"The coroner of the district was summoned, a jury empanneled, and the simple facts relative to the discovery of the bodies of the woman and infant were briefly placed on record. Few cared to speak openly. All had an interest in saying as little as possible. 'Return an open verdict, gentlemen; return an open verdict by all means,' suggested the wary official; 'that is the shortest course you can adopt; safe and perfectly legal; it decides nothing, contradicts nothing, concludes nothing.' No advice could be more palatable to the parties he addressed. 'Found dead,' was the ready response; 'but by what means, drowning or otherwise; there is no evidence to show.'
"The coroner was delighted.
"'Precisely so; quite sufficient. My gig, and a glass of brandy and water.'"
* * * * *
"No one claimed the bodies. Early interment was necessary; and a few hours after the inquest was concluded, mother and child were consigned to their parent earth.
"Six weeks afterward, an elderly man, with a most imperious manner and a foreign accent, came down to the village and asked countless questions relative to the shipwreck. The unhappy lady, he said, was his niece; and earnest were the inquiries he made touching a large sum of money, which, to his certain knowledge, she had about her when she went on shipboard. Of this money, as a matter of course, no satisfactory tidings were forthcoming. He then became violent; called the village a nest of pirates; cursed the inhabitants without mercy; hoped that heaven's lightnings would speedily fall, and raze the hamlet to the ground; and indulged in a variety of comments, some just, some foolish, and all angry.
"But with all his anxiety about his niece, and all his burning indignation against her plunderers, he never visited the unhappy lady's grave; never directed a stone to be placed over her; never deplored her fate; never uttered a remark about her infant, save and except an avowal of his unbounded satisfaction that it had perished with the mother-his ever-recurring subject of regret was, not that he had lost his niece, but that he had lost her money!
"Oh world! how base are thy calculations, how sordid thy conclusions! The young, the fair, the helpless, the innocent may perish, it matters not. Loss of relatives, of children, of country, of character, all may be borne with complacency but—loss of money!
"Meanwhile the party who was suspected to have benefited most largely by the shipwreck, went about her daily occupations with her usual subdued and poverty-stricken air. There was nothing in Abigail Lassiter's dress or manner to indicate the slightest improvement in her worldly circumstances. She toiled as earnestly, dressed as simply, and lived as sparingly as ever. But quietly and almost imperceptibly a vast change was wrought in the aspect of her dwelling. It was carefully repaired and considerably enlarged, a small piece of pasture land was bought, and then a handsome Alderney cow made her appearance. A garden of some extent, at the rear of the cottage, was next laid out, and stocked, and last of all a commodious spring cart and clever cob were seen on the little homestead. But comfort there was none. An invisible hand fought against its inmates. Their career of success was closed. A curse and not a blessing was henceforth to track them. On a sudden the husband, Mark Lassiter, was betrayed in one of his smuggling expeditions, encountered the coast-guard where he least expected them, was fired at, captured, and died in jail of his wounds. The eldest son—'Black Ben,' the pugilist—killed his man, was accused of foul play, and compelled to fly the country. Robin, second mate of a merchant vessel then lying in Hull Docks, still remained to her, and him she hastily summoned home for counsel. Vain precaution! A final separation had already taken place between them. While wondering at his tardy movements, a brief unfeeling letter apprised her that, 'returning to his ship at midnight decidedly the worse for liquor,' Robin Lassiter had missed his footing on the narrow plank connecting the vessel with the shore, fallen into deep water, and had sunk to rise no more.
"These successive bereavements paralyzed her. For the first time the idea seems to have presented itself, that it was possible adversity might overwhelm her. She confined herself rigidly to her home; said that the moan of the sea wearied and worried her, and blocked up every window which looked upon the ocean! For hours she would sit, abstractedly, in silence. Then, wringing her hands, would wake up with a wistful cry, and repeat—'Wrong never comes right! Wrong never comes right!'
"Much as I knew she hated religion, its ministers, its sanctuary, and every object which, by possibility, could remind her that there was a coming future, I yet felt it my duty to make another and a third attempt at an interview. She received me ungraciously enough, but not insolently. Her fair, soft, feminine features betrayed evident annoyance at my visit, but still there was an absence of that air of menace and hatred which characterized her in former days.
"'You visit me?' was her inquiry; 'why?'
"'To condole with you on the ravages which death has made in your family.'
"Her reply was instant and firmly uttered.
"'Yes; two are gone. Their part is played and over. I presume they are at rest.'
"A passing remark followed, in which a hope was expressed that I should see her at church.
"'Never, until I'm brought there. I shouldn't know myself in such a place, nor would those who assemble there know me.'
"While framing my reply she continued—
"'Your visit, sir, is wholly unexpected; I have never troubled the clergy, and I hope they will not trouble me; I have my sorrows, and I keep them to myself.'
"'They will overwhelm you unless aid be granted—'
"She interrupted me.
"'I seek it not, and therefore have no right to expect it. But why should I detain you sir,' said she, rising from her seat; 'there are others who may prize your presence more than I do.'
"One of Wilson's little volumes was in my hand. I proffered it with the remark—'You will perhaps read this in my absence?'
"She declined it with a gesture of impatience.
"'No! no! I seldom read, and my hourly endeavor now is not to think!
This way lies your road, sir. Farewell.'
"A more thoroughly unsatisfactory interview it is scarcely possible to imagine.
"Two years had rolled away, when, one morning, a message reached me that 'Dame Lassiter was ill,' and wished I would 'call in the course of the day.' Within the hour came another summons: 'Dame Lassiter was much worse,' and begged to 'see me without delay.' Before midday I was at the cottage. Her sole attendant,—a bold, saucy, harsh looking girl of eighteen,—awaited me at the threshold.
"'Right glad am I you're come,' was her greeting; 'the mistress, sir, has been asking for you ever since day-break.'
"'She is worse then?'
"She lowered her voice to a whisper, and continued:—
"'She's going! She'll not hold it long. The doctors have given her up, and there's no more medicine to be gone for. This last is a sure sign.'
"'Is she sensible?'
"The girl hesitated.
"'In times she be,' was her reply, rather doubtfully given! 'in times she be; but there's something about her I don't quite fancy; the plain fact is, she's rather quair, and I shall go up to the village. You'll not mind being alone, I dare say?'
"And without waiting for a reply this careful and considerate attendant hurriedly opened the door; went out; and then locked it briskly and firmly on the outside. I was a prisoner, and my companion a dying woman! For the moment I felt startled; but a hollow moan of anguish, sadly and painfully reiterated in the chamber above, at once recalled me to my duties, and bade me seek the sufferer. In a room of fair dimensions lay, stricken and emaciated, the once active and dauntless Abigail. On entering I could with difficulty disguise my surprise at the variety of articles which it contained, and at the costliness and splendor of many of them. The curtains of the sick woman's bed were of figured silk damask; and though here and there a dark spot was visible where sea-water, or some other destructive agency, had penetrated, enough still remained to vindicate the richness of the fabric and the brilliancy of the color. The linen on the bed was of the finest texture, apparently the production of a Dutch loom, while the vessel which held her night-drink was an antique goblet, indisputably of foreign workmanship,—its materials silver and mother-of-pearl. Under the window, which commanded her flower garden, stood a small work-table of birds'-eye maple, which methought had once stood in the lady's cabin of some splendidly appointed steamer. Her wash-stand was of mahogany richly carved: on the shelf above it stood an ebony writing-desk, inlaid with silver; below was a lady's dressing case—ivory—and elaborately carved. Two cases of foreign birds of exquisite plumage completed the decoration of the apartment. It is true necessitous sailors and carousing smugglers might have contributed some of the costly articles I saw around me; but as I gazed on them the thought recurred, are not these the wages of iniquity? Have they not been rifled from the grasp of the helpless, the drowning, and the dying?
