The old woman was very curious to know the contents of the note, and why I was so very merry of a sudden. But the matter was far too intricate for me to be able to explain it to her. I merely pointed to a couple of storks that were sailing through the air far above our heads, and said that so must I go, far, far away. At this she opened her bleared eyes wide, and cast a sinister glance first at me and then at the old man. After that, I noticed as often as I turned away that they put their heads together and talked eagerly, glancing askance toward me from time to time.
This puzzled me. I pondered upon what scheme they could be hatching, and I grew more quiet. The sun had long set, so I wished them all good night and betook myself thoughtfully to my bedroom.
I felt so happy and so restless that for a long while I paced the apartment to and fro. Outside, the wind was driving black, heavy clouds high above the castle-tower; the nearest mountain-summit could be scarcely discerned in the thick darkness. Then I thought I heard voices in the garden below. I put out my candle and sat down at the window. The voices seemed to come nearer, speaking in low tones, and suddenly a long ray of light shot from a small lantern concealed under the cloak of a dark figure. I instantly recognized the grim old steward and the old housekeeper. The light flashed in the face of the old woman, who looked to me more hideous than ever, and upon the blade of a long knife which she held in her hand. I could plainly see that both of them were looking up at my window. Then the steward folded his cloak more closely, and all was dark and silent.
"What do they want," I thought, "out in the garden, at this hour?" I shuddered; I could not help recalling all the stories of murders that I had ever heard—all the tales of witches and robbers who slaughtered people that they might devour their hearts. Whilst I was filled with such thoughts, I heard footsteps coming up the stairs softly, then very softly along the narrow passage directly to my door; and at the same time I thought I heard voices whispering together. I ran hastily to the other end of the room and behind a large table, which I could lift and bang against the door as soon as anything stirred outside. But in the darkness I upset a chair, which made a tremendous crash. In an instant all was profound silence outside. I listened behind the table, staring at the door as if I could pierce it with my eyes, which felt as if they were starting from my head. When I had kept so quiet for a while that the buzzing of a fly could have been plainly heard, I distinguished the sound of a key softly put into the keyhole of my door on the outside. I was just about to make a demonstration with my table, when the key was turned slowly three times round in the lock, and then cautiously withdrawn, after which the footsteps retreated along the passage and down the staircase.
I took a long breath. "Oho!" I thought, "they have locked me up that all may be easy when I am sound asleep." I tried the door, and found it locked, as was also the other door, behind which the pale maid slept. This had never been so before since I had been at the castle.
Here was I imprisoned in a foreign land! The Lady fair undoubtedly was even now standing at her window and looking across the quiet garden toward the high-road, to see if I were not coming from the toll-house with my fiddle. The clouds were scudding across the sky; time was passing—and I could not get away. Ah, but my heart was sore; I did not know what to do. And if the leaves rustled outside, or a rat gnawed behind the wainscot, I fancied I saw the old woman gliding in by a secret door and creeping softly through the room, with that long knife in hand.
As, given over to such fancies, I sat on the side of my bed, I heard, the first time for a long while, the music beneath my window. At the first twang of the guitar a ray of light darted into my soul. I opened the window, and called down softly, that I was awake. "Pst, pst!" was the answer from below. Without more ado, I thrust the note into my pocket, took my fiddle, got out of the window, and scrambled down the ruinous old wall, clinging to the vines growing from the crevices. One or two crumbling stones gave way, and I began to slide faster and faster, until at last I came down upon my feet with such a sudden bump that my teeth rattled in my head.
Scarcely had I thus reached the garden when I felt myself embraced with such violence that I screamed aloud. My kind friend, however, clapped his hand on my mouth, and, taking my arm, led me through the shrubbery to the open lawn. Here, to my astonishment, I recognized the tall student, who had a guitar slung around his neck by a broad silk ribbon. I explained to him as quickly as possible that I wished to escape from the garden. He seemed perfectly aware of my wishes, and conducted me by various covert pathways to the lower door in the high garden wall. But when we reached it, it was fast locked! The student, however, seemed to be quite prepared for this; he produced a large key and cautiously unlocked it.
When we found ourselves in the forest, and I was about to inquire of him the best road to the nearest town, he suddenly fell upon one knee before me, raised a hand aloft, and began to curse and to swear in the most horrible manner. I could not imagine what he wanted; I could hear frequent repetitions of "Iddio" and "cuore" and "amore" and "furore!" But when he began hobbling close up to me on both knees, I grew positively terrified, I perceived clearly that he had lost his wits, and I fled into the depths of the forest without looking back.
I heard the student behind me shouting like one possessed, and soon afterward a rough voice from the castle shouting in reply. I was sure they would pursue me. The road was entirely unknown to me; the night was dark; I should probably fall into their hands. Therefore I climbed up into a tall tree to await my opportunity to escape.
From here I could distinguish one voice after another calling in the castle. Several links appeared in the garden, and cast a weird lurid light over the old walls and down the mountain out into the black night. I commended my soul to the Almighty, for the confused uproar grew louder and nearer. At last the student, bearing aloft a torch, ran past my tree below me so fast that the skirt of his surtout flew out behind him in the wind. After this the tumult gradually retreated to the other side of the mountain; the voices sounded more and more distant, and at last the wind alone sighed through the silent forest. I then descended from my tree and ran breathless down into the valley and out into the night.
I hurried on for the rest of the night and the next day, for there was a din in my ears for a long time, as if all the people from the castle were after me, shouting, waving torches, and brandishing long knives. On the way I learned that I was only five or six miles from Rome, whereat I could have jumped for joy. As a child at home I had heard wonderful stories of gorgeous Rome, and as I lay on my back in the grass on Sunday afternoons near the mill, and everything around was so quiet, I used to picture Rome out of the clouds sailing above me, with wondrous mountains and abysses, around the blue sea, with golden gates and lofty gleaming towers, where angels in shining robes were singing.
The night had come again, and the moon shone brilliantly, when at last I emerged from the forest upon a hilltop, and saw the city lying before me in the distance. The sea gleamed afar off, the heavens glittered with innumerable stars, and beneath them lay the Holy City, a long strip of mist, like a slumbering lion on the quiet earth, watched and guarded by mountains around like shadowy giants.
I soon reached an extensive, lonely heath, where all was gray and silent as the grave. Here and there a ruined wall was still standing, or some strangely-gnarled trunk of a tree; now and then night-birds whirred through the air, and my own shadow glided long and black in the solitude beside me. They say that a primeval city lies buried here, and that Frau Venus makes it her abode, and that sometimes the old pagans rise up from their graves and wander about the heath and mislead travelers. I cared nothing, however, for such tales, but walked on steadily, for the city arose before me more and more distinct and magnificent, and the high castles and gates and golden domes gleamed wondrously in the moonlight, as if angels in golden garments were actually standing on the roofs and singing in the quiet night.
At last I passed some humble houses, and then through a gorgeous gate-way into the famous city of Rome. The moon shone bright as day among the palaces, but the streets were empty, except for some lazy fellow lying dead asleep on a marble step in the warm night air. The fountains plashed in the silent squares, and from the gardens bordering the street the trees added their murmur, and filled the air with refreshing fragrance.
As I was sauntering on, not knowing—what with delight, moonlight, and fragrance—which way to turn, I heard a guitar touched in the depths of a garden. "Great heavens!" I thought, "the crazy student with his long surtout has been secretly following me all this time." But in a moment a lady in the garden began to sing deliciously. I stood spellbound; it was the voice of the Lady fair! and the selfsame Italian song which she often used to sing at her open window!
