2025-02-10 -- meaning by interpretation --------------------------------------- There is this joke where a novice enters a Dominican congregation, and they tell him that the code to the keypad at the door is "1234". "That's easy to remember", the novice says; "it's the year St. Dominic was canonized." This goes to illustrate that data generated with low entropy can appear to be generated with high entropy, and vice versa. I remember there was some controversy between the xkcd "correct horse battery staple" approach to passphrases and Bruce Schneier's advocacy of generating passwords by garbling an English sentence, thought up, without any true randomness, by a human. Schneier's point is valid: it's not about increasing the entropy of the password generation method, but about decreasing the probability of attackers guessing the password. What if your method, by perfect randomness, spits out something that is all zeroes, like the Shakespearean monkeys? A more delicate study about the meaning of entropy -- or the "amount of surprise" in Shannon's sense -- on the generator's side versus on the attacker's side is necessary. But it also shows how we can intepret meaning where there is no intention, and vice versa. We tend to see patterns where there are none, like eyes without a face in the bushes of love. Ever since the Death of the Author, we are stuck with this pattern recognition to skim mistake from design. I remember how I was invited to Berlin in 2019 for 30 lines I had written in 2018. In a poetry workshop there, I explained at length all of the thoughts I put into my words, and I was met with the question: "Do you really expect your readers to find all of that?" And yet, the opposite can also happen. Like Mephisto says: "Gewöhnlich glaubt der Mensch, wenn er nur Worte hört, / es müsse sich dabei doch auch was denken lassen." The catalyst for this post was the following paragraph from page P-3 of Hofstadter's 20th-anniversary preface to GEB: Compared to a typical formal system, human language is unbelievably fluid and subtle in its patterns of tracking reality, and for that reason the symbols in formal systems can seem quite arid; indeed, without too much trouble, one can look at them as totally devoid of meaning. But then again, one can look at a newspaper written in an unfamiliar writing system, and the strange shapes seem like nothing more than wondrously intricate but totally meaningless patterns. Thus even human language, rich though it is, can be drained of its seeming significance. I have spoken in similar terms of church windows after a friend taught me about them in Zurich in 2020. To the uninitiated, a window is a window is a window; but once you know about their details, what was common by tradition and what was left to personal choice, you can date the construction period and recognize the architect's conscious decisions. In a sense, you can read the facade like a poem. It is tragic to imagine a failed attempt at communication -- when your utterances and actions are attributed to insignificant randomness, as if their p-value were too low. In 2016, I thought about this a lot: how can you be sure that others really understand you, that you do not, unbeknownst to you, suffer from some kind of speech impediment or lack of clarity that renders you incomprehensible? Along with David Bowie, I looked at the cavemen's paintings and wondered whether they had ever guessed to end up on TV, or whether Major Tom can really hear us. And then, in 2021, Bo Burnham aptly mixed the question with dread and cynicism: Is there anyone out there? Or am I all alone? It wouldn't make a difference -- Still, I don't wanna know.