"I spoke. She was in full possession of her faculties; but manifestly near her end. I expressed my sorrow at finding her so feeble; told her that I had readily obeyed her summons; and asked her whether I should read to her.
"'Neither read to me,' was her distinct reply: 'nor pray with me; but listen to me. They tell me I have not many hours to live. If so, I have something to disclose; and some money which I should wish—I should wish'—she hesitated and became silent—'the point is, am I beyond recovery? If so I should desire that this money—'
"'Under any circumstances,' was my reply, 'confess all; restore all'
"She looked up quickly and said sharply; 'Why restore?'
"'To prove the sincerity of your regrets.'
"'Ah, well!' said she, thoughtfully, 'if I could only satisfy myself that recovery was impossible. I have much to leave behind me; and there are some circumstances—'
"She hesitated and was silent. A minute or two elapsed and I urged—
"'Be candid and be just,—make reparation while you possess the power.'
"'You advise well,' said she, faintly. 'I would fain relieve my mind. It is sorely oppressed, for with regard to my property—my—my savings—'
"As she spoke there arose, close to us, clear and painfully audible, a low, mocking laugh. It was not akin to mirth. There was no gladness in its tone. It betokened enmity, triumph, scorn. The dying woman heard it, and cowered beneath its influence. An expression of agonizing fear passed over her countenance. Some minutes elapsed before she could sufficiently command herself to speak or even listen.
"'Carry out forthwith,' said I, in a tone of resolution I could with difficulty command, 'carry out your present determination. Make restitution to the utmost of your power. Restore all; confess all.'
"'I will do so and now,' was her reply.
"Again that bitter, scornful, chilling laugh; and closer to us! To no ebullition of any earthly emotion can I compare it. It resembled none. It conveyed scorn, exultation, defiance, hatred. It seemed an uncontrollable burst of triumph over a parting and ruined soul. Again, I gazed steadfastly on the dying woman. A spasm convulsed her countenance. She pointed feebly to some unseen object—unseen at least by me—and clasped her hands with an imploring gesture. Another spasm came on-a second-a third—and all was silence. I was alone with the dead."
* * * * *
"And you are persuaded that these sounds were real and not fanciful, that imagination had nothing to do with the scene?" said the younger of the three when the aged speaker had concluded.
The reply was immediate.
"I state simply what I heard; that, and no more. No opportunity for trick existed. The cottage had one door, and but one. The dying woman and myself were the only parties within its walls. We were locked in from without: until the attendant returned and unclosed the door there was no possibility of either entering or quitting the dwelling. I was alone with the dead for upward of an hour—no enviable vigil—when it pleased her unfeeling and gossiping retainer to return and release me. Believe it, say you? I do believe it—and most firmly—as fact and not fancy."
"And what say you, Major?" pursued the questioner, turning to his military companion.
"I believe it also, and the more readily from recollecting what once occurred to myself. Soon after my awkward hit at Vittoria, where I received a bullet, which I carry about with me to this hour, I was ordered home on sick leave. Landing at Falmouth from a filthy transport, feeble, feverish, solitary and wretched, I was recognized by a former intimate, who followed me to my inn and insisted upon taking me down with him into ——shire. Rest and country air, he was sure, would recruit me. In vain I explained the wretched cripple I was. In vain I submitted that the 'hospital mates,' one and all, entertained the worst opinion of my injury. He would take no denial. It was a case, he contended, not for the knife or the doctor; but for beef-steaks and Barclay's stout. And this opinion he would make good, in my instance, against the whole hospital staff at home and abroad. Too weak to contest the point, I gave in; and promised that, if living, that day week should find me at —— House. The first part of my journey I made out with comparatively little suffering. The latter part, where I was obliged to have recourse to a hack chaise, neither wind nor weather tight—ill hung, and badly driven, was torture. At length, unable to endure longer agony, I got out; and bidding the postboy drive with my luggage to —— House, limped along across the fields under the pilotage of an old laborer—it was a work of time—to my destination.
"My gray-haired guide, who commiserated my situation, was very inquisitive about 'the war and Lord Wellington;' asked whether all the Spaniards lived on 'mules' flesh fried with onions,' as he 'had been told for truth;' inquired what 'our side' thought of 'Boney's covenant with the devil,' a covenant, (according to his reading,) to this effect, that 'the devil had given Boney a lease of luck for threescore and three years, and that when it was up he was to be shot by a Spanish maiden with a silver bullet.' Many folks, he said, believed all this to be true and sartain; but that he, for his part, 'did not hold with it: what did I think?' But however talkative about the war, my venerable pilot was reserved about —— House. I asked him if he knew it. 'These fifty years and more,' was his answer. 'The House of Mystery; good people live there now,—yes, good people, kind people,—a blessed change for all about and around the House of Mystery. More he would not utter. At length I reached the winning post, hobbled in, received a cordial welcome, and retired early to bed.
"None but those who have lain for weeks in a crowded military hospital, who have battled day by day with death, now flushed with fever, now racked with agonizing spasmodic action in every nerve, can conceive the effect of the quiet, the pure air, the bracing freshness of the country. The stillness which reigned around,—the peaceful landscape beneath my window,—the balmy fragrance of the flowers,—the hush of woods reposing in all the stillness of a summer's twilight,—the faint tinkling of the distant sheep-bell,—the musical murmur of the rill which gurgled gaily and gladly from beneath the base of the sun-dial,—the deer dotted over the park, and grazing lazily in groups beneath the branching oaks, made up a picture which soothed and calmed me. I went to bed satisfied that I should sleep. I did so without a single twinge till after midnight. Then I was roused by a grating sound at a distance. It drew nearer, became more and more distinct, and presently at a pelting pace, up drove a carriage and four. I say four, because a man used to horses all his life, can, by their tramp, judge, though blindfold, pretty accurately as to their numbers. I heard the easy roll of the carriage, the grating of the wheels on the gravel, the sharp pull-up at the main entrance, the impatient pawing of the animals on the hard and well-rolled road. All this I caught most distinctly. But though I listened keenly I heard no bell ring, no door unclose, no servant hasten to these new arrivals. I thought it odd. I struck my repeater. 'A quarter to one. Strange hour, surely, for visitors to arrive! However, no business of mine. I have not, happily, to rise and do the honors.' And, after a yawn or two, and a hurried, though I trust grateful acknowledgment for the comparative ease I was enjoying, I turned upon my side and dozed off. I had slept about two hours when a similar noise again aroused me. Up came another carriage at the same slapping pace. Pat, pat, pat, went the hoofs upon the hard avenue. The wheels rattled; the gravel grated on the ear; there was the same quick, sharp, knowing pull-up at the main door, and the same impatient stamp of high-fed steeds anxious to be off, and eager for the rest and feed of the stable. I became irritated and angry. 'A pretty house,' said I, 'for an invalid! Guests arriving at all hours! Moreover, a precious lot of fresh faces shall I have to encounter at the breakfast table. A nice figure I am! My walk particularly straight and lively! I shall be "the observed of all observers" with a vengeance. I wish with all my soul I had remained at Exeter. I had there my hospitable friends, the Greens, in "the Barn-field," to keep an eye to me, while here, carriages are driving up at a splitting pace from midnight to cock-crowing.' And fuming and fretting, chafed and annoyed, I lay feverish and discontented till daybreak.
