CHAPTER XIII

How they lived at Castle Ringstetten

The writer of this story, both because it moves his own heart and because he wishes it to move that of others, begs you, dear reader, to pardon him if he now briefly passes over a considerable space of time, only cursorily mentioning the events that marked it. He knows well that he might portray according to the rules of art, step by step, how Huldbrand's heart began to turn from Undine to Bertalda; how Bertalda more and more responded with ardent love to the young knight, and how they both looked upon the poor wife as a mysterious being rather to be feared than pitied; how Undine wept, and how her tears stung the knight's heart with remorse without awakening his former love, so that though he at times was kind and endearing to her, a cold shudder would soon draw him from her and he would turn to his fellow-mortal, Bertalda. All this the writer knows might be fully detailed, and perhaps ought to have been so; but such a task would have been too painful, for similar things have been known to him by sad experience, and he shrinks from their shadow even in remembrance. You know probably a like feeling, dear reader, for such is the lot of mortal man. Happy are you if you have received rather than inflicted the pain, for in such things it is more blessed to receive than to give. If it be so, such recollections will bring only a feeling of sorrow to your mind, and perhaps a tear will trickle down your cheek over the faded flowers that once caused you such delight. But let that be enough. We will not pierce our hearts with a thousand separate things, but only briefly state, as I have just said, how matters were.

Poor Undine was very sad, and the other two were not to be called happy. Bertalda, especially, thought that she could trace the effect of jealousy on the part of the injured wife whenever her wishes were in any way thwarted. She had therefore habituated herself to an imperious demeanor, to which Undine yielded in sorrowful submission, and the now blinded Huldbrand usually encouraged this arrogant behavior in the strongest manner. But the circumstance that most of all disturbed the inmates of the castle was a variety of wonderful apparitions which met Huldbrand and Bertalda in the vaulted galleries of the castle, and which had never been heard of before as haunting the locality. The tall white man, in whom Huldbrand recognized only too plainly Uncle Kühleborn, and Bertalda the spectral master of the fountain, often passed before them with a threatening aspect, and especially before Bertalda, on so many occasions that she had several times been made ill with terror and had frequently thought of quitting the castle. But still she stayed there, partly because Huldbrand was so dear to her, and she relied on her innocence, no words of love having ever passed between them, and partly also because she knew not whither to direct her steps. The old fisherman, on receiving the message from the lord of Ringstetten that Bertalda was his guest, had written a few lines in an almost illegible hand but as well as his advanced age and long disuse would admit of. "I have now become," he wrote, "a poor old widower, for my dear and faithful wife is dead. However lonely I now sit in my cottage, Bertalda is better with you than with me. Only let her do nothing to harm my beloved Undine! She will have my curse if it be so." The last words of this letter Bertalda flung to the winds, but she carefully retained the part respecting her absence from her father—just as we are all wont to do in similar circumstances.

One day, when Huldbrand had just ridden out, Undine summoned the domestics of the family and ordered them to bring a large stone and carefully to cover with it the magnificent fountain which stood in the middle of the castle-yard. The servants objected that it would oblige them to bring water from the valley below. Undine smiled sadly. "I am sorry, my people," she replied, "to increase your work. I would rather myself fetch up the pitchers, but this fountain must be closed. Believe me that it cannot be otherwise, and that it is only by so doing that we can avoid a greater evil."

The whole household were glad to be able to please their gentle mistress; they made no further inquiry, but seized the enormous stone. They were just raising it in their hands and were already poising it over the fountain, when Bertalda came running up and called out to them to stop, as it was from this fountain that the water was brought which was so good for her complexion and she would never consent to its being closed. Undine, however, although gentle as usual, was this time more than usually firm. She told Bertalda that it was her due, as mistress of the house, to arrange her household as she thought best, and that, in this, she was accountable to no one but her lord and husband. "See, oh, pray see," exclaimed Bertalda, in an angry yet uneasy tone, "how the poor beautiful water is curling and writhing at being shut out from the bright sunshine and from the cheerful sight of the human face, for whose mirror it was created!" The water in the fountain was indeed wonderfully agitated and hissing; it seemed as if something within were struggling to free itself, but Undine only the more earnestly urged the fulfilment of her orders. The earnestness was scarcely needed. The servants of the castle were as happy in obeying their gentle mistress as in opposing Bertalda's haughty defiance; and in spite of all the rude scolding and threatening of the latter, the stone was soon firmly lying over the opening of the fountain. Undine leaned thoughtfully over it and wrote with her beautiful fingers on its surface. She must, however, have had something very sharp and corrosive in her hand, for when she turned away and the servants drew near to examine the stone, they perceived all sorts of strange characters upon it, which none of them had seen there before.

Bertalda received the knight, on his return home in the evening, with tears and complaints of Undine's conduct. He cast a serious look at his poor wife, and she looked down in great distress; yet she said with great composure, "My lord and husband does not reprove even a bond-slave without a hearing, how much less, then, his wedded wife?"

"Speak," said the knight with a gloomy countenance, "what induced you to act so strangely?"

"I should like to tell you when we are quite alone," sighed Undine.

"You can tell me just as well in Bertalda's presence," was the rejoinder.