Then the dear old time recurred so vividly to my mind that I could have wept bitterly; I saw the quiet garden before the castle in the early dawn, and thought how happy I had been among the shrubbery before that stupid fly flew up my nose. I could restrain myself no longer, but clambered over the gilded ornaments surmounting the grated gate-way and leaped down into the garden whence the song proceeded. As I did so I perceived a slender white figure standing in the distance behind a poplar-tree, looking at me in amazement; but in an instant it had turned and fled through the dim garden toward the house so quickly that in the moonlight it seemed to glide. "It was she, herself!" I exclaimed, and my heart throbbed with delight; I recognized her on the instant by her pretty little fleet feet. It was unfortunate that in clambering over the gate I had slightly twisted my ankle, and had to limp along for a minute or two before I could run after her toward the house. In the meanwhile the doors and windows had been closed. I knocked modestly, listened, and then knocked again. I seemed to hear low laughter and whispering within the house, and once I was almost sure that a pair of bright eyes peeped between the jalousies in the moonlight. But finally all was silent.
"She does not know that it is I," I thought; I took out my fiddle, and promenaded to and fro on the path before the house and sang the song of the Lady fair and played over all my songs that I had been wont to play on lovely summer nights in the castle garden, or on the bench before the toll-house so that the sound should reach the castle windows. But it was all of no use; no one stirred in the entire house. Then I put away my fiddle sadly, and seated myself upon the door-step, for I was very weary with my long march. The night was warm; the flower-beds before the house sent forth a delicious fragrance, and a fountain somewhere in the depths of the garden plashed continuously. I thought dreamily of azure flowers, of dim, green, lovely, lonely spots where brooks were rippling and gay birds singing, until at last I fell sound asleep.
When I awoke the fresh air of morning was playing over me; the birds were already awake and twittering in the trees around, as if they were making game of me. I started up and looked about; the fountain in the garden was still playing, but nothing was to be heard within the house. I peeped through the green blinds into one of the rooms, where I could see a sofa and a large round table covered with gray linen. The chairs were all standing against the wall in perfect order; the blinds were down at all the windows, as if the house had been uninhabited for example, with many a loving thought of my fair, distant home.
Meanwhile, the painter had arranged near the window one of the frames upon which a large piece of paper was stretched. An old hovel was cleverly drawn in charcoal upon the paper, and within it sat the Blessed Virgin with a lovely, happy face, upon which there was withal a shade of melancholy. At her feet in a little nest of straw lay the Infant Jesus—very lovely, with large serious eyes. Without, upon the threshold of the open door were kneeling two shepherd lads with staff and wallet. "You see," said the painter, "I am going to put your head upon one of these shepherds, and so people will know your face and, please God, take pleasure in it long after we are both under the sod, and are ourselves kneeling happily before the Blessed Mother and her Son like those shepherd lads." Then he seized an old chair, the back of which came off in his hand as he lifted it. He soon fitted it into its place again, however, pushed it in front of the frame, and I had to sit down on it, and turn my face sideways to him. I sat thus for some minutes perfectly still, without stirring. After a while, however—I am sure I do not know why—I felt that I could endure it no longer; every part of me began to twitch, and besides, there hung directly in front of me a piece of broken looking-glass into which I could not help glancing perpetually, making all sorts of grimaces from sheer weariness. The painter, noticing this, burst into a laugh, and waved his hand to signify that I might leave my chair. My face upon the paper was already finished, and was so exactly like me that I was immensely pleased with it.
The young man went on painting in the cool morning, singing as he worked, and sometimes looking from the open window at the glorious landscape. I, in the meantime, spread myself another piece of bread and butter, and walked up and down the room, looking at the pictures leaning against the wall. Two of them pleased me especially. "Did you paint these, too?" I asked the painter. "Not exactly," he replied. "They are by the famous masters Leonardo da Vinci and Guido Reni; but you know nothing about them." I was nettled by the conclusion of his remark. "Oh," I rejoined very composedly, "I know those two masters as well as I know myself." He opened his eyes at this. "How so?" he asked hastily. "Well," said I, "I traveled with them day and night, on horseback, on foot, and driving at a pace that made the wind whistle in my ears, and I lost them both at an inn, and then traveled post alone in their coach, which went bumping on two wheels over the rocks, and—" "Oho! oho!" the painter interrupted me, staring at me as if he thought me mad. Then he suddenly burst into a fit of laughter. "Ah," he cried, "now I begin to understand. You traveled with two painters called Guido and Lionardo?" When I assented, he sprang up and looked me all over from head to foot. "I verily believe," he said "that actually—Can you play the violin?" I struck the pocket of my coat so that my fiddle gave forth a tone, and the painter went on: "There was a Countess here lately from Germany, who made inquiries in every nook and corner of Rome for those two painters and a young musician with a fiddle." "A young Countess from Germany!" I cried in an ecstasy. "Was the Porter with her?" "Ah, that I do not know," replied the painter. "I saw her only once or twice at the house of one of her friends, who does not live in the city. Do you know this face?" he went on, suddenly lifting the covering from a large picture standing in a corner. In an instant I felt as we do when in a dark room the shutters are opened and the rising sun flashes in our eyes. It was—the lovely Lady fair! She was standing in the garden, in a black velvet gown, lifting her veil from her face with one hand, and looking abroad over a distant and beautiful landscape. The longer I looked the more vividly did it seem to be the castle garden, and the flowers and boughs waved in the wind, while in the depths of green I could see my little toll-house, and the high-road, and the Danube, and in the distance the blue mountains.
"'Tis she! 'tis she!" I exclaimed at last, and, seizing my hat, I ran out of the door and down the long staircase, while the astonished painter called after me to come back toward evening, and we might perhaps learn something more.
I ran in a great hurry through the city to present myself immediately at the house, in the garden of which the Lady fair had been singing yesterday evening. The streets were full of people; gentlemen and ladies were enjoying the sunshine and exchanging greetings, elegant coaches rolled past, and the bells in all the towers were summoning to mass, making wondrous melody in the air above the heads of the swarming crowd. I was intoxicated with delight, and with the hubbub, and ran on in my joy until at last I had no idea where I was. It was like enchantment; the quiet Square with the fountain, and the garden and the house, seemed the fabric of a dream, which had vanished in the clear light of day.
I could not make any inquiries, for I did not know the name of the Square. At last it began to be very sultry; the sun's rays darted down upon the pavement like burning arrows, people crept into their houses, the blinds everywhere were closed, and the street became once more silent and dead. I threw myself down in despair in front of a fine, large house with a balcony resting upon pillars and affording a deep shade, and surveyed, first the quiet city, which looked absolutely weird in its sudden noonday solitude, and anon the deep blue, perfectly cloudless sky, until, tired out, I fell asleep. I dreamed that I was lying in a lonely green meadow near my native village; a warm summer rain was falling and glittering in the sun, which was just setting behind the mountains, and whenever the raindrops fell upon the grass they turned into beautiful, bright flowers, so that I was soon covered with them.
What was my astonishment when I awoke to find a quantity of beautiful, fresh flowers lying upon me and beside me! I sprang up, but could see nothing unusual, except that in the house above me there was a window filled with fragrant shrubs and flowers, behind which a parrot talked and screamed incessantly. I picked up the scattered flowers, tied them together, and stuck the nosegay in my button-hole. Then I began to discourse with the parrot; it amused me to see him get up and down in his gilded cage with all sorts of odd twists and turns of his head, and always stepping awkwardly over his own toes. But before I was aware of it he was scolding me for a furfante! Even though it were only a senseless bird, it irritated me. I scolded him back; we both got angry; the more I scolded in German, the more he abused me in Italian.
