’Tis of a wild Colonial boy, Jack Doolan was his name,
Of poor but honest parents he was born in Castlemaine.
He was his father’s only hope, his mother’s only joy,
And dearly did his parents love the wild Colonial boy.
Chorus
Come, all my hearties, we’ll roam the mountains high,
Together we will plunder, together we will die.
We’ll wander over valleys, and gallop over plains,
And we’ll scorn to live in slavery, bound down with iron
chains.
He was scarcely sixteen years of age when he left his father’s
home,
And through Australia’s sunny clime a bushranger did roam.
He robbed those wealthy squatters, their stock he did
destroy,
And a terror to Australia was the wild Colonial boy.
Chorus: Come, all my hearties, &c.
In sixty-one this daring youth commenced his wild career,
With a heart that knew no danger, no foeman did he fear.
He stuck up the Beechworth mail coach, and robbed Judge
MacEvoy,
Who trembled, and gave up his gold to the wild Colonial boy.
Chorus: Come, all my hearties, &c.
He bade the Judge “Good morning,” and told him to beware,
That he’d never rob a hearty chap that acted on the square,
And never to rob a mother of her son and only joy,
Or else you may turn outlaw, like the wild Colonial boy.
Chorus: Come, all my hearties, &c.
One day as he was riding the mountain side along,
A-listening to the little birds, their pleasant laughing song,
Three mounted troopers rode along—Kelly, Davis, and
FitzRoy.
They thought that they would capture him—the wild
Colonial boy.
Chorus: Come, all my hearties, &c.
“Surrender now, Jack Doolan, you see there’s three to one.
Surrender now, Jack Doolan, you daring highwayman.”
He drew a pistol from his belt, and shook the little toy.
“I’ll fight, but not surrender,” said the wild Colonial boy.
Chorus: Come, all my hearties, &c.
He fired at Trooper Kelly, and brought him to the ground,
And in return from Davis received a mortal wound.
All shattered through the jaws he lay still firing at FitzRoy,
And that’s the way they captured him—the wild Colonial
boy.
Chorus: Come, all my hearties, &c.
It will be noticed that the same chorus is sung to both
“The Wild Colonial Boy” and “Bold Jack Donahoo.”
Several versions of both songs were sent in, but the same
chorus was always made to do duty for both songs.
JOHN GILBERT (BUSHRANGER)
[He and his gang stuck up the township of Canowindra for
two days in 1859.]
(Air: “Four and twenty blackbirds baked in a pie.”)
John Gilbert was a bushranger of terrible renown,
For sticking lots of people up and shooting others down.
John Gilbert said unto his pals, “Although they make a
bobbery
About our tricks we have never done a tip-top thing in
robbery.
“We have all of us a fancy for experiments in pillage,
Yet never have we seized a town, or even sacked a village.”
John Gilbert said unto his mates—“Though partners we
have been
In all rascality, yet we no festal day have seen.”
John Gilbert said he thought he saw no obstacle to hinder a
Piratical descent upon the town of Canowindra.
So into Canowindra town rode Gilbert and his men,
And all the Canowindra folk subsided there and then.
The Canowindra populace cried, “Here’s a lot of strangers!!!”
But immediately recovered when they found they were
bushrangers.
And Johnny Gilbert said to them, “You need not be afraid.
We are only old companions whom bushrangers you have made.”
And Johnny Gilbert said, said he, “We’ll never hurt a hair
Of men who bravely recognise that we are just all there.”
The New South Welshmen said at once, not making any
fuss,
That Johnny Gilbert, after all, was “Just but one of us.”
So Johnny Gilbert took the town (including public houses),
And treated all the “cockatoos” and shouted for their
spouses.
And Miss O’Flanagan performed in manner quite gintailly
Upon the grand planner for the bushranger O’Meally.
And every stranger passing by they took, and when they got
him
They robbed him of his money and occasionally shot him.
And Johnny’s enigmatic feat admits of this solution,
That bushranging in New South Wales is a favoured
institution.
So Johnny Gilbert ne’er allows an anxious thought to fetch
him,
For well he knows the Government don’t really want to
ketch him.
And if such practices should be to New South Welshmen dear,
With not the least demurring word ought we to interfere.
IMMIGRATION
[Mr. Jordan was sent to England by the Queensland
Government in 1858, 1859, and 1860 to lecture on the advantages
of immigration, and told the most extraordinary tales
about the place.]
(Air: “Four and twenty blackbirds baked in a pie.”)
Now Jordan’s land of promise is the burden of my song.
Perhaps you’ve heard him lecture, and blow about it strong;
To hear him talk you’d think it was a heaven upon earth,
But listen and I’ll tell you now the plain unvarnished truth.
Here mutton, beef, and damper are all you’ll get to eat,
From Monday morn till Sunday night, all through the
blessed week.
And should the flour bag run short, then mutton, beef, and
tea
Will be your lot, and whether or not, ’twill have to do,
you’ll see.