"Yes, if you command me," said Undine; "but command it not. Oh pray, pray command it not!" She looked so humble, so sweet, so obedient, that the knight's heart felt a passing gleam from better times. He kindly placed her arm within his own and led her to his apartment, when she began to speak as follows:

"You already know, my beloved lord, something of my evil uncle, Kühleborn, and you have frequently been displeased at meeting him in the galleries of this castle. He has several times frightened Bertalda into illness. This is because he is devoid of soul, a mere elemental mirror of the outward world, without the power of reflecting the world within. He sees, too, sometimes, that you are dissatisfied with me; that I, in my childishness, am weeping at this, and that Bertalda perhaps is at the very same moment laughing. Hence he imagines various discrepancies in our home life, and in many ways mixes unbidden with our circle. What is the good of my reproving him? What is the use of my sending him angrily away? He does not believe a word I say. His poor nature has no idea that the joys and sorrows of love have so sweet a resemblance, and are so closely linked that no power can separate them. Amid tears a smile shines forth, and a smile allures tears from their secret chambers."

She looked up at Huldbrand, smiling and weeping; and he again experienced within his heart all the charm of his old love. She felt this, and, pressing him more tenderly to her, she continued amid tears of joy, "As the disturber of our peace was not to be dismissed with words, I have been obliged to shut the door upon him. And the only door by which he obtains access to us, is that fountain. He is at odds with the other water-spirits in the neighborhood, counting from the adjacent valleys, and his kingdom only recommences further off on the Danube, into which some of his good friends direct their course. For this reason I had the stone placed over the opening of the fountain, and I inscribed characters upon it which cripple all my uncle's power, so that he can now neither intrude upon you, nor upon me, nor upon Bertalda. Human beings, it is true, can raise the stone again with ordinary effort, in spite of the characters inscribed on it; the inscription does not hinder them. If you wish, therefore, follow Bertalda's desire, but, truly, she knows not what she asks! The ill-bred Kühleborn has set his mark especially upon her; and if this or that came to pass which he has predicted to me and which might indeed happen without your meaning any evil—ah! dear one, even you would then be exposed to danger!"

Huldbrand felt deeply the generosity of his sweet wife, in her eagerness to shut up her formidable protector while she had even been chided for it by Bertalda. He pressed her therefore in his arms with the utmost affection, and said with emotion, "The stone shall remain, and all shall remain, now and ever, as you wish to have it, my sweet little Undine."

She caressed him with humble delight as she heard the expressions of love so long withheld, and then at length she said, "My dearest friend, since you are so gentle and kind today, may I venture to ask a favor of you? See now, it is just the same with you as it is with summer. In the height of its glory summer puts on the flaming and thundering crown of mighty storms and assumes the air of a king over the earth. You too sometimes let your fury rise, and your eyes flash, and your voice is angry, and this becomes you well, though I in my folly may sometimes weep at it. But never, I pray you, behave thus toward me on the water, or even when we are near it. You see, my relatives would then acquire a right over me. They would unrelentingly tear me from you in their rage because they would imagine that one of their race was injured, and I should be compelled all my life to dwell below in the crystal palaces, and should never be permitted to ascend to you again; or they would send me up to you—and that, oh God, would be infinitely worse. No, no, my beloved friend, do not let it come to that, however dear poor Undine be to you." He promised solemnly to do as she desired, and husband and wife returned from the apartment, full of happiness and affection.

At that moment Bertalda appeared with some workmen to whom she had already given orders, and said in the sullen tone which she had assumed of late, "I suppose the secret conference is at an end, and now the stone may be removed. Go out, workmen, and attend to it." But the knight, angry at her impertinence, directed in short and very decisive words that the stone should be left; he reproved Bertalda, too, for her violence toward his wife. Whereupon the workmen withdrew, smiling with secret satisfaction; while Bertalda, pale with rage, hurried away to her rooms.

The hour for the evening repast arrived, and Bertalda was waited for in vain. They sent after her, but the domestic found her apartments empty, and only brought back with him a sealed letter addressed to the knight. He opened it with alarm, and read: "I feel with shame that I am only a poor fisher-girl. I will expiate my fault in having forgotten this for a moment, by returning to the miserable cottage of my parents. Farewell to you and your beautiful wife."

Undine was heartily distressed. She earnestly entreated Huldbrand to hasten after their friend and bring her back again. Alas! she had no need to urge him. His affection for Bertalda burst forth again with vehemence. He hurried round the castle, inquiring if any one had seen which way the beautiful fugitive had gone. He could learn nothing of her and was already on his horse in the castle-yard, resolved to take at a venture the road by which he had brought Bertalda hither. Just then a page appeared, who assured him that he had met the lady on the path to the Black Valley. Like an arrow the knight sprang through the gate-way in the direction indicated, without hearing Undine's voice of agony as she called to him from the window: "To the Black Valley! Oh, not there! Huldbrand, don't go there! or, for Heaven's sake, take me with you!" But when she perceived that all her calling was in vain, she ordered her white palfrey to be saddled immediately and rode after the knight without allowing any servant to accompany her.

