(1) Its odd to have any Statick 2D image as a starting pont for creating
some form of CRITEC of a 4DVR world.
(2) The HIGH ART wating of interlchal debat surounding pinting
as a clasical art form would bog dowen any NEW defanishon
of Cencerey exsperounces. e.g. the total exseptencer of the gallary
and museum platformes for SHOWING art works. this can be seen
by the prolifarashon of Virtual Gallerys on the INTERNET.
Rarther than invent a NEW Ideal are cosepet the gallery is sipaly super
inposed in to Cyberspace and BADLY.
There are better art formers which incoparate TIME and EVALOSHON in-to
the art work.
FILM for one would be a good start.
How would a VR world baserd on "The Hound of the Bascavis" look like
or "Gome with the Wind"?
It is not to grater leep of Scinces Prodishon to say that may be one day
we could recanstucket a film set into a VR world
[ THINKS: this would put a nasty twist to "Last Ascshon Hero"
Shuders then continyers]
Would you follow the Vertual Camra and then Veroff when the plot gets boring
to see whats happening in a nuther room.
What if we mists an inportent point of the plot ?.
Do you, the VR world bilder alow the Immersee (E-mer-C) to travle
throw the time framers of the plot.
you all so have to look at the very consep of plot
(meny have coverd this Ted Nelson being the most noted
with his principals of HyperTxet. eg nonlinere reading)
But there is are more anuther ART form which
could have more to do with VR than most and that is
GARDNING aspeshaly Landscape Gardning
WHY you say ?
Well I think a LANDSCAPE GARDENER produsers ART in TIME
with elmants which are pridictabul to a point but not contralabul.
Thay also work from a Vishon of what thay think the Visiter
to there garden may experances. That in is self is inportent when you
think that the invirenet of the Garden in still changering constanly.
Thay work with the princepul of VISTER POINTS , points at which the Visiter
will get a vow or feeling. The visiter has to walk from Vister point to
Vister point
but at any time can Veroff the path to look at some other point in the garden.
There is with in gardening grate scope for analgers within VR.
I posanly think that all that Escher has to say to VR is that
which has been superinposd on him by others for ART critice
to Art Historons.
So how will be the ferst CYBER LANDSCAPE GARDNER.
DISCLAIMER: I am DYSLEXIC sorry for any spelling or grammar mistakes
_/_/_/_/_/_/_/_/_/_/_/_/_/_/_/_/_/_/_/_/_/_/_/_/_/_/_/_/_/_/_/_/_/_/
============================
SEAN. E. VARNEY . VR-ART@
Virtual Reality Artist & Designer
\_\_\_\_\_\_\_\_\_\_\_\_\_\_\_\_\_\_\_\_\_
DESIGN. RESEARCH. CENTRE. ( D. R. C. )
Voice: +44-01332-622222 x4044 Britannia Mill
Fax: +44-01332-622218 Mackworth Road
Mobile + 44-0860-726236 DERBYSHIRE
Email: S.E.Varney@derby.ac.uk DE22 3BL U.K.
Director of List vr-art@mailbase.ac.uk
My work is all so on the W W W at :
http://dougal.derby.ac.uk/gallery/vrart/vr-wing.html
<><><><><><><><><><><><><><>
=============================