"The next morning, having taken peculiar pains with my toilet, and having arrived at the inevitable conclusion that I hobbled worse than ever, and was as infirm as an old gentleman of eighty, I presented myself in the breakfast room.
"I expected to find it lined with fresh faces. I was mistaken. The party assembled was the same, without diminution or addition, which I had quitted the preceding evening. After an interchange of civilities I hazarded an inquiry:—
"'Where are the new arrivals?'
"'There are no new arrivals,' said my hostess; 'I hope you are not tired of us already?'
"'You allude to an utter impossibility,' was my rejoinder; 'but beyond all doubt two carriages drove up to the main entrance early this morning.'
"'You are our only guest,' observed my hostess with an air of peculiar gravity, and even perceptible annoyance in her manner.
"'You see us as we are, a quiet family party, Mr. Newburgh,' observed the youngest daughter hastily, and then adroitly changed the conversation.
"'Oh,' thought I, 'I'm on unsafe ground. Some disagreeable people, self-invited, and dismissed at all hazards. Very well. Moi c'est égal! What concern have I with the family arrangements of another?'
"The second night of my visit drew on. I slept well and soundly till about three in the morning, when my slumbers were suddenly broken by a rapid rush of horsemen across the lawn, directly under my dressing-room window. 'Hunting at three in the morning is a rank absurdity,' was my comment; 'but if I ever heard the sound of horses and horsemen I did then. The park gates must have been left open, and the farm horses have broken loose. Utter destruction to the lawn, and to the flower beds, and the glorious rhododendrons! What negligent menials.' And while murmuring my abhorrence of such atrocious carelessness, and my deep regret at its results, my eyes closed. The next morning I peeped with apprehension from my window, on what I presumed would prove a scene of devastation. All was fair and smiling, gaze where I would. Here was the trim and smoothly shaven lawn—there the blooming parterre—beyond the early flowering shrubs not a twig, not a leaf injured. I left my room in amazement.
"Below, the papers had arrived. They gave the details of another and decisive battle. That, and an expedition during the morning to a neighboring Roman encampment, banished the horsemen of the preceding night, nor did they recur till I found myself in my room, exhausted and bent down with pain, at eleven. The fact was I had played the fool and overwalked myself, and my avenger, the bullet, began to remind me of his presence in my system. For three mortal hours no poor wretch, save in his death struggle, endured greater agony than I did. At last, a 'compassion that never faileth,' bestowed on me an interval of ease, and I slept. Heavily, I imagine, since for some time a strange booming noise droned continuously in my ears before it waked me. At last I was roused. I listened. The sound was like nothing I had ever heard before. It seemed as if a heavy-sledge hammer, or huge wooden mallet, carefully muffled in wadding, was at work in the room below me. The stable clock struck four. 'No mason,' thought I, 'no mason would commence his day's work at four in the morning. Burglars, perhaps,' and I resolved to give alarm. The noise suddenly ceased, and some three minutes afterward as suddenly recommenced in the children's play-room immediately above me. 'Be they whom they may they shall be disturbed.' And I began to dress in the dark with all possible expedition. Some partial progress was made when the noise ceased in the upper room and descended forthwith to my own. An instant afterward it seemed to proceed from the library. In about twenty minutes it ceased altogether.
"'No mason, no burglar,' was my conclusion. 'This noise has nothing in common with either the one or the other. Did my old guide speak accurately when he called this "The House of Mystery?" Whether it be such or no, it is not the house for me. I can't sleep in it. I must flit; and I will do so with the morning's light.'
"But with the morning's light came bright and cheerful faces, kindly inquiries, and renewed hospitality, and with them an abandonment of my menaced departure. During the day an opportunity presented itself of mentioning to my young host the harassing disturbances of the night, and asking for an explanation.
"'I can give none,' was his reply: 'after many years residence in the house, and ceaseless endeavors to ascertain the cause of these annoyances, you are as much au fait of their origin as myself.'
"'Is their[*sic] no motive, adequate or inadequate,' I continued, 'which can be assigned for these nightly visitations?'
"'None beyond the tradition—apparently authentic—that an ancestor of ours, a man whose character will not bear investigation, met his death, unfairly, in an old house on the site of which this is built. He was a miser, and presumed to be extremely wealthy. He lived secluded from society; his factotum and agent being an Italian valet, who was perfectly aware of the ample means of his master. On a sudden my vicious kinsman disappeared, and shortly afterward the valet. But the story runs—tradition it must still be called—that the former was robbed, brutally beaten, and finally walled up in some recess by his desperate retainer. So immured he died of actual starvation; but according to the legend, much of the miser's wealth continued hidden about the mansion which the Italian's fears prevented his carrying off, and which still remains, snug and safe, in some dusty repository, ready to reward "a fortunate speculator." I only wish,' continued he merrily, 'I could light upon the hoard! Give me a clew, dear Newburgh, and I'll buy you a troop.'
"'At any rate,' said I, 'from the mirth with which you treat it, the visitation is not unpleasant.'
"'You are in error,' said my entertainer; 'the subject is unquestionably annoying, and one which my mother and the family studiously avoid. As for your bed-room—the porch-room—I am aware that parties occupying it have occasionally heard the strangest noises on the gravel-walk immediately below them. Your hostess was most averse to those quarters being assigned you; but I thought that the room being large and lofty, and the steps to it few, you would occupy it with comfort. I am grieved that my arrangement has proved disagreeable.' And then, finishing off with a hearty laugh, in which, for the life of me I couldn't join, my host added, 'if he be walled up, I am sure you will say, Newburgh, that he's a persevering old gentleman, and makes the most laudable efforts to get out of his cell.'"
"The levity of some persons," was the major's grave aside, "how inconceivable, how indescribable!"
"My visit," continued he, "lasted about a fortnight, during the whole of which period, at intervals, the rapping was audible in different parts of the house. It appeared to me however—I watched attentively—to come with the greatest frequency from the hall. Thence it sounded as if an immense mallet, muffled in feathers or cotton, was striking heavily on the floor. The noise was generally heard between twelve and two. The blows sometimes followed each other with great rapidity; at other times more slowly and leisurely. One singularity of the visitation was this—that in whatever part of the house you might be listening, the noise seemed to come from a remote direction. If you heard the blows in the drawing-room, they appeared to be given in the library. And if you heard them in the library, they seemed to be falling in the nursery. The invisible workman was busy always at a distance. Another feature was its locomotive powers. It moved with the most extraordinary rapidity. Nothing that I could think of—mice, rats, drains, currents of air, dropping of water—would explain it. If the noise had been caused by the agency of any one of these causes, it would have been heard in the day time. It never was. Night was the season, and the only season in which the ponderous, but invisible, mallet was wielded. Nothing could exceed the kindness with which I was treated. No words can do justice to the thoughtful and delicate hospitality which I received. But I declare to you this mysterious visitation was too much for me. It was impossible to listen to it at night without depression. Perhaps my nerves were unstrung. The tone of my system might be enfeebled. The fault, I dare say, was in myself. But to lie awake, as I often did, during long hours from pain, and to hear this muffled, hollow, droning, mysterious noise passing from room to room about the house—to listen to it now above me, now below me, now quite close to my chamber door, and in a couple of seconds rising up from the very center of the hall, and to be all the while utterly unable to account for it, fevered me. I curtailed my visit; but the nursing and kindness I received are graven in my memory. Bearing all these matters in remembrance," said the major firmly; "recollecting my own strange experience, how can I discredit Mr. Ancelôt's narrative? I firmly believe it. We are surrounded by mysteries. The invisible world enshrouds us. Spirits have their regards intently fixed on us, and a very slight vail divides us. Spurn the vulgar error," said the old veteran stoutly, "that a soldier must be a scoffer. I remember the holy record, and its thrilling declaration; 'We are a spectacle unto angels and unto men.'" A pause ensued, which neither of the listeners cared to terminate. At length he spoke again. "The dews are falling. The last pleasure-boat has landed its fair freight upon the Denne. The breeze from the sea blows keenly, and warns us elderlies to think of our night-possets and our pillows. Trevor, give me your arm. Happy dog! You have no bullet in your back! May you never know the agony of existence when even to move some dozen yards is torture!"