Here snakes and all vile reptiles crawl around you as you
walk,
But these you never hear about in Mr. Jordan’s talk;
Mosquitoes, too, and sandflies, they will tease you all the
night,
And until you get quite colonised you’ll be a pretty sight.
Here are boundless plains where it seldom rains, and you’ll
maybe die of thirst;
But should you so dispose your bones, you’ll scarcely be the
first,
For there’s many a strong and stalwart man come out to
make his pile,
Who never leaves the fatal shore of this thrice accursed isle.
To sum it up in few short words, the place is only fit
For those who were sent out here, for from this they cannot
flit.
But any other men who come a living here to try,
Will vegetate a little while and then lie down and die.
THE SQUATTER’S MAN
Come, all ye lads an’ list to me,
That’s left your homes an’ crossed the sea,
To try your fortune, bound or free,
All in this golden land.
For twelve long months I had to pace,
Humping my swag with a cadging face,
Sleeping in the bush, like the sable race,
As in my song you’ll understand.
Unto this country I did come,
A regular out-and-out new chum.
I then abhorred the sight of rum—
Teetotal was my plan.
But soon I learned to wet one eye—
Misfortune oft-times made me sigh.
To raise fresh funds I was forced to fly,
And be a squatter’s man.
Soon at a station I appeared.
I saw the squatter with his beard,
And up to him I boldly steered,
With my swag and billy-can.
I said, “Kind sir, I want a job!”
Said he, “Do you know how to snob
Or can you break in a bucking cob?”
Whilst my figure he well did scan.
“’Tis now I want a useful cove
To stop at home and not to rove.
The scamps go about—a regular drove—
I ’spose you’re one of the clan?
But I’ll give ten—ten, sugar an’ tea;
Ten bob a week, if you’ll suit me,
And very soon I hope you’ll be
A handy squatter’s man.
“At daylight you must milk the cows,
Make butter, cheese, an’ feed the sows,
Put on the kettle, the cook arouse,
And clean the family shoes.
The stable an’ sheep yard clean out,
And always answer when we shout,
With ‘Yes, ma’am,’ and ‘No, sir,’ mind your
mouth;
And my youngsters don’t abuse.
“You must fetch wood an’ water, bake an’ boil,
Act as butcher when we kill;
The corn an’ taters you must hill,
Keep the garden spick and span.
You must not scruple in the rain
To take to market all the grain.
Be sure you come sober back again
To be a squatter’s man.”
He sent me to an old bark hut,
Inhabited by a greyhound slut,
Who put her fangs through my poor fut,
And, snarling, off she ran.
So once more I’m looking for a job,
Without a copper in my fob.
With Ben Hall or Gardiner I’d rather rob,
Than be a squatter’s man.
“Do you know how to snob?”—A snob in English slang is
a bootmaker, so the squatter wanted his man to do a bit of
boot-repairing.
“I’ll give ten, ten, sugar and tea.”—The “ten, ten” refers
to the amount—ten pounds weight—of flour and meat that
made up the weekly ration on the stations.
THE STRINGY-BARK COCKATOO
I’m a broken-hearted miner, who loves his cup to drain,
Which often times has caused me to lie in frost and rain.
Roaming about the country, looking for some work to do,
I got a job of reaping off a stringy-bark cockatoo.
Chorus
Oh, the stringy-bark cockatoo,
Oh, the stringy-bark cockatoo,
I got a job of reaping off a stringy-bark cockatoo.
Ten bob an acre was his price—with promise of fairish
board.
He said his crops were very light, ’twas all he could afford.
He drove me out in a bullock dray, and his piggery met my
view.
Oh, the pigs and geese were in the wheat of the stringy-bark
cockatoo.
Chorus: Oh, the stringy-bark, &c.
The hut was made of the surface mud, the roof of a reedy
thatch.
The doors and windows open flew without a bolt or latch.
The pigs and geese were in the hut, the hen on the table
flew,
And she laid an egg in the old tin plate for the stringy-bark
cockatoo.
Chorus: Oh, the stringy-bark, &c.
For breakfast we had pollard, boys, it tasted like cobbler’s
paste.
To help it down we had to eat brown bread with vinegar
taste.
The tea was made of the native hops, which out on the
ranges grew;
’Twas sweetened with honey bees and wax for the stringy-bark
cockatoo.
Chorus: Oh, the stringy-bark, &c.
For dinner we had goanna hash, we thought it mighty
hard;
They wouldn’t give us butter, so we forced down bread and
lard.
Quondong duff, paddy-melon pie, and wallaby Irish stew
We used to eat while reaping for the stringy-bark cockatoo.
Chorus: Oh, the stringy-bark, &c.
When we started to cut the rust and smut was just beginning
to shed,
And all we had to sleep on was a dog and sheep-skin bed.
