"If my father had lived," said I, "it was his intention to have tried my chance in diplomacy."

"Probably enough; for he had figured in that line himself. I remember him secretary of embassy at Vienna. Perhaps you will scarcely believe, that I, too, have had my experience on the subject? Accident once made me an attaché to our envoy at Naples. The life is an easy one. Idleness was never more perfectly reduced to a system, than among the half dozen functionaries to whom the interests of the British empire were entrusted in the capital of the Lazzaroni. As the Frenchman said of the Academy, 'We had nothing to do, and we did it.'"

"Italy," said I, "is the land of pleasure, and the Lazzaroni are its philosophers, but one cannot sleep like them in the face of day, and all day long. Let what will come, I have no desire to be a weed on the shore."

"No; we had our occupations; for we had the attendance on the court days—a business of as much formality, as if the fate of mankind depended on it. Then we had the attendance on the opera at night, a matter nearly as tiresome. The post from England reached Naples but once a-week, and scarcely once a month conveyed any intelligence that was worth the postage. But, if politics were out of the question, we had negotiation in abundance; for we carried on the whole diplomacy of the opera-house in London, engaged primo tenores, and settled the rival claims of prima donnas; gave our critical opinions on the merits of dancers worthy of appearing before the British cognoscenti; and dispatched poets, ballet-masters, and scene-painters, to our managers, with an activity worthy of the purest patriotism. What think you of the bar?"

"I have no head for its study; and no heart for its employment."

"It leads more rapidly to rank than any other profession under the sun; profit beyond counting, and a peerage. Those are no bad things."

"Both capital, if one could be secure of them. But they take too much time for me. I never was born to sit on the woolsack. No; if I were to follow my own inclination, I should be a soldier."

I have already said that I have been, throughout life, a kind of believer in omens. I have seen such a multitude of things decided by some curious coincidence, some passing occurrence, some of those odd trifles for which it is impossible to account, but which occur at the instant when the mind is wavering on the balance; that I feel no wonder at the old superstitions of guessing our destiny from the shooting of a star, or the flight of birds. While we were rambling onward, discussing the merits and demerits of the profession of arms, we heard the winding of the mail-guard's horn. I sprang the fence, and waited in the road to enquire the last news from the metropolis. It was momentous—the Revolution had effectually broken out. Paris was in an uproar. The king's guards had taken up arms for the people. The Bastile was stormed!

If I had hesitated before, this news decided me; not that I pretend to have even dreamed of the tremendous changes which were to be produced in the world by that convulsion. But it struck me as the beginning of a time, when the lazy quietude of years was about to be broken up, and room made for all who were inclined to exert themselves. Before we had reached the level lawns and trim parterres which showed us the lights of the family festivity, I had settled all the difficulties which might impede the career of less fortunate individuals; time and chance were managed with the adroitness of a projector; and if Bellona had been one of the Nine Muses, my speculations could not have been more poetical. Somewhat to my surprise, they received no check from my venerable tutor; quite the contrary. The singular sympathy with which he listened to my most daring and dashing conceptions, would have betrayed his early history if I had still the knowledge to acquire. His very looks, as he listened to my rodomontades, recurred to me, when I read, many years after, Scott's fine description of his soldier-monk in the Lay of the Last Minstrel:—