CHAPTER XIV

How Bertalda returned home with the Knight

The Black Valley lies deep within the mountains. What it is now called we do not know. At that time the people of the country gave it this appellation on account of the deep obscurity in which the low land lay, owing to the shadows of the lofty trees, and especially firs, that grew there. Even the brook which bubbled between the rocks wore the same dark hue, and dashed along with none of that gladness with which streams are wont to flow that have the blue sky immediately above them. Now, in the growing twilight of evening, it looked altogether wild and gloomy between the heights. The knight trotted anxiously along the edge of the brook, fearful at one moment that by delay he might allow the fugitive to advance too far, and, at the next, that by too great rapidity he might overlook her in case she were concealing herself from him. Meanwhile he had already penetrated quite a ways into the valley, and might soon hope to overtake the maiden if he were on the right track, but the fear that this might not be the case made his heart beat with anxiety. Where would the tender Bertalda tarry through the stormy night, which was so fearful in the valley, should he fail to find her? At length he saw something white gleaming through the branches on the slope of the mountain. He thought he recognized Bertalda's dress, and turned his course in that direction. But his horse refused to go forward; it reared impatiently; and its master, unwilling to lose a moment, and seeing moreover that the copse was impassable on horseback, dismounted; then, fastening his snorting steed to an elm-tree, he worked his way cautiously through the bushes. The branches sprinkled his forehead and cheeks with the cold drops of the evening dew; a distant roll of thunder was heard murmuring from the other side of the mountains; everything looked so strange that he began to feel a dread of the white figure which now lay only a short distance from him on the ground. Still he could plainly see that it was a woman, either asleep or in a swoon, and that she was attired in long white garments such as Bertalda had worn on that day. He stepped close up to her, made a rustling with the branches, and let his sword clatter, but she moved not. "Bertalda!" he exclaimed, at first in a low voice, and then louder and louder—but still she heard not. At last, when he uttered the dear name with a more powerful effort, a hollow echo from the mountain-caverns of the valley indistinctly reverberated "Bertalda!" but still the sleeper woke not. He bent down over her; the gloom of the valley and the obscurity of approaching night would not allow him to distinguish her features.

Just as he was stooping closer over her with a feeling of painful doubt, a flash of lightning shot across the valley, he saw before him a frightfully distorted countenance, and a hollow voice exclaimed, "Give me a kiss, you enamoured swain!" Huldbrand sprang up with a cry of horror, and the hideous figure rose with him. "Go home!" it murmured; "wizards are on the watch. Go home, or I will have you!" and it stretched out its long white arms toward him.

"Malicious Kühleborn!" cried the knight, recovering himself. "Hey, 'tis you, you goblin? There, take your kiss!" And he furiously hurled his sword at the figure. But it vanished like vapor, and a gush of water which wetted him through left the knight in no doubt as to the foe with whom he had been engaged. "He wishes to frighten me back from Bertalda," said he aloud to himself; "he thinks to terrify me with his foolish tricks, and to make me give up the poor distressed girl to him so that he can wreak his vengeance on her. But he shall not do that, weak spirit of the elements as he is. No powerless phantom may understand what a human heart can do when its best energies are aroused." He felt the truth of his words, and that the very expression of them had inspired his heart with fresh courage.

It seemed too as if fortune were on his side, for he had not reached his fastened horse when he distinctly heard Bertalda's plaintive voice not far distant, and could catch her weeping accents through the ever increasing tumult of the thunder and tempest. He hurried swiftly in the direction of the sound, and found the trembling girl just attempting to climb the steep in order to escape in any way from the dreadful gloom of the valley. He stepped, however, lovingly in her path, and, bold and proud as her resolve had been before, she now felt only too keenly the delight that the friend whom she so passionately loved should rescue her from this frightful solitude, and that the joyous life in the castle should be again open to her. She followed almost unresisting, but so exhausted with fatigue that the knight was glad to lead her to his horse, which he now hastily unfastened in order to lift the fair fugitive upon it; and then, cautiously holding the reins, he hoped to proceed through the uncertain shades of the valley.

But the horse had become quite unmanageable from the wild apparition of Kühleborn. Even the knight would have had difficulty in mounting the rearing and snorting animal, but to place the trembling Bertalda on its back was perfectly impossible. They determined therefore to return home on foot. Leading the horse after him by the bridle, the knight supported the tottering girl with his other hand. Bertalda exerted all her strength to pass quickly through the fearful valley, but weariness weighed her down like lead and every limb trembled, partly from the terror she had endured when Kühleborn had pursued her, and partly from her continued alarm at the howling of the storm and the pealing of the thunder through the wooded mountain.

At last she slid from the supporting arm of her protector, and, sinking down on the moss, exclaimed, "Let me lie here, my noble lord; I suffer the punishment due to my folly, and I must now perish here anyhow through weariness and dread."

"No, sweet friend, I will never leave you!" cried Huldbrand, vainly endeavoring to restrain his furious steed; for, worse than before, it now began to foam and rear with excitement, till at last the knight was glad to keep the animal at a sufficient distance from the exhausted maiden to save her from increasing fear. But scarcely had he withdrawn a few paces with the wild steed than she began to call after him in the most pitiful manner, believing that he was really going to leave her in this horrible wilderness. He was utterly at a loss what course to take. Gladly would he have given the excited beast its liberty and have allowed it to rush away into the night and spend its fury, had he not feared that in this narrow defile it might come thundering with its iron-shod hoofs over the very spot where Bertalda lay.

In the midst of this extreme perplexity and distress he heard with delight the sound of a vehicle driving slowly down the stony road behind them. He called out for help, and a man's voice replied, promising assistance, but bidding him have patience; and, soon after, two gray horses appeared through the bushes, and beside them the driver in the white smock of a carter; a great white linen cloth was next visible, covering the goods apparently contained in the wagon. At a loud shout from their master the obedient horses halted. The driver then came toward the knight and helped him restrain his foaming animal. "I see well," said he, "what ails the beast. When I first traveled this way my horses acted no better. The fact is, there is an evil water-spirit haunting the place, and he takes delight in this sort of mischief. But I have learned a charm; if you will let me whisper it in your horse's ear he will stand at once just as quiet as my gray beasts are doing there."