The bugs and fleas tormented me, they made me scratch and
screw;
I lost my rest while reaping for the stringy-bark cockatoo.
Chorus: Oh, the stringy-bark, &c.
At night when work was over I’d nurse the youngest child,
And when I’d say a joking word, the mother would laugh and
smile.
The old cocky, he grew jealous, and he thumped me black
and blue,
And he drove me off without a rap—the stringy-bark
cockatoo.
Chorus: Oh, the stringy-bark, &c.
[For note on this song, see Introduction.]
THE EUMERELLA SHORE
There’s a happy little valley on the Eumerella shore,
Where I’ve lingered many happy hours away,
On my little free selection I have acres by the score,
Where I unyoke the bullocks from the dray.
Chorus
To my bullocks then I say
No matter where you stray,
You will never be impounded any more;
For you’re running, running, running on the duffer’s
piece of land,
Free selected on the Eumerella shore.
When the moon has climbed the mountains and the stars are
shining bright,
Then we saddle up our horses and away,
And we yard the squatters’ cattle in the darkness of the
night,
And we have the calves all branded by the day.
Chorus
Oh, my pretty little calf,
At the squatter you may laugh,
For he’ll never be your owner any more;
For you’re running, running, running on the duffer’s
piece of land,
Free selected on the Eumerella shore.
If we find a mob of horses when the paddock rails are down,
Although before they’re never known to stray,
Oh, quickly will we drive them to some distant inland town,
And sell them into slav’ry far away.
Chorus
To Jack Robertson we’ll say
You’ve been leading us astray,
And we’ll never go a-farming any more;
For it’s easier duffing cattle on the little piece of land
Free selected on the Eumerella shore.
JIMMY SAGO, JACKAROO
(Air: “Wearing of the Green.”)
If you want a situation, I’ll just tell you the plan
To get on to a station, I am just your very man.
Pack up the old portmanteau, and label it Paroo,
With a name aristocratic—Jimmy Sago, Jackaroo.
When you get on to the station, of small things you’ll make
a fuss,
And in speaking of the station, mind, it’s we, and ours, and
us.
Boast of your grand connections and your rich relations, too
And your own great expectations, Jimmy Sago, Jackaroo.
They will send you out on horseback, the boundaries to ride
But run down a marsupial and rob him of his hide,
His scalp will fetch a shilling and his hide another two,
Which will help to fill your pockets, Jimmy Sago, Jackaroo.
Yes, to fill your empty pockets, Jimmy Sago, Jackaroo.
When the boss wants information, on the men you’ll do a
sneak,
And don a paper collar on your fifteen bob a week.
Then at the lamb-marking a boss they’ll make of you.
Now that’s the way to get on, Jimmy Sago, Jackaroo.
A squatter in the future I’ve no doubt you may be,
But if the banks once get you, they’ll put you up a tree.
To see you humping bluey, I know, would never do,
’Twould mean good-bye to our new chum, Jimmy Sago,
Jackaroo.
Yes, good-bye to our new chum, Jimmy Sago, Jackaroo.
A “Jackaroo” is a young man who comes to a station to
get experience. He occupies a position much like that of an
apprentice on a ship, and has to work with the men though
supposed to be above them in social status. Hence these
sneers at the Jackaroo.
THE PLAINS OF RIVERINE
I have come to tell you of the glorious news you’ll all be
glad to bear,
Of the pleasant alterations that are taking place this year.
So kindly pay attention, and I’ll pass the whisper round,
The squatters of their own free will this year will pay the
pound.
For this is a year of great prosperity, that everybody knows,
We’ll take no top knots off this year, nor trim them to the
toes,
But a level cut for a level pound, and the rations thrown
in free.
That’s how the squatters say they’ll keep their Sovereign’s
Jubilee.
And kind Providence once more has sent the sweet, refreshing
rains.
The trefoil and the barley grass wave high upon the plains,
The tanks all overflowing and the saltbush fresh and green,
It’s a pleasure for to ramble o’er the plains of Riverine.
Once more upon the rippling lake the wild swan flaps her
wing.
Out in the lignum swamps once more frogs croak and crickets
sing.
Once more the wild fowl, sporting midst the crab-holes, may
be seen,
For prosperity is hovering o’er the plains of Riverine.
Yes, ’twill be a year of full and plenty for those back-block
pioneers,
Though behind each scrub and saltbush you can spot the
bunny’s ears;
And although the price for scalps is not so high as it has been,
Yet the bunny snappers they will thrive on the plains of
Riverine.
You should see the jolly teamsters how with joy their faces
beam,
As they talk about the crowfoot, carrots, crab-holes, and
their team.
They tell you that this year they do intend to steer sixteen.
They’ll show the “cookies” how to plough the plains of
Riverine.
Yes, in more respects than one it is a year of joy and glee,
And the news of our prosperity has crossed the briny sea.
Once more the Maorilander and the Tassey will be seen
Cooking Johnny cakes and jimmies on the plains of Riverine.
