Cæsar (Caius Julius).
Longfellow refers to Pliny, vii. 25, where he says that Cæsar "could employ, at one and the same time, his ears to listen, his eyes to read, his hand to write, and his tongue to dictate." He is said to have conquered three hundred nations; to have taken eight hundred cities, to have slain in battle a million men, and to have defeated three millions. (See below, CÆSAR'S WARS.)
Cæsar and his Fortune. Plutarch says that Cæsar told the captain of the vessel in which he sailed that no harm could come to his ship, for that he had "Cæsar and his fortune with him."
Cæsar saves his Commentaries. Once, when Julius Cæsar was in danger of being upset into the sea by the overloading of a boat, he swam to the nearest ship, with his book of Commentaries in his hand.—Suetonius.
Cæsar's Death. Both Chaucer and Shakespeare say that Julius Cæsar was killed in the capitol. Thus Polonius says to Hamlet, "I did enact Julius Cæsar; I was killed i' the capitol" (Hamlet, act iii. sc. 2). And Chaucer says:
Canterbury Tales ("The Monk's Tale," 1388).
Plutarch expressly tells us he was killed in Pompey's Porch or Piazza; and in Julius Cæsar Shakespeare says he fell "e'en at the base of Pompey's statue" (act iii. sc. 2).
Cæsar's Famous Despatch, "Veni, vidi, vici," written to the senate to announce his overthrow of Pharnacês king of Pontus. This "hop, skip, and a jump" was, however, the work of three days.
Cæsar's Wars. The carnage occasioned by the wars of Cæsar is usually estimated at a million fighting men. He won 320 triumphs, and fought 500 battles. See above, CÆSAR (Caius Julius).
Campbell. The Pleasures of Hope, ii. (1799).
Cæsar, the Mephistoph'elês of Byron's unfinished drama called The Deformed Transformed. This Cæsar changes Arnold (the hunchback) into the form of Achilles, and assumes himself the deformity and ugliness which Arnold casts off. The drama being incomplete, all that can be said is that Cæsar, in cynicism, effrontery, and snarling bitterness of spirit, is the exact counterpart of his prototype, Mephistophelês (1821).
Cæsar (Don), an old man of sixty-three, the father of Olivia. In order to induce his daughter to marry, he makes love to Marcella, a girl of sixteen.—Mrs. Cowley, A Bold Stroke for a Husband (1782).
Cael, a Highlander of the western coast of Scotland. These Cael had colonized, in very remote times, the northern parts of Ireland, as the Fir-bolg or Belgae of Britain had colonized the southern parts. The two colonies had each a separate king. When Crothar was king of the Fir-bolg (or "lord of Atha"), he carried off Conla'ma, daughter of the king of Ulster (i.e. "chief of the Cael"), and a general war ensued between the two races. The Cael, being reduced to the last extremity, sent to Trathal (Fingal's grandfather) for help, and Trathal sent over Con'ar, who was chosen "king of the Cael" immediately he landed in Ulster; and having reduced the Fir-bolg to submission, he assumed the title of "king of Ireland." The Fir-bolg, though conquered, often rose in rebellion, and made many efforts to expel the race of Conar, but never succeeded in so doing.—Ossian.
Cages for Men. Alexander the Great had the philosopher Callisthenês chained for seven months in an iron cage, for refusing to pay him divine honors.
Catherine II. of Eussia kept her perruquier for more than three years in an iron cage in her bed-chamber, to prevent his telling people that she wore a wig.—Mons. de Masson, Mémoires Secrets sur la Russie.
Edward I. confined the countess of Buchan in an iron cage, for placing the crown of Scotland on the head of Bruce. This cage was erected on one of the towers of Berwick Castle, where the countess was exposed to the rigor of the elements and the gaze of passers-by. One of the sisters of Bruce was similarly dealt with.
Louis XI. confined cardinal Balue (grand-almoner of France) for ten years in an iron cage in the castle of Loches [Losh].
Tamerlane enclosed the sultan Bajazet in an iron cage, and made of him a public show. So says D'Herbelot.
Caglios´tro (Count de), the assumed name of Joseph Balsamo (1743-1795).
Cain and Abel are called in the Korân "Kâbil and Hâbil." The tradition is that Cain was commanded to marry Abel's sister, and Abel to marry Cain's, but Cain demurred because his own sister was the more beautiful, and so the matter was referred to God, and God answered "No" by rejecting Cain's sacrifice.
The Mohammedans also say that Cain carried about with him the dead body of Abel till he saw a raven scratch a hole in the ground to bury a dead bird. The hint was taken, and Abel was buried under ground.—Sale's Koran, v. (notes).
