Subj : Re: "Serenity" dropping off in the Box Office take... To : alt.tv.farscape From : Ken McElhaney Date : Fri Oct 14 2005 09:27:28 From Newsgroup: alt.tv.farscape Trouble wrote: > Ken McElhaney wrote: > > > Trouble wrote: > > >> If you read any of the script writers mags they have said the last > >> REAL big budget movie to get made was Pearl Harbor at $135M, and > >> probably will be for a long time. > > >> Riddick came out after I read that... Hollywood insiders get burned > >> on big budget movie, after other Hollywood insiders predict the era > >> of big budget movies is over... hmmmm > > > Besides, studio chiefs and producers are a better source > > of info. > > Nope this was an interview with the director, they put all sorts of > director producer studio info in there, if you don't know what people are > green lighting, your work will not sell, there are pages in the back on > what has sold, what was greenlighted, and what studios are looking for. I > actually buy it for the writing, and interviews, but the industry stuff > is a neat window into what's going on. Sounds interesting, is there a website address to view? > > I believe "Serenity" has limited appeal and the box office so far is > > proving that theory right. I can understand why sci-fi nuts are > > bonkers for anything Whedon, but that doesn't mean the public in > > general is in love with him. Yes, he's a damn good talent and has > > produced some interesting stuff. > > Actually I know of a lot of SF nuts and geeks that agree with you, they > also didn't get Buffy, or Angel. There is a quantitative differece between "Brilliant" & "Accessable". Whedon may indeed be a great talent, but his work simply cannot be appreciated by a wide audience. I think "Serenity" may be one of those examples. > >> Serentity II Electric Boogaloo is still only going to be a $39-50M > >> movie, not some SF extravaganza like Rama is going to be... or the > >> Star Wars prequels were. > > > Assuming it makes the aformentioned ticket sales goals. If it > > staggers in under $50 million domestic, I highly doubt a studio will > > pick up the tab for a sequel. > > Since the goal is $80M I think that's a safe bet someone at the studios > has said back of the envelope that's the least it could make and still > get greenlighted. Is that $80 million domestic? Does it include the international market? Does it include DVD sales? This may be where the $50 million budget figure comes in since print and promotion costs have to be at least $10 million. For a studio to spend $50 million total to gain $30 million (which no doubt is divided up with percentages to other folk) seems to send the message that a potential sequel will have to ride on other factors if it's going to get made. Now, there have been exceptions ("Hellboy", which barely broke even at the box office has a sequel in the works), but "Serenity" had a decent public build-up and was released at the optimal time I would think (no real competition). So $80 mil sounds a bit low to me, but perhaps it's enough assuming the sequel costs less than the original to make. Ken .