Copperfleld (David), the hero of a novel by Charles Dickens. David is Dickens himself, and Micawber is Dickens's father. According to the tale, David's mother was nursery governess in a family where Mr. Copperfield visited. At the death of Mr. Copperfield, the widow married Edward Murdstone, a hard, tyrannical man, who made the home of David a dread and terror to the boy. When his mother died, Murdstone sent David to lodge with the Micawbers, and bound him apprentice to Messrs. Murdstone and Grinby, by whom he was put into the warehouse, and set to paste labels upon wine and spirit bottles. David soon became tired of this dreary work, and ran away to Dover, where he was kindly received by his [great]-aunt Betsey Trotwood, who clothed him, and sent him as day-boy to Dr. Strong, but placed him to board with Mr. Wickfield, a lawyer, father of Agnes, between whom and David a mutual attachment sprang up. David's first wife was Dora Spenlow, but at the death of this pretty little "child-wife," he married Agnes Wickfield.—C. Dickens, David Copperfield (1849).

Copperheads, members of a faction in the North, during the civil war in the United States. The copperhead is a poisonous serpent, that gives no warning of its approach, and hence is a type of a concealed or secret foe. (The Trigonecephalus contortrix.)

Coppernose (3 syl.). Henry VIII. was so called, because he mixed so much copper with the silver coin that it showed after a little wear in the parts most pronounced, as the nose. Hence the sobriquets "Coppernosed Harry," "Old Copper-nose," etc.

Copple, the hen killed by Reynard, in the beast-epic called Reynard the Fox (1498).

Cora, the gentle, loving wife of Alonzo, and the kind friend of Rolla, general of the Peruvian army.—Sheridan, Pizarro (altered from Kotzebue, 1799).

Cora Munro, the daughter of an English officer and the elder of the sisters whose adventures fill Cooper's Last of the Mohicans. Cora loves Heyward the as yet undeclared lover of Alice, and has, herself, attracted the covetous eye of Magua, an Indian warrior. He contrives to gain possession of her, and drawing his knife, gives her the choice between death and his wigwam.

Co'rah, in Dryden's satire of Absalom and Architophel, is meant for Dr. Titus Oates. As Corah was the political calumniator of Moses and Aaron, so Titus Oates was the political calumniator of the pope and English papists. As Corah was punished by "going down alive into the pit," so Oates was "condemned to imprisonment for life," after being publicly whipped and exposed in the pillory. North describes Titus Oates as a very short man, and says, if his mouth were taken for the centre of a circle, his chin, forehead, and cheekbones would fall in the circumference.

Corbac'cio (Signior), the dupe of Mosca the knavish confederate of Vol'pone (2 syl.). He is an old man, with seeing and hearing faint, and understanding dulled to childishness, yet he wishes to live on, and

Benjamin Johnson [1665-1742] ... seemed to be proud to wear the poet's double name, and was particularly great in all that author's plays that were usually performed, viz "Wasp," in Bartholomew Fair; "Corbaccio;" "Morose," in The Silent Woman; and "Ananias," in The Alchemist.—Chetwood.

C. Dibdin says none who ever saw W. Parsons (1736-1795) in "Corbaccio" could forget his effective mode of exclaiming "Has he made his will? What has he given me!" but Parsons himself says: "Ah! to see 'Corbaccio' acted to perfection, you should have seen Shuter. The public are pleased to think that I act that part well, but his acting was as far superior to mine as Mount Vesuvius is to a rushlight."

Cor'bant, the rook, in the beast-epic of Reynard the Fox (1498). (French, corbeau, "a rook.")

Corce'ca (3 syl.), mother of Abessa. The word means "blindness of heart," or Romanism. Una sought shelter under her hut, but Corceca shut the door against her; whereupon the lion which accompanied Una broke down the door. The "lion" means England, "Corceca" popery, "Una" protestantism, and "breaking down the door" the Reformation.—Spenser, Faëry Queen, i. 3 (1590).

Corday (Marie Anne Charlotte), descendant of the poet Corneille. Born in Normandy 1768. She killed the bloody Marat in the bath and was guillotined for the deed, July, 1793.

