* * * * *
                                        
    So far, the only fully negative review of “Blade Runner 2049” I've seen
                                        
Jamie Zawinski [1] (of Netscape fame [2]) does not like “Blade Runner 2049”
[3]. I'm not sure if I hated it as much as he did [4], but I don't disagree
with anything he said.

He also brought up a point I forgot to mention in my original review—the
score. I loathed the score, and I'm sure if that's because I don't care for
the Hans Zimmer [5] horn—you know, that deep horn BRRRRRRRAAAAAWWWWRWRRRMR­
MRMMRMRMMMMM [6] that is omnipresent in every one of his scores, or the fact
that the theater [7] had the volume cranked to 11 which was threatening to
blow out the speakers. Sure, there were moments when you could (BRRRRRRRAAAA­
AWWWWRWRRRMRMRMMRMRMMMMM) hear the (BRRRRRRRAAAAAWWWWRWRRRMRMRMMRMRMMMMM)
original [8] (BRRRRRRRAAAAAWWWWRWRRRMRMRMMRMRMMMMM) Vangelis score [9] (which
added to the neo-noir [10] atmosphere of “Blade Runner [11]”), but such
moments (BRRRRRRRAAAAAWWWWRWRRRMRMRMMRMRMMMMM) were overshadowed by (BRRR­
RRRRAAAAAWWWWRWRRRMRMRMMRMRMMMMM) Hans Zimmer's score (BRRRRRRRAAAAAWWWWRWR­
RRMRMRMMRMRMMMMM).

I did not like that, Sam-I-am.

And I'm still conflicted if I liked “Blade Runner 2049 [12].”

[1] https://www.jwz.org/
[2] https://www.jwz.org/about.html
[3] https://www.jwz.org/blog/2017/10/blade-runner-2049/
[4] gopher://gopher.conman.org/0Phlog:2017/10/12.1
[5] http://www.hans-zimmer.com/
[6] https://inception.davepedu.com/
[7] https://www.cinemark.com/florida/cinemark-palace-20-and-xd
[8] https://www.amazon.com/exec/obidos/ASIN/B000002IZM/conmanlaborat-20
[9] https://en.wikipedia.org/wiki/Blade_Runner_(soundtrack)
[10] https://en.wikipedia.org/wiki/Neo-noir
[11] http://www.imdb.com/title/tt0083658/
[12] http://www.imdb.com/title/tt1856101/

Email Sean Conner at sean@conman.org

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