The news from France produced a sensation throughout England totally indescribable at the present day. Every tongue and every heart was full of it. It offered something for every mind of the million to seize on. Like a waterspout, such as I have seen sweeping over the bosom of the Atlantic, half-descending from the skies, and half-ascending from the deep; every second man whom one met gave it credit for a different origin, some looking at the upper portion and some at the lower; while, in the mean time, the huge phenomenon was blackening, gathering, and rushing onward, threatening to turn all above into darkness and all below into storm. It made the grand subject of parliamentary eloquence, and parliament was never more eloquent; it filled the speeches of the factious, it was hailed by the shouts of the multitude, and it disturbed the fireside with fear and hope, with wishing and wonder. It must be acknowledged that a vast quantity of this excitement was absolute folly; but, at the same time, there was a sincerity in the folly which redeemed it from ridicule. Nothing could be more evident than that this French patriotism was as theatrical, in the countless majority of instances, as the loves and sorrows of its stage. Yet, however the speeches might be got by heart, or the frippery and actors hired, the drame was powerfully performed; and all Europe sat by, giving it the tribute of its tears and its terrors. Even we of England, with all our more sober recollections that the heroes were ragamuffins, and the heroism imaginary, gave ourselves up to the illusion. I shall not say that I was wiser than the rest of mankind. I liked excitement, wherever it was to be found. The barriers to distinction were still too firmly closed against the youngest son of an embarrassed family, not to suggest many a wish for whatever chance might burst the gate, or blow up the rampart; and my first effort in political life was a harangue to the rabble of the next borough, conceived in the most Gallic style. Yet this act of absurdity had the effect of forwarding my views more rapidly than if I had become an aristocratic Demosthenes. My speech was so much applauded by the mob, that they began to put its theories in practice, though with rather more vigour than I had dreamed of. There were riots, and even some attempts at the seizure of arms; and the noble duke, our neighbour, had received a threatening letter, which sent him at full gallop to the Home Secretary. A note, by no means too gentle in its tone, was instantly despatched to my noble brother, enquiring why he did not contrive to keep the minor branches of his family in better order, and threatening him with the withdrawal of the county patronage. My demand of a commission in the Guards was no longer answered by the head of our house with astonishment at the loftiness of my expectations, and statements of the utter emptiness of the family exchequer. The result of his brief correspondence with Downing Street was a letter, notifying that his majesty was pleased to accept my services in the Coldstream.

I was enraptured, and my brother was enraptured, for we had both gained our objects. I had got rid of him and ennui. He had got rid of me, and the displeasure of the grand dispensers of place and pension. No time was lost in forwarding me to make my bow at the Horse Guards; and my noble brother lost as little time in making me put my hand to a paper, in which, for prompt payment, I relinquished one half of my legacy. But what cared I for money? I had obtained a profession in which money was contemptible, the only purse the military chest, and the only prize, like Nelson's, a peerage or Westminster Abbey. The ferment did not cool within the week, and within that period I had taken leave of half the county, been wished laurels and aiguillettes by a hundred or a thousand of the fairest of our country belles; and been wished a thousand miles off by the wise matrons, to whom the sight of a "younger son without house or land" is a nuisance, a kite among their family pigeons.

I shall say but little of my first sensations on reaching London. My eyes and ears were in full activity. But the impression upon all who enter this mightiest of capitals for the first time, is nearly the same. Its perpetual multitude, its incessant movement, its variety of occupations, sights and sounds, the echo of the whole vast and sleepless machinery of national existence, have been a thousand times the subject of description, and always of wonder. Yet, I must acknowledge, that its first sight repelled me. I had lived in field and forest, my society had been among my fellows in rank; I had lived in magnificent halls, and been surrounded by bowing attendants; and now, with my mind full of the calm magnificence of English noble life, I felt myself flung into the midst of a numberless, miscellaneous, noisy rabble, all rushing on regardless of every thing but themselves, pouring through endless lines of dingy houses; and I nothing, an atom in the confusion, a grain of dust on the great chariot wheel of society, a lonely and obscure struggler in the mighty current of human life, which rolled along the sullen channels of the most cheerless, however it might be the largest, of capitals.

For the first week, I was absolutely unable to collect my thoughts. All that I learned was, to make my way through the principal thoroughfares, and know the names of her chief buildings. In later days, I took a more practical view of matters, and regarded them only as places in which the business of the hour was to be done. But in my first view, something of the romance and revival of my forest walks clung to me. I remember that, when I first saw the Horse Guards, to which, of course, one of my earliest visits was paid, I found no slight difficulty in thinking of it as only a remarkably clownish mass of brick and stone, crowded with clerks. To me it was the very palace of war; the spot from which the thunderbolts of England were launched; the centre and the stronghold of that irresistible influence with which England sways and moulds mankind. The India House was another of my reveries. I could not think of it as but a huge pile in a vulgar outlet of the city, as a place of porters and messengers loitering in gloomy corridors, of busy clerks for ever scribbling in nooks unvisited by the sun, or even of portly directors, congregating in halls encrusted with the cobwebs of centuries. To my eyes it was invested with the mystery and dignity of Orientalism. I thought of the powers by which rajahs were raised and overthrown, of the mandates which spread war and restored peace over regions wide as Europe, and a thousand times more brilliant. I had rambling visions of armies of elephants, superb cavalry, and chieftains covered with gold and diamonds. As I traversed the dusky halls, I thought of the will which pronounced the fate of kingdoms, the fallen glories of Aurengzebe, the broken sceptre of the Mahratta, and the crushed tiara of Mysore. Round me was the moving power of an empire, the noblest that the East has ever seen, and which, in the act of assuming additional greatness, by a contradiction to all the laws of extended conquest, was hourly assuming additional stability.

