| Canto I. The Dark Forest. The Hill of Difficulty. The Panther, the Lion, and the Wolf. Virgil. |
| Canto II. The Descent. Dante’s Protest and Virgil’s Appeal. The Intercession of the Three Ladies Benedight. |
| Canto III. The Gate of Hell. The Inefficient or Indifferent. Pope Celestine V. The Shores of Acheron. Charon. The Earthquake and the Swoon. |
| Canto IV. The First Circle, Limbo: Virtuous Pagans and the Unbaptized. The Four Poets, Homer, Horace, Ovid, and Lucan. The Noble Castle of Philosophy. |
| Canto V. The Second Circle: The Wanton. Minos. The Infernal Hurricane. Francesca da Rimini. |
| Canto VI. The Third Circle: The Gluttonous. Cerberus. The Eternal Rain. Ciacco. Florence. |
| Canto VII. The Fourth Circle: The Avaricious and the Prodigal. Plutus. Fortune and her Wheel. The Fifth Circle: The Irascible and the Sullen. Styx. |
| Canto VIII. Phlegyas. Philippo Argenti. The Gate of the City of Dis. |
| Canto IX. The Furies and Medusa. The Angel. The City of Dis. The Sixth Circle: Heresiarchs. |
| Canto X. Farinata and Cavalcante de’ Cavalcanti. Discourse on the Knowledge of the Damned. |
| Canto XI. The Broken Rocks. Pope Anastasius. General Description of the Inferno and its Divisions. |
| Canto XII. The Minotaur. The Seventh Circle: The Violent. The River Phlegethon. The Violent against their Neighbours. The Centaurs. Tyrants. |
| Canto XIII. The Wood of Thorns. The Harpies. The Violent against themselves. Suicides. Pier della Vigna. Lano and Jacopo da Sant’ Andrea. |
| Canto XIV. The Sand Waste and the Rain of Fire. The Violent against God. Capaneus. The Statue of Time, and the Four Infernal Rivers. |
| Canto XV. The Violent against Nature. Brunetto Latini. |
| Canto XVI. Guidoguerra, Aldobrandi, and Rusticucci. Cataract of the River of Blood. |
| Canto XVII. Geryon. The Violent against Art. Usurers. Descent into the Abyss of Malebolge. |
| Canto XVIII. The Eighth Circle, Malebolge: The Fraudulent and the Malicious. The First Bolgia: Seducers and Panders. Venedico Caccianimico. Jason. The Second Bolgia: Flatterers. Allessio Interminelli. Thais. |
| Canto XIX. The Third Bolgia: Simoniacs. Pope Nicholas III. Dante’s Reproof of corrupt Prelates. |
| Canto XX. The Fourth Bolgia: Soothsayers. Amphiaraus, Tiresias, Aruns, Manto, Eryphylus, Michael Scott, Guido Bonatti, and Asdente. Virgil reproaches Dante’s Pity. Mantua’s Foundation. |
| Canto XXI. The Fifth Bolgia: Peculators. The Elder of Santa Zita. Malacoda and other Devils. |
| Canto XXII. Ciampolo, Friar Gomita, and Michael Zanche. The Malabranche quarrel. |
| Canto XXIII. Escape from the Malabranche. The Sixth Bolgia: Hypocrites. Catalano and Loderingo. Caiaphas. |
| Canto XXIV. The Seventh Bolgia: Thieves. Vanni Fucci. Serpents. |
| Canto XXV. Vanni Fucci’s Punishment. Agnello Brunelleschi, Buoso degli Abati, Puccio Sciancato, Cianfa de’ Donati, and Guercio Cavalcanti. |
| Canto XXVI. The Eighth Bolgia: Evil Counsellors. Ulysses and Diomed. Ulysses’ Last Voyage. |
| Canto XXVII. Guido da Montefeltro. His deception by Pope Boniface VIII. |
| Canto XXVIII. The Ninth Bolgia: Schismatics. Mahomet and Ali. Pier da Medicina, Curio, Mosca, and Bertrand de Born. |
| Canto XXIX. Geri del Bello. The Tenth Bolgia: Alchemists. Griffolino d’ Arezzo and Capocchino. |
| Canto XXX. Other Falsifiers or Forgers. Gianni Schicchi, Myrrha, Adam of Brescia, Potiphar’s Wife, and Sinon of Troy. |
| Canto XXXI. The Giants, Nimrod, Ephialtes, and Antaeus. Descent to Cocytus. |
| Canto XXXII. The Ninth Circle: Traitors. The Frozen Lake of Cocytus. First Division, Caina: Traitors to their Kindred. Camicion de’ Pazzi. Second Division, Antenora: Traitors to their Country. Dante questions Bocca degli Abati. Buoso da Duera. |
| Canto XXXIII. Count Ugolino and the Archbishop Ruggieri. The Death of Count Ugolino’s Sons. Third Division of the Ninth Circle, Ptolomaea: Traitors to their Friends. Friar Alberigo, Branco d’ Oria. |
| Canto XXXIV. Fourth Division of the Ninth Circle, the Judecca: Traitors to their Lords and Benefactors. Lucifer, Judas Iscariot, Brutus, and Cassius. The Chasm of Lethe. The Ascent. |