They will gather like a regiment to the beating of the drum,
But it matters not to us from whence our future penmates
come.
From New Zealand’s snow-clad summits or Tasmania’s
meadows green,
We’ll always make them welcome on the plains of Riverine.
Down from her rocky peaks Monaro will send her champions
bold;
Victoria will send her “cockies,” too, her honour to uphold.
They’ll be here from Cunnamulla, and the rolling downs
between,
For this is the real convincing ground, these plains of
Riverine.
I have a message to deliver now, before I say farewell,
Some news which all the squatters have commissioned me to
tell;
Your backs well bent, bows long and clean, that’s what they
want to see,
That your tallies may do you credit in this year of Jubilee.
“This year will pay the pound.”—A pound a hundred is
the price for shearing sheep, and several bitterly fought-out
strikes have taken place about it.
“We’ll take no topknots off this year nor trim them to the
toes.”—Owing to the amiability of the squatters and the
excellence of the season, the shearers intend to leave some of
the wool on the sheep, i.e., the topknots on the head and
wool down on the legs.
“To steer sixteen”—sixteen horses in the team.
THE SHEEP-WASHERS’ LAMENT
(Air: “The Bonnie Irish Boy.”)
Come now, ye sighing washers all,
Join in my doleful lay,
Mourn for the times none can recall,
With hearts to grief a prey.
We’ll mourn the washer’s sad downfall
In our regretful strain,
Lamenting on the days gone by
Ne’er to return again.
When first I went a-washing sheep
The year was sixty-one,
The master was a worker then,
The servant was a man;
But now the squatters, puffed with pride,
They treat us with disdain;
Lament the days that are gone by
Ne’er to return again.
From sixty-one to sixty-six,
The bushman, stout and strong,
Would smoke his pipe and whistle his tune,
And sing his cheerful song,
As wanton as the kangaroo
That bounds across the plain.
Lament the days that are gone by
Ne’er to return again.
Supplies of food unstinted, good,
No squatter did withhold.
With plenty grog to cheer our hearts,
We feared nor heat nor cold.
With six-and-six per man per day
We sought not to complain.
Lament the days that are gone by
Ne’er to return again.
With perfect health, a mine of wealth,
Our days seemed short and sweet,
On pleasure bent our evenings spent,
Enjoyment was complete.
But now we toil from morn till night,
Though much against the grain,
Lamenting on the days gone by,
Ne’er to return again.
I once could boast two noble steeds,
To bear me on my way,
My good revolver in my belt,
I never knew dismay.
But lonely now I hump my drum
In sunshine and in rain,
Lamenting on the days gone by
Ne’er to return again.
A worthy cheque I always earned,
And spent it like a lord.
My dress a prince’s form would grace.
And spells I could afford.
But now in tattered rags arrayed,
My limbs they ache with pain,
Lamenting on the days gone by,
Ne’er to return again.
May bushmen all in unity
Combine with heart and hand,
May cursed cringing poverty
Be banished from the land.
In Queensland may prosperity
In regal glory reign,
And washers in the time to come
Their vanished rights regain.
THE BROKEN-DOWN SQUATTER
(Air: “It’s a fine hunting day.”)
Come, Stumpy, old man, we must shift while we can;
All our mates in the paddock are dead.
Let us wave our farewells to Glen Eva’s sweet dells
And the hills where your lordship was bred;
Together to roam from our drought-stricken home—
It seems hard that such things have to be,
And its hard on a “hogs” when he’s nought for a boss
But a broken-down squatter like me!
Chorus
For the banks are all broken, they say,
And the merchants are all up a tree.
When the bigwigs are brought to the Bankruptcy Court,
What chance for a squatter like me.
No more shall we muster the river for fats,
Or spiel on the Fifteen-mile plain,
Or rip through the scrub by the light of the moon,
Or see the old stockyard again.
Leave the slip-panels down, it won’t matter much now,
There are none but the crows left to see,
Perching gaunt in yon pine, as though longing to dine
On a broken-down squatter like me.
Chorus: For the banks, &c.
When the country was cursed with the drought at its worst,
And the cattle were dying in scores,
Though down on my luck, I kept up my pluck,
Thinking justice might temper the laws.
But the farce has been played, and the Government aid
Ain’t extended to squatters, old son;
When my dollars were spent they doubled the rent,
And resumed the best half of the run.
Chorus: For the banks, &c.
’Twas done without reason, for leaving the season
No squatter could stand such a rub;
For it’s useless to squat when the rents are so hot
That one can’t save the price of one’s grub;
And there’s not much to choose ’twixt the banks and the Jews
Once a fellow gets put up a tree;
No odds what I feel, there’s no court of appeal
For a broken-down squatter like me.
Chorus: For the banks, &c.
THE FREE SELECTOR
(A Song of 1861.)
