From Beza1519@aol.com Thu Mar 9 10:28:11 2000 Received: from mxu2.u.washington.edu (mxu2.u.washington.edu [140.142.32.9]) by lists.u.washington.edu (8.9.3+UW99.09/8.9.3+UW99.09) with ESMTP id KAA31380 for ; Thu, 9 Mar 2000 10:28:11 -0800 From: Beza1519@aol.com Received: from imo14.mx.aol.com (imo14.mx.aol.com [152.163.225.4]) by mxu2.u.washington.edu (8.9.3+UW00.02/8.9.3+UW99.09) with ESMTP id KAA19810 for ; Thu, 9 Mar 2000 10:28:10 -0800 Received: from Beza1519@aol.com by imo14.mx.aol.com (mail_out_v25.3.) id d.a.17d1eed (2721) for ; Thu, 9 Mar 2000 13:28:04 -0500 (EST) Message-ID: Date: Thu, 9 Mar 2000 13:28:04 EST Subject: Re: Medusa To: classics@u.washington.edu MIME-Version: 1.0 Content-Type: text/plain; charset="US-ASCII" Content-Transfer-Encoding: 7bit X-Mailer: Unknown (No Version) I really like the article by Charles Segal, "The Gorgon and the Nightingale: The Voice of Female Lament and Pindar's Twelfth *Pythian Ode*," in the book *Embodied Voices: Representing Female Vocality in Western Culture*. His point (well, he has lots of points) is basically that the gorgon/Medusa figure represents the female scream with which we enter the world (childbirth pains) and exit (the female lament). There's more, but that's the gist. Kirk Summers University of Alabama .