Corde'lia, youngest daughter of King Lear. She was disinherited by her royal father, because her protestations of love were less violent than those of her sisters. Cordelia married the king of France, and when her two elder sisters refused to entertain the old king with his suite, she brought an army over to dethrone them. She was, however, taken captive, thrown into prison, and died there.

Corflam'bo, the personification of sensuality, a giant killed by Arthur. Corflambo had a daughter named Paea'na, who married Placidas, and proved a good wife to him.—Spenser, Faëry Queen, iv. 8 (1596).

Coriat (Thomas) died 1617, author of a book called Crudities.

Corey (Bromfield). An amiable Boston aristocrat in W. D. Howells's story, The Rise of Silas Lapham. His father complains of his want of energy and artistic tastes, but allows him "to travel indefinitely." He remains abroad ten years studying art, comes home and paints an amateurish portrait of his father, marries and has a family, but continues a dilettante, never quite abandoning his art, but working at it fitfully. He does nothing especially clever, but never says anything that is not clever, and is as much admired as he is beloved. At heart he is true, however cynical may be his words, and throughout he is the gentleman in grain, and incorruptible (1885).

Corin, "the faithful shepherdess," who, having lost her true love by death, retired from the busy world, remained a virgin for the rest of her life, and was called "The Virgin of the Grove." The shepherd Thenot (final t pronounced) fell in love with her for her "fidelity," and to cure him of his attachment she pretended to love him in return. This broke the charm, and Thenot no longer felt that reverence of love he before entertained. Corin was skilled "in the dark, hidden virtuous use of herbs," and says:

—John Fletcher, The Faithful Shepherdess, i. 1, (1610).

Cor'in, Corin'eus (3 syl.), or Corine'us (4 syl.) "strongest of mortal men," and one of the suite of Brute (the first mythical king of Britain.) (See CORINEUS.)

From Corin came it first? [i.e., the Cornish hug in wrestling].

M. Drayton, Polyolbion, i. (1612).

Corineus (3 syl). Southey throws the accent on the first syllable, and Spenser on the second. One of the suite of Brute. He overthrew the giant Goëm'agot, for which achievement he was rewarded with the whole western horn of England, hence called Corin'ea, and the inhabitants Corin'eans. (See CORIN).

Corineus challenged the giant to wrestle with him. At the beginning of the encounter, Corineus and the giant standing front to front held each other strongly in their arms, and panted aloud for breath; but Goëmagot presently grasped Corineus with all his might, broke three of his ribs, two on his right side and one on his left. At which Corineus, highly enraged, roused up his whole strength, and snatching up the giant, ran with him on his shoulders to the neighboring shore, and getting on to the top of a high rock, hurled the monster into the sea ... The place where he fell is called Lam Goëmagot or Goëmagot's Leap, to this day.—Geoffrey, British History, i. 16 (1142).

When father Brute and Cor'ineus set foot On the white island first.

Southey, Madoc, vi. (1805).

Cori'neus had that province utmost west. To him assigned.

Spenser, Faëry Queen, ii. 10 (1500).

Drayton makes the name a word of four syllables, and throws the accent on the last but one.

Which to their general then great Corine'us had.

Drayton, Polyolbion, i. (1612).

Corinna, a Greek poetess of Boeotia, who gained a victory over Pindar at the public games (fl. B.C. 490).

Tennyson, The Princess, iii.

Corinna, daughter of Gripe, the scrivener. She marries Dick Amlet. Sir John Vanbrugh, The Confederacy (1695).

Corinne' (2 syl.) the heroine and title of a novel by Mde. de Staël. Her lover proved false, and the maiden gradually pined away.

A Corinthian, a rake, a "fast man." Prince Henry says (1 Henry IV. act ii. sc. 4.) "[They] tell me I am no proud Jack, like Falstaff, but a Corinthian, a lad of mettle."

Corinthian Tom, "a fast man," the sporting rake in Pierce Egan's Life in London.