* * * * *
We should do our utmost to encourage the Beautiful, for the Useful encourages itself.—Goethe.
* * * * *
[From the Ladies' Companion.]
"With clamourous demands of debt, broken bonds,
And the detention of long due debts,
Against my honor."—TIMON OF ATHENS
"How in the turmoil of life can love stand,
Where there is not one heart, and one mouth, and one hand?"
LONGFELLOW
In a charming morning-room of a charming London house, neighboring Hyde-Park, there lounged over the breakfast-table a wedded pair,—the rich merchant Farrars, and his young wife, the Lady Lucy. Five years of married life had, in most respects, more than realized the brightest hopes which had been born and cherished in the dreaming days of courtship. Till the age of forty, the active mind of Walter Ferrars had been chiefly occupied by business,—not in mean shuffling, speculative dealings, but on the broad basis of large transactions and an almost chivalrous system of integrity.
Then, when a secured position and the privileges of wealth had introduced him to that inner circle of English society which not wealth alone can penetrate, but where wealth in some due proportion is an element necessary to hold fast a place, it was thought most natural and proper that he should choose a wife from the class which seems set apart from the rest of womankind like the choice flowers of a conservatory, on whom no rude breath must blow. The youthful, but nearly portionless, daughter of a poor Earl seemed the very bride decreed by some good angel for the merchant-prince.
But though the nuptials fulfilled nearly all the requirements of a mariage de convenance, there was in reality very much more of the ingredients in their hearts which amalgamate into very genuine "love," than always meet at the altar; though of course "the World" resolutely refused to believe anything of the sort—the World, which is capable of so much kindness, and goodness, and justice, among its individuals, taken "separately and singly," and yet is such a false, malignant, many-headed monster in its corporate body! Walter Ferrars had a warm heart, that yearned for affection, as well as a clear head; and, fascinated as he had been by the youthful grace and beauty, the high-bred repose of manner and cultivated talents of the Lady Lucy, he set himself resolutely to win and keep her girlish heart, not expecting that the man of forty was to obtain it without an effort. Thus, when he assumed a husband's name, he did not "drop the lover." His was still the watchful care, made up of the thousand little thoughtful kindnesses of daily life, neither relaxed in a tête-à-tête, nor increased in public. He was the pleased and ready escort for every occasion, save only when some imperative business claimed his time and presence; and these calls now were rare, for he had long since arrived at the position when efficient servants and assistants carry out the plans a superior has organized.
Is there wonder that the wife was grateful? Few—few women indeed are insensible to the power of continued kindness; they may have a heart of stone for the impetuous impulsive lover, but habitual tenderness-that seems so unselfish—touches the finest chords of their nature, and awakens affection that might have lain dormant through a long life, but for this one sweet influence. Thus it was that the wife of five years loved her husband with an almost adoring worship. She had felt her own mind expand in the intimate communion with his fine intellect; she had felt her own weaknesses grow less, as if she had absorbed some of his strength of character; and she had recognised the very dawn of principles and opinions which had been unknown to her in the days of her thoughtless, ignorant, inexperienced girlhood. And yet with all her love, with all her matured intelligence, she had never lost a certain awe of her husband, which his seniority had perhaps first implanted, and alas! one fatal circumstance had gone far to render morbid.
They sat at breakfast. It was early spring, and though the sunshine streamed through the windows, and from one of them there crept the odors of the conservatory, a bright fire gleamed and crackled in the grate; and shed a charm of cheerfulness through the room. Mr. Ferrars had a newspaper in his hand, but not yet had he perused a line, for his son and heir, a brave boy of three years old, a very model of patrician beauty, was climbing his large chair, playing antics of many sorts, and even affecting to pull his father's still rich and curling hair, so little awe had the young Walter of the head of the house—while Mr. Farrars' parental glee was like a deep bass to the child's crowing laugh. Lady Lucy smiled too, but she shook her head, and said more than once, "Naughty papa is spoiling Watty." It was a pretty scene; the room was redolent of elegance, and the young mother, in her exquisitely simple but tasteful morning dress, was one of its chief ornaments. Who would think that beneath all this sweetness of life there was still a serpent!
A post was just in, and a servant entered with several letters; among those delivered to Lady Lucy were two or three large unsightly, ill-shaped epistles, that seemed strange company for the others. An observing stranger might have noticed that Lady Lucy's cheek paled, and then flushed; that she crushed up her letters together, without immediately opening them, and that presently she slid the ugly ones into the pocket of her satin apron. Mr. Ferrars read his almost with a glance—for they were masculine letters, laconic, and to the point, conveying necessary information, in three lines and a half—and he smiled, as after a while he observed his wife apparently intent on a truly feminine epistle—four sides of delicate paper closely crossed—and exclaimed gaily:
"My dear Lucy, there's an hour's reading for you, at least; so I shall ring and send Watty to the nursery, and settle steadily to the Times."
But though Lady Lucy really perused the letter, her mind refused to retain the pleasant chit-chat gossip it contained. Her thoughst[*sic] were far away, and had she narrowly examined her motives she would have known that she bent over the friendly sheet chiefly as an excuse for silence, and to conceal her passing emotions. Meanwhile the newspaper crackled in her husband's hand as he moved its broad leaves.
Presently Mr. Ferrars started with an exclamation of grief and astonishment that completely roused his absent wife.
"My dear Walter, what has happened?" she asked, with great anxiety.
"A man a bankrupt, whom I thought as safe as the Bank of England. Though it is true people talked about him months ago—spoke suspiciously of his personal extravagance, and, above all, said that his wife was ruining him."
"His wife!"
"Yes;—but I cannot understand that sort of thing. A few hundreds a year more or less could be of little moment to a man like Beaufort, and I don't suppose she spent more than you do, my darling. At any rate she was never better dressed. Yet I believe the truth was, that she got frightfully into debt unknown to him; and debt is a sort of thing that multiplies itself in a most astonishing manner, and sows by the wayside the seeds of all sorts of misery. Then people say that when pay-day came at last, bickerings ensued, their domestic happiness was broken up. Beaufort grew reckless, and plunged into the excitement of the maddest speculations."
"How dreadful!" murmured Lady Lucy.
"Dreadful, indeed! I don't know what I should do with such a wife."
"Would not you forgive her if you loved her very much?" asked Lady Lucy, and she spoke in the singularly calm tone of suppressed emotion.
