I well remember something in a volume of Joseph Glanvill, which (perhaps merely from its quaintness—who shall say?) never failed to inspire me with the sentiment: "And the will therein lieth, which dieth not. Who knoweth the mysteries of the will, with its vigor? For God is but a great will pervading all things by nature of its intentness. Man doth not yield him to the angels, nor unto death utterly, save only through the weakness of his feeble will."

Length of years and subsequent reflection have enabled me to trace, indeed, some remote connection between this passage in the English moralist and a portion of the character of Ligeia. An intensity in thought, action, or speech was possibly, in her, a result, or at least an index, of that gigantic volition which, during our long intercourse, failed to give other and more immediate evidence of its existence. Of all the women whom I have ever known, she, the outwardly calm, the ever-placid Ligeia, was the most violently a prey to the tumultuous vultures of stern passion. And of such passion I could form no estimate, save by the miraculous expansion of those eyes which at once so delighted and appalled me,—by the almost magical melody, modulation, distinctness, and placidity of her very low voice,—and by the fierce energy (rendered doubly effective by contrast with her manner of utterance) of the wild words which she habitually uttered.

I have spoken of the learning of Ligeia: it was immense—such as I have never known in woman. In the classical tongues was she deeply proficient, and as far as my own acquaintance extended in regard to the modern dialects of Europe, I have never known her at fault. Indeed upon any theme of the most admired because simply the most abstruse of the boasted erudition of the Academy, have I ever found Ligeia at fault? How singularly—how thrillingly, this one point in the nature of my wife has forced itself, at this late period only, upon my attention! I said her knowledge was such as I have never known in woman—but where breathes the man who has traversed, and successfully, all the wide areas of moral, physical, and mathematical science? I saw not then what I now clearly perceive that the acquisitions of Ligeia were gigantic, were astounding; yet I was sufficiently aware of her infinite supremacy to resign myself, with a child-like confidence, to her guidance through the chaotic world of metaphysical investigation at which I was most busily occupied during the earlier years of our marriage. With how vast a triumph—with how vivid a delight—with how much of all that is ethereal in hope did I feel, as she bent over me in studies but little sought—but less known,—that delicious vista by slow degrees expanding before me, down whose long, gorgeous, and all untrodden path, I might at length pass onward to the goal of a wisdom too divinely precious not to be forbidden.

How poignant, then, must have been the grief with which, after some years, I beheld my well-grounded expectations take wings to themselves and fly away! Without Ligeia I was but as a child groping benighted. Her presence, her readings alone, rendered vividly luminous the many mysteries of the transcendentalism in which we were immersed. Wanting the radiant luster of her eyes, letters, lambent and golden, grew duller than Saturnian lead. And now those eyes shone less and less frequently upon the pages over which I pored. Ligeia grew ill. The wild eyes blazed with a too—too glorious effulgence; the pale fingers became of the transparent waxen hue of the grave; and the blue veins upon the lofty forehead swelled and sank impetuously with the tides of the most gentle emotion. I saw that she must die—and I struggled desperately in spirit with the grim Azrael. And the struggles of the passionate wife were, to my astonishment, even more energetic than my own. There had been much in her stern nature to impress me with the belief that, to her, death would have come without its terrors; but not so. Words are impotent to convey any just idea of the fierceness of resistance with which she wrestled with the Shadow. I groaned in anguish at the pitiable spectacle. I would have soothed—I would have reasoned; but in the intensity of her wild desire for life—for life—but for life—solace and reason were alike the uttermost of folly. Yet not until the last instance, amid the most convulsive writhings of her fierce spirit, was shaken the external placidity of her demeanor. Her voice grew more gentle—grew more low—yet I would not wish to dwell upon the wild meaning of the quietly uttered words. My brain reeled as I hearkened, entranced, to a melody more than mortal—to assumptions and aspirations which mortality had never before known.

That she loved me I should not have doubted; and I might have been easily aware that, in a bosom such as hers, love would have reigned no ordinary passion. But in death only was I fully impressed with the strength of her affection. For long hours, detaining my hand, would she pour out before me the overflowing of a heart whose more than passionate devotion amounted to idolatry. How had I deserved to be so blessed by such confessions?—how had I deserved to be so cursed with the removal of my beloved in the hour of my making them? But upon this subject I cannot bear to dilate. Let me say only, that in Ligeia's more than womanly abandonment to a love, alas! all unmerited, all unworthily bestowed, I at length, recognized the principle of her longing, with so wildly earnest a desire, for the life which was now fleeing so rapidly away. It is this wild longing—it is this eager vehemence of desire for life—but for life—that I have no power to portray—no utterance capable of expressing.