But among the wonders of the time, there was one which struck me with prodigious force, which has remained on my recollection to this hour, and which still survives with undiminished vividness. It was the acting of Siddons.

The stage is now almost undone. The absurd liberalism of the day has given every corner of London a theatre, and has degraded the character of the stage in all. By scattering the ability which still exists, it has stripped the great theatres of the very means of representing dramatic excellence; while, by adopting popular contrivances to obtain temporary success, they have driven away dramatic genius in contempt or in despair. Our stage is now condemned to be fed like a felon from the dungeons, and, like the felon, to feel a stigma in every morsel which it puts between its lips. It must stoop to French frivolity, or German extravagance, and be glad to exist upon either. Yet, why should not higher names come to its aid? Why should not the State relieve the difficulties of a great institution, which might be made to repay its assistance a thousand-fold? Is there nothing that could be withdrawn from the waste of our civil lists, or the pomp of public establishments, to reunite, to purify, and even to exalt the stage? The people will have theatres. Good or evil, noble or degraded, the stage will be demanded by the people. Is it a thing indifferent to our rulers, to supply them with this powerful and universal excitement in its highest degree of moral influence, or in its lowest degree of impurity; to bring before them, with all the attractions of the drama, the memory of heroes and sages, patriots and martyrs, or leave them to rake for the indulgence of eye and ear in the very kennels of crime?

"They order those things better in France."

Unquestionably. The care of Government there protects the national taste, and prevents the theatres from looking for subsistence to the history of the highway. The vices which now haunt theatres are no more necessary to their nature, than to the senate or the palace. Why should not the State interpose to prevent the sale of poison on the stage, as in the streets? Why should it not offer prizes and honours for great tragedies and comedies, as soon as it would for a voyage to the Arctic or Antarctic? But is dramatic genius dead in England? What, in England! where nothing dies—where every faculty of the heart and understanding is in the most perpetual activity—where the noblest impulses are perpetually pushing forward to the noblest ends—where human nature moves in all its vigour, from hour to hour, without disguise—where the whole anatomy of the moral frame is visible, and all its weakness, and all its wonders, are the daily spectacle of all mankind!

Siddons was then witching the world—witching, in its more solemn sense; for though her smile was exquisite, she might have sat for the picture of a Sybil or a Pythoness. The stage had never seen her equal, and will probably never see another so completely formed to command all its influences. Yet her beauty, her acting, even her movement, were characteristic, and their character was noble melancholy. I never saw so mournful a countenance combined with so much beauty. Her voice, though grand, was melancholy—her step, though superb, was melancholy; her very smile was melancholy; and yet there was so much of living intellect in her expression, such vast variety of passion in her look and gesture; she so deeply awoke the feelings, or so awfully impressed the mind; thus it was impossible to escape the spell, while she moved upon the stage.

In this language there is not the slightest exaggeration. I have seen a whole audience burst into tears at a single tone of her voice. Her natural conception was so fine, that the merest commonplace often received a living spirit from her lips. I have seen a single glance from her powerful eye hush an audience—I have seen her acting sometimes even startle and bewilder the actors beside her. There is perhaps a genius for every art, and hers was the genius of the stage—a faculty of instant communication between the speaker and the hearer, some unaccountable sympathy, the power to create which belongs to but one in millions, and which, where it exists, lifts its possessor to the height of the Art at once, and constitutes perfection.

It may be presumed that I saw this extraordinary being whenever it was possible. But her chef-d'œuvre, in my eyes, was the "wife of Macbeth." The character seemed made for her, by something of that instinct which in olden times combined the poet and the prophet in one. It had the ardour and boldness mingled with the solemnity and mystery that belonged to the character of her beauty.

Her entrance was hurried, as if she had but just glanced over the letter, and had been eager to escape from the crowd of attendants to reperuse it alone. She then read on, in a strong calm voice, until she came to the passage which proved the preternatural character of the prediction. "They have more in them than mortal knowledge. When I burnt with desire to question them further, they made themselves into air and—vanished." As she was about to pronounce the last word, she paused, drew a short breath, her whole frame was disturbed, she threw her fine eyes upwards, and exclaimed "Vanished!" with a wild force, which showed that the whole spirit of the temptation had shrunk into her soul. The "Hail, king that shall be!" was the winding-up of the spell. It was pronounced with the grandeur of one already by anticipation a Queen.