Cair´bar, son of Borbar-Duthul, "lord of Atha" (Connaught), the most potent of the race of the Fir-bolg. He rose in rebellion against Cormac "king of Ireland," murdered him (Temora, i.), and usurped the throne; but Fingal (who was distantly related to Cormac) went to Ireland with an army, to restore the ancient dynasty. Cairbar invited Oscar (Fingal's grandson) to a feast, and Oscar accepted the invitation, but Cairbar having provoked a quarrel with his guest, the two fought, and both were slain.
Cair´bre (2 syl.), sometimes called Cair´bar, third king of Ireland, of the Caledonian line. (There was also a Cairbar, "lord of Atha," a Fir-bolg, quite a different person.)
The Caledonian line ran thus: (1) Conar, first "king of Ireland;" (2) Cormac I., his son; (3) Cairbre, his son; (4) Artho, his son; (5) Cormac II., his son; (6) Ferad-Artho, his cousin.—Ossian.
Cai´us (2 syl.), the assumed name of the earl of Kent when he attended on king Lear, after Goneril and Re´gan refused to entertain their aged father with his suite.—Shakespeare, King Lear (1605).
Cai´us (Dr.), a French physician, whose servants are Rugby and Mrs. Quickly.— Shakespeare, Merry Wives of Windsor (1601).
Calandri´no, a character in the Decameron, whose "misfortunes have made all Europe merry for four centuries."—Boccaccio, Decameron, viii. 9 (1350).
Calan´tha, princess of Sparta, loved by Ith´oclês. Ithoclês induces his sister, Penthe´a, to break the matter to the princess. This she does; the princess is won to requite his love, and the king consents to the union. During a grand court ceremony Calantha is informed of the sudden death of her father, another announces to her that Penthea had starved herself to death from hatred to Bass´anês, and a third follows to tell her that Ithoclês, her betrothed husband, has been murdered. Calantha bates no jot of the ceremony, but continues the dance even to the bitter end. The coronation ensues, but scarcely is the ceremony over than she can support the strain no longer, and, broken-hearted, she falls dead.—John Ford, The Broken Heart (1633).
Calan'the (3 syl.), the betrothed wife of Pyth'ias the Syracusian.—J. Banim, Damon and Pythias (1825).
Cal'culator (The). Alfragan the Arabian astronomer was so called (died A.D. 820). Jedediah Buxton, of Elmeton, in Derbyshire, was also called "The Calculator" (1705-1775). George Bidder, Zerah Colburn, and a girl named Heywood (whose father was a Mile End weaver) all exhibited their calculating powers in public.
Pascal, in 1642, made a calculating machine, which was improved by Leibnitz. C. Babbage also invented a calculating machine (1790-1871).
Cal'deron (Don Pedro), a Spanish poet born at Madrid (1600-1681). At the age of fifty-two he became an ecclesiastic, and composed religious poetry only. Altogether he wrote about 1000 dramatic pieces.
therefore.jpg"Lope," that is Lopê de Vega, the Spanish poet (1562-1635).
Caleb, the enchantress who carried off St. George in infancy.
Ca'leb, in Dryden's satire of Absalom and Achitophel, is meant for lord Grey of Wark, in Northumberland, an adherent of the duke of Monmouth.
therefore.jpg"Balaam" is the earl of Huntingdon.
Ca'led, commander-in-chief of the Arabs in the siege of Damascus. He is brave, fierce, and revengeful. War is his delight. When Pho'cyas, the Syrian, deserts Eu'menês, Caled asks him to point out the governor's tent; he refuses; they fight, and Caled falls.—John Hughes, Siege of Damascus (1720).
Caledo´nians, Gauls from France who colonized south Britain, whence they journeyed to Inverness and Ross. The word is compounded of two Celtic words, Cael ("Gaul" or "Celt") and don or dun ("a hill"), so that Cael-don means "Celts of the highlands."
Ca´lenders, a class of Mohammedans who abandoned father and mother, wife and children, relations and possessions, to wander through the world as religious devotees, living on the bounty of those whom they made their dupes.—D'Herbelot, Supplement, 204.
The Three Calenders, three royal princes, disguised as begging dervishes, each of whom had lost his right eye. Their adventures form three tales in the Arabian Nights' Entertainments.
Tale of the First Calender. No names are given. This calender was the son of a king, and nephew of another king. While on a visit to his uncle his father died, and the vizier usurped the throne. When the prince returned, he was seized, and the usurper pulled out his right eye. The uncle died, and the usurping vizier made himself master of this kingdom also. So the hapless young prince assumed the garb of a calender, wandered to Baghdad, and being received into the house of "the three sisters," told his tale in the hearing of the caliph Haroun-al-Raschid.—The Arabian Nights.