"Once, perhaps, once; and if her fault were the fault of youthful inexperience,—but so much falseness, mean deception, and mental deterioration must have accompanied such transactions, that—in short, I thank Heaven that I have never been put to the trial."
As he spoke, the eyes of Mr. Farrars were fixed on the leading article of the Times, not on his wife. Presently Lady Lucy glided from the room, without her absence being at the moment observed. Once in her dressing-room she turned the key, and sinking into a low chair, gave vent to her grief in some of the bitterest tears she had ever shed. She, too, was in debt; "frightfully," her husband had used the right word; "hopelessly," so far as satisfying her creditors even out of the large allowance Mr. Farrars made her; and still she had not the courage voluntarily to tell the truth, which yet she knew must burst upon him ere long. From what small beginnings had this Upas shadow come upon her! And what "falseness, mean deception, and mental deterioration" had truly been hers!
Even the fancied relief of weeping was a luxury denied to her, for she feared to show the evidence of tears; thus after a little while she strove to drive them back, and by bathing her face before the glass, and drawing the braids of her soft hair a little nearer her eyes, she was tolerably successful in hiding their trace. Never, when dressing for court or gala, had she consulted her mirror so closely; and now, though the tears were dried; she was shocked at the lines of anguish—those delvers of the wrinkles of age—which marked her countenance. She sat before her looking-glass, one hand supporting her head, the other clutching the hidden letters which she had not yet the courage to open. There was a light tap at the door.
"Who is there?" inquired Lady Lucy.
"It is I, my lady," replied Harris, her faithful maid. "Madame Dalmas is here."
Lady Lucy unlocked her door and gave orders that the visitor should be shown up. With the name had come a flush of hope that some trifling temporary help would be hers. Madame Dalmas called herself a French-woman, and signed herself "Antoinette," but she was really an English Jewess of low extraction, whose true name was Sarah Solomons. Her "profession" was to purchase—and sell—the cast-off apparel of ladies of fashion; and few of the sisterhood have carried the art of double cheating to so great a proficiency. With always a roll of bank notes in her old leathern pocket-book, and always a dirty canvas bag full of bright sovereigns in her pocket, she had ever the subtle temptation for her victims ready.
Madame Dalmas—for she must be called according to the name engraved on her card—was a little meanly-dressed woman of about forty, with bright eyes and a hooked nose, a restless shuffling manner, and an ill-pitched voice. Her jargon was a mixture of bad French and worse English.
"Bon jour, miladi Lucy," she exclaimed, as she entered Lady Lucy's sanctum, "need not inquire of health, you look si charmante. Oh, si belle!—that make you wear old clothes so longer dan oder ladies, and have so leetel for me to buy. Milady Lucy Ferrars know she look well in anything, but yet she should not wear old clothes: no right—for example—for de trade, and de hoosband always like de wife well dressed—ha—ha!"
Poor Lady Lucy! Too sick at heart to have any relish for Madame Dalmas' nauseous compliments, and more than half aware of her cheats and falsehoods, she yet tolerated the creature from her own dire necessities.
"Sit down, Madame Dalmas," she said, "I am dreadfully in want of money; but I really don't know what I have for you."
"De green velvet, which you not let me have before Easter, I still give you four pounds for it, though perhaps you worn it very much since then."
"Only twice—only seven times in all—and it cost me twenty guineas," sighed Lady Lucy.
"Ah, but so old-fashioned—I do believe I not see my money for it.
Voyez-vous, de Lady Lucy is one petite lady—si jolie mais très petite.
If she were de tall grand lady, you see de great dresses could fit small
lady, but de leetle dresses fit but ver few."
"If I sell the green velvet I must have another next winter," murmured
Lady Lucy.
"Ah! vous avez raison—when de season nouveautés come in. I tell you what—you let me have also de white lace robe you show me once, the same time I bought from you one little old pearl brooch."
"My wedding-dress? Oh no, I cannot sell my wedding-dress!" exclaimed poor
Lady Lucy, pressing her hands convulsively together.
"What for not?—you not want to marry over again—I give you twenty-two pounds for it."
"Twenty-two pounds!—why it is Brussels point, and cost a hundred and twenty."
"Ah, I know—but you forget I perhaps keep it ten years and not sell—and besides you buy dear; great lady often buy ver dear!" and Madame Dalmas shook her head with the solemnity of a sage.
"No, no; I cannot sell my wedding-dress," again murmured the wife. And be it recorded, the temptress, for once, was baffled; but at the expiration of an hour, Madame Dalmas left the house, with a huge bundle under her arm, and a quiet satisfaction revealed in her countenance, had any one thought it worth while to study the expression of her disagreeable face.
Again Lady Lucy locked her door; and placing a bank-note and some sovereigns on the table, she sank into a low chair, and while a few large silent tears flowed down her cheeks, she at last found courage to open the three letters which had hitherto remained unread in her apron pocket. The first—the second, seemed to contain nothing to surprise her, however much there might be to annoy—but it was different with that last: here was a gross overcharge, and perhaps it was not with quite a disagreeable feeling that Lady Lucy found something of which she could justly complain. She rose hurriedly and unlocked a small writing-desk, which had long been used as a receptacle for old letters and accounts.
To tell the truth, the interior of the desk did not present a very orderly arrangement. Cards of address, bills paid and unpaid, copies of verses, and papers of many descriptions, were huddled together, and it was not by any means surprising that Lady Lucy failed in her search for the original account, by which to rectify the error in her shoemaker's bill. In the hurry and nervous trepidation which had latterly become almost a constitutional ailment with her, she turned out the contents of the writing-desk into an easy chair, and then kneeling before it, she set herself to the task of carefully examining the papers. Soon she came to one letter which had been little expected in that place, and which still bore the marks of a rose, whose withered leaves also remained, that had been put away in its folds. The rose Walter Ferrars had given her on the eve of their marriage, and the letter was in his handwriting, and bore but a few days earlier date. With quickened pulses she opened the envelope; and though a mist rose before her eyes, it seemed to form into a mirror in which she saw the by-gone hours. And so she read—and read.
It is the fashion to laugh at love-letters, perhaps because only the silly ones come to light. With the noblest of both sexes such effusions are sacred, and would be profaned by the perusal of a third person: but when a warm and true heart is joined to a manly intellect; when reason sanctions and constancy maintains the choice which has been made, there is little doubt but much of simple, truthful, touching eloquence is often to be found in a "lover's" letter. That which the wife now perused with strange and mingled feelings was evidently a reply to some girlish depreciation of herself, and contained these words:—
"You tell me that in the scanty years of your past life, you already look back on a hundred follies, and that you have unnumbered faults of character at which I do not even guess. Making some allowance for a figurative expression, I will answer 'it may be so.' What then? I have never called you an angel, and never desired you to be perfect. The weaknesses which cling, tendril-like, to a fine nature, not unfrequently bind us to it by ties we do not seek to sever. I know you for a true-hearted girl, but with the bitter lessons of life still unlearned; let it be my part to shield you from their sad knowledge,—yet whatever sorrow or evil falls upon you, I must or ought to share. Let us have no secrets; and while the Truth which gives its purest luster to your eye, and its richest rose to your cheek, still reigns in your soul, I cannot dream of a fault grave enough to deserve harsher rebuke than the kiss of forgiveness."