Her solitary summons to her distant lord followed, like an invocation—

In those accents all else was forgotten.

But her sleep-walking scene! When shall we see its "second or its similar?" Nothing so solemn, nothing so awful, was ever seen upon the stage. Yet it had one fault—it was too awful. She more resembled a majestic shade rising from the tomb than a living woman, however disturbed by wild fear and lofty passion. It is a remarkable instance of the genius of Shakspeare, that he here found the means of giving a human interest to a being whom he had almost exalted to the "bad eminence" of a magnificent fiend. In this famous soliloquy, the thoughts which once filled and fired her have totally vanished. Ambition has died; remorse lives in its place. The diadem has disappeared; she thinks only of the blood that stains her for ever. She is the queen no more, but an exhausted and unhappy woman, worn down by the stings of conscience, and with her frame dying by the disease of her soul.

But Siddons wanted the agitation, the drooping, the timidity. She looked a living statue. She spoke with the solemn tone of a voice from a shrine. She stood more the sepulchral avenger of regicide than the sufferer from its convictions. Her grand voice, her fixed and marble countenance, and her silent step, gave the impression of a supernatural being, the genius of an ancient oracle—a tremendous Nemesis.

I have seen all the great tragedians of my day, but I have never seen an equal to the sublime of this extraordinary actress. I have seen beauty, youth, touching sensibility, and powerful conception; but I never saw so complete an union of them all—and that union was the sublime. Shakspeare must have had some such form before his mind's eye, while he was creating the wife of Macbeth. Some magnificent and regal countenance, some movement of native majesty, some imaginary Siddons. He could not have gone beyond the true. She was a living Melpomene.

The business of the War-Office was not transacted in those days with the dispatch subsequently introduced by the honest Duke of York. After a delay of weeks I found myself still ungazetted, grew sad, angry, impatient; and after some consideration on the various modes of getting rid of ennui, which were to be found in enlisting the service of that Great Company which extended its wings from Bombay to Bengal, as Sheridan said, impudently enough, like the vulture covering his prey; or in taking the chance of fortune, in the shape of cabin-boy on board one of the thousand ships that were daily floating down the Thames, making their way to the extremities of the earth; or in finishing my feverish speculations in a cold bath at the bottom of the Thames itself; I did what I felt a severer exertion than any of them—I wrote a full and true statement of my vexations to my lordly brother.

His answer was lordly enough. He had been "so much occupied with the numberless duties devolving upon him as landlord, magistrate, lord-lieutenant, and fifty other things, that he absolutely had not been able to find a moment to think of me;" and what was rather more perplexing to my immediate sensibilities, "he had not been able to send me a shilling. However, he did all that he could, and gave me a note to a particular friend," Mr Elisha Mordecai of Moorfields.

There is nothing which quickens a man's movements like a depletion of the purse; and instead of lounging at my hotel until the morning paper brought me the scandals and pleasantries of the day before fresh for my breakfast-table, I threw myself out of bed at an hour which I should not have ventured to mention to any man with whom I walked arm-in-arm during the day, and made my way in a hackney coach, to avoid the possibility of being recognised, to the dwelling of my new patron, or rather my guide and guardian angel.

However, I bore the torture well. In truth, I had so little regard for any object but the grand one of wearing a sword and epaulette, that if Mordecai had demanded the whole sum in fifths, I should have scarcely winced. But my philosophy stood me in good part, for it won a grim smile from the torturer, and even a little of his confidence.

"This," said he, running his finger down a list which looked endless, "I call my peerage book." Turning to another of equal dimensions, "there lies my House of Commons. Not quite as many words wasted in it as in the Honourable House, but rather to the purpose."

Mordecai grew facetious; the feeling that he had made a handsome morning's work of it put him into spirits, and he let me into some of the secrets of high life, with the air of a looker-on who sees the whole game, and intends to pocket the stakes of the fools on both sides. "Money, Mr Marston," said my hook-nosed and keen-eyed enlightener, "is the true business of man. It is philosophy, science, and patriotism in one; or, at least, without it the whole three are of but little service. Your philosopher dies in a garret, your man of science hawks telescopes, and your patriot starves in the streets, or gets himself hanged in honour of the 'Rights of Man.' I have known all these things, for I was born a German, and bred among the illustrissimi of a German university. But I determined not to live a beggar, or at least not to die one. I left Gottingen behind on a May morning, and trudged, fought, and begged, 'borrowed' my way to London. What I am now, you see."

