From jess.paehlke@utoronto.ca Mon Jan  3 12:27:22 2000
Received: from mxu2.u.washington.edu (mxu2.u.washington.edu [140.142.32.9])
	by lists.u.washington.edu (8.9.3+UW99.09/8.9.3+UW99.09) with ESMTP id MAA23768
	for <classics@lists.u.washington.edu>; Mon, 3 Jan 2000 12:27:21 -0800
Received: from bureau6.utcc.utoronto.ca (bureau6.utcc.utoronto.ca [128.100.132.16])
	by mxu2.u.washington.edu (8.9.3+UW99.09/8.9.3+UW99.09) with ESMTP id MAA24621
	for <classics@u.washington.edu>; Mon, 3 Jan 2000 12:27:21 -0800
Received: from evaristus.dialin.utoronto.ca ([142.150.129.216] HELO [142.150.129.216] ident: NO-IDENT-SERVICE [port 1874]) by bureau6.utcc.utoronto.ca with SMTP id <464153-1425>; Mon, 3 Jan 2000 15:27:16 -0500
X-Sender: jess.paehlke@mailbox95.utcc.utoronto.ca
Message-Id: <v01540b00b4967bacc79a@[142.150.129.2]>
Mime-Version: 1.0
Content-Type: text/plain; charset="us-ascii"
To: classics@u.washington.edu
From: jess.paehlke@utoronto.ca (Jess Paehlke)
Subject: Re: QUERY: eucharistic Ceres & Bacchus
Date: 	Mon, 3 Jan 2000 15:27:04 -0500

David,

The Dutch engraver Hendrik Goltzius (1590s?) did several
versions/illustrations of the theme "Sine Cerere et Libero friget Venus"
(Terence), which possibly had Christianizing undertones.  For further
references you might try to find: N. Bialler's book on woodcuts; a
California ex.cat. "Goltzius and the Classical Tradition"; I think an
article somewhere? by Walter Melion; and there was an entire volume of the
Nederlands Kunsthistorisch Jaarboek devoted to Goltzius about 5 years ago.
Anyway, a thorough discussion of the iconography of Goltzius' print(s)
should mention some comparative material/literary sources, which might lead
somewhere useful.  Sorry I've no precise references!




Jess Paehlke
M.A. candidate
Centre for Medieval Studies
University of Toronto
jess.paehlke@utoronto.ca


.