Ye sons of industry, to you I belong,
And to you I would dedicate a verse or a song,
Rejoicing o’er the victory John Robertson has won
Now the Land Bill has passed and the good time has come
Now the Land Bill, &c.
No more with our swags through the bush need we roam
For to ask of another there to give us a home,
Now the land is unfettered and we may reside
In a home of our own by some clear waterside.
In a home of our own, &c.
On some fertile spot which we may call our own,
Where the rich verdure grows, we will build up a home.
There industry will flourish and content will smile,
While our children rejoicing will share in our toil.
While our children, &c.
We will plant our garden and sow our own field,
And eat from the fruits which industry will yield,
And be independent, what we long for have strived,
Though those that have ruled us the right long denied.
Though those that have ruled us, &c.
A NATIONAL SONG FOR AUSTRALIA FELIX
Dark over the face of Nature sublime!
Reign’d tyranny, warfare, and every crime;
The world a desert—no oasis green
A man-loving soul on its surface had seen;
Then mercy above a mandate sent forth
An Eden to form—a refuge for worth.
From the ocean it came, with halo so bright,
Want, strife, and oppression were lost in its sight.
Chorus
First isle of the sea—brightest gem of the earth
In thee every virtue and joy shall have birth.
A land of the just, the brave, and the free,
Australia the happy, thou ever shalt be.
So earth in the flood no place for rest gave,
At length a green isle arose from the wave;
The dove o’er the waters the olive branch bore,
To show that one spot was cover’d no more;
Australia thus shall be sounded by fame,
And Europe shall echo the glorious name;
The brave, wise, and good, wherever oppress’d,
Shall fly to thy shores as a haven of rest.
Chorus: First isle of the sea, &c.
Land of the orange, fig, olive, and vine;
’Midst earth’s fairest daughters the chaplet is thine;
No sick’ning vapours are borne on thy air,
But fragrance and melody twine sweetly there;
Thy ever-green fields proclaim plenty and peace,
If man doth his part, heaven sends the increase;
No customs to fetter, no enemy near,
Independence thy sons for ever must cheer.
Chorus: First isle of the sea, &c.
SUNNY NEW SOUTH WALES
We often hear men boast about the land which gave them
birth,
And each one thinks his native land the fairest spot on
earth;
In beauty, riches, power, no land can his surpass;
To his, all other lands on earth cannot even hold a glass.
Now, if other people have their boasts, then, say, why should
not we,
For we can drink our jovial toast and sing with three times
three;
For there’s not a country in the world where all that’s fair
prevails
As here it does in this our land, our sunny New South
Wales.
Chorus
Then toast with me our happy land,
Where all that’s fair prevails,
Our colour’s blue and our hearts are true,
In sunny New South Wales.
Now let us take a passing glance at all that we possess.
That ours is such a wealthy land no stranger e’er would guess.
Why, we’ve land in store, indeed far more than ever we shall
require,
And trees grow thick on every side in spite of axe and fire.
Our sheep and cattle millions count, our wool is classed A1;
In beef and mutton our fair land is not to be outdone.
Why, we’ve lately seen old England, who boasts her stock
ne’er fails,
Has had to send for wholsome meat preserved in New South
Wales.
Chorus: Then toast with me, &c.
In childhood California was to us a land of gold,
And people said its riches were so vast, immense, untold.
But time has proved that mineral wealth exists not there
alone,
For New South Wales possesses gold in many, many a stone.
And when the gold is taken from out its quartzy veins
A heap of silver, copper, tin, as a residue remains.
In fact we are a mass of wealth in all our hills and dales.
There’s not a country half as rich as sunny New South
Wales.
Chorus: Then toast with me, &c.
Our climate’s good, that all admit, our flowers are sweet and
rare;
And scenes abound on every hand so marvellously fair.
Shame on the men who went away and of us wrote such
lies.
Why, when Anthony Trollope came out here he nearly lost
his eyes.
Our native girls are fair and good, their hearts are pure and
true;
And to their colour stick like bricks, the bright Australian
blue.
Some never loved a roving life, nor blest the ocean’s gales;
But they bless the breeze that blew them to a life in New
South Wales.
Chorus: Then toast with me, &c.
BRINGING HOME THE COWS
Shadows of the twilight falling
On the mountain’s brow,
To each other birds are calling,
In the leafy bough.
Where the daisies are a-springing,
And the cattle bells are ringing,
Comes my Mary, gaily singing,
Bringing home the cows.
By a bush the pathway skirted,
Room for two allows.
All the cornfields are deserted,
Idle are the ploughs.
Striving for wealth’s spoil and booty,
Farmer boys have finished duty,
When I meet my little beauty,
Bringing home the cows.
Tender words and kind addresses,
Most polite of bows,
Rosy cheeks and wavy tresses
Do my passions rouse
Dress so natty and so cleanly,
Air so modest and so queenly.
Oh! so haughty, yet serenely,
Bringing home the cows.