Probably, the glance which I involuntarily gave round the room, did not exhibit much admiration.

This was bold speaking, and at another time I should have laughed at it; but the times were bold, the language of the streets was bold, the country was bold, and I, too, was bold. There was something singular in the man; even the hovel round him had a look which added to his influence. I listened to the Jew as one might listen to a revealer of those secrets which find an echo in every bosom, when they are once discovered, and on which still deeper secrets seem to depend. My acquiescence, not the less effective for its being expressed more in looks than words, warmed even the stern spirit of the Israelite towards me, and he actually went the length of ordering some refreshments to be put on the table. We eat and drank together; a new source of cordiality. Our conversation continued long. I shall have more to say of him, and must now proceed to other things; but it ended in my acceptance of his invitation to his villa at Brighton, which he termed "a small thing, simply for a week's change of air," and where he promised to give me some curious explanations of his theory—that money was the master of all things, men, manners, and opinions.

On one of the finest mornings of autumn, I was on the box of the Royal Sussex Stage.

I had full leisure to admire the country, for our progress occupied nearly the whole day. We now laugh at our slow-moving forefathers, but is not the time coming when our thirty miles an hour will be laughed at as much as their five? when our passage from Calais to Dover will be made by the turn of a winch, and Paris will be within the penny-post delivery? when the balloon will carry our letters and ourselves; until that still more rapid period, when we shall ride on cannon-shot, and make but a stage from London to Pekin?

On the roof of the coach I found a strong-featured and closely wrapped-up man, who, by degrees, performed the part of my cicerone. His knowledge of the localities was perfect; "every bush and bosky dell," every creek and winding, as the shore came in sight, was so familiar to him, that I should have set him down at once for a smuggler, but for a superiority of tone in his language, and still more from the evident deference to him by the coachman, in those days a leading authority with all the passengers. His occupation is now nearly o'er. Fire and water have swept him away. His broad back, his broad grin, and his broad buttons, are now but recollections.

My new acquaintance exhibited as perfect a knowledge of the country residents as of its map, and nothing could be more unhesitating than his opinions of them all, from the prince and his set, as he termed them, to Mordecai himself. Of my Jew friend, he said, with a laugh, "There is not a better friend to the King's Bench in all England. If you have any thing to lose, he will strip you on the spot. If you have nothing, you may escape, unless he can make something by having you hanged." I begged of him to spare my new friend. "Why," said he, "he is one of my oldest friends, and one of the cleverest fellows alive. I speak tenderly of him, from admiration of his talents. I have a liking for the perfection of a rogue. He is a superb fellow. You will find his 'Hermitage,' as he calls it, a pond of gold fish. But all this you will soon learn for yourself." The coach now stopped on a rising ground, which showed the little fishing village beneath us, basking in the glow of sunset. My cicerone got down, and bade me farewell. On enquiring his name from my fellow-travellers, a group of Sussex farmers, I found a general disinclination to touch on the subject. Even the coachman, the established source of information on all topics, exhibited no wish to discuss the stranger; his official loquacity was almost dumb. "He merely believed that he was something in the navy, or in the army, or in something or other; but he was often in those parts, and generally travelled to London by the Royal Sussex Stage."

We passed groups of men, who, when they had not the sailor's dress, had the sailor's look; some trudging along the road-side, evidently not in idleness; others mounted on the short rough horse of the country, and all knowing and known by our coachman.

On our passing one group, leaning with their backs against one of the low walls which seemed the only enclosure of this rugged region, I, half-laughingly, hinted to one of my neighbours, a giant of a rough-headed farmer, that "perhaps a meeting with such a party, at a late hour, might be inconvenient, especially if the traveller had a full purse." The fellow turned on me a countenance of ridicule. "What?" said he, "do you take them for robbers? Heaven bless you, my lad, they could buy the stage, horses, passengers, and all. I'll warrant you, they will have news from over there," and he pointed towards France, "before it gets into the newspapers, long enough. They are the richest fellows in the county."

"Are they smugglers?" I asked, with sufficient want of tact.

