From ideas@u.washington.edu Sun May 30 13:46:20 1999 Received: from jason05.u.washington.edu (root@jason05.u.washington.edu [140.142.78.6]) by lists.u.washington.edu (8.9.3+UW99.02/8.9.3+UW99.01) with ESMTP id NAA24472 for ; Sun, 30 May 1999 13:46:19 -0700 Received: from dante38.u.washington.edu (ideas@dante38.u.washington.edu [140.142.15.198]) by jason05.u.washington.edu (8.9.3+UW99.02/8.9.3+UW99.01) with ESMTP id NAA50670 for ; Sun, 30 May 1999 13:46:19 -0700 Received: from localhost (ideas@localhost) by dante38.u.washington.edu (8.9.3+UW99.02/8.9.3+UW99.01) with ESMTP id NAA64764 for ; Sun, 30 May 1999 13:46:18 -0700 Date: Sun, 30 May 1999 13:46:18 -0700 (PDT) From: "N. Kistler" To: arch498v@u.washington.edu Subject: Re: reply requested In-Reply-To: Message-ID: MIME-Version: 1.0 Content-Type: TEXT/PLAIN; charset=US-ASCII Got it ~N On Sat, 29 May 1999, Susan Ulep wrote: > got it! > > Susan > > > On Fri, 28 May 1999, anne schwartzburg stevens wrote: > > >Hello, > > > >As I told you in class, the department is going to help us out with some of > >the cost of our book project. It will cover the cost of the text paper, and > >binding and cutting the books. > > > >When I met with the chair today, he requested 4 copies of the book, one of > >which will go into the library. > > > >That means a couple of things: one, we need more paper and more prints--so > >you each need to generate 20 copies instead of 15. REPLY to me so I know you > >got this change. > > > >Nicole--Buy a full ream of the translucent paper. I will reimburse you. > > > >In terms of the number of prints, you might consider testing the quality of > >the color copies at Kinko's--making a master print, either color laser or > >dye sub at the Vis Lab and then having copies made of the images on a color > >copier. If you do that, do it somewhere where the color is accurate. I think > >Kinko's is doing 49 cent color copies right now, so it would be half the > >cost if their quality is good. > > > >It also means that this private project has become a bit more public. > > > >Invest some time in completing your drawings, and reflect on whether your > >drawing has the following: > > > >One, an element of drawing, the feeling of being touched and moved around by > >a hand. It must have this. > > > >Two, examine your palette and develop it in relation to the rest of the > >images--there is subtle, relatively muted range of tones at work in many of > >the drawings. > > > >The chair also asked me to write an introduction to contextualize the > >project, which I will do and which you can opt to include or not in your > >copy of the book. > > > >So, Wednesday, please bring the 20 copies of your page and we will collate > >and sign our copies of the book. I will then take them to be bound and have > >them available on Thursday or Friday for you. > > > >anne > > > > .