\nopagenumbers \raggedbottom \font\screwball=cmbx10 scaled \magstep2 \font\bigscrew=cmbx10 scaled \magstep4 \font\smscrew=cmbx10 scaled \magstep1 \font\lsl=cmsl8 \font\goofy=cmdunh10 scaled \magstep2 \moveright -1.8in \vbox{% \centerline{\bigscrew Sand River Journal} \bigskip \centerline{Edited by Erik Asphaug} \centerline{(asphaug@lpl.arizona.edu)} \vskip 0.4truein \centerline{\screwball Issue 1, Beltane 1993} \vskip 0.2in \centerline{\vbox{\hrule width2.5in depth1pt}} \vskip 0.3in} \bigskip \obeylines \def\title#1{\vskip 0.8in\bigskip\bigbreak\hskip 3em {\goofy #1}\bigskip\nobreak} \def\author#1#2{\nobreak\medskip\line{\hskip 1.5truein\hbox{\sl #1\/}\hfill}% \line{\hskip 1.5truein\hbox{\lsl #2}\hfill}\goodbreak} \hoffset=1.6in \title{Different} He said this isn't anything like your other paintings no I said it is different so what happened? this is what happened. \author{Ralph Cherubini}{ralph@wixer.bga.com} \title{The Goats of Spring} The hoof in the marsh sinks as I pump from rear, alpine air, thin on the goat. \medskip As I span the worlds I notice a flower, by her ankle. spring has come! \author{James Forgy}{james@clam.com} \title{The night we did not dance} at night, i tiptoe to the great dance hall wearing my heart on a hopeful sleeve. a transient on waves of light, i pause to peek through panes of multi-coloured screens seeking the intimates scents of your words at their leave-taking. \medskip i caught the fragrance of your songs but the curtain opened to an empty room the night we did not dance. \author{Zita Marie Evensen}{bu016@cleveland.Freenet.edu} \title{Untitled} The wing of a battered angel Fits comfortably within my hand Her eyes Weep without ceasing Though I cannot dry her tears When I look into her broken soul And see her fears I wonder how I can survive in a world Where Even the angels die \author{Karen M Reagan}{t22@clark.edu} \title{Shadow on the wall} Hard winds blow I see you shudder from the chipping cold \qquad wounds \qquad caused by ignorance \qquad and the basest fears of others who wear glasses painted over by a mockingbird I know you better than that \qquad you're no monster \qquad no hideous wrench-clawed thing \qquad waiting to prey upon \qquad the naive Instead \qquad you're just a shadow on the wall \qquad you hide yourself \qquad like a mother cat hiding her kittens \qquad from cruel nature It's hard to fight \qquad when your hands are weighed down \qquad by shame \qquad and depression \qquad and your courage is torn from you \qquad by laughing judges wearing ragged robes But don't let them take your dignity \qquad I know you're no ghoul \qquad just a shattered human \qquad who desires nothing more \qquad than to die peacefully \qquad holding the hand of a friend. \author{J.D. Frazer}{ 481@mindlink.bc.ca} \title{Afternoon in the Library} You sketch tornadoes in pen on the blank paper and sweep me away. \author{John David Blake}{jdblake@csd4.csd.uwm.edu} \title{There is} A lilac sprouts from a green bottle of beer. \medskip When it disappears, green stars appear on the ceiling. \medskip nothing else. \author{Alex L. Karan}{alk4@ellis.uchicago.edu} \title{Seaside Games} Some times the repetitive mechanical tasks \hskip 0.971in repetitive mechanical tasks are the easiest take your sheet and fold then turn then fold then score then turn the fold and see I have a small boat a rowboat with no sail nor oars and launch it like the others seek some fortune on the waters sun rains shadows but my telescope \halign{\qquad#\hfil&\qquad#\hfil\cr is polarised and i don't look at the & sun\cr my boats will all come back with & saffron\cr to rub in my hair and in my skin and & sandalwood\cr to scent my bitten nails and & silver twine\cr} to bind my feet bare legs on honeysmooth sand and set another boat and wish godspeed the sun behind no longer blinds and there a thin white line of boats rocks gently out of sight wind tugs but there is no chill here smiles the sun and take another sheet \bigskip one slow boat comes rocking home and one and one and one and one the sea so full of oil that even my own model boats come back my ships come in a thin black line i pour it over bare hands bare legs and rub it in now i drip slow and hot and black and touch my eyes but they have all turned black the rich dark liquid slick and damp in the sticky sun tossing back the slick black beautiful hair and dress onto the strand pickup a small red starfish to make it prettier but mutely beauty cries and slides away to find a shadow of its own curl-up-and-dye now i am beautiful and all my ships have come in but all i want to be prettier still not. (crumpled the last unused sheet). frustration while the last rays of the sunset's reach a passage through reversed cool glass working last hot red clean beautiful magic to tidy up the beach \author{Joanna Hart}{jhart@ee.ic.ac.uk} \title {How can you \dots} how can you measure the sky with ribbons of sea grass \medskip how can you fill the oceans in a wine glass \medskip how can you paint the rivers with pale green daffodils \medskip how can you sleep on a bed of thistles \medskip how can you light the night with one firefly \medskip how can you love \author{Zita Marie Evensen}{bu016@cleveland.Freenet.edu} \title {Synergistic Scintillation} sin urges tick tock click clatter rattle our bones \medskip we sin 'til late shun moderation into the evening crossing our zones \author{Kerry Shetline}{shetline@bbn.com} \title{Revelation} It seems the master chose the wrong colors: \medskip twenty years after the brush left the canvas, so did the paint. \medskip Yet in this loss something revealed: \medskip where every image pealed we find first was the word. \medskip Where was a leaf, in ink is written "leaf" \medskip where was a face a name of one no longer known, \medskip each canvas teeming with words at odd angles (and this may sell again!) \medskip except where was the signature \medskip is nothing. \author{Alex L. Karan}{alk4@ellis.uchicago.edu} \vskip 1in \centerline{\vbox{\hrule width2.5in depth1pt}} \vskip 0.4in Sand River Journal is a \TeX\ document posted roughly each month. I shall post the \TeX\ file as well as the PostScript file for this document. It is based on writing gleaned from the newsgroup rec.arts.poems. As such, the file you post is converted directly, without correction, into the file that appears above. All attempts are made to maintain the intended format. I am not sure what to do about copyrighted poems; for now I am not including them. \medskip Due to the difficult nature of \TeX\ typesetting, my editing has for this first issue been biased towards poems without much horizontal structure. I'll get better. Forgive me for all of my present sins. \medskip The content is determined by the editor late at night, usually after a few beers. Please email or post your criticism and/or contributions! \medskip \hskip 3in --- The Editor \bye