Suddenly I heard some one laughing behind me. I turned quickly, and perceived the painter of the morning. "What nonsense are you at now!" he said. "I have been waiting for you for half an hour. The air has grown cooler: we will go to a garden in the suburbs where you will find several fellow-countrymen, and perhaps learn something further of the German Countess."
I was charmed with this proposal, and we set out immediately, the parrot screaming out abuse of me as I left him.
After we had walked for a long while outside of the city, ascending by a narrow, stony pathway an eminence dotted with villas and vineyards, we reached a small garden very high up, where several young men and maidens were sitting in the open air about a round table. As soon as we made our appearance they all signed to us to keep silence, and pointed toward the other end of the garden, where in a large, vine-wreathed arbor two beautiful ladies were sitting opposite each other at a table. One was singing, while the other accompanied her on the guitar. Between them stood a pleasant-looking gentleman, who occasionally beat time with a small baton. The setting sun shone through the vine-leaves, upon the fruits and flasks of wine with which the table was provided, and upon the plump, white shoulders of the lady with the guitar. The other one grimaced so that she looked convulsed, but she sang in Italian in so extremely artistic a manner that the sinews in her neck stood out like cords.
Just as she was executing a long cadenza with her eyes turned up to the skies, while the gentleman beside her held his baton suspended in the air waiting the moment when she would fall into the beat again, the garden gate was flung open, and a girl looking very much heated, and a young man with a pale, delicate face, entered, quarreling violently. The conductor, startled, stood with raised baton like a petrified conjurer, although the singer had some time before snapped short her long trill and had arisen angrily from the table. All the others turned upon the new arrivals in a rage. "You savage," some one at the round table called out, "you have interrupted the most perfect tableau of the description which the late Hoffmann gives on page 347 of the Ladies' Annual for 1816 of the finest of Hummel's pictures exhibited in the autumn of 1814 at the Berlin Art-Exposition!" But it did no good. "What do I care," the young man retorted, "for your tableau of tableaux! My picture any one may have; my sweetheart I choose to keep for myself. Oh, you faithless, false-hearted girl!" he went on to his poor companion, "you fine critic to whom a painter is nothing but a tradesman, and a poet only a money-maker; you care for nothing save flirtation! May you fall to the lot, not of an honest artist, but of an old Duke with a diamond-mine and beplastered with gold and silver foil! Out with the cursed note that you tried to hide from me! What have you been scribbling? From whom did it come, or to whom is it going?"
But the girl resisted him steadfastly, and the more the other young men present tried to soothe and pacify the angry lover, the more he scolded and threatened; particularly as the girl herself did not restrain her little tongue, until at last she extricated herself, weeping aloud, from the confused coil, and unexpectedly threw herself into my arms for protection. I immediately assumed the correct attitude; but since the rest paid no attention to us, she suddenly composed her face and whispered hastily in my ear, "You odious Receiver! it is all on your account. There, stuff the wretched note into your pocket; you will find out from it where we live. When you approach the gate, at the appointed hour, turn into the lonely street on the right hand."
I was too much amazed to utter a word, for, now that I looked closely, I recognized her at once; actually it was the pert lady's-maid of the Castle who had brought me the flask of wine on that lovely Sunday afternoon. She never looked as pretty as now, when, heated by her quarrel, she leaned against my shoulder, and her black curls hung down over my arm. "But, dear ma'amselle," I said in astonishment, "how do you come—" "For heaven's sake, hush!—be quiet!" she replied, and in an instant, before I could fairly collect myself, she had left me and had fled across the garden.
Meanwhile, the others had almost entirely forgotten the original cause of the turmoil, and now took a pleasing interest in proving to the young man that he was intoxicated—a great disgrace for an honorable painter. The stout, smiling gentleman from the arbor, who was—as I afterward learned—a great connoisseur and patron of Art, and who was always ready to lend his aid for the love of Science, had thrown aside his baton, and showed his broad face, fairly shining with good humor, in the midst of the thickest confusion, zealously striving to restore peace and order, but regretting between-whiles the loss of the long cadenza, and of the beautiful tableau which he had taken such pains to arrange.
In my heart all was as serenely bright as on that blissful Sunday when I had played on my fiddle far into the night at the open window where stood the flask of wine. Since the rumpus showed no signs of abating, I hastily pulled out my violin, and without more ado played an Italian dance, popular among the mountains, which I had learned at the old castle in the forest.
All turned their heads to listen. "Bravo! Bravissimo! A delicious idea!" cried the merry connoisseur of Art, running from one to another to arrange a rustic divertissement, as he called it. He made a beginning himself by leading out the lady who had played the guitar in the arbor. Thereupon he began to dance with extraordinary artistic skill, and describe all sorts of letters on the grass with the points of his toes, really trilling with his feet, and now and then jumping pretty high in the air. But he soon had enough of it, for he was rather corpulent. His jumps grew fewer and clumsier, until at last he withdrew from the circle, puffing violently, and mopping the moisture from his forehead with a snowy pocket-handkerchief. Meanwhile, the young man, who had regained his composure, brought from the inn some castanets, and before I was aware all were dancing merrily beneath the trees. The sun had set, but the crimson sky in the west cast bright reflections among the shadows, and upon the old walls and the half-buried columns covered with ivy in the depths of the garden, while below the vineyards we could see the Eternal City bathed in the evening glow. The dance in the still, clear air was charming, and my heart within me laughed to see how the slender girls and the lady's-maid glided among the trees with arms upraised like heathen wood-nymphs, and kept time to the music with their castanets. At last I could no longer restrain myself; I joined their ranks, and danced away merrily, still fiddling all the time.
I had been hopping about thus for some minutes, not noticing that the others were beginning to be tired and were dropping out of the dance, when I felt some one twitch me by the coat-tail. It was the lady's-maid. "Don't be a fool," she said under her breath; "you are jumping about like a kid! Read your note, and come soon; the beautiful young Countess awaits you." She slipped out of the garden in the twilight and vanished among the vineyards.
My heart beat fast; I longed to follow her. Fortunately, a waiter was just lighting the lantern over the garden gate. I took out my note, which contained a somewhat rudely penciled plan of the gate and the streets leading to it, just as I had been directed by the lady's-maid, and in addition the words "Eleven o'clock, at the little door."
Two long hours to wait! Nevertheless I should have set out immediately, for I could not stay still, had not the painter, who had brought me hither, rushed up. "Did you speak to the girl?" he asked. "I cannot see her now. It was the German Countess's maid." "Hush, hush!" I replied; "the Countess is still in Rome." "So much the better," said the painter; "come then and drink her health." And in spite of all I could say he forced me to return to the garden with him.