"Try your luck then, only help us quickly!" exclaimed the impatient knight.

The wagoner then drew down the head of the rearing charger close to his own, and whispered something in his ear. In a moment the animal stood still and quiet, and his quick panting and reeking condition were all that remained of his previous unmanageableness. Huldbrand had no time to inquire how all this had been effected. He agreed with the carter that he should take Bertalda on his wagon, where, as the man assured him, there was a quantity of soft cotton bales upon which she could be conveyed to Castle Ringstetten, and the knight was to accompany them on horseback. But the horse appeared too much exhausted by its past fury to be able to carry its master so far, so the Carter persuaded Huldbrand to get into the wagon with Bertalda. The horse could be tethered on behind. "We are going down hill," said he, "and that will make it light for my gray beasts." The knight accepted the offer and entered the wagon with Bertalda; the horse followed patiently behind, and the wagoner, steady and attentive, walked by the side.

In the stillness of the night, as its darkness deepened and the subsiding tempest sounded more and more remote, encouraged by the sense of security and their fortunate escape a confidential conversation arose between Huldbrand and Bertalda. With flattering words he reproached her for her daring flight; she excused herself with humility and emotion, and from every word she said a gleam shone forth which disclosed distinctly to the lover that the beloved was his. The knight felt the sense of her words far more than he regarded their meaning, and it was the sense alone to which he replied. Presently the wagoner suddenly shouted with a loud voice. "Up, my grays, up with your feet, keep together! Remember who you are!" The knight leaned out of the wagon and saw that the horses were stepping into the midst of a foaming stream or were already almost swimming, while the wheels of the wagon were rushing round and gleaming like mill-wheels, and the wagoner had climbed up in front in consequence of the increasing waters.

"What sort of a road is this? It goes into the very middle of the stream," cried Huldbrand to his guide.

"Not at all, sir," returned the other laughing, "it is just the reverse; the stream goes into the very middle of our road. Look round and see how every thing is covered by the water."

The whole valley indeed was suddenly filled with the surging flood, that visibly increased. "It is Kühleborn, the evil water-spirit, who wishes to drown us!" exclaimed the knight. "Have you no charm against him, my friend?"

"I know indeed of one," returned the wagoner, "but I cannot and may not use it until you know who I am."

"Is this a time for riddles?" cried the knight. "The flood is ever rising higher, and what does it matter to me to know who you are?"

"It does matter to you, though," said the wagoner, "for I am Kühleborn." So saying, he thrust his distorted face into the wagon with a grin, but the wagon was a wagon no longer, the horses were not horses—all was transformed to foam and vanished in the hissing waves, and even the wagoner himself, rising as a gigantic billow, drew down the vainly struggling horse beneath the waters, and then, swelling higher and higher, swept over the heads of the floating pair, like some liquid tower, threatening to bury them irrecoverably.

Just then the soft voice of Undine sounded through the uproar, the moon emerged from the clouds, and by its light Undine was seen on the heights above the valley. She rebuked, she threatened the floods below; the menacing tower-like wave vanished, muttering and murmuring, the waters flowed gently away in the moonlight, and, like a white dove, Undine flew down from the height, seized the knight and Bertalda, and bore them with her to a fresh, green, turfy spot on the hill, where with choice refreshing restoratives she dispelled their terrors and weariness; then she assisted Bertalda to mount the white palfrey, on which she had herself ridden here, and thus all three returned to Castle Ringstetten.

CHAPTER XV

The Journey to Vienna

After this last adventure they lived quietly and happily at the castle. The knight more and more clearly perceived the heavenly goodness of his wife, which had been so nobly exhibited by her pursuit and her rescue in the Black Valley, where Kühleborn's power again commenced; Undine herself felt that peace and security which is never lacking to a mind so long as it is distinctly conscious of being on the right path, and, besides, in the newly-awakened love and esteem of her husband many a gleam of hope and joy shone upon her. Bertalda, on the other hand, showed herself grateful, humble, and timid, without regarding her conduct as anything meritorious. Whenever Huldbrand or Undine were about to give her any explanation regarding the covering of the fountain or the adventure in the Black Valley, she would earnestly entreat them to spare her the recital, as she felt too much shame at the recollection of the fountain and too much fear at the remembrance of the Black Valley. She learned therefore nothing further of either; and for what end was such knowledge necessary? Peace and joy had visibly taken up their abode at Castle Ringstetten. They felt secure on this point, and imagined that life could now produce nothing but pleasant flowers and fruits.

In this happy condition of things winter had come and passed away, and spring with its fresh green shoots and its blue sky was gladdening the joyous inmates of the castle. Spring was in harmony with them, and they with spring; what wonder then that its storks and swallows inspired them also with a desire to travel? One day when they were taking a pleasant walk to one of the sources of the Danube, Huldbrand spoke of the magnificence of the noble river, how it widened as it flowed through countries fertilized by its waters, how the charming city of Vienna shone forth on its banks, and how with every step of its course it increased in power and loveliness. "It must be glorious to go down the river as far as Vienna!" exclaimed Bertalda, but immediately relapsing into her present modesty and humility she paused and blushed deeply.