At high noon of the night in which she departed, beckoning me, peremptorily, to her side, she bade me repeat certain verses composed by herself not many days before. I obeyed her. They were these:—

Lo! 'tis a gala night

Within the lonesome latter years!

An angel throng, bewinged, bedight

In veils, and drowned in tears,

Sit in a theatre, to see

A play of hopes and fears,

While the orchestra breathes fitfully

The music of the spheres.

Mimes, in the form of God on high,

Mutter and mumble low,

And hither and thither fly;

Mere puppets they, who come and go

At bidding of vast formless things

That shift the scenery to and fro,

Flapping from out their condor wings

Invisible Wo!

That motley drama!—oh, be sure

It shall not be forgot!

With its Phantom chased for evermore

By a crowd that seize it not,

Through a circle that ever returneth in

To the self-same spot;

And much of Madness, and more of Sin

And Horror, the soul of the plot!

But see, amid the mimic rout,

A crawling shape intrude!

A blood-red thing that writhes from out

The scenic solitude!

It writhes!—it writhes!—with mortal pangs

The mimes become its food,

And the seraphs sob at vermin fangs

In human gore imbued.

Out—out are the lights—out all:

And over each quivering form,

The curtain, a funeral pall,

Comes down with the rush of a storm—

And the angels, all pallid and wan,

Uprising, unveiling, affirm

That the play is the tragedy, "Man,"

And its hero, the conqueror Worm.

"O God!" half shrieked Ligeia, leaping to her feet and extending her arms aloft with a spasmodic movement, as I made an end of these lines—"O God! O Divine Father!—shall these things be undeviatingly so?—shall this conqueror be not once conquered? Are we not part and parcel in Thee? Who—who knoweth the mysteries of the will with its vigor? Man doth not yield him to the angels, nor unto death utterly, save only through the weakness of his feeble will."

And now, as if exhausted with emotion, she suffered her white arms to fall, and returned solemnly to her bed of death. And as she breathed her last sighs, there came mingled with them a low murmur from her lips. I bent to them my ear, and distinguished, again, the concluding words of the passage in Glanvill: "Man doth not yield him to the angels, nor unto death utterly, save only through the weakness of his feeble will."

She died: and I, crushed into the very dust with sorrow, could no longer endure the lonely desolation of my dwelling in the dim and decaying city by the Rhine. I had no lack of what the world calls wealth. Ligeia had brought me far more, very far more, than ordinarily falls to the lot of mortals. After a few months, therefore, of weary and aimless wandering, I purchased and put in some repair, an abbey, which I shall not name, in one of the wildest and least frequented portions of fair England. The gloomy and dreary grandeur of the building, the almost savage aspect of the domain, the many melancholy and time-honored memories connected with both, had much in unison with the feelings of utter abandonment which had driven me into that remote and unsocial region of the country. Yet although the external abbey, with its verdant decay hanging about it, suffered but little alteration, I gave way, with a child-like perversity, and perchance with a faint hope of alleviating my sorrows, to a display of more than regal magnificence within. For such follies, even in childhood, I had imbibed a taste, and now they came back to me as if in the dotage of grief. Alas, I feel how much even of incipient madness might have been discovered in the gorgeous and fantastic draperies, in the solemn carvings of Egypt, in the wild cornices and furniture, in the Bedlam patterns of the carpets of tufted gold! I had become a bounden slave in the trammels of opium, and my labors and my orders had taken a coloring from my dreams. But these absurdities I must not pause to detail. Let me speak only of that one chamber, ever accursed, whither, in a moment of mental alienation, I led from the altar as my bride—as the successor of the unforgotten Ligeia—the fair-haired and blue-eyed Lady Rowena Trevanion, of Tremaine.