It looked quite deserted. The merry company had departed, and were sauntering toward Rome, each lad with his lass upon his arm. We could hear them talking and laughing among the vineyards in the quiet evening, until at last their voices died away in the valley below, lost in the rustling of the trees and the murmur of the stream. I stayed with my painter and Herr Eckbrecht, which was the name of the other young painter who had been quarreling with the maid. The moon shone brilliantly through the tall, dark evergreens; a candle on the table before us flickered in the breeze and gleamed over the wine spilled copiously around it. I had to sit down with my companions, and my painter chatted with me about my native village, my travels, and my plans for the future. Herr Eckbrecht had seated upon his knee the pretty girl who had brought us our wine, and was teaching her the accompaniment of a song on the guitar. Her slender fingers soon picked out the correct chords, and they sang together an Italian song; first he sang a verse, and then the girl sang the next; it sounded deliciously, in the clear, bright evening. When the girl was called away, Herr Eckbrecht, taking no further notice of us, leaned back on his bench with his feet on a low stool and played and sang many an exquisite song. The stars glittered; the landscape turned to silver in the moonlight; I thought of the Lady fair, and of my far-off home, and quite forgot the painter at my side. Herr Eckbrecht had occasionally to tune his instrument; whereat he grew downright angry, and at last he screwed a string so tight that it broke, whereupon he tossed aside the guitar and sprang to his feet, noticing for the first time that my painter had laid his head on his arm upon the table and was fast asleep. He hastily wrapped around him a white cloak which hung on a bough near by, then suddenly paused, glanced keenly at my painter, and then at me several times, then seated himself on the table directly in front of me, cleared his throat, settled his cravat, and instantly began to hold forth to me. "Beloved hearer and fellow-countryman," he said, "since the bottles are nearly empty, and morality is indisputably the first duty of a citizen when the virtues are on the wane, I feel myself moved, out of sympathy for a fellow-countryman, to present for your consideration a few moral axioms. It might be supposed," he went on, "that you are a mere youth, whereas your coat has evidently seen its best years; it might be supposed that you had leaped about like a satyr; nay, some might maintain that you are a vagabond, because you are out here in the country and play the fiddle; but I am influenced by no such superficial considerations; I form my judgment on your delicately chiseled nose; I take you for a strolling genius." His ambiguous phrases irritated me; I was about to retort sharply. But he gave me no chance to speak. "Observe," he said, "how you are puffed up by a modicum of praise. Retire within yourself and ponder upon your perilous vocation. We geniuses—for I am one too—care as little for the world as it cares for us; without any ado, in the seven-league boots which we bring into the world with us, we stride on directly into eternity. A most lamentable, inconvenient straddling position this—one leg in the future, where nothing is to be discerned but the rosy morn and the faces of future children, the other leg still in the middle of Rome, in the Piazza del Popolo, where the entire present century would fain seize the opportunity to advance, and clings to the boot tight enough to pull the leg off! And then all this restlessness, wine-bibbing, and hunger solely for an immortal eternity! And look you at my comrade there on the bench, another genius; his time hangs heavy on his hands here and now, what under heaven is he to do in eternity? Yes, my highly-esteemed comrade, you and I and the sun rose early together this morning, and have pondered and painted all day long, and it was all beautiful—and now the drowsy night passes its furred sleeve over the world and wipes out all the colors." He kept on talking for a long while, his hair all disheveled with dancing and drinking, and his face looking deadly pale in the moonlight.
But I was seized with a horror of him and of his wild talk, and when he turned and addressed the sleeping painter I took advantage of the opportunity and slipped round the table, without being perceived by him, and out of the garden. Thence, alone and glad at heart, I descended through the vine-trellises into the wide moonlit valley.
The clocks in the city were striking ten. Behind me, in the quiet night, I still heard an occasional note of the guitar, and at times the voices of the two painters, going home at last, were audible. I ran on as quickly as possible, that they might not overtake me.
At the city-gate I turned into the street on the right hand, and hurried on with a throbbing heart among the silent houses and gardens. To my amazement, I suddenly found myself in the very Square with the fountain, for which, by daylight, I had vainly searched. There stood the solitary summer-house again in the glorious moonlight, and again the Lady fair was singing the same Italian song as on the evening before. In an ecstasy I tried first the low door, then the house door, and at last the big garden gate, but all were locked. Then first it occurred to me that eleven had not yet struck. I was irritated by the slow flight of time, but good manners forbade my climbing over the garden gate as I had done yesterday. Therefore I paced the lonely Square to and fro for a while, and at last again seated myself upon the basin of the fountain and resigned myself to meditation and calm expectancy.
The stars twinkled in the skies; the Square was quiet and deserted; I listened with delight to the song of the Lady fair, as it mingled with the ripple of the fountain. All at once I perceived a white figure approach from the opposite side of the Square and go directly toward the little garden door. I peered eagerly through the dazzling moonlight—it was the queer painter in his white cloak. He drew forth a key quickly, unlocked the door, and, before I knew it, was within the garden.
I had from the first entertained a special dislike of this painter on account of his nonsensical talk. But now I fell into a rage with him. "The low fellow is certainly intoxicated again," I thought; "he has got the key from the maid, and intends to surprise, and perhaps to assault, the Lady fair." And I rushed precipitately through the low door, which was still open, into the garden.
When I entered, all was quiet and lonely. The folding-doors of the summer-house were open, and a ray of lamplight issuing from it played upon the grass and flowers near. Even from a distance I could see the interior. In a magnificent apartment, hung with green and partially illumined by a lamp with a white shade, the lovely Lady fair with her guitar was reclining on a silken lounge, never dreaming, in her innocence, of the danger without.
I had not much time, however, to look, for I perceived the white figure among the shrubbery, stealthily approaching the summer-house from the opposite side, while the song floating on the air from the house was so melancholy that it went to my very soul. I therefore took no long time for reflection, but broke off a stout bough from a tree, and rushed at the white-cloaked figure, shouting "Murder!" so that the garden rang again.
The painter when he beheld me appear thus unexpectedly took to his heels, screaming frightfully. I screamed louder still. He ran toward the house, and I after him, and I had very nearly caught him, when I became entangled in some plaguy trailing vines, and measured my length upon the ground just before the front door.
"So it is you, is it, you fool!" I heard some one say above me. "You frightened me nearly to death." I picked myself up, and when I had wiped my eyes clear of dust, I saw before me the lady's-maid, from whose shoulders the white cloak was just falling. "But," said I, in confusion, "was not the painter here?" "He was," she replied, saucily; "at least his cloak was, which he put around me when I met him at the gate, because I was cold." The Lady fair, hearing the noise, sprang up from the lounge and came out to us. My heart beat as if it would burst; but what was my dismay when I looked at her, and instead of the lovely Lady fair saw an entire stranger!
She was a rather tall, stout lady, with a haughty, hooked nose and high-arched black eyebrows, very beautiful and imposing. She looked at me so majestically out of her big, glittering eyes that I was overwhelmed with awe. So confused was I that I could only make bow after bow, and at last I attempted to kiss her hand. But she snatched it from me, and said something in Italian to her maid which I could not understand.
Meanwhile, the racket I had made had aroused the entire neighborhood. Dogs barked, children screamed, and men's voices were heard, approaching the garden. The Lady gave me another glance, as though she would have liked to pierce me through and through with fiery bullets, then turned hastily and went into the room, with a haughty, forced laugh, slamming the door directly in my face. The maid seized me by the sleeve and pulled me toward the garden gate.
"Your stupidity is beyond belief!" she said in the most spiteful way as we went along. I too was furious. "What the devil did you mean," I said, "by telling me to come here?" "That's just it!" exclaimed the girl. "My Countess favored you so—first threw flowers out of the window to you, sang songs—and this is her reward! But there is absolutely nothing to be done with you; you positively throw away your luck." "But," I rejoined, "I meant the Countess from Germany, the lovely Lady fair—" "Oh," she interrupted me, "she went back to Germany long ago, with your crazy passion for her. And you'd better run after her! No doubt she is pining for you, and you can play the fiddle together and gaze at the moon, only for pity's sake let me see no more of you!"