Coriola'nus (Caius Marcius), called Coriolanus from his victory at Cori'oli. His mother was Vetu'ria (not Volumnia), and his wife Volumnia (not Virgilia). Shakespeare has a drama so called. La Harpe has also a drama entitled Coriolan, produced in 1781.—Livy, Annals, ii. 40.

I remember her [Mrs. Siddons] coming down the stage in the triumphal entry of her son Coriolanus, when her dumb-show drew plaudits that shook the house. She came alone, marching and beating time to the music, rolling ... from side to side, swelling with the triumph of her son. Such was the intoxication of joy which flashed from her eye and lit up her whole face, that the effect was irresistible.—C.M. Young.

Corita'ni, the people of Lincolnshire, Nottinghamshire, Derbyshire, Leicestershire, Rutlandshire, and Northamptonshire. Drayton refers to them in his Polyolbion, xvi. (1613).

Cormac I., son of Conar, a Cael, who succeeded his father as "king of Ireland," and reigned many years. In the latter part of his reign the Fir-bolg (or Belgae settled in the south of Ireland), who had been subjugated by Conar, rebelled, and Cormac was reduced to such extremities that he sent to Fingal for aid. Fingal went with a large army, utterly defeated Colculla "lord of Atha," and re-established Cormac in the sole possession of Ireland. For this service Cormac gave Fingal his daughter Roscra'na for wife, and Ossian was their first son. Cormac I. was succeeded by his son Cairbre; Cairbre by his son Artho; Artho by his son Cormac II. (a minor); and Cormac II., (after a short interregnum) by Ferad-Artho.—Ossian.

Cormac II. (a minor), king of Ireland. On his succeeding his father Artho on the throne, Swaran, king of Lochlin [Scandinavia] invaded Ireland, and defeated the army under the command of Cuthullin. Fingal's arrival turned the tide of events, for the next day Swaran was routed and returned to Lochlin. In the third year of his reign Torlath rebelled, but was utterly discomfited at lake Lago by Cuthullin, who, however, was himself mortally wounded by a random arrow during the persuit. Not long after this Cairbre rose in insurrection, murdered the young king, and usurped the government. His success, however, was only of short duration, for having invited Oscar to a feast, he treacherously slew him, and was himself slain at the same time. His brother Cathmor succeeded for a few days, when he also was slain in battle by Fingal, and the Conar dynasty restored. Conar (first king of Ireland, a Caledonian) was succeeded by his son Cormac I; Cormac I. was succeeded by his son Cairbre; Cairbre by his son Artho; Artho by his son Cormac II.; and Cormac II (after a short interregnum) by his cousin Ferad-Artho.—Ossian, Fingal, Dar-Thula and Temora.

Cor'mack (Donald), a Highland robber-chief.—Sir W. Scott, Fair Maid of Perth (time, Henry IV).

Cor'malo, a "chief of ten thousand spears," who lived near the waters of Lano (a Scandinavian lake). He went to Inis-Thona (an island of Scandinavia), to the court of King Annir, and "sought the honor of the spear" (i.e. a tournament). Argon, the eldest son of Annir, tilted with him and overthrew him. This vexed Cormalo greatly, and during a hunting expedition he drew his bow in secret and shot both Argon and his brother Ruro. Their father wondered they did not return, when their dog Runa came bounding into the hall, howling so as to attract attention. Annir followed the hound, and found his sons both dead. In the mean time his daughter was carried off by Cormalo. When Oscar, son of Ossian, heard thereof, he vowed vengeance, went with an army to Lano, encountered Cormalo, and slew him. Then rescuing the daughter, he took her back to Inis-Thona, and delivered her to her father.—Ossian, The War of Inis-Thona.

Cor'moran' (The Giant), a Cornish giant slain by Jack the Giant-killer. This was his first exploit, accomplished when he was a mere boy. Jack dug a deep pit, and so artfully filmed it over atop, that the giant fell into it, whereupon Jack knocked him on the head and killed him.

Cornavii, the inhabitants of Cheshire, Shropshire, Staffordshire, Warwickshire, and Worcestershire. Drayton refers to them in his Polyolbion, xvi. (1613).