Tale of the Second Calender. No names given. This calender, like the first, was the son of a king. On his way to India he was attacked by robbers, and though he contrived to escape, he lost all his effects. In his flight he came to a large city, where he encountered a tailor, who gave him food and lodging. In order to earn a living, he turned woodman for the nonce, and accidentally discovered an underground palace, in which lived a beautiful lady, confined there by an evil genius. With a view of liberating her, he kicked down the talisman, when the genius appeared, killed the lady, and turned the prince into an ape. As an ape he was taken on board ship, and transported to a large commercial city, where his penmanship recommended him to the sultan, who made him his vizier. The sultan's daughter undertook to disenchant him and restore him to his proper form; but to accomplish this she had to fight with the malignant genius. She succeeded in killing the genius, and restoring the enchanted prince; but received such severe injuries in the struggle that she died, and a spark of fire which flew into the right eye of the prince destroyed it. The sultan was so heart-broken at the death of his only child, that he insisted on the prince quitting the kingdom without delay. So he assumed the garb of a calender, and being received into the hospitable house of "the three sisters," told his tale in the hearing of the caliph Haroun-al-Raschid.—The Arabian Nights.
Tale of the Third Calender. This tale is given under the word AGIB.
Calepine (Sir), the knight attached to Sere´na (canto 3). Seeing a bear carrying off a child, he attacked it, and squeezed it to death, then committed the babe to the care of Matilde, wife of sir Bruin. As Matilde had no child of her own, she adopted it (canto 4).—Spenser, Faëry Queen, vi. (1596).
therefore.jpgUpton says, "the child" in this incident is meant for M'Mahon, of Ireland, and that "Mac Mahon" means the "son of a bear." He furthermore says that the M'Mahons were descended from the Fitz-Ursulas, a noble English family.
Ca´les (2 syl.). So gipsies call themselves.
Calf-skin. Fools and jesters used to wear a calf-skin coat buttoned down the back, and hence Faulconbridge says insolently to the arch-duke of Austria, who had acted very basely towards Richard Lion-heart:
Cal´ianax, a humorous old lord, father of Aspatia, the troth-plight wife of Amin´tor. It is the death of Aspatia which gives name to the drama.—Beaumont and Fletcher, The Maid's Tragedy (1610).
Caliban, a savage, deformed slave of Prospero (the rightful duke of Milan and father of Miranda). Caliban is the "freckled whelp" of the witch Syc´orax. Mrs. Shelley's "Frankenstein" is a sort of Caliban.—Shakespeare, The Tempest (1609).
Cal´iburn, same as Excalibur, the famous sword of king Arthur.
Cal´idore (Sir), the type of courtesy, and the hero of the sixth book of Spenser's Faëry Queen. The model of this character was sir Philip Sidney. Sir Calidore (3 syl.) starts in quest of the Blatant Beast, which had escaped from sir Artegal (bk. v. 12). He first compels the lady Bria´na to discontinue her discourteous toll of "the locks of ladies and the beards of knights" (canto 1). Sir Calidore falls in love with Pastorella, a shepherdess, dresses like a shepherd, and assists his lady-love in keeping sheep. Pastorella being taken captive by brigands, sir Calidore rescues her, and leaves her at Belgard Castle to be taken care of, while he goes in quest of the Blatant Beast. He finds the monster after a time, by the havoc it had made with religious houses, and after an obstinate fight succeeds in muzzling it, and dragging it in chains after him, but it got loose again, as it did before (canto 12).—Spenser, Faëry Queen, vi. (1596).
therefore.jpg "Pastorella" is Frances Walsingham (daughter of sir Francis), whom sir Philip Sidney married. After the death of sir Philip she married the earl of Essex. The "Blatant Beast" is what we now call "Mrs. Grundy."
Calig´orant, an Egyptian giant and cannibal, who used to entrap travellers with an invisible net. It was the very same net that Vulcan made to catch Mars and Venus with. Mercury stole it for the purpose of entrapping Chloris, and left it in the temple of Anu´bis, whence it was stolen by Caligorant. One day Astolpho, by a blast of his magic horn, so frightened the giant that he got entangled in his own net, and being made captive was despoiled of it.—Ariosto, Orlando Furioso (1516).
Cali´no, a famous French utterer of bulls.
Calip´olis, in The Battle of Alcazar, a drama by George Peele (1582). Pistol says to Mistress Quickly:
Cal´is (The princess), sister of As´torax, king of Paphos, in love with Polydore, brother of general Memnon, but loved greatly by Siphax.—Beaumont and Fletcher, The Mad Lover (1617).