All was confusion about us by this time. People from the next garden were climbing over the fence armed with clubs, others were searching among the paths and avenues; frightened faces in nightcaps appeared here and there in the moonlight; it seemed as if the devil had let loose upon us a mob of evil spirits. The lady's-maid was nowise daunted. "There, there goes the thief!" she called out to the people, pointing across the garden. Then she pushed me out of the gate and clapped it to behind me.
There I stood once more beneath the stars in the deserted Square, as forlorn as when I had seen it first the day before. The fountain, which had but now seemed to sparkle as merrily in the moonlight as if cherubs were flitting up and down in it, plashed on, but all joy and happiness were buried beneath its waters. I determined to turn my back forever on treacherous Italy, with its crazy painters, its oranges, and its lady's-maids, and that very hour I wandered forth through the gate.
On guard the faithful mountains stand:
"Who wanders o'er the moorland there
From other climes, in morning fair?"
And as I look far o'er the land,
For very glee my heart laughs out.
The joyous "vivats" then I shout;
Watchword and battle-cry shall be:
Austria, for thee!
The landscape far and near I know;
The birds and brooks and forests fair
Send me their greetings on the air;
The Danube sparkles down below;
St. Stephen's spire far in the blue
Seems waving me a welcome too.
Warm to its core my heart shall be,
Austria, for thee!
I was standing on the summit of a mountain whence the first view of Austria can be had, and I waved my hat joyfully in the air as I sang the last verse, when suddenly from the forest behind me some fine instrumental music joined in. I turned quickly and perceived three young fellows in long blue cloaks, one playing a hautboy, another a clarionet, and the third, who wore an old three-cornered hat, a horn. They played an accompaniment to my song, which made the woods ring again. I, nothing loath, took out my fiddle, and played and sang with a will. Then one glanced meaningly at the others; he who played the horn stopped puffing out his cheeks and took the instrument down from his mouth; at last they all ceased playing, and stared at me. I ended my performance also, and in turn stared at them. "We supposed," the cornetist said at last, "from the length of the gentleman's coat that he was a traveling Englishman, journeying afoot here to admire the beauties of nature, and we thought we might perhaps earn a trifle for our own travels. But the gentleman seems to be a musician himself." "Properly speaking, a Receiver," I interposed, "and I come at present directly from Rome; but, as it is some time since I received anything, I have paid my way with my violin." "'Tis not worth much nowadays," said the cornetist, as he betook himself to the woods again, and began fanning with his cocked hat a fire that they had kindled there. "Wind-instruments are more profitable," he continued. "When a noble family is seated quietly at their mid-day meal, and we unexpectedly enter their vaulted vestibule and all three begin to blow with all our might, a servant is sure to come running out to us with money or food, just to get rid of the noise. But will you not share our repast?"
The fire in the forest was burning cheerily, the morning was fresh; we all sat down on the grass, and two of the musicians took from the fire a can in which there was coffee with milk. Then they brought forth some bread from the pockets of their cloaks, and each dipped it in the can and drank turn about with such relish that it was a pleasure to see them. But the cornetist said, "I never could endure the black slops," and, after handing me a huge slice of bread and butter, he brought out a bottle of wine, from which he offered me a draught. I took a good pull at it, but had to put it down in a hurry with my face all of a pucker, for it tasted like "old Gooseberry." "The wine of the country," said the cornetist; "but Italy has probably spoilt your German taste."
Then he rummaged in his wallet, and finally produced from among all sorts of rubbish an old, tattered map of the country, in the corner of which the emperor in his royal robes was still to be discerned, a sceptre in his right hand, the orb in his left. This map he carefully spread out upon the ground; the others drew nearer, and they all consulted together as to their route.
"The vacation is nearly over," said one; "let us turn to the left as soon as we leave Linz, so as to be in Prague in time." "Upon my word!" exclaimed the cornetist. "Whom do you propose to pipe to on that road? Nobody there save wood-choppers and charcoal-burners; no culture nor taste for art—no station where one can spend a night for nothing!" "Oh, nonsense!" rejoined the other. "I like the peasants best; they know where the shoe pinches, and are not so particular if you sometimes blow a false note." "That is, you have no point d'honneur," said the cornetist. "Odi profanum vulgus et arceo, as the Latin has it." "Well, there must be some churches on the road," struck in the third; "we can stop at the Herr Pastors'." "No, I thank you," said the cornetist; "they give little money, but long sermons on the folly of philandering about the world when we might be acquiring knowledge, and they wax specially eloquent when they sniff in me a future member of their fraternity. No, no, clericus clericum non decimat. But why be in such a hurry? The Herr Professors are still at Carlsbad, and are sure not to be precise about the very day." "Nay, distinguendum est inter et inter," replied the other; "quod licet Jovi, non licet bovi!"
I now saw that they were students from Prague, and I conceived a great respect for them, especially as they spoke Latin like their mother-tongue. "Is the gentleman a student?" the cornetist asked me. I replied modestly that I had always been very fond of study, but that I had had no money. "That's of no consequence," said the cornetist; "we have neither money nor rich patrons, but we get along by mother-wit. Aurora musis amica, which means, being interpreted, 'Do not waste too much time at breakfast.' But when the bells at noon echo from tower to tower, and from mountain to mountain, and the scholars crowd out of the old dark lecture-room, and swarm shouting through the streets, we betake us to the Capuchin monastery, to the father who presides in the refectory, where there is sure to be a table spread for us, or if not actually spread, there will be at least a dish apiece, and we fall to, and perfect ourselves at the same time in our Latin. So you see we study right ahead from day to day. And when at last the vacation comes, and all the others depart for their homes, by coach or on horseback, then we stroll forth through the streets and through the city gate with our instruments under our cloaks and the world before us."
I can't tell how it was, but, while he spoke, the thought that such learned people were so forlorn and forsaken in this world went to my very heart. And then I thought of myself, and how I was not much better off, and the tears came into my eyes. The cornetist eyed me askance. "I wouldn't give a fig," he went on, "to travel with horses, and coffee, and freshly-made beds, and nightcaps and boot-jacks, all ordered beforehand. It's just the delightful part of it that, when we set out early in the morning, and the birds of passage are winging their flight high in the air above us, we do not know what chimney is smoking for us today, and can never foresee what special piece of luck may befall us before evening." "Yes," said the other, "and wherever we go, and take out our instruments, people are merry; and when we play at noon in the vestibule of some great country-house, the maids will dance before the door, and their masters and mistresses will have the drawing-room door opened a little, the better to hear the music, and the clatter of plates and the smell of the roast float out through the chink, and the young misses at table well-nigh twist their necks off to see the musicians outside." "That's true!" exclaimed the cornetist, with sparkling eyes. "Let who will pore over their compendiums, we choose to study in the vast picture-book which the dear God spreads open before us! Yes, the gentleman may believe me, we make the right sort of fellows, who know how to preach to the peasants from the pulpit and to bang the cushion, so that the clodpoles down below are ready to burst with humiliation and edification."
At hearing them talk thus, I became so pleased and interested that I longed to be a student too. I could have listened forever, for I enjoy the conversation of men of learning, from whom much is to be gained. But we had no real, sensible conversation, for one of the students was worried because the vacation was so nearly at an end. He put his clarionet together, set up a sheet of music on his knees, and began to practice a difficult passage from a mass which was to be played when they returned to Prague. There he sat and fingered and played away, sometimes so false that it fairly pierced your ears and you couldn't hear your own voice.