There is no individual portion of the architecture and decoration of that bridal chamber which is not visibly before me. Where were the souls of the haughty family of the bride, when, through thirst of gold, they permitted to pass the threshold of an apartment so bedecked, a maiden and a daughter so beloved? I have said, that I minutely remember the details of the chamber—yet I am sadly forgetful on topics of deep moment; and here there was no system, no keeping, in the fantastic display to take hold upon the memory. The room lay in a high turret of the castellated abbey, was pentagonal in shape, and of capacious size. Occupying the whole southern face of the pentagonal was the sole window—an immense sheet of unbroken glass from Venice—a single pane, and tinted of a leaden hue, so that the rays of either the sun or moon passing through it, fell with a ghastly luster on the objects within. Over the upper portion of this huge window extended the trellis-work of an aged vine, which clambered up the massy walls of the turret. The ceiling, of gloomy-looking oak, was excessively lofty, vaulted, and elaborately fretted with the wildest and most grotesque specimens of a semi-Gothic, semi-Druidical device. From out the most central recess of this melancholy vaulting, depended, by a single chain of gold with long links, a huge censer of the same metal, Saracenic in pattern, and with many perforations so contrived that there writhed in and out of them, as if endued with a serpent vitality, a continual succession of parti-colored fires.

Some few ottomans and golden candelabra, of Eastern figure, were in various stations about; and there was the couch, too—the bridal couch—of an Indian model, and low, and sculptured of solid ebony, with a pall-like canopy above. In each of the angles of the chamber stood on end a gigantic sarcophagus of black granite, from the tombs of the kings over against Luxor, with their aged lids full of immemorial sculpture. But in the draping of the apartment lay, alas! the chief phantasy of all. The lofty walls, gigantic in height—even unproportionably so—were hung from summit to foot, in vast folds, with a heavy and massive-looking tapestry—tapestry of a material which was found alike as a carpet on the floor, as a covering for the ottomans and the ebony bed, as a canopy for the bed, and as the gorgeous volutes of the curtains which partially shaded the window. The material was the richest cloth of gold. It was spotted all over, at irregular intervals, with arabesque figures, about a foot in diameter, and wrought upon the cloth in patterns of the most jetty black. But these figures partook of the true character of the arabesque only when regarded from a single point of view. By a contrivance now common, and indeed traceable to a very remote period of antiquity, they were made changeable in aspect. To one entering the room, they bore the appearance of simple monstrosities; but upon a farther advance, this appearance gradually departed; and, step by step, as the visitor moved his station in the chamber, he saw himself surrounded by an endless succession of the ghastly forms which belong to the superstition of the Norman, or arise in the guilty slumbers of the monk. The phantasmagoric effect was vastly heightened by the artificial introduction of a strong continual current of wind behind the draperies—giving a hideous and uneasy animation to the whole.

In halls such as these—in a bridal chamber such as this—I passed, with the Lady of Tremaine, the unhallowed hours of the first month of our marriage—passed them with but little disquietude. That my wife dreaded the fierce moodiness of my temper—that she shunned me, and loved me but little—I could not help perceiving; but it gave me rather pleasure than otherwise. I loathed her with a hatred belonging more to demon than to man. My memory flew back (oh, with what intensity of regret!) to Ligeia, the beloved, the august, the beautiful, the entombed. I reveled in recollections of her purity, of her wisdom, of her lofty—her ethereal nature, of her passionate, her idolatrous love. Now, then, did my spirit fully and freely burn with more than all the fires of her own. In the excitement of my opium dreams (for I was habitually fettered in the shackles of the drug), I would call aloud upon her name, during the silence of the night, or among the sheltered recesses of the glens by day, as if, through the wild eagerness, the solemn passion, the consuming ardor of my longing for the departed, I could restore her to the pathways she had abandoned—ah, could it be forever?—upon the earth.

About the commencement of the second month of the marriage, the Lady Rowena was attacked with sudden illness, from which her recovery was slow. The fever which consumed her rendered her nights uneasy; and in her perturbed state of half-slumber, she spoke of sounds, and of motions, in and about the chamber of the turret, which I concluded had no origin save in the distemper of her fancy, or perhaps in the phantasmagoric influences of the chamber itself. She became at length convalescent—finally, well. Yet but a second more violent disorder again threw her upon a bed of suffering; and from this attack her frame, at all times feeble, never altogether recovered. Her illnesses were, after this epoch, of alarming character, and of more alarming recurrence, defying alike the knowledge and the great exertions of her physicians. With the increase of the chronic disease, which had thus, apparently, taken too sure hold upon her constitution to be eradicated by human means, I could not fail to observe a similar increase in the nervous irritation of her temperament, and in her excitability by trivial causes of fear. She spoke again, and now more frequently and pertinaciously, of the sounds—of the slight sounds—and of the unusual motions among the tapestries, to which she had formerly alluded.