Calis´ta, the fierce and haughty daughter of Sciol´to (3 syl.), a proud Genoese nobleman. She yielded to the seduction of Lotha´rio, but engaged to marry Al´tamont, a young lord who loved her dearly. On the wedding-day a letter was picked up which proved her guilt, and she was subsequently seen by Altamont conversing with Lothario. A duel ensued, in which Lothario fell; in a street row Sciolto received his death-wound, and Calista stabbed herself. The character of "Calista" was one of the parts of Mrs. Siddons, and also of Miss Brunton.—N. Rowe, The Fair Penitent (1703).
Richardson has given a purity and sanctity to the sorrows of his "Clarissa" which leave "Calista" immeasurably behind.—R. Chambers, English Literature, i. 590.
Twelve years after Norris's death, Mrs. Barry was acting the character of "Calista." In the last act, where "Calista" lays her hand upon a skull, she [Mrs. Barry] was suddenly seized with a shuddering, and fainted. Next day she asked whence the skull had been obtained, and was told it was "the skull of Mr. Norris, an actor." This Norris was her former husband, and so great was the shock that she died within six weeks.—Oxberry.
Calis'to and Ar'cas. Calisto, an Arcadian nymph, was changed into a she-bear. Her son Arcas, supposing the bear to be an ordinary beast, was about to shoot it, when Jupiter metamorphosed him into a he-bear. Both were taken to heaven by Jupiter, and became the constellations Ursa Minor and Ursa Major.
Call'aghan O'Brall'aghan (Sir), "a wild Irish soldier in the Prussian army. His military humor makes one fancy he was not only born in a siege, but that Bellona had been his nurse, Mars his schoolmaster, and the Furies his playfellows" (act i. 1). He is the successful suitor of Charlotte Goodchild.—C. Macklin, Love à la mode (1779).
Callet, a fille publique. Brantôme says a calle or calotte is "a cap," hence the phrase, Plattes comme des calles. Ben Jonson, in his Magnetick Lady, speaks of "wearing the callet, the politic hood."
Des filles du peuple et de la campagne s'appellant çalles, à cause de la "cale" qui leur servait de coiffure.—Francisque Michel.
En sa tête avoit un gros bonnet blanc, qui l'on appelle une calle, et nous autres appelons calotte, ou bonnette blanche de lagne, nouée ou bridée par dessous le menton.—Brantôme, Vies des Dames Illustres.
Shakespeare, Othello, act iv. sc. 2 (1611).
Callim'achus (The Italian), Filippo Buonaccorsi (1437-1496).
Callir'rhoe (4 syl.), the lady-love of Chae'reas, in a Greek romance entitled The Loves of Choreas and Callirrhoê, by Char'iton (eighth century).
Callis'thenes (4 syl.), a philosopher who accompanied Alexander the Great on his Oriental expedition. He refused to pay Alexander divine honors, for which he was accused of treason, and being mutilated, was chained in a cage for seven months like a wild beast. Lysimachus put an end to his tortures by poison.
Cal'mar, son of Matha, lord of Lara (in Connaught). He is represented as presumptuous, rash, and overbearing, but gallant and generous. The very opposite of the temperate Connal, who advises caution and forethought. Calmar hurries Cuthullin into action, which ends in defeat. Connal comforts the general in his distress.—Ossian, Fingal, i.
Cal'thon, brother of Col'mar, sons of Rathmor chief of Clutha (the Clyde). The father was murdered in his halls by Dunthalmo lord of Teutha (the Tweed), and the two boys were brought up by the murderer in his own house, and accompanied him in his wars. As they grew in years Dunthalmo fancied he perceived in their looks a something which excited his suspicions, so he shut them up in two separate dark caves on the banks of the Tweed. Colmal, daughter of Dunthalmo, dressed as a young warrior, liberated Calthon, and fled with him to Morven, to crave aid in behalf of the captive Colmar. Accordingly, Fingal sent his son Ossian with 300 men to effect his liberation. When Dunthalmo heard of the approach of this army, he put Colmar to death. Calthon, mourning for his brother, was captured, and bound to an oak; but at daybreak Ossian slew Dunthalmo, cut the thongs of Calthon, gave him to Colmal, and they lived happily in the halls of Teutha.—Ossian, Calthon and Colmal.
Cal´ydon (Prince of), Melea´ger, famed for killing the Calydonian boar.—Apollod. i. 8. (See MELEAGER.)