Arm-in-arm together walking,
While the cattle browse,
Earnestly together talking,
Plighting lovers’ vows.
Where the daisies are a-springing,
Wedding bells will soon be ringing,
Then we’ll watch our servant bringing
Mine and Mary’s cows.
THE DYING STOCKMAN
(Air: “The Old Stable Jacket.”)
A strapping young stockman lay dying,
His saddle supporting his head;
His two mates around him were crying,
As he rose on his pillow and said:
Chorus
“Wrap me up with my stockwhip and blanket,
And bury me deep down below,
Where the dingoes and crows can’t molest me,
In the shade where the coolibahs grow.
“Oh! had I the flight of the bronzewing,
Far o’er the plains would I fly,
Straight to the land of my childhood,
And there would I lay down and die.
Chorus: Wrap me up, &c.
“Then cut down a couple of saplings,
Place one at my head and my toe,
Carve on them cross, stockwhip, and saddle,
To show there’s a stockman below.
Chorus: Wrap me up, &c.
“Hark! there’s the wail of a dingo,
Watchful and weird—I must go,
For it tolls the death-knell of the stockman
From the gloom of the scrub down below.
Chorus: Wrap me up, &c.
“There’s tea in the battered old billy;
Place the pannikins out in a row,
And we’ll drink to the next merry meeting,
In the place where all good fellows go.
Chorus: Wrap me up, &c.
“And oft in the shades of the twilight,
When the soft winds are whispering low,
And the dark’ning shadows are falling,
Sometimes think of the stockman below.”
Chorus: Wrap me up, &c.
MY MATE BILL
That’s his saddle on the tie-beam,
And them’s his spurs up there
On the wall-plate over yonder—
You ken see they ain’t a pair.
For the daddy of all the stockmen
As ever come mustering here
Was killed in the flaming mulga,
A-yarding a bald-faced steer.
They say as he’s gone to heaven,
And shook off all worldly cares
But I can’t sight Bill in a halo
Set up on three blinded hairs.
In heaven! what next I wonder,
For strike me pink and blue,
If I see whatever in thunder
They’ll find for Bill to do.
He’d never make one of them angels,
With faces as white as chalk,
All wool to the toes like hoggets,
And wings like an eagle-hawk.
He couldn’t ’arp for apples,
His voice had tones as jarred,
And he’d no more ear than a bald-faced steer,
Or calves in a branding yard.
He could sit on a bucking brumbie
Like a nob in an easy chair,
And chop his name with a greenhide fall
On the flank of a flying steer.
He could show them saints in glory
The way that a fall should drop,
But sit on a throne—not William,
Unless they could make it prop.
He mightn’t freeze to the seraphs,
Or chum with the cherubim,
But if ever them seraph johnnies
Get a-poking it like at him—
Well! if there’s hide in heaven,
And silk for to make a lash,
He’ll yard ’em all in the Jasper Lake
In a blinded lightning flash.
If the heavenly hosts get boxed now,
As mobs most always will,
Who’ll cut ’em out like William,
Or draft on a camp like Bill?
An ’orseman would find it awkward
At first with a push that flew,
But blame my cats if I know what else
They’ll find for Bill to do.
It’s hard if there ain’t no cattle,
And perhaps they’ll let him sleep,
And wake him up at the judgment
To draft those goats and sheep.
It’s playing it low on William,
But perhaps he’ll buckle to,
To show them high-toned seraphs
What a Mulga man can do.
If they saddles a big-boned angel,
With a turn of speed, of course,
As can spiel like a four-year brumbie,
And prop like an old camp horse,
And puts Bill up with a snaffle,
A four or five inch spur,
And eighteen foot of greenhide
To chop the blinded fur—
He’ll yard them blamed Angoras
In a way that it’s safe to swear
Will make them tony seraphs
Sit back on their thrones and stare.
SAM HOLT
(Air: “Ben Bolt.”)
Oh! don’t you remember Black Alice, Sam Holt—
Black Alice, so dusky and dark,
The Warrego gin, with the straw through her nose,
And teeth like a Moreton Bay shark.
The terrible sheepwash tobacco she smoked
In the gunyah down there by the lake,
And the grubs that she roasted, and the lizards she stewed,
And the damper you taught her to bake.
Oh! don’t you remember the moon’s silver sheen,
And the Warrego sand-ridges white?
And don’t you remember those big bull-dog ants
We caught in our blankets at night?
Oh! don’t you remember the creepers, Sam Holt,
That scattered their fragrance around?
And don’t you remember that broken-down colt
You sold me, and swore he was sound?
And don’t you remember that fiver, Sam Holt,
You borrowed so frank and so free,
When the publican landed your fifty-pound cheque
At Tambo your very last spree?
Luck changes some natures, but yours, Sammy Holt,
Was a grand one as ever I see,
And I fancy I’ll whistle a good many tunes
Ere you think of that fiver or me.