"Why, no," was the answer, with a leer. "We have nothing of that breed among us; we are all honest men. But what if a man has an acquaintance abroad, and gets a commission to sell a cargo of tea or brandy, or perhaps a present from a friend—what shall hinder him from going to bring it? I'm sure, not I."

It was evidently not the "etiquette" on the roof of the Royal Sussex to think much on the subject, and before my curiosity could reach the length of actual imprudence, the coachman pulled up, and informed me that I had reached the nearest turn to "the Hermitage." My valise was lowered down, a peasant was found to carry it, and I plunged into the depth of a lane as primitive as if it had been a path in Siberia.

It was brief, however, and in a few minutes I was within sight of the villa. Here I at once discovered that Mordecai was a man of taste; perhaps the very roughness of the Sussex jungle, through which I had just come, had been suffered to remain for the sake of contrast. A small lodge, covered with late blooming roses, let me into a narrow avenue of all kinds of odorous shrubs; the evening sun was still strong enough to show me glimpses of the grounds on either side, and they had all the dressed smoothness of a parterre. The scene was so different from all that I had been wearied of during the day, that I felt it with double enjoyment; and the utter solitude and silence, after the rough voices of my companions in the journey, were so soothing, that I involuntarily paused before I approached the house, to refresh not more my senses than my mind. As I stood leaning against a tree, and baring my hot brain and bosom to the breeze, that rose with delicious coolness, I heard music. It was a sweet voice, accompanied at intervals by some skilful touches of a harp; and, from the solemnity of the measure, I supposed it to be a hymn. Who was the minstrel? Mordecai had never mentioned to me either wife or daughter. Well, at all events, the song was sweet. The minstrel was a woman, and the Jew's household promised me more amusement than I could have expected from the man of Moorfields. The song ceased, the spell was broken, and I moved on, fully convinced that I had entered on a scene where I might expect at least novelty; and the expectation was then enough to have led me to the cannon's mouth or the antipodes.

TRANSLATED FROM THE LATIN.

This old poem, which commemorates the festivities with which ancient Rome hailed the returning brightness of spring, may, perhaps, awaken in our readers some melancholy reflections on the bygone delights of the same season in our own country. To the Romans, it would seem, this period of the year never ceased to bring rejoicing holidays. There is good reason to suppose that this poem was written in the declining times of the empire; if so, it seems that, amidst the public misfortunes that followed one another during that age, the people were not woe-worn and distressed; that they were able to forget, in social pleasures, the gradual decay of their ancient glory. Rome "smiled in death." England is still great and powerful, but she is no longer Merry England.

Most people have heard of the Floralia, and have learned to deduce the frolics of Maid Marian and her comrades from the Roman observances on that festive occasion. But few are aware of the close similarity which this poem shows to have existed between the customs of the Romans and those of our fathers. In the denunciations of the latter by the acrid Puritans of the 17th century, we might almost imagine that the tirade was expressly levelled against the vigils described in the Pervigilium Veneris. If the poem had ever fallen into the hands of those worthies, it would have afforded them an additional handle for invective against the foul ethnic superstitions which the May-games were denounced as representing. Hear Master Stubbes, in his Anatomie of Abuses, published in 1585:—

Who does not remember Lysander's appointment with Hermia:

These passages point us to the time when man and nature met to rejoice together on May-day: to the time before the days of the workhouse and factory; when the length and breadth of the land rung to the joyaunce and glee of the holiday-rejoicing nation, and the gay sounds careered on fresh breezes even where now the dense atmosphere of Manchester or Ashton glooms over the dens of torture in which withered and debauched children are forced to their labour, and the foul haunts under the shelter of which desperate men hatch plots of rapine and slaughter.

The question regarding the author of the Pervigilium Veneris is still a lis sub judice. Aldus, Erasmus, and Meursius, attributed it to Catullus; but subsequent editors have, with much more probability, contended that its age is considerably later. We may notice a scholastic and philosophical spirit about it, which is ill-suited to the Bard of Verona. Lipsius claimed it for the Augustan age, in consequence of the mention of Cæsar which is introduced. But we think we may safely assume, that the observance of this vigil grew into custom after the time of Ovid, otherwise it is difficult to account for the total absence of all allusion, in his Fasti, to a subject so perfectly adapted to his verse. But we will not enter any further into a discussion which Salmasius and Scaliger could not settle, but shall at once present our readers with the following translation of the Pervigilium Veneris:—