This touched Undine deeply, and with the liveliest desire to give pleasure to her friend she asked, "What hinders us from starting on the little voyage?" Bertalda exhibited the greatest delight, and both she and Undine began at once to picture in the brightest colors the tour of the Danube. Huldbrand also gladly agreed to the prospect; only he once whispered anxiously in Undine's ear, "But Kühleborn becomes possessed of his power again out there!"

"Let him come," she replied with a smile; "I shall be there, and he ventures upon none of his mischief before me." The last impediment was thus removed; they prepared for the journey, and soon after set out upon it with fresh spirits and the brightest hopes.

But wonder not, O man, if events always turn out different from what we have intended! That malicious power, lurking for our destruction, gladly lulls its chosen victim to sleep with sweet songs and golden fairy tales; while on the other hand the rescuing messenger from Heaven often knocks sharply and alarmingly at our door.

During the first few days of their voyage down the Danube they were extremely happy. Everything grew more and more beautiful, as they sailed further and further down the proudly flowing stream. But in a region, otherwise so pleasant, and in the enjoyment of which they had promised themselves the purest delight, the ungovernable Kühleborn began, undisguisedly, to exhibit his power, which started again at this point. This was indeed manifested in mere teasing tricks, for Undine often rebuked the agitated waves or the contrary winds, and then the violence of the enemy would be immediately submissive; but again the attacks would be renewed, and again Undine's reproofs would become necessary, so that the pleasure of the little party was completely destroyed. The boatmen too were continually whispering to one another in dismay and looking with distrust at the three strangers whose servants even began more and more to forebode something uncanny and to watch their masters with suspicious glances. Huldbrand often said to himself, "This comes from like not being linked with like, from a man uniting himself with a mermaid!" Excusing himself, as we all love to do, he would often think indeed as he said this, "I did not really know that she was a sea-maiden. Mine is the misfortune that every step I take is disturbed and haunted by the wild caprices of her race; but mine is not the guilt." By such thoughts as these he felt himself in some measure strengthened, but, on the other hand, he felt increasing ill-humor and almost animosity toward Undine. He would look at her with an expression of anger, the meaning of which the poor wife understood well. Wearied with this exhibition of displeasure and exhausted by the constant effort to frustrate Kühleborn's artifices, she sank one evening into a deep slumber, rocked soothingly by the softly gliding bark.

Scarcely, however, had she closed her eyes when every one in the vessel imagined he saw, in whatever direction he turned, a most horrible human head; it rose out of the waves, not like that of a person swimming, but perfectly perpendicular as if invisibly supported upright on the watery surface and floating along in the same course with the bark. Each wanted to point out to the other the cause of his alarm, but each found the same expression of horror depicted on the face of his neighbor, only that his hands and eyes were directed to a different point where the monster, half laughing and half threatening, rose before him. When, however, they all wished to make one another understand what each saw, and all were crying out, "Look there—! No—there!" the horrible heads all appeared simultaneously to their view, and the whole river around the vessel swarmed with the most hideous apparitions. The universal cry raised at the sight awoke Undine. As she opened her eyes the wild crowd of distorted visages disappeared. But Huldbrand was indignant at such unsightly jugglery. He would have burst forth in uncontrolled imprecations had not Undine said to him with a humble manner and a softly imploring tone, "For God's sake, my husband, we are on the water; do not be angry with me now." The knight was silent, and sat down absorbed in reverie. Undine whispered in his ear, "Would it not be better, my love, if we gave up this foolish journey and returned to Castle Ringstetten in peace?"

But Huldbrand murmured moodily, "So I must be a prisoner in my own castle and be able to breathe only so long as the fountain is closed! I would your mad kindred—" Undine lovingly pressed her fair hand upon his lips. He paused, pondering in silence over much that Undine had before said to him.

Bertalda had meanwhile given herself up to a variety of strange thoughts. She knew a good deal of Undine's origin, and yet not the whole, and the fearful Kühleborn especially had remained to her a terrible but wholly unrevealed mystery. She had indeed never even heard his name. Musing on these strange things, she unclasped, scarcely conscious of the act; a gold necklace, which Huldbrand had lately purchased for her of a traveling trader; half dreamingly she drew it along the surface of the water, enjoying the light glimmer it cast upon the evening-tinted stream. Suddenly a huge hand was stretched out of the Danube, seizing the necklace and vanishing with it beneath the waters. Bertalda screamed aloud, and a scornful laugh resounded from the depths of the stream. The knight could now restrain his anger no longer. Starting up, he inveighed against the river; he cursed all who ventured to intrude upon his family and his life, and challenged them, be they spirits or sirens, to show themselves before his avenging sword.

Bertalda wept meanwhile for her lost ornament, which was so precious to her, and her tears added fuel to the flame of the knight's anger, while Undine held her hand over the side of the vessel, dipping it into the water, softly murmuring to herself, and only now and then interrupting her strange mysterious whisper, as she entreated her husband, "My dearly loved one, do not scold me here; reprove others if you will, but not me here. You know why!" And indeed, he restrained the words of anger that were trembling on his tongue.

Presently in her wet hand which she had been holding under the waves she brought up a beautiful coral necklace of so much brilliancy that the eyes of all were dazzled by it. "Take this," said she, holding it out kindly to Bertalda; "I have ordered this to be brought for you as a compensation, and don't be grieved any more, my poor child."