What lines to read at such a moment! No wonder their meaning reached her mind far differently than it had done when they were first received. Then she could have little heeded it; witness how carelessly the letter had been put away—how forgotten had been its contents.
Her tears had flowed in torrents, but Lucy Ferrars no longer strove to check them. And yet there gleamed through them a brighter smile than had visited her countenance for many a month. A resolve approved by all her better nature was growing firm within her heart; and that which an hour before would have seemed too dreadful to contemplate was losing half its terrors. How often an ascent, which looks in the distance a bare precipice, shows us, when we approach its face, the notches by which we may climb!—and not a few of the difficulties of life yield to our will when we bravely encounter them.
"Why did I fear him so much?" murmured Lady Lucy to herself. "I ought not to have needed such an assurance as this to throw myself at his feet, and bear even scorn and rebuke, rather than prolong the reign of falsehood and deceit. Yes—yes," and gathering a heap of papers in her hand with the "love-letter" beneath, she descended the stairs.
There is no denying that Lady Lucy paused at the library door—no denying that her heart beat quickly, and her breath seemed well-nigh spent; but she was right to act on the good impulse, and not wait until the new-born courage should sink.
Mr. Ferrars had finished the newspaper, and was writing an unimportant note; his back was to the door, and hearing the rustle of his wife's dress, and knowing her step, he did not turn his head sufficiently to observe her countenance, but he said, good-humoredly,
"At last! What have you been about? I thought we were to go out before luncheon to look at the bracelet I mentioned to you."
"No, Walter—no bracelet—you must never give me any jewels again;" and as Lady Lucy spoke she leaned against a chair for support. At such words her husband turned quickly round, started up, and exclaimed.
"Lucy, my love!—in tears—what has happened?" and, finding that even when he wound his arm around her she was still mute, he continued, "Speak—this silence breaks my heart—what have I done to lose your confidence?"
"Not you—I—" gasped the wife. "Your words at breakfast—this letter—have rolled the stone from my heart—I must confess—the truth—I am like Mrs. Beaufort—in debt—frightfully in debt." And with a gesture, as if she would crush herself into the earth, she slipped from his arms and sank literally on the floor.
Whatever pang Mr. Ferrars felt at the knowledge of her fault, it seemed Overpowered by the sense of her present anguish—an anguish that proved how bitter had been the expiation; and he lifted his wife to the sofa, bent over her with fondness, called her by all the dear pet names to which her ear was accustomed, and nearer twenty times than once gave her the "kiss of forgiveness."
"And it is of you I have been frightened!" cried Lady Lucy, clinging to his hand. "You who I thought would never make any excuses for faults you yourself could not have committed!"
"I have never been tempted."
"Have I? I dare not say so."
"Tell me how it all came about," said Mr. Farrars, drawing her to him; "tell me from the beginning."
But his gentleness unnerved her—she felt choking—loosened the collar of her dress for breathing space-and gave him the knowledge he asked in broken exclamations.
"Before I was married—it—began. They persuaded me so many—oh, so many—unnecessary things—were—needed. Then they would not send the bills—and I—for a long time—never knew—what I owed—and then—and then—I thought I should have the power—but—"
"Your allowance was not sufficient?" asked Mr. Ferrars, pressing her hand as he spoke.
"Oh, yes, yes, yes! most generous, and yet it was always forestalled to pay old bills: and then—and then my wants were so many. I was so weak. Madame Dalmas has had dresses I could have worn when I had new ones on credit instead, and—and Harris has had double wages to compensate for what a lady's maid thinks her perquisites; even articles I might have given to poor gentlewomen I have been mean enough to sell. Oh, Walter! I have been very wrong; but I have been miserable for at least three years. I felt as if an iron cage were rising around me,—from which you only could free me—and yet, till to-day, I think I could have died rather than confess to you."
"My poor girl! Why should you have feared me? Have I ever been harsh?"
"Oh, no!—no—but you are so just—so strict in all these things—"
"I hope I am; and yet not the less do I understand how all this has come about. Now, Lucy,—now that you have ceased to fear me—tell me the amount."
She strove to speak, but could not.
"Three figures or four? tell me."
"I am afraid—yes, I am afraid four," murmured Lady Lucy, and hiding her face from his view; "yes, four figures, and my quarter received last week gone every penny."
"Lucy, every bill shall be paid this day; but you must reward me by being happy."
"Generous! dearest! But, Walter, if you had been a poor man, what then?"
"Ah, Lucy, that would have been a very different and an infinitely sadder story. Instead of the relinquishment of some indulgence hardly to be missed, there might have been ruin, and poverty, and disgrace. You have one excuse,—at least you knew that I could pay at last."
"Ah, but at what a price! The price of your love and confidence."
"No, Lucy—for your confession has been voluntary; and I will not ask myself what I should have felt had the knowledge come from another. After all, you have fallen to a temptation which besets the wives of the rich far more than those of poor or struggling gentlemen. Tradespeople are shrewd enough in one respect—they do not press their commodities and long credit in quarters where ultimate payment seems doubtful—though—"
"They care not what domestic misery they create among the rich."
"Stay: there are faults on both sides, not the least of them being that girls in your station are too rarely taught the value of money, or that integrity in money matters should be to them a point of honor second only to one other. Now listen, my darling, before we dismiss this painful subject forever. You have the greatest confidence in your maid, and entre nous she must be a good deal in the secret. We shall bribe her to discretion, however, by dismissing Madame Dalmas at once and forever. As soon as you can spare Harris, I will send her to change a check at Coutts', and then, for expedition and security, she shall take on the brougham and make a round to these tradespeople. Meanwhile, I will drive you in the phaeton to look at the bracelet."
"Oh, no-no, dear Walter, not the bracelet."
"Yes—yes—I say yes. Though not a quarrel, this is a sorrow which has come between us, and there must be a peace-offering. Besides I would not have you think that you had reached the limits of my will, and of my means to gratify you."
"To think that I could have doubted—that I could have feared you!" sobbed Lady Lucy, as tears of joy coursed down her cheeks. "But, Walter, it is not every husband who would have shown such generosity."
"I think there are few husbands, Lucy, who do not estimate truth and candor as among the chief of conjugal virtues:—ah, had you confided in me when first you felt the bondage of debt, how much anguish would have been spared you!"
* * * * *
[Footnote A: Sir Francis Chantrey, R. A.; Recollections of his Life,
Practice and Opinions. By George Jones, R. A. London, Moxon, 1849.]
The criticisms of Literature in the London Times are as clever in their way as the other articles of that famous journal. It keeps a critic of the Poe school for pretenders, and the following review of a recent life of Chantrey the sculptor is in his vein. It embodies a just estimate of the artist.
A good life of Chantrey would be a welcome and a serviceable contribution to the general store. Chantrey was a national sculptor in the sense that Burns was a national poet. His genius, of the highest order, indicated throughout his career the nature of the soil in which it had been cherished. As man and artist he was essentially British. By his own unassisted strength he rose from the ranks, and achieved the highest eminence by the simplest and most legitimate means. His triumph is at once a proof of his power, and an answer to all who, instead of putting shoulder to the wheel, console their mediocrity by railing against the cold exclusiveness of aristocratic institutions.