Oh! don’t you remember the cattle you duffed,
And your luck at the Sandy Creek rush,
And the poker you played, and the bluffs that you bluffed,
And your habits of holding a flush?
And don’t you remember the pasting you got
By the boys down in Callaghan’s store,
When Tim Hooligan found a fifth ace in his hand,
And you holding his pile upon four?
You were not the cleanest potato, Sam Holt,
You had not the cleanest of fins.
But you made your pile on the Towers, Sam Holt,
And that covers the most of your sins.
They say you’ve ten thousand per annum, Sam Holt,
In England, a park and a drag;
Perhaps you forget you were six months ago
In Queensland a-humping your swag.
But who’d think to see you now dining in state
With a lord and the devil knows who,
You were flashing your dover, six short months ago,
In a lambing camp on the Barcoo.
When’s my time coming? Perhaps never, I think,
And it’s likely enough your old mate
Will be humping his drum on the Hughenden-road
To the end of the chapter of fate.
THE BUSHMAN
(Air: “Wearing of the Green.”)
When the merchant lies down, he can scarce go to sleep
For thinking of his merchandise upon the fatal deep;
His ships may be cast away or taken in a war,
So him alone we’ll envy not, who true bushmen are.
Chorus: Who true bushmen are,
Who true bushmen are,
So him alone we’ll envy not, who true bushmen are!
When the soldier lies down, his mind is full of thought
O’er seeking that promotion which so long he has sought;
He fain would gain repose for mortal wound or scar,
So him also we’ll envy not, who true bushmen are.
Chorus: Who true bushmen are, &c.
When the sailor lies down, his mind he must prepare
To rouse out in a minute if the wind should prove unfair.
His voyage may be stopped for the want of a spar,
So him also we’ll envy not, who true bushmen are.
Chorus: Who true bushmen are, &c.
When the bushman lies down, his mind is free from care,
He knows his stock will furnish him with meat, wear and tear.
Should all commerce be ended in the event of a war,
Then bread and beef won’t fail us boys, who true bushmen are.
Chorus: Who true bushmen are, &c.
Then fill, fill your glasses, a toast I’ll give you, then,
To you who call yourselves true-hearted men.
Here’s a health to the soldier and e’en the jolly tar,
And may they always meet as good friends as we bushmen are.
Chorus: Who true bushmen are,
Who true bushmen are,
And may they always meet as good friends as we bushmen are.
HAWKING
(Air: “Bow, Wow, Wow.”)
Now, shut your mouths, you loafers all,
You vex me with your twaddle,
You own a nag or big or small,
A bridle and a saddle;
I you advise at once be wise
And waste no time in talking,
Procure some bags of damaged rags
And make your fortune hawking.
Chorus
Hawk, hawk, hawk.
Our bread to win, we’ll all begin
To hawk, hawk, hawk.
The stockmen and the bushmen and
The shepherds leave the station,
And the hardy bullock-punchers throw
Aside their occupation;
While some have horses, some have drays,
And some on foot are stalking;
We surely must conclude it pays
When all are going hawking.
Chorus: Hawk, hawk, hawk, &c.
A life it is so full of bliss
’Twould suit the very niggers,
And lads I know a-hawking go
Who scarce can make the figures
But penmanship’s no requisite,
Keep matters square by chalking
With pencil or with ruddle, that’s
Exact enough for hawking.
Chorus: Hawk, hawk, hawk, &c.
The hawker’s gay for half the day,
While others work he’s spelling,
Though he may stay upon the way,
His purse is always swelling;
With work his back is never bent
His hardest toil is talking;
Three hundred is the rate per cent.
Of profit when a-hawking.
Chorus: Hawk, hawk, hawk, &c.
Since pedlaring yields more delight
Than ever digging gold did,
And since to fortune’s envied height
The path I have unfolded,
We’ll fling our moleskins to the dogs
And don tweeds without joking,
And honest men as well as rogues
We’ll scour the country hawking.
Chorus: Hawk, hawk, hawk, &c.
COLONIAL EXPERIENCE
[By A New Chum]
(Air: “So Early in the Morning.”)
When first I came to Sydney Cove
And up and down the streets did rove,
I thought such sights I ne’er did see
Since first I learnt my A, B, C.
Chorus
Oh! it’s broiling in the morning,
It’s toiling in the morning,
It’s broiling in the morning,
It’s toiling all day long.
Into the park I took a stroll—
I felt just like a buttered roll.
A pretty name “The Sunny South!”
A better one “The Land of Drouth!”
Chorus: Oh! it’s broiling, &c.
Next day into the bush I went,
On wild adventure I was bent,
Dame Nature’s wonders I’d explore,
All thought of danger would ignore.
Chorus: Oh! it’s broiling, &c.
The mosquitoes and bull-dog ants
Assailed me even through my pants.
It nearly took my breath away
To hear the jackass laugh so gay!
Chorus: Oh! it’s broiling, &c.