But the knight sprang between them. He tore the beautiful ornament from Undine's hand, hurled it again into the river, exclaiming in passionate rage, "Have you then still a connection with them? In the name of all the witches, remain among them with your presents and leave us mortals in peace, you sorceress!" Poor Undine gazed at him with fixed but tearful eyes, her hand still stretched out as when she had offered her beautiful present so lovingly to Bertalda. She then began to weep more and more violently, like a dear innocent child, bitterly afflicted. At last, wearied out, she said: "Alas, sweet friend, alas! farewell! They shall do you no harm; only remain true, so that I may be able to keep them from you. I must, alas, go away; I must go hence at this early stage of life. Oh woe, woe! What have you done! Oh woe, woe!"

She vanished over the side of the vessel. Whether she plunged into the stream or flowed away with it, they knew not; her disappearance was like both and neither. Soon, however, she was completely lost sight of in the Danube; only a few little waves kept whispering, as if sobbing, round the boat, and they almost seemed to be saying: "Oh woe, woe! Oh, remain true! Oh, woe!"

Huldbrand lay on the deck of the vessel, bathed in hot tears, and a deep swoon presently cast its veil of forgetfulness over the unhappy man.

WILHELM HAUFF

* * * * *

CAVALRYMAN'S MORNING SONG[47] (1826)

    Crimson morn,
  Shalt thou light me o'er Death's bourn?
  Soon will ring the trumpet's call;
  Then may I be marked to fall,
  I and many a comrade brave!
    Scarce enjoyed,
  Pleasure drops into the void.
  Yesterday on champing stallion;
  Picked today for Death's battalion;
  Couched tomorrow in the grave!

    Ah! how soon
  Fleeth grace and beauty's noon!
  Hast thou pride in cheeks aglow,
  Whereon cream and carmine flow?
  Ah! the loveliest rose turns sere!
    Therefore still
  I respond to God's high will.
  To the last stern fight I'll fit me;
  If to Death I must submit me,
  Dies a dauntless cavalier!

* * * * *

THE SENTINEL[48] (1827)

  Lonely at night my watch I keep,
  While all the world is hush'd in sleep.
  Then tow'rd my home my thoughts will rove;
  I think upon my distant love.

[Illustration: WILHELM HAUFF]

  When to the wars I march'd away,
  My hat she deck'd with ribbons gay;
  She fondly press'd me to her heart,
  And wept to think that we must part.

[Illustration: THE SENTINAL]

  Truly she loves me, I am sure,
  So ev'ry hardship I endure;
  My heart beats warm, though cold's the night;
  Her image makes the darkness bright.

  Now by the twinkling taper's gleam,
  Her bed she seeks, of me to dream,
  But ere she sleeps she kneels to pray
  For one who loves her far away.

  For me those tears thou needst not shed;
  No danger fills my heart with dread;
  The pow'rs who dwell in heav'n above
  Are ever watchful o'er thy love.

  The bell peals forth from yon watch-tower;
  The guard it changes at this hour.
  Sleep well! sleep well! my heart's with thee;
  And in your dreams remember me.

FRIEDRICH RÜCKERT

* * * * *

BARBAROSSA[49] (Between 1814 and 1817)

  The ancient Barbarossa,
    Friedrich, the Kaiser great,
  Within the castle-cavern
    Sits in enchanted state.

  He did not die; but ever
    Waits in the chamber deep,
  Where hidden under the castle
    He sat himself to sleep.

  The splendor of the Empire
    He took with him away,
  And back to earth will bring it
    When dawns the promised day.

  The chair is ivory purest
    Whereof he makes his bed;
  The table is of marble
    Whereon he props his head.

  His beard, not flax, but burning
    With fierce and fiery glow,
  Right through the marble table
    Beneath his chair does grow.

  He nods in dreams and winketh
    With dull, half-open eyes,
  And once a page he beckons beckons—
    A page that standeth by.

[Illustration: FRIEDRICH RÜCKERT]

  He bids the boy in slumber
    "O dwarf, go up this hour,
  And see if still the ravens
    Are flying round the tower;

  And if the ancient ravens
    Still wheel above us here,
  Then must I sleep enchanted
    For many a hundred year."

* * * * *

FROM MY CHILDHOOD DAYS[50] (1817, 1818)

  From my childhood days, from my childhood days,
    Rings an old song's plaintive tone—
  Oh, how long the ways, oh, how long the ways
    I since have gone!

  What the swallow sang, what the swallow sang,
    In spring or in autumn warm—
  Do its echoes hang, do its echoes hang
    About the farm?

  "When I went away, when I went away,
    Full coffers and chests were there;
  When I came today, when I came today,
    All, all was bare!"

  Childish lips so wise, childish lips so wise,
    With a lore as rich as gold,
  Knowing all birds' cries, knowing all birds' cries,
    Like the sage of old!

  Ah, the dear old place—ah, the dear old place * * *
    May its sweet consoling gleam
  Shine upon my face, shine upon my face,
    Once in a dream!

  When I went away, when I went away,
    Full of joy the world lay there;
  When I came today, when I came today,
    All, all was bare.

  Still the swallows come, still the swallows come,
    And the empty chest is filled—
  But this longing dumb, but this longing dumb
    Shall ne'er be stilled.

  Nay, no swallow brings, nay, no swallow brings
    Thee again where thou wast before—
  Though the swallow sings, though the swallow sings,
    Still as of yore.