Chantrey began life in a workshop. A friend, toward the close of the artist's life, passing through his studio, was struck by a head of Milton's Satan lying in a corner. "That head," said Chantrey to his visitor, "was the very first thing that I did after I came to London. I worked at it in a garret, with a paper cap on my head, and, as I could then afford only one candle, I stuck that one in my cap that it might move along with me, and give me light whichever way I turned." A still severer school of discipline had, previously to his appearance in the London garret, given his mind the practical turn chiefly characteristic of his life and works. He was born in 1782, at Norton, in Derbyshire, and when eight years old lost his father. His mother married again, and in 1798 proposed to apprentice him to a solicitor in Sheffield. Whilst walking through that town the boy saw some wood carving in a shop window. His good angel was with him at the moment, and stood his friend. Chantrey begged to be made a carver, and he was accordingly apprenticed to a Mr. Ramsay, a wood carver in Sheffield.
At the house of his master the apprentice often met Mr. Raphael Smith, known for his admirable crayon drawings. The acquaintance led to a more refined appreciation of art, and excited in the youth so strong a desire to cultivate it in a higher sphere, that at the age of 21 he gave to his master the whole of his wealth, amounting to £50, to cancel his indentures. Had he waited patiently for six months longer, his liberty would have been his own, unbought. Leaving the carver's shop Chantrey began to study in earnest. He painted a few portraits, which brought him in a little money, and, with a little more borrowed from his friends, he started for London. Here, guided by common sense, he sought employment as an assistant carver. He might have starved had he started as a professional painter.
Whilst laboring for subsistence Chantrey still used his brush, and also laid the foundation of his coming success by making models in clay of the human figure. He would hang, says his present biographer, pieces of drapery on these models, "that he might get a perfect knowledge of the way, and the best way, that it should be represented. In this manner he was accustomed to work, and when he had completed one figure or mass of drapery he pulled it down and began to model another from drapery differently arranged; for at that time he never did anything without nature or the material being before him." In 1808 Chantrey's first imaginative work was exhibited. We have already mentioned it. It was the head of Satan produced in the garret.
For eight years, according to Chantrey himself, he did not gain £5 by his modeling. A fortunate commission, however—the bust of Horne Tooke—finally obtained for him other commissions, amounting altogether To £12,000. In 1811 "he married his cousin Miss Wale; with this lady he received £10,000; this money enabled him to pay off some debts he had contracted, to purchase a house and ground, on which he built two houses, a studio and offices, and also to buy marble to proceed in the career he had begun." In 1812 he executed for the city of London a statue in marble of George III., placed in the council-chamber of Guildhall, and in 1817 he produced the exquisite monument—not to be surpassed for tenderness of sentiment and poetic beauty—of the two children whose death this piece of sculpture now commemorates in Lichfield cathedral. With this achievement the race was won. In 1818 he was elected an associate of the Royal Academy, and as soon after as the practice of the Academy admitted he was elevated to the rank of Academican.
From this period until his death, in 1841, the career of the sculptor was a series of noble and well rewarded efforts. He amassed a fortune, which at his death he bequeathed to the Royal Academy for the promotion of British art. He was a favored subject of three successive Sovereigns, and the friend and companion of the most illustrious among his contemporaries. His death was somewhat singular. For two years he had been in a declining state of health, but his condition had given his friends no immediate alarm. On the 22d of November he wrote to Sir Charles Clarke, from Norwich, expressing his intention to go to town on the following day, and announcing an invitation to Audley-end, which he had accepted for the 8th of the following month. On Thursday, the 25th of November, a friend called at his house in London, between 5 and 6 o'clock, and was pressed to dine. As he could not do so, Chantrey accompanied his visitor on his way home as far as Buckingham Palace, complaining on the way of a slight pain in the stomach, but at the same time receiving his friend's condolences with jokes and laughter. The clock struck 7 when the friends shook hands and parted. At 9 Chantrey was dead.
Let us regard Chantrey from what point we may, the features that present themselves to the observer bear the same unmistakable stamp. As sculptor and as man, at home or abroad, in his serious recreations or pleasurable pursuits, in his temper and social bearing, Francis Chantrey was a thorough Englishman. Heaven endowed him with genius, and his sound sense enabled him to take the precious gift as a blessing. Sheffield, that reared him, had no cause to be uneasy on his account; the prudence and shrewdness of the North were admirably mingled with the aesthetic qualities of the South. In the pocketbook which accompanied the sculptor on his Italian tour, notes were found referring to the objects of art visited on the way, and in the same tablet were accurate accounts of expenditure and the current prices of marble. Avoiding as much as possible the treatment of purely poetical subjects, Chantrey by the force of simplicity idealized the most ordinary topics. He shrank from allegory by a natural instinct, yet his plain unadorned forms have the elevation and charm of a figurative discourse. "Chantrey," says Mr. Jones.
"Cast aside every extrinsic recommendation, and depended entirely on form and effect. He took the greatest care that his shadows should tell boldly and in masses. He was cautious in introducing them, and always reduced them as much as might be compatible with the complete development of the figure. He never introduced a fold that could be dispensed with, rarely deviated from long lines, and avoided abrupt foldings. His dislike to ornament in sculpture was extreme."
In architecture he liked it no better. Superfluous embellishment in this branch of art he held to be either concealment of inability or a development of puerile taste. Fine buildings, he asserted, must still be fine, if divested of every ornament and left altogether bare. Apparent artlessness is the consummation of art. The busts of Chantrey bear immortal testimony to the fact.
The manly and courageous view which Chantrey took of his duties as an artist sustained him in every attempt he made to impress that view upon his works. He is described as "shrinking from no difficulty," as being "deterred by no embarrassment that labor, assiduity, and good sense could surmount." His independence was as great as his energy, and both smacked of the Saxon blood in his veins. The manner of the sculptor was rough and unceremonious, but he exhibited as little coarseness in his demeanor as in the massive figures of his chisel, which might offend some by their heaviness, but which gratified all by their undoubted grandeur and dignity. The quiet yet splendid generosity of Chantrey was equally characteristic of his country. He assisted the needy largely and unobtrusively. Instances of his bounty are on record which would do honor to the wealthiest patron of art. How much more luster do they shed upon the indefatigable day-laborer? If we follow the sculptor from his studio to the open fields, he is still national to the backbone. He escapes from London to pass days with his rod at the river side, or to walk with his gun on his arm "from 10 o'clock until half-past 4 without feeling the least fatigue." Yesterday he killed two salmon in the Conway, at Llanrwst, and to-day he kills "28 hares, 8 pheasants, 4 partridges—total, 40 head, all from my own gun." Visit him at home and e is the prince of hospitality. His dinners are of the best, and he is never happier than when presiding at them. Like an Englishman, he was proud of the illustrious society his success enabled him to summon around him, and, like an Englishman too, he had greater pride still in dwelling upon the humbleness of his origin, and in recounting the history of his difficult journey from struggling obscurity to worldwide renown.
Now, what we contend for is—without presuming ourselves to attempt anything like a worthy portraiture of Francis Chantrey—that here, ready-made to the hand of any man competent to the task of illustrating a life full of instruction for the rising brotherhood of art, is a subject which it behooved the Royal institution that has so largely profited by Chantrey's liberality and fame, not to neglect, much less throw away. The book which we have taken for the foundation of this notice, written by a Royal Academician, is a disgrace to the Royal Academy. Is then, we ask, no single member of that gifted body competent to say a word or two in plain English for the departed sculptor, that such a melancholy exhibition of helplessness must needs be sent forth as a tribute from excellence to excellence? The life of Chantrey properly written could not but prove of the utmost value to Englishmen, and simply because it is the career of a man attaining the highest distinction by means thoroughly understood by his countrymen, and by the exercise of an intellect at all times under the salutary influence of a wholesale national bias. Jones on Chantrey is Jenkins on Milton; the poet of Moses and Son upon the Inferno of Dante—the ridiculous limping after the sublime.
