****************************
*********************
IMPORTANT NEWS FROM LONDON
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West End. It's the biggest shake-up in theatreland in 80
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THEATRE - CLEVELAND PLAYHOUSE
Organized in 1914, most of the original members were painters rather than
actors. By 1921 it was a professional company, and by 1927 opened a
two-theatre complex. In 1983 it opened a new theatre complex including the
Kenyon C. Bolton Theatre.
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THEATRE OBITUARIES
John Berry, 82, a film and stage director who performed with and assisted
Orson Welles' during the time of Welles and John Houseman's Mercury
Theatre, died Nov. 29 in Paris.
The onetime stage actor, a Bronx native, made his stage debut as a child in
vaudeville and appeared in Welles' Julius Caesar (1937) and became Welles
assistant; The Times reported that John Houseman didn't think Mr. Berry
could act, so he did not get the role of Marc Anthony.He also staged the
Broadway production of Romulus Linney's Love Suicide at Schofield Barracks
(1971-72) and The Crucible for Lincoln Center; Patrick Bedford, 67, the
Irish actor who shared an unusual dual Best Actor Tony Award nomination
with Donal Donnelly for Philadelphia