  "When I went away, when I went away,
    Full coffers and chests were there;
  When I came today, when I came today,
    All, all was bare!"

* * * * *

THE SPRING OF LOVE[51] (1821)

  Dearest, thy discourses steal
    From my bosom's deep, my heart
  How can I from thee conceal
    My delight, my sorrow's smart?

  Dearest, when I hear thy lyre
    From its chains my soul is free.
  To the holy angel quire
    From the earth, O let us flee!

[Illustration: MEMORIES OF YOUTH]

  Dearest, how thy music's charms
    Waft me dancing through the sky!
  Let me round thee clasp my arms,
    Lest in glory I should die!

  Dearest, sunny wreaths I wear,
    Twined around me by thy lay.
  For thy garlands, rich and rare,
    O how can I thank thee? Say!

  Like the angels I would be
    Without mortal frame,
  Whose sweet converse is like thought,
    Sounding with acclaim;

  Or like flowers in the dale;
    Like the stars that glow,
  Whose love-song's a beam, whose words
    Like sweet odors flow;

  Or like to the breeze of morn,
    Waving round its rose,
  In love's dallying caress
    Melting as it blows.

  But the love-lorn nightingale
    Melteth not away;
  She doth but with longing tones
    Chant her plaintive lay.

  I am, too, a nightingale,
    Songless though I sing;
  'Tis my pen that speaks, though ne'er
    In the ear it ring.

  Beaming images of thought
    Doth the pen portray;
  But without thy gentle smile
    Lifeless e'er are they.

  As thy look falls on the leaf,
    It begins to sing,
  And the prize that's due to love
    In her ear doth ring.

  Like a Memmon's statue now
    Every letter seems,
  Which in music wakes, when kissed
    By the morning's beams.

* * * * *

"HE CAME TO MEET ME"[52] (1821)

  He came to meet me
    In rain and thunder;
  My heart 'gan beating
    In timid wonder.
  Could I guess whither
  Thenceforth together
    Our path should run, so long asunder?

  He came to meet me
    In rain and thunder,
  With guile to cheat me—
    My heart to plunder.
  Was't mine he captured?
  Or his I raptured?
    Half-way both met, in bliss and wonder!

  He came to meet me
    In rain and thunder;
  Spring-blessings greet me
    Spring-blossoms under.
  What though he leave me?
  No partings grieve me—
    No path can lead our hearts asunder.

       * * * * *
  THE INVITATION[53] (1821)

  Thou, thou art rest
    And peace of soul—
  Thou woundst the breast
    And makst it whole.

  To thee I vow
    'Mid joy or pain
  My heart, where thou
    Mayst aye remain.

  Then enter free,
    And bar the door
  To all but thee
    Forevermore.

  All other woes
    Thy charms shall lull;
  Of sweet repose
    This heart be full.

  My worshipping eyes
    Thy presence bright
  Shall still suffice,
    Their only light.

* * * * *

MURMUR NOT[54]

  Murmur not and say thou art in fetters holden,
    Murmur not that thou earth's heavy yoke must bear.
  Say not that a prison is this world so golden—
    'Tis thy murmurs only set its harsh walls there.

  Question not how shall this riddle find its reading;
    It will solve itself full soon without thine aid.
  Say not love hath turned his back, and left thee bleeding—
    Whom hath love deserted, hast thou heard it said?

  If death tries to fright thee, fear not beyond measure;
    He will flee from those who boldly face his frown.
  Hunt not thou the fleeting deer of worldly pleasure—
    Lion it will turn, and hunt the hunter down.
  Chain thyself no longer, heart, to any treasure;
    Then thou shalt not say thou art into fetters thrown.

* * * * *

A PARABLE[55] (1822)

  In Syria walked a man one day
  And led a camel on the way.
  A sudden wildness seized the beast,
  And as they strove its rage increased.
  So fearsome grew its savagery
  That for his life the man must flee.
  And as he ran, he spied a cave
  That one last chance of safety gave.
  He heard the snorting beast behind
  Come nearer—with distracted mind
  Leaped where the cooling fountain sprang,
  Yet not to fall, but catch and hang;
  By lucky hap a bramble wild
  Grew where the o'erhanging rocks were piled.
  He saved himself by this alone,
  And did his hapless state bemoan.
  He looked above, and there was yet
  Too close the furious camel's threat
  That still of fearful rage was full.
  He dropped his eyes toward the pool,
  And saw within the shadows dim
  A dragon's jaws agape for him—
  A still more fierce and dangerous foe
  If he should slip and fall below.
  So, hanging midway of the two,
  He spied a cause of terror new:
  Where to the rock's deep crevice clung
  The slender root on which he swung,
  A little pair of mice he spied,
  A black and white one side by side—
  First one and then the other saw
  The slender stem alternate gnaw.
  They gnawed and bit with ceaseless toil,
  And from the roots they tossed the soil.
  As down it ran in trickling stream,
  The dragon's eyes shot forth a gleam
  Of hungry expectation, gazed
  Where o'er him still the man was raised,
  To see how soon the bush would fall,
  The burden that it bore, and all.
  That man in utmost fear and dread
  Surrounded, threatened, hard bested,
  In such a state of dire suspense
  Looked vainly round for some defense.
  And as he cast his bloodshot eye
  First here, then there, saw hanging nigh
  A branch with berries ripe and red;
  Then longing mastered all his dread;
  No more the camel's rage he saw,
  Nor yet the lurking dragon's maw,
  Nor malice of the gnawing mice,
  When once the berries caught his eyes.
  The furious beast might rage above,
  The dragon watch his every move,
  The mice gnaw on—naught heeded he,
  But seized the berries greedily—
  In pleasing of his appetite
  The furious beast forgotten quite.