Suddenly the cornetist exclaimed in his bass tones, "I have it!" and down came his fist on the map before him. The other stopped practising for a moment, and looked at him in surprise. "Hark ye," said the cornetist, "there is a castle not far from Vienna, and in that castle there is a porter, and that porter is my cousin! Dearest fellow-students, that must be our goal; we must pay our respects to my cousin, and he will arrange for our further journey." When I heard that, I sprang to my feet. "Doesn't he play on the bassoon?" I cried. "Is he not tall and straight, with a big, prominent nose?" The cornetist nodded, upon which I embraced him so enthusiastically that his three-cornered hat fell off, and we all immediately determined to take the mail-boat on the Danube to the castle of the beautiful Countess.
When we arrived at the wharf all was ready for departure. The fat host before whose inn the ship had lain all night was standing broad and cheery in his door-way, which he quite filled, shouting out all sorts of jokes and farewell speeches, while from every window a girl's head was poked out nodding to the sailors, who were just carrying the last packages aboard. An elderly gentleman with a gray overcoat and a black neckerchief, who was also going in the boat, stood on the shore talking very earnestly with a slim young fellow in leather breeches and a trig scarlet jacket, mounted on a magnificent chestnut. To my great surprise, they seemed to glance at times toward me, and to be speaking of me. At last the old gentleman laughed, and the slim young fellow cracked his riding-whip and galloped off through the fresh morning across the shining landscape, with the larks soaring above him.
Meanwhile, the students and I had combined our resources. The captain laughed and shook his head when the cornetist counted out our passage-money to him in coppers, for which we had diligently searched every corner of our pockets. I shouted aloud when I once more saw the Danube before me; we hurried aboard, the captain gave the signal, and away we glided in the brilliant morning sunshine past the meadows and the mountains.
The birds in the woods were singing, and the morning bells echoed afar from the villages on each side of us, while overhead the larks' clear notes were now and then heard. On the boat a canary-bird in its cage trilled and twittered back so that it was a delight to listen to it.
It belonged to a pretty young girl who was on the boat with us. She kept the cage close beside her, and under the other arm she had a small bundle of linen; she sat by herself, quite still, looking in great content, now at her new traveling-shoes, which peeped out from beneath her petticoats, and now down at the water, while the morning sun shone on her white forehead, above which the hair was neatly parted. I noticed that the students would have liked to engage her in polite discourse, for they kept passing to and fro before her, and the cornetist, whenever he did so, cleared his throat, and settled, first his cravat, and then his three-cornered hat. But their courage failed them, and moreover the girl cast down her eyes as soon as they, approached her.
They seemed, besides, to stand in special awe of the elderly gentleman in the gray overcoat, who was now sitting on the other side of the boat, and whom they took for a divine. He held an open breviary, in which he was reading, looking up from it frequently to admire the lovely scenery, while the gilt edges of the book and the gay pictures of saints laid between its leaves shone brilliantly in the sun light. He was perfectly well aware, too, of what was going on around him, and soon recognized the birds by their feathers, for before long he addressed one of the students in Latin, whereupon all three approached him, took off their hats, and made answer also in Latin.
Meanwhile, I had seated myself at the prow of the boat, where, highly delighted, I dangled my legs above the water, gazing, while the boat glided onward and the waves below me leaped and foamed, constantly into the blue distance, watching towers and castles one after another emerge from the dim depths of green, grow and grow upon the sight, and finally recede and vanish behind us. "If I had but wings at this moment!" I thought; and at last in my impatience I drew forth my dear violin and played all my oldest pieces, which I had learned at home and at the castle of the Lady fair.
All at once some one behind me tapped me on the shoulder. It was the reverend gentleman, who had laid aside his book, and had been listening to me for a while. "Aha," he said laughing, "aha, my young ludi magister is forgetting to eat and drink!" Whereupon he bade me put away my fiddle and take a bit of luncheon with him, and he then led me to a pleasant little arbor which the boatmen had erected in the centre of the boat out of young birches and firs. He had a table placed beneath it, and I and the students, and even the young girl, were invited to sit down around it upon the casks and packages.
The reverend gentleman now produced cold meat and bread and butter, which had all been carefully wrapped in paper, and took from a case several bottles of wine and a silver goblet, gilt inside, which he filled, tasted first himself, then smelled, tasted again, and finally presented to each of us in turn. The students sat bolt upright on their casks, and only sipped a little, so great was their awe. The girl, too, just dipped her little beak in the goblet, glancing shyly first at me and then at the students; but the oftener she looked at us the bolder she grew.
At last she informed the reverend gentleman that she was leaving her home for the first time, to go into service at a certain castle, and as she spoke I blushed all over, for the castle she mentioned was that of the Lady fair. "Then she is my future lady's maid!" I thought, staring at her, and feeling almost giddy. "There is soon to be a grand wedding at the castle," said his reverence. "Yes," replied the girl, who would have liked to learn more of the matter; "they say it is an old secret attachment, but that the Countess could never be brought to give her consent." His reverence replied only by "hm! hm!" refilling his goblet, and sipping from it with a thoughtful air. I leaned forward with both elbows on the table, that I might lose no word of the conversation. His reverence observed it. "Let me tell you," he began again, "that both Countesses sent me forth to discover whether the bridegroom be not in the country hereabouts. A lady wrote from Rome that he left there some time ago." When he began about the lady in Rome I blushed again. "Is your reverence acquainted with the bridegroom?" I asked, in confusion. "No," replied the old gentleman; "but they say he is a gay bird." "Oh, yes," said I, hastily, "a bird that escapes as soon as it can from every cage, and sings gaily when it regains its freedom." "And wanders about in foreign countries," the old gentleman continued, composedly, "goes everywhere at night, and sleeps on door-steps in the daytime." That vexed me extremely. "Reverend sir," I exclaimed, with some heat, "you have been falsely informed. The bridegroom is a slender, moral, promising youth, who has been living in luxury in an old castle in Italy, and has associated solely with Countesses, famous painters, and lady's-maids, who knows perfectly well how to take care of his money, if he had any, who—" "Come, come, I had no idea that you knew him so well," the divine here interrupted me, laughing so heartily that he grew quite purple in the face and the tears rolled down his cheeks. "But I heard," the girl interposed, "that the bridegroom was a stout, very wealthy gentleman." "Good heavens, yes, yes, to be sure! Confusion worse confounded!" exclaimed his reverence, laughing so that it brought on a fit of coughing. When he had somewhat recovered himself, he raised his goblet aloft and cried, "Here's to the bridal pair!" I did not know what to make of the reverend gentleman and his talk, and I was ashamed, because of my adventures in Rome, to tell him here before all these people that I myself was the missing thrice happy bridegroom.
The goblet kept passing from hand to hand; the reverend gentleman had a kind word for every one, so that all liked him, and finally the entire company chatted gaily together. The students grew more and more loquacious, recounting their experiences in the mountains, and at last brought out their instruments and played away merrily. The cool breeze from the water sighed through the leaves of the arbor, the afternoon sun gilded the woods and vales which flew past us, while the shores echoed back the notes of the horn. And when the reverend gentleman, stimulated by the music, grew more and more genial, and told us stories of his youth, how in vacation-time he too had wandered over hills and dales, and had been often hungry and thirsty, but always happy, and how, in fact, a student's whole life, from its first day in the narrow, dry lecture-room to its last, is one long vacation, then the students drank all around once more, and struck up a song, that reechoed among the distant mountains
"The birds are southward winging
Their yearly, airy flight,
And roving lads are swinging
Their caps in morning's light;
We students thus are going,
And, when the gates are nigh,
Our trumpets shall be blowing,
In token of good-bye.