Corne'lia, wife of Titus Sempronius Gracchus, and mother of the two tribunes Tiberius and Caius. She was almost idolized by the Romans, who erected a statue in her honor, with this inscription: CORNELIA, MOTHER OF THE GRACCHI.

Tennyson, The Princess, ii.

Cornet, a waiting-woman on Lady Fanciful. She caused great offence because she did not flatter her ladyship. She actually said to her, "Your ladyship looks very ill this morning," which the French waiting-woman contradicted by saying, "My opinion be, matam, dat your latyship never look so well in all your life." Lady Fanciful said to Cornet, "Get out of the room, I can't endure you;" and then turning to Mdlle, she added, "This wench is insufferably ugly.... Oh, by-the-by, Mdlle., you can take these two pair of gloves. The French are certainly well-mannered, and never flatter."—Vanbrugh, The Provoked Wife (1697).

therefore.jpg This is of a piece with the archbishop of Granada and his secretary Gil Blas.

Corney (Mrs.), matron of the workhouse where Oliver Twist was born. She is a well-to-do widow, who marries Bumble, and reduces the pompous beadle to a hen-pecked husband.—C. Dickens, Oliver Twist, xxxvii. (1837).

Cornflower (Henry), a farmer, who "beneath a rough outside, possessed a heart which would have done honor to a prince."

Mrs. Cornflower, (by birth Emma Belton), the farmer's wife abducted by Sir Charles Courtly.—Dibdin, The Farmer's Wife (1789).

Corniole Giovanni delle, i.e. Giovanni of the Cornelians, the cognomen given to an engraver of these stones in the time of Lorenzo di Medici. His most famous work, the Savonarola in the Uffoziel gallery.

Corn-Law Rhymer (The), Ebenezer Elliot (1781-1849).

Cornwall (Barry), an imperfect anagram of Bryan Waller Proctor, author of English Songs (1788-1874).

Corombona (Vittoria), the White Devil, the chief character in a drama by John Webster, entitled The White Devil, or Vittoria Corombona (1612).

Coro'nis, daughter of Phorôneus (3 syl.) king of Pho'cis, metamorphosed by Minerva into a crow. Corporal (The Little). General Bonaparte was so called after the battle of Lodi(1796).

Corrector (Alexander the), Alexander Cruden, author of the Concordance to the Bible, for many years a corrector of the press, in London. He believed himself divinely inspired to correct the morals and manners of the world (1701-1770).

Courrouge' (2 syl.), the sword of Sir Otuel, a presumptuous Saracen, nephew of Farracute (3 syl.). Otuel was in the end converted to Christianity.

Corsair (The), Lord Conrad, afterwards called Lara. Hearing that the Sultan Seyd [Seed] was about to attack the pirates, he assumed the disguise of a dervise and entered the palace, while his crew set fire to the Sultan's fleet. Conrad was apprehended and cast into a dungeon, but being released by Glulnare (queen of the harem), he fled with her to the Pirates' Isle. Here he found that Medo'ra (his heart's darling) had died during his absence, so he left the Island with Gulnare, returned to his native land, headed a rebellion, and was shot.—Byron, The Corsair, continued in Lara (1814).

(This tale is based on the adventures of Lafitte, the notorious buccaneer. Lafitte was pardoned by General Jackson for services rendered to the States in 1815, during the attack of the British on New Orleans).

Cor'sand, a magistrate at the examination of Dirk Hatteraick at Kippletringan.—Sir W. Scott, Guy Mannering (time George II).

Corsican General (The), Napoleon I., who was born in Corsica (1769-1821).

Cor'sina, wife of the corsair who found Fairstar and Chery in the boat as it drifted on the sea. Being made very rich by her foster-children, Corsina brought them up as princes. Comtesse D'Aunoy, Fairy Tales (The Princess Fairstar, 1682).

Corte'jo, a cavaliere servente, who as Byron says in Beppo:

Byron, Don Juan, i. 148 (1819).

Corvi'no (Signior), a Venetian merchant, duped by Mosca into believing that he is Vol'pone's heir.—Ben Jonson, Volpone or the Fox (1605).