The great aim of Mr. George Jones, R.A., in his present undertaking, seems to have been to exhibit his own vast erudition and his great command of the hard words of his native tongue. Indeed, he quotes so much Greek and Latin, and talks so finely, that it is only to be regretted that he does not now and then come down from his stilts in order to gratify himself with a little intelligible English and his readers with some homely grammar. It will be our painful duty to submit to the reader's notice a specimen or two of Mr. Jones' peculiar style, which, together with the profound simplicity of his original remarks, make up as curious a production as it has ever fallen to our lot to read and to criticise.
When our old friend, M. Soyer, declared his conviction that "to die is a religious duty which every human being owes to his Creator," and that when the parents of a family are suddenly cut off, the unfortunate event "not only affects the children personally, but their future generations, by destroying all the social comfort which generally exists in such families, and probably would cause misery to exist instead of happiness," it occurred to us that sterner truisms in more naked guise it would be difficult to produce. We had not then read Jones. His self-evident propositions are perfectly astounding. Here are a few of them.
"Chantrey believed that the mind and morals are improved by the contemplation of beautiful objects." Who could have supposed it? "Chantrey was convinced that variety in building, if under the guidance of good sense and propriety, tends much to the beauty of a country." Is it possible? "Chantrey believed that all which has been done may be exceeded when genius and ability are equal to the task, for as Raphael has surpassed the lay-figure art of most of his predecessors, so no reason exists why Raphael should not be surpassed." Had he never spoken again, this idea would have procured him a niche next to Francis Bacon. The sculptor actually believed that even the glories of the past may be outdone when there are genius and ability enough in the world to surpass them! Will Mr. Jones favor us with the day and precise moment at which this wonderful conception entered the great sculptor's mind? We should like to record it. "Chantrey felt that the blind adoration of right and wrong was likely to mislead the public." We really think we have heard the remark before. "Chantrey referred every object to the Creator of all, and admired without limit the works of the Great Artificer, from the smallest leaf to the noblest production, and in his mundane calling aimed at an imitation of that excellence of beauty which nature has displayed." There is nothing like getting at the idiosyncrasies of the famous. Since Chantrey, according to Jones, has set the example of referring creation to a creator, and of studying nature when be wished to imitate her, we can only trust that the practice may henceforward be universally adopted. Chantrey was of opinion—no, we mistake, this is Jones' own—Jones is of opinion that "although the literary education of artists ought to be as extensive as possible, yet they may sometimes require the assistance of those whose opportunities and abilities have enabled them to make a deeper research." Finely said. Jones is a case in point. We do not know the extent of his literary education, but whatever it be, the assistance of Lindley Murray would, we are certain, be of infinite service to him at this moment.
We forget how many thousands of pounds, poor Chantrey left to the Royal Academy. Jones never tires of lauding the Academy by referring to the munificent bequests; yet this, we repeat, is the return made by that favored institution, in the person of one of its chief members, to the no less distinguished and generous donor. The life of Chantrey would not have been difficult in the hands of a moderately informed artist. "Dear Jones, we wanted a man of taste (d—n taste), we mean judgment," and your professed regard for your friend should not have rested content until it had found one.
* * * * *
I've left my native home afar,
Beyond the dark blue main;
And many a mouth may come and go
Ere I return again:
But months and years must come and go
As rolling waves depart,
Ere I forget to give you all
A home within my heart!
I come to you as swallows come,
Across the stormy foam;
My chief delight in alien lands,
To sing my songs of home:
Nor will I once regret my home
And all the sea that parts,
If you will only give me now
A home within your hearts!
* * * * *
[From the Athenaeum.]
[Footnote A: The Historie of Travaile into Virginia Britannia; expressing the Cosmographie and Comodities of the Country, togither with the Manners and Customes of the People. Gathered and observed as well by those who went first thither as collected by William Strachey, Gent, the first Secretary of the Colony. Now first edited from the original Manuscript, in the British Museum, by R. H. Major, Esq., of the British Museum. Printed for the Hakluyt Society.]
This is a suggestive book, with its prophetic motto,—its dedication to Lord Bacon, the fit patron of discoverers,—and its curious map, "described by Captayn John Smith," adorned with ships, and huge whales, and all the land so closely dotted over with tall trees and molehill-sized mountains, and here and there the mark of an Indian settlement just visible. Worthy William Strachey, Gent., what would be his surprise to look over a map of Virginia Britannia,-that "ample tract of land" with "sufficient space and ground enough to satisfie the most covetous,"—in the year 1850; and to mark the teeming and busy population, the steamboats that navigate the "five faire and delightfull navigable rivers" within the Chesapeake Bay, the railroads that intersect the whole country and the vast human tide still pouring westward? "This shall be written for the generation to come," is his motto; and interesting it is to the reader to follow him in his narrative of the toils and privations of the good company to which he was secretary, and in his full and minute account of the produce of the country, and its strange inhabitants. Who William Strachey was, Mr. Major, notwithstanding all his diligence, has not been able to ascertain. In his dedication to Lord Bacon, he describes himself as having been "one of the Graies-Inne Societe," and his narrative affords ample proof of his being a man of learning and worth: but of his family, the date of his birth or of his death, we have no record.
The earlier attempts to colonize North America were numerous, but all unfavorable. "Divers voyages" were made thither from the year 1578 to the close of the reign of Elizabeth, but without success; nor were the first adventurers in the reign of her successor more fortunate.
"At the time of the death of Queen Elizabeth, one hundred and eleven years subsequent to the great discovery of the Western World by Columbus, the Spaniards, on whose behalf his discovery had been made, were the sole permanent settlers in this wide and wealthy continent. In 1606, the French began to make settlements in Canada and Acadie, now Nova Scotia, but it was not till 1607 that the enterprise, which was finally destined to lay the foundation of British occupancy of American soil, was undertaken. Twenty-three years had expired since the patent has been granted to Sir Walter Raleigh to discover and take possession, with little less than royal privileges, of remote heathen and barbarous lands, hitherto not actually possessed by any Christian prince; and yet not an acre of American soil had hitherto become the property of the English….. It was shortly after this period, viz., A° 1605-6, that Richard Hakluyt, the 'presidium et dulce decus' of our Society, to whom, as Robertson justly remarks, 'England is more indebted for its American possessions than to any man of that age,' used influential arguments with various gentlemen of condition, to induce them to present a petition to King James to grant them patents for the settlement of two plantations on the coast of North America. This petition issued in the concession of a charter, bearing date the 10th of April 1606, by which the tract of country lying between the thirty-forth and forty-fifth degrees of latitude was to be divided into nearly equal portions, between two companies; that occupying the southern portion to be called the first colony (subsequently named the London Company), and that occupying the northern, to be called the second colony (subsequently named the Plymouth Company). The patent also vested in each colony a right of property over fifty miles of the land, extending along the coast each side of the point of first occupation, and a hundred miles inland. The chief adventurers in the London or South Virginian Company, with which as the first settlement we now have principally to do, were Sir Thomas Gates, Sir George Somers, Richard Hakluyt, and Edward Maria Wingfield. The command of the expedition was committed to Captain Newport."