Cal´ydon, a town of Aeto´lia, founded by Calydon. In Arthurian romance Calydon is a forest in the north of our island. Probably it is what Richard of Cirencester calls the "Caledonian Wood," westward of the Varar or Murray Frith.
Calydo´nian Hunt. Artemis, to punish Oeneus [E´.nuce] king of Cal´ydon, in Aeto´lia, for neglect, sent a monster boar to ravage his vineyards. His son Melea´ger collected together a large company to hunt it. The boar being killed, a dispute arose respecting the head, and this led to a war between the Curetês and Calydo´nians.
A similar tale is told of Theseus (2 syl.), who vanquished and killed the gigantic sow which ravaged the territory of Krommyon, near Corinth. (See KROMMYONIAN SOW.)
Calyp´so, in Télémaque, a prose-epic by Fénélon, is meant for Mde. de Montespan. In mythology she was queen of the island Ogyg´ia, on which Ulyssês was wrecked, and where he was detained for seven years.
She essayed after his departure to bring his son Telemachus under her spell. The lad, seeking the world through for his father, was preserved from the arts of the temptress by Mentor—Minerva in disguise.
Calypso's Isle, Ogygia, a mythical island "in the navel of the sea." Some consider it to be Gozo, near Malta. Ogygia (not the island) is Boeo´tia, in Greece.
Cama´cho, "richest of men," makes grand preparations for his wedding with Quite´ria, "fairest of women," but as the bridal party are on their way, Basil´ius cheats him of his bride, by pretending to kill himself. As it is supposed that Basilius is dying, Quiteria is married to him as a mere matter of form, to soothe his last moments; but when the service is over, up jumps Basilius, and shows that his "mortal wounds" are a mere pretense.—Cervantes, an episode in Don Quixote, II. ii. 4 (1615).
Caman´ches (3 syl.), or COMAN´CHES, an Indian tribe of Texas (United States).
Camaral´zaman, prince of "the Island of the Children of Khal´edan, situate in the open sea, some twenty days' sail from the coast of Persia." He was the only child of Schah´zaman and Fatima, king and queen of the island. He was very averse to marriage; but one night, by fairy influence, being shown Badou´ra, only child of the king of China, he fell in love with her and exchanged rings. Next day both inquired what had become of the other, and the question was deemed so ridiculous that each was thought to be mad. At length Marzavan (foster-brother of the princess) solved the mystery. He induced the prince Camaralzaman to go to China, where he was recognized by the princess and married her. (The name means "the moon of the period.")—Arabian Nights ("Camaralzaman and Badoura").
Cam´ballo, the second son of Cambuscan´ king of Tartary, brother of Al´garsife (3 syl.) and Can´acê (3 syl.). He fought with two knights who asked the lady Canacê to wife, the terms being that none should have her till he had succeeded in worsting Camballo in combat. Chaucer does not give us the sequel of this tale, but Spenser says that three brothers, named Priamond, Diamond, and Triamond were suitors, and that Triamond won her. The mother of these three (all born at one birth) was Ag´apê, who dwelt in Faëry-land (bk. iv. 2).
Spenser makes Cambi´na (daughter of Agapê) the lady-love of Camballo. Camballo is also called Camballus and Cambel.
Camballo's Ring, given him by his sister Canacê, "had power to stanch all wounds that mortally did bleed."
Cambel, called by Chaucer Cam´ballo, brother of Can´acê (3 syl.). He challenged Every suitor to his sister's hand, and overthrew them all except Tri´amond. The match between Cambel and Triamond was so evenly balanced, that both would have been killed had not Cambi´na interfered. (See next art.)—Spenser, Faëry Queen, iv. 3 (1596).
Cambi´na, daughter of the fairy Ag´apê (3 syl.). She had been trained in magic by her mother, and when Cam´ballo, son of Cambuscan´, had slain two of her brothers and was engaged in deadly combat with the third (named Tri´amond), she appeared in the lists in her chariot drawn by two lions, and brought with her a cup of nepenthe, which had the power of converting hate to love, of producing oblivion of sorrow, and of inspiring the mind with celestial joy. Cambina touched the combatants with her wand and paralyzed them, then giving them the cup to drink, dissolved their animosity, assuaged their pains, and filled them with gladness. The end was that Camballo made Cambina his wife, and Triamond married Can´acê.—Spenser, Faëry Queen, iv. 3 (1596).
Cambuscan´, king of Sarra, in the land of Tartary; the model of all royal virtues.
Milton, in the Penseroso, alludes to the fact that the Squire's Tale was not finished:
Camby´ses (3 syl.), a pompous, ranting character in Preston's tragedy of that name.