Coryate's Crudities, a book of travels by Thomas Coryate, who called himself the "Odcombian Legstretcher." He was the son of the rector of Odcombe (1577—1617).

Corycian Nymphs (The), the Muses, so called from the cave of Corycîa on Lyeorça, one of the two chief summits of Mount Parnassus, in Greece.

Cor'ydon, a common name for a shepherd. It occurs in the Idylls of Theocritos; the Eclogues of Virgil; The Cantata, v., of Hughes, etc.

Cor'ydon, the shepherd who languished for the fair Pastorella (canto 9). Sir Calidore, the successful rival, treated him most courteously, and when he married the fair shepherdess, gave Corydon both flocks and herds to mitigate his disappointment (canto 11).—Spenser, Faëry Queen, vi. (1596).

Cor'ydon, the shoemaker, a citizen.—Sir W. Scott, Count Robert of Paris (time, Rufus).

Coryphaeus of German Literature (The), Goethe.

The Polish poet called upon ... the great Corypheeus of German literature.—W. R. Morfell, Notes and Queries, April 27, 1878.

Coryphe'us (4 syl.), a model man or leader, from the Koruphaios or leader of the chorus in the Greek drama. Aristarchos is called The Corypheus of Grammarians.

Cosette. Illegitimate child of Fantine, a Parisian grisette. She puts the baby into the care of peasants who neglect and maltreat the little creature. She is rescued by the ex-convict Jean Valjean, who nurtures her tenderly and marries her to a respectable man.—Victor Hugo, Les Miserables.

Cosme (St.), patron of surgeons, born in Arabia. He practised medicine in Cilicia with his brother St. Damien, and both suffered martyrdom under Diocletian in 303 or 310. Their fête day is December 27. In the twelfth century there was a medical society called Saint Cosme.

Cos'miel (3 syl.), the genius of the world. He gave to Theodidactus a boat of asbestos, in which he sailed to the sun and planets.—Kircher, Ecstatic Journey to Heaven.

Cosmos, the personification of "the world" as the enemy of man. Phineas Fletcher calls him "the first son to the Dragon red" (the devil). "Mistake," he says, "points all his darts;" or, as the Preacher says, "Vanity, vanity, all is vanity." Fully described in The Purple Island, viii (1633). (Greek, kosmos, "the world.")

Cos'tard, a clown who apes the court wits of Queen Elizabeth's time. He uses the word "honorificabilitudinitatibus," and some of his blunders are very ridiculous, as "ad dunghill, at the fingers' ends, as they say" (act v. I).—Shakespeare, Love's Labour's Lost (1594).

Costigan, Irish Captain in Pendennis, W. M. Thackeray.

Costin (Lord), disguised as a beggar, in The Beggar's Bush, a drama by Beaumont and Fletcher (1622).

Cote Male-tailé (Sir), meaning the "knight with the villainous coat," the nickname given by Sir Key (the seneschal of King Arthur) to Sir Brewnor le Noyre, a young knight who wore his father's, coat with all its sword-cuts, to keep him in remembrance of the vengeance due to his father. His first achievement was to kill a lion that "had broken loose from a tower, and came hurling after the queen." He married a damsel called Maledisaunt (3 syl.), who loved him, but always chided him. After her marriage she was called Beauvinant.—Sir T. Malory, History of Prince Arthur, ii. 42-50 (1470).

Cotter's Saturday Night; Poem in which Burns depicts the household of a Scottish peasant gathering about the hearth on the last evening of the week for supper, social converse and family worship. The picture of the "Saint, the Father and the Husband" is drawn the poet's own father. Cotyt´to, Groddess of the Edõni of Thrace. Her orgies resembled those of the Thracian Cyb´elê (3 syl).

Coulin, a British giant pursued by Debon till he came to a chasm 132 feet across which he leaped; but slipping on the opposite side, he fell backwards into the pit and was killed.