One night, near the closing in of September, she pressed this distressing subject with more than usual emphasis upon my attention. She had just awakened from an unquiet slumber, and I had been watching, with feelings half of anxiety, half of vague terror, the workings of her emaciated countenance. I sat by the side of her ebony bed, upon one of the ottomans of India. She partly arose, and spoke, in an earnest low whisper, of sounds which she then heard, but which I could not hear—of motions which she then saw, but which I could not perceive. The wind was rushing hurriedly behind the tapestries, and I wished to show her (what, let me confess it, I could not all believe) that those almost inarticulate breathings, and those very gentle variations of the figures upon the wall, were but the natural effects of that customary rushing of the wind. But a deadly pallor, overspreading her face, had proved to me that my exertions to reassure her would be fruitless. She appeared to be fainting, and no attendants were within call. I remembered where was deposited a decanter of light wine which had been ordered by her physicians, and hastened across the chamber to procure it. But, as I stepped beneath the light of the censer, two circumstances of a startling nature attracted my attention. I had felt that some palpable although invisible object had passed lightly by my person; and I saw that there lay upon the golden carpet, in the very middle of the rich luster thrown from the censer, a shadow—a faint, indefinite shadow of angelic aspect—such as might be fancied for the shadow of a shade. But I was wild with the excitement of an immoderate dose of opium, and heeded these things but little, nor spoke of them to Rowena. Having found the wine, I recrossed the chamber, and poured out a gobletful, which I held to the lips of the fainting lady. She had now partially recovered, however, and took the vessel herself, while I sank upon an ottoman near me, with my eyes fastened upon her person. It was then that I became distinctly aware of a gentle footfall upon the carpet, and near the couch; and in a second thereafter, as Rowena was in the act of raising the wine to her lips, I saw, or may have dreamed that I saw, fall within the goblet, as if from some invisible spring in the atmosphere of the room, three or four large drops of a brilliant and ruby colored fluid. If this I saw—not so Rowena. She swallowed the wine unhesitatingly, and I forebore to speak to her of a circumstance which must, after all, I considered, have been but the suggestion of a vivid imagination, rendered morbidly active by the terror of the lady, by the opium, and by the hour.

Yet I cannot conceal it from my own perception that, immediately subsequent to the fall of the ruby drops, a rapid change for the worse took place in the disorder of my wife; so that, on the third subsequent night, the hands of her menials prepared her for the tomb, and on the fourth, I sat alone, with her shrouded body, in that fantastic chamber which had received her as my bride. Wild visions, opium-engendered, flitted, shadow-like, before me. I gazed with unquiet eye upon the sarcophagi in the angles of the room, upon the varying figures of the drapery, and upon the writhing of the parti-colored fires in the censer overhead. My eyes then fell, as I called to mind the circumstances of a former night, to the spot beneath the glare of the censer where I had seen the faint traces of the shadow. It was there, however, no longer; and breathing with greater freedom, I turned my glances to the pallid and rigid figure upon the bed. Then rushed upon me a thousand memories of Ligeia—and then came back upon my heart, with the turbulent violence of a flood, the whole of that unutterable woe with which I had regarded her thus enshrouded. The night waned; and still, with a bosom full of bitter thoughts of the one only and supremely beloved, I remained gazing upon the body of Rowena.

It might have been midnight, or perhaps earlier, or later, for I had taken no note of time, when a sob, low, gentle, but very distinct, startled me from my revery. I felt that it came from the bed of ebony—the bed of death. I listened in an agony of superstitious terror—but there was no repetition of the sound. I strained my vision to detect any motion in the corpse—but there was not the slightest perceptible. Yet I could not have been deceived. I had heard the noise, however faint, and my soul was awakened within me. I resolutely and perseveringly kept my attention riveted upon the body. Many minutes elapsed before any circumstance occurred tending to throw light upon the mystery. At length it became evident that a slight, a very feeble, and barely noticeable tinge of color had flushed up within the cheeks, and along the sunken small veins of the eyelids. Through a species of unutterable horror and awe, for which the language of mortality has no sufficiently energetic expression, I felt my heart cease to beat, my limbs grow rigid where I sat. Yet a sense of duty finally operated to restore my self-possession. I could no longer doubt that we had been precipitate in our preparations—that Rowena still lived. It was necessary that some immediate exertion be made; yet the turret was altogether apart from the portion of the abbey tenanted by the servants—there were none within call—I had no means of summoning them to my aid without leaving the room for many minutes—and this I could not venture to do. I therefore struggled alone in my endeavors to call back the spirit still hovering. In a short period it was certain, however, that a relapse had taken place; the color disappeared from both eyelid and cheek, leaving a wanness even more than that of marble; the lips became doubly shriveled and pinched up in the ghastly expression of death; a repulsive clamminess and coldness overspread rapidly the surface of the body; and all the usual rigorous stiffness immediately supervened. I fell back with a shudder upon the couch from which I had been so startlingly aroused, and again gave myself up to passionate waking visions of Ligeia.