  You ask, "What man could ever yet,
  So foolish, all his fears forget?"
  Then know, my friend, that man are you—
  And see the meaning plain to view.
  The dragon in the pool beneath
  Sets forth the yawning jaws of death;
  The beast from which you helpless flee
  Is life and all its misery.
  There you must hang 'twixt life and death
  While in this world you draw your breath.
  The mice, whose pitiless gnawing teeth
  Will let you to the pool beneath
  Fall down, a hopeless castaway,
  Are but the change of night and day.
  The black one gnaws concealed from sight
  Till comes again the morning light;
  From dawn until the eve is gray,
  Ceaseless the white one gnaws away.
  And, 'midst this dreadful choice of ills,
  Pleasure of sense your spirit fills
  Till you forget the terrors grim
  That wait to tear you limb from limb,
  The gnawing mice of day and night,
  And pay no heed to aught in sight
  Except to fill your mouth with fruit
  That in the grave-clefts has its root.

* * * * *

EVENING SONG[56] (1823)

  I stood on the mountain summit,
    At the hour when the sun did set;
  I mark'd how it hung o'er the woodland
    The evening's golden net.

  And, with the dew descending,
    A peace on the earth there fell—
  And nature lay hushed in quiet,
    At the voice of the evening bell.

  I said, "O heart, consider
    What silence all things keep,
  And with each child of the meadow
    Prepare thyself to sleep!

  "For every flower is closing
    In silence its little eye;
  And every wave in the brooklet
    More softly murmureth by.

  "The weary caterpillar
    Hath nestled beneath the weeds;
  All wet with dew now slumbers
    The dragon-fly in the reeds.

  "The golden beetle hath laid him
    In a rose-leaf cradle to rock;
  Now went to their nightly shelter
    The shepherd and his flock.

  "The lark from on high is seeking
    In the moistened grass her nest;
  The hart and the hind have laid them
    In their woodland haunt to rest.

  "And whoso owneth a cottage
    To slumber hath laid him down;
  And he that roams among strangers
    In dreams shall behold his own."

  And now doth a yearning seize me,
    At this hour of peace and love,
  That I cannot reach the dwelling,
    The home that is mine, above.

* * * * *

CHIDHER[57] (1824)

  Chidher, the ever youthful, told:
    I passed a city, bright to see;
  A man was culling fruits of gold,
    I asked him how old this town might be.
  He answered, culling as before
  "This town stood ever in days of yore,
  And will stand on forevermore!"
    Five hundred years from yonder day
    I passed again the selfsame way,

  And of the town I found no trace;
    A shepherd blew on a reed instead;
  His herd was grazing on the place.
    "How long," I asked, "is the city dead?"
  He answered, blowing as before
  "The new crop grows the old one o'er,
  This was my pasture evermore!"
    Five hundred years from yonder day
    I passed again the selfsame way.

  A sea I found, the tide was full,
    A sailor emptied nets with cheer;
  And when he rested from his pull,
    I asked how long that sea was here.
  Then laughed he with a hearty roar
  "As long as waves have washed this shore
  They fished here ever in days of yore."
    Five hundred years from yonder day
    I passed again the selfsame way.

  I found a forest settlement,
    And o'er his axe, a tree to fell,
  I saw a man in labor bent.
    How old this wood I bade him tell.
  "'Tis everlasting, long before
  I lived it stood in days of yore,"
  He quoth; "and shall grow evermore."
    Five hundred years from yonder day
    I passed again the selfsame way.

  I saw a town; the market-square
    Was swarming with a noisy throng.
  "How long," I asked, "has this town been there?
    Where are wood and sea and shepherd's song?"
  They cried, nor heard among the roar
  "This town was ever so before,
  And so will live forevermore!"
    "Five hundred years from yonder day
    I want to pass the selfsame way."

* * * * *

AT FORTY YEARS[58] (1832)

  When for forty years we've climbed the rugged mountain,
    We stop and backward gaze;
  Yonder still we see our childhood's peaceful fountain,
    And youth exulting strays.

  One more glance behind, and then, new strength acquiring,
    Staff grasped, no longer stay;
  See, a further slope, a long one, still aspiring
    Ere downward turns the way!

  Take a brave long breath and toward the summit hie thee—
    The goal shall draw thee on;
  When thou think'st it least, the destined end is nigh thee—
    Sudden, the journey's done!

* * * * *

BEFORE THE DOORS[59]

  I went to knock at Riches' door;
  They threw me a farthing the threshold o'er.

  To the door of Love did I then repair—
  But fifteen others already were there.

  To Honor's castle I took my flight—
  They opened to none but to belted knight.

  The house of Labor I sought to win—
  But I heard a wailing sound within.

  To the house of Content I sought the way—
  But none could tell me where it lay.

  One quiet house I yet could name,
  Where last of all, I'll admittance claim;

  Many the guests that have knocked before,
  But still—in the grave—there's room for more.

[Illustration: AUGUST GRAF VON PLATEN-HALLERMUND]