A long farewell we give thee,
O Prague, for we must leave thee,
Et habeat bonam pacem,
Qui sedet post fornacem!
"When through the towns we're going
At night, the windows shine,
Behind their curtains showing
Full many a damsel fine.
We play at many a gate-way,
And when our throats are dry
We call mine host, and straightway
He treats us generously;
And o'er a goblet foaming
We rest awhile from roaming.
Venit ex sua domo—
Beatus ille homo!
"When roaming through the forest
Cold Boreas whistles shrill,
'Tis then our need is sorest;
Wet through on plain and hill,
Our cloaks the winds are tearing,
Our shoes are worn and old,
Still playing, onward faring,
In spite of rain and cold.
Beatus ille homo
Qui sedet in sua domo
Et sedet post fornacem,
Et habeat bonam pacem!"
I, the captain, and the girl, although we did not understand Latin, joined gaily in the last lines of each verse; but I was the gayest of all, for I had caught a glimpse in the distance of my toll-house, and soon afterward the castle shone among the trees in the light of the setting sun.
The boat touched the shore, and we all left it as quickly as possible, and scattered about in the meadows, like birds suddenly set free from the cage. The reverend gentleman took a hasty leave of us, and strode off toward the castle. The students repaired to a retired dingle, where they could shake out their cloaks, wash themselves in the brook, and shave one another. The new lady's-maid, with her canary-bird and her bundle, set out for an inn, the hostess of which I had recommended to her as an excellent person, and where she wished to change her gown before she presented herself at the castle. As for me—the lovely evening shone right into my heart, and as soon as all the rest had disappeared I lost not a moment, but ran directly to the castle garden.
My toll-house, which I had to pass, was standing on the old spot, the tall trees in the castle garden were still murmuring above it, and a yellow-hammer, which always used to sing at sunset in the chestnut-tree before the window, was singing again, as if nothing in the world had happened since I last heard him. The toll-house window was open; I ran up to it with delight and looked in. There was no one there, but the clock in the corner was ticking away, the writing-table stood by the window, and the long pipe in the corner as of old. I could not resist the temptation to climb through the window and seat myself at the writing-table before the big account-book. Again the sunlight shone golden-green through the chestnut boughs upon the figures in the open book, again the bees buzzed in and out of the window, and again the yellow-hammer's jocund song sounded from the tree outside. All at once the door of the sleeping-room opened, and a tall, old Receiver, in my dotted dressing-gown, entered! He paused on the threshold upon beholding me thus unexpectedly, took his spectacles quickly from his nose, and looked angrily at me. Not a little alarmed, I started up, and, without saying a word, ran out of the door and through the little garden, where I was very nearly tripped up by the confounded potato-vines which the old Receiver had planted, evidently by the Porter's advice, in place of my flowers. I heard him as he came out of the door scolding after me, but I was mounted atop of the garden wall, and gazing with a throbbing heart over into the castle garden.
Ah, how the birds were flitting and twittering and singing! The lawns and paths were deserted, but the gilded tree-tops nodded a welcome to me in the evening breeze, and on one side, up through masses of dark green foliage, gleamed the Danube.
Suddenly I heard sung from the depths of the garden—
"When the yearning heart is stilled
As in dreams, the forest sighing,
To the listening earth replying,
Tells the thoughts with which 'twas filled,
Days long vanished, soothing sorrow—
From the Past a light they borrow,
And the heart is gently thrilled."
The voice and the song were strangely familiar, as if I had heard them somewhere in a dream. I pondered over and over again, and at last exclaimed, joyfully, "It is Herr Guido!" swinging myself quickly down into the garden. It was the selfsame song that he had sung on the balcony of the Italian inn on that summer evening when I saw him for the last time.
He went on singing, while I bounded over beds and hedges toward the singer. But as I emerged from between the last clumps of rose-bushes I suddenly paused spellbound. For on the green opening beside the little lake with the swans, clearly illuminated in the ruddy evening light, on a stone bench sat the lovely Lady fair in a beautiful dress, with a wreath of red and white roses on her dark-brown hair, and downcast eyes, tracing lines on the green-sward with her riding-whip, just as she had sat in the skiff when I was forced to sing her the song of the Lady fair. Opposite her sat another young lady, with brown curls clustering on a plump white neck, which was turned toward me; she was singing to a guitar, while the swans glided in wide circles on the placid water. All at once the Lady fair raised her eyes, and gave a scream on perceiving me. The other lady turned round toward me so quickly that her brown curls fell over her eyes, and when she saw me she burst into a fit of immoderate laughter, sprang up from the bench, and clapped her hands thrice. Whereupon a crowd of little girls in white short skirts with red and green sashes came running out from among the rose-bushes, so that I could not imagine where they had all been hiding. They had long garlands of flowers in their hands, and quickly formed a circle around me, dancing and singing—
"With ribbons gay of violets blue
The bridal wreath we bring thee;
The merry dance we lead thee to,
And wedding songs we sing thee.
Ribbons gay of violets blue,
Bridal wreath we bring thee."
It was from Der Freischütz. I recognized some of the little singers; they were girls from the village. I pinched their cheeks, and tried to escape from the circle, but the roguish little things would not let me out. I could not tell what to make of it all, and stood there perfectly dazed.
Suddenly a young man in hunting costume emerged from the shrubbery. Hardly could I believe my eyes—it was merry Herr Lionardo! The little girls now opened the circle and stood as if spell-bound on one foot, with the other stretched out, holding the garlands of flowers high above their heads with both hands. Herr Lionardo took the hand of the lovely Lady fair, who had risen, and had only now and then glanced at me, and, leading her up to me, said—
"Love—on this point philosophers are unanimous—is one of the most courageous qualities of the human heart; it shatters with a glance of fire the barriers of rank and station, the world is too confined for it, eternity too brief. It is, so to speak, a poet's robe, in which every dreamer enwraps himself once in this cold world, for a journey to Arcadia. And the farther two parted lovers wander from each other, the more beautiful and the richer are the folds of the robe, the more surprising and wonderful is its extent, as it sweeps behind them, so that one really cannot travel far without treading on a couple of such trains. O beloved Herr Receiver, and bridegroom! although wrapped in this robe you reached the shores of the Tiber, the little hands of your present bride held you fast by the extreme end of the train, and, however you might fiddle and fume, you had to return within the magic influence of her beautiful eyes. And since this is so, you two dear, foolish people, wrap yourselves both up in this blessed robe, forget all the rest of the world, love like turtle-doves, and be happy!"
Hardly had Herr Lionardo finished his speech when the other young lady who had sung the song approached me, crowned me with a wreath of fresh myrtle, and as she was arranging it, with her face close to my own, archly sang—
"And therefore do I crown thee,
And therefore love thee so,
Because thou oft hast moved me
With the music of thy bow."
As she retreated a step or two, "Do you remember the robbers who shook you down from the tree at night?" said she, courtesying, and giving me so arch a glance that my heart danced within me. Thereupon, without waiting for an answer, she walked around me. "Actually just the same, without any Italian affectations! But no! look, look at his fat pockets!" she exclaimed suddenly to the lovely Lady fair. "Violin, linen, razor, portmanteau, everything stuffed together!" She turned me all round as she spoke, and could scarcely say anything more for laughing. Meanwhile, the lovely Lady fair was quite silent, and could hardly raise her eyes for shame and confusion. It seemed to me that at heart she was provoked at all this jesting talk. At last her eyes filled with tears, and she hid her face on the breast of the other lady, who first looked at her in surprise and then clasped her affectionately in her arms.