An hour thus elapsed, when (could it be possible?) I was a second time aware of some vague sound issuing from the region of the bed. I listened—in extremity of horror. The sound came again—it was a sigh. Rushing to the corpse, I saw—distinctly saw—a tremor upon the lips. In a minute afterward they relaxed, disclosing a bright line of the pearly teeth. Amazement now struggled in my bosom with the profound awe which had hitherto reigned there alone. I felt that my vision grew dim, that my reason wandered; and it was only by a violent effort that I at length succeeded in nerving myself to the task which duty thus once more had pointed out. There was now a partial glow upon the forehead and upon the cheek and throat; a perceptible warmth pervaded the whole frame; there was even a slight pulsation at the heart. The lady lived; and with redoubled ardor I betook myself to the task of restoration. I chafed and bathed the temples and the hands and used every exertion which experience, and no little medical reading, could suggest. But in vain. Suddenly, the color fled, the pulsation ceased, the lips resumed the expression of the dead, and, in an instant afterward, the whole body took upon itself the icy chilliness, the livid hue, the intense rigidity, the sunken outline, and all the loathsome peculiarities of that which has been, for many days, a tenant of the tomb.

And again I sunk into visions of Ligeia—and again (what marvel that I shudder while I write?), again there reached my ears a low sob from the region of the ebony bed. But why shall I minutely detail the unspeakable horrors of that night? Why shall I pause to relate how, time after time, until near the period of the gray dawn, this hideous drama of revivification was repeated; how each terrific relapse was only into a sterner and apparently more irredeemable death; how each agony wore the aspect of a struggle with some invisible foe; and how each struggle was succeeded by I know not what of wild change in the personal appearance of the corpse? Let me hurry to a conclusion.

The greater part of the fearful night had worn away, and she who had been dead once again stirred—and now more vigorously than hitherto, although arousing from a dissolution more appalling in its utter hopelessness than any. I had long ceased to struggle or to move, and remained sitting rigidly upon the ottoman, a helpless prey to a whirl of violent emotions, of which extreme awe was perhaps the least terrible, the least consuming. The corpse, I repeat, stirred, and now more vigorously than before. The hues of life flushed up with unwonted energy into the countenance—the limbs relaxed—and, save that the eyelids were yet pressed heavily together, and that the bandages and draperies of the grave still imparted their charnel character to the figure, I might have dreamed that Rowena had indeed shaken off, utterly, the fetters of Death. But if this idea was not, even then, altogether adopted, I could at least doubt no longer, when, arising from the bed, tottering, with feeble steps, with closed eyes, and with the manner of one bewildered in a dream, the thing that was enshrouded advanced boldly and palpably into the middle of the apartment.

I trembled not—I stirred not—for a crowd of unutterable fancies connected with the air, the stature, the demeanor, of the figure, rushing hurriedly through my brain, had paralyzed—had chilled me into stone. I stirred not—but gazed upon the apparition. There was a mad disorder in my thoughts—a tumult unappeasable. Could it, indeed, be the living Rowena who confronted me? Could it, indeed, be Rowena at all—the fair-haired, the blue-eyed Lady Rowena Trevanion of Tremaine? Why, why should I doubt it? The bandage lay heavily about the mouth—but then might it not be the mouth of the breathing Lady of Tremaine? And the cheeks—there were the roses as in her noon of life—yes, these might indeed be the fair cheeks of the living Lady of Tremaine. And the chin, with its dimples, as in health, might it not be hers?—but had she then grown taller since her malady? What inexpressible madness seized me with that thought? One bound, and I had reached her feet! Shrinking from my touch, she let fall from her head, unloosened, the ghastly cerements which had confined it, and there streamed forth into the rushing atmosphere of the chamber huge masses of long and disheveled hair; it was blacker than the raven wings of midnight. And now slowly opened the eyes of the figure which stood before me. "Here then, at least," I shrieked aloud, "can I never—can I never be mistaken—these are the full, and the black, and the wild eyes—of my lost love—of the Lady—of the LADY LIGEIA."