This lovely country, I’ve been told,
Abounds in silver and in gold.
You may pick it up all day,
Just as leaves in autumn lay!
Chorus: Oh! it’s broiling, &c.
Marines will chance this yarn believe,
But bluejackets you can’t deceive.
Such pretty stories will not fit,
Nor can I their truth admit.
Chorus: Oh! it’s broiling, &c.
Some say there’s lots of work to do.
Well, yes, but then, ’twixt me and you,
A man may toil and broil all day—
The big, fat man gets all the pay,
Chorus: Oh! it’s broiling, &c.
Mayhap such good things there may be,
But you may have them all, for me,
Instead of roaming foreign parts
I wish I’d studied the Fine Arts!
Chorus: Oh! it’s broiling, &c.
THE STOCKMEN OF AUSTRALIA
The stockmen of Australia, what rowdy boys are they,
They will curse and swear an hurricane if you come in their
way.
They dash along the forest on black, bay, brown, or grey,
And the stockmen of Australia, hard-riding boys are they.
Chorus: And the stockmen, &c.
By constant feats of horsemanship, they procure for us our
grub,
And supply us with the fattest beef by hard work in the
scrub.
To muster up the cattle they cease not night nor day,
And the stockmen of Australia, hard-riding boys are they.
Chorus: And the stockmen, &c.
Just mark him as he jogs along, his stockwhip on his knee,
His white mole pants and polished boots and jaunty cabbage-
tree.
His horsey-pattern Crimean shirt of colours bright and gay,
And the stockmen of Australia, what dressy boys are they.
Chorus: And the stockmen, &c.
If you should chance to lose yourself and drop upon his camp,
He’s there reclining on the ground, be it dry or be it damp.
He’ll give you hearty welcome, and a stunning pot of tea,
For the stockmen of Australia, good-natured boys are they.
Chorus: For the stockmen, &c.
If down to Sydney you should go, and there a stockman
meet,
Remark the sly looks cast on him as he roams through the
street.
From the shade of lovely bonnets steal forth those glances
gay,
For the stockmen of Australia, the ladies’ pets are they.
Chorus: For the stockmen, &c.
Whatever fun is going on, the stockman will be there,
Be it theatre or concert, or dance or fancy fair.
To join in the amusements be sure he won’t delay,
For the stockmen of Australia, light-hearted boys are they.
Chorus: For the stockmen, &c.
Then here’s a health to every lass, and let the toast go round,
To as jolly a set of fellows as ever yet were found.
And all good luck be with them, for ever and to-day,
Here’s to the stockmen of Australia—hip, hip, hooray!
Chorus: Here’s to the stockmen, &c.
IT’S ONLY A WAY HE’S GOT
(As sung by the camp fire.)
No doubt the saying’s all abroad,
And rattling through the land.
We hear it at the mangle, too,
With “What are you going to stand?”
I’m sure I don’t know which to choose,
There’s really such a lot—
But I hope my song you’ll not refuse,
For it’s only a way I’ve got.
Chorus: Tol, lol, litter, tol, lol.
Tol, lol, the rol, lay.
In Sydney town a gal I met,
Her dress was rather gay,
I think the place, it was Pitt Street,
Or somewhere near that way.
Says she, “The night is very cold,
Pray, stand a drop of Hot.
I hope my freedom you’ll excuse,
For it’s only a way I’ve got.”
Chorus: Tol, lol, &c.
The drink we soon put out of sight,
And off for home did walk,
When a fellow came up and quite polite
To her began to talk.
He drew my ticker from my fob,
And bolted like a shot.
Says she, “Oh, take no notice, Bob,
It’s only a way he’s got.”
Chorus: Tol, lol, &c.
Says I, “I’ll soon catch you, my chap,”
And arter him I flies,
When another stepped up and knocked my hat
Completely o’er my eyes.
He from my pocket drew my purse,
And off with it did trot;
Says she, “It’s well it is no worse,
But it’s only a way he’s got.”
Chorus: Tol, lol, &c.
A little further on we went.
I had got rather shy.
Then a butcher ran his tray
Right bang into my eye.
The fellow said it was my fault,
Called me a drunken sot.
Then, like a thief, he slunk away,
’Twas only a way he’d got!
Chorus: Tol, lol, &c.
Now, as we walked along the street,
A lot of chaps we met.
I saw they on a game were bent;
Says they, “How fat you get!”
I got from them some ugly pokes,
They made me a regular Scot.
They said, “Oh, never mind our jokes,
It’s only a way we’ve got!”
Chorus: Tol, lol, &c.
I have grown tired of Sydney town
Since I’ve lost all my cash,
And so will up the country go,
And tell them of my smash.
Oh, then we’ll have such lots of fun,
I’ll court Miss Polly Scott;
And if she asks me what I mean
I’ll tell her it’s a way I’ve got.
Chorus: Tol, lol, &c.
THE LOAFERS’ CLUB