I stood there as in a dream. The longer I looked at the strange lady the more clearly I recognized her; she was in truth no other than—the young painter, Herr Guido!
I did not know what to say, and was just about to question her, when Herr Lionardo approached her and spoke in an undertone. "Does he not know yet?" I heard him ask. She shook her head. He reflected for a moment, and then said aloud, "No, no, he must be told all immediately, or there will be all kinds of fresh gossip and confusion."
"Herr Receiver," he said, turning to me, "we have not much time at present, but do me the favor to exhaust your stock of surprise and wonder as quickly as possible, that you may not hereafter, by questions, and wonderings, and head-shakings among the people about here, revive old tales and give rise to new rumors and suspicions." So saying, he drew me aside into the shrubbery, while Fräulein Guido made passes in the air with the Lady fair's riding-whip, and shook all her curls down over her eyes, which did not prevent my seeing that she was blushing violently.
"Well, then," said Herr Lionardo, "Fräulein Flora, who is trying to look as if she neither knew nor had heard anything of the whole affair, had exchanged hearts in a hurry with somebody. Whereupon somebody else appears, and with sound of trumpet and drum offers her his heart, and wishes for hers in return. But her heart is already bestowed upon somebody, and somebody's heart is in her possession, and that somebody will neither take back his heart nor give back hers. All the world exclaims—but have you never read any romances?" I shook my head. "Well, then, at all events you have taken part in one. In brief, there was such a jumble with the hearts that somebody—that is, I—had to take matters in hand. I sprang on my horse one warm summer night, mounted Fräulein Flora as the painter Guido on another, and rode toward the south, to conceal her in one of my lonely castles in Italy till all the fuss about the hearts should be over. But on the way we were tracked, and from the balcony of the Italian inn before which you kept, sound asleep, such admirable watch, Flora suddenly caught sight of our pursuer." "The crooked Signor, then—" "Was a spy. Therefore we secretly took to the woods, and left you to travel post alone over our prearranged route. That misled our pursuer, and my people in the mountain castle besides; they were hourly expecting the disguised Flora, and with more zeal than penetration they took you for the Fräulein. Even here at the castle they thought Flora was among the mountains; they inquired about her, they wrote to her—did you not receive a note?" In an instant I produced the note from my pocket: "This letter, then—?" "Is addressed to me," said Fräulein Flora, who up to this point had seemed to be paying no attention to our conversation. She snatched the note from me, read it, and put it into her bosom. "And now," said Herr Lionardo, "we must hasten to the castle, where they are all waiting for us. In conclusion, as a matter of course, and as is fitting for every well-bred romance—discovery, repentance, reconciliation; but we are all happy together once more, and the wedding takes place the day after tomorrow!"
Just as he had finished, a terrific racket of drums and trumpets, horns and clarionets, was suddenly heard in the shrubbery; guns were fired at intervals, loud cheers were given, the little girls began to dance again, and heads appeared among the bushes as if they had grown out of the earth. I ran and leaped about in all the hurry and scurry, but as it began to grow dark I only gradually recognized all the faces. The old gardener beat the drum, the students from Prague in their cloaks played away, and among them the Porter fingered his bassoon like mad. When I suddenly perceived him thus unexpectedly, I ran to him and embraced him with enthusiasm, causing him to play quite out of time. "Upon my word, if he should travel to the ends of the earth he would never be anything but a goose!" he said to the students, and then went on blowing away at his bassoon in a fury.
Meanwhile, the lovely Lady fair had privately escaped from all the noise and confusion, and had fled like a startled fawn far into the depths of the garden.
I caught sight of her in time and hurried after her. In their zeal the musicians never noticed us; after a while they thought that we had decamped to the castle, and then the entire band took up the line of march in that direction.
We, however, almost at the same moment reached a summer-house on the borders of the garden, whence through the open window there was a view of the wide, deep valley. The sun had long since set behind the mountains, a rosy haze glimmered in the warm fading twilight, through which the murmur of the Danube ascended clearer and clearer the stiller grew the air. I looked long at the lovely Countess, who stood before me heated with her flight and so close that I could almost hear her heart beat. Now that I was alone with her I could find no words to speak, so great was my awe of her. At last I took heart of grace, and clasped in mine one of her little white hands—and in one moment her head lay on my breast and my arms were around her.
In an instant she extricated herself and turned to the window to cool her glowing cheeks in the evening air. "Ah," I cried, "my heart is full to bursting, but it all seems like a dream to me!" "And to me too," said the lovely Lady fair. "When, last summer," she went on after a while, "I came back with the Countess from Rome where we fortunately found Fräulein Flora, and had brought her back with us but could hear nothing of you either there or here, I never thought all this would come to pass. It was only at noon today that Jocky, the good, brisk fellow, came breathless into the court-yard and brought the news that you had come by the mail-boat." Then she laughed quietly to herself. "Do you remember," she said, "that time when I came out on the balcony? It was just such an evening as this, and there was music in the garden." "And he is really dead?" I asked hastily. "Whom do you mean?" replied the Lady fair, looking at me in surprise. "Your ladyship's husband," said I, "who was with you on the balcony." She flushed crimson. "What strange fancies you have in your head!" she exclaimed. "That was the Countess's son, who had just returned from his travels, and, since it happened to be my birthday, he led me out on the balcony with him that I might have a share of the cheers. Was that why you ran away?" "Good heavens, yes!" I cried, striking my forehead with my hand. She shook her head and laughed merrily.
I was so happy there beside her while she went on chatting so confidingly, that I could have sat listening until morning. I found in my pocket a handful of almonds which I had brought with me from Italy. She took some, and we sat and cracked them and gazed abroad over the quiet country. "Do you see that little white villa," she said after a while, "gleaming over there in the moonlight? The Count has given us that, with its garden and vineyard; there is where we are to live. He found out long ago that we cared for each other, and he is very fond of you, for if he had not had you with them when he was running off with Fräulein Flora they would both have been caught before the Countess had become reconciled to him, and everything would have been spoiled." "Good heavens! fairest, sweetest Countess," I cried out, "my head is fairly spinning with all this unexpected and amazing information; are you talking of Herr Lionardo?" "Yes, yes," she replied; "that is what he called himself in Italy; he owns all that property over there, and he is going to marry our Countess's daughter, the lovely Flora. But why do you call me Countess?" I stared at her. "I am no Countess," she went on. "Our Countess took me into the castle and had me educated under her care when my uncle, the Porter, brought me here a poor little orphan child."
Ah, what a stone fell from my heart at these words! "God bless the Porter," I said in an ecstasy, "for being our uncle! I always set great store by him." "And he would be very fond of you," she replied, "if you would only comport yourself with more dignity, as he expresses it. You must dress with greater elegance." "Oh," I exclaimed, enchanted, "an English dress-coat, straw hat, long trousers, and spurs! And as soon as we're married we will take a trip to Italy—to Rome—where lovely fountains are playing, and we'll take with us the Prague students, and the Porter!" She smiled quietly, and gave me a happy glance, while the music echoed in the distance, and rockets flew up from the castle above the garden in the quiet night, and the Danube kept murmuring on, and everything, everything was delightful!