Count of Narbonne, a tragedy by Robert Jephson (1782). His father, Count Raymond, having poisoned Alphonso, forged a will barring Godfrey's right, and naming Raymond as successor. Theodore fell in love with Adelaide, the count's daughter, but was reduced to this dilemma: if he married Adelaide he could not challenge the count and obtain the possessions he had a right to as grandson of Alphonso; if, on the other hand, he obtained his rights and killed the count in combat, he could not expect that Adelaide would marry him. At the end the count killed Adelaide, and then himself. This drama is copied from Walpole's Castle of Otranto.

Count Robert of Paris, a novel by Sir W. Scott, after the wreck of his fortune and repeated strokes of paralysis (1831). The critic can afford to be indulgent, and those who read this story must remember that the sun of the great wizard was hastening to its set. The time of the novel is the reign of Rufus. Country (Father of his). Cicero was so called by the Roman senate (B.C. 106-43). Julius Cæsar was so called after quelling the insurrection in Spain (B.C. 100-43). Augustus Cæsar was called Pater atque Princeps (B.C. 63, 31-14). Cosmo de Med´ici (1389-1464). Washington, defender and paternal counsellor of the American States (1732-1799). Andrea Dorea is so called on the base of his statue in Gen´oa (1468-1560). Andronlcus Palaeol´ogus II. assumed the title (1260-1332). (See 1 Chron. iv. 14).

Country Girl (The), a comedy by Garrick, altered from Wycherly. The "country girl" is Peggy Thrift, the orphan daughter of Sir Thomas Thrift, and ward of Moody, who brings her up in the country in perfect seclusion. When Moody is 50 and Peggy is 19, he wants to marry her, but she outwits him and marries Bellville, a young man of suitable age and position.

Country Wife (The), a comedy by William Wycherly (1675).

Coupee, the dancing-master, who says "if it were not for dancing-masters, men might as well walk on their heads as heels." He courts Lucy by promising to teach her dancing.—Fielding, The Virgin Unmasked.

Cour´tain, one of the swords of Ogier the Dane, made by Munifican. His other sword was Sauvagine.

Courtall, a fop and consummate libertine, for ever boasting of his love-conquests over ladies of the haut monde. He tries to corrupt Lady Frances Touchwood, but is foiled by Saville.—Mrs. Cowley, The Belle's Stratagem (1780).

Courtly (Sir Charles), a young libertine, who abducted the beautiful wife of Farmer Cornflower.—Dibdin, The Farmer's Wife (1780).

Cousin Copeland, a little old bachelor, courtly and quaint, who lives in "Old Gardiston," the home of his ancestors "befo' de wah." He has but one suit of clothes, so he dresses for dinner by donning a ruffled shirt and a flower in his buttonhole. His work is among "documents," his life in the past; without murmur at poverty or change he keeps up the even routine of life until one evening, trying to elevate his gentle little voice as he reads to his niece, so as to be heard above the rain and wind, it fails.

Cousin Michel or MICHAEL, the nickname of a German, as John Bull is of an Englishman, Brother Jonathan of an American, Colin Tampon a Swiss, John Chinaman a Chinese, etc.

Couvade´ (2 syl.), a man who takes the place of his wife when she is in child-bed. In these cases the man lies a-bed, and the woman does the household duties. The people called "Gold Tooth," in the confines of Burmah, are couvades. M. Francisque Michel tells us the custom still exists in Biscay; and Colonel Yule assures us that it is common in Yunnan and among the Miris in Upper Assam. Mr.

Tylor has observed the same custom among the Caribs of the West Indies, the Abipones of Central South America, the aborigines of California, in Guiana, in West Africa, and in the Indian Archipelago. Diodorus speaks of it as existing at one time in Corsica; Strabo says the custom prevailed in the north of Spain; and Apollonius Rhodius that the Tabarenes on the Euxine Sea observed the same:

Cov´erley (Sir Roger de), a member of an hypothetical club, noted for his modesty, generosity, hospitality, and eccentric whims; most courteous to his neighbors, most affectionate to his family, most amiable to his domestics. Sir Roger, who figures in thirty papers of the Spectator, is the very beau-ideal of an amiable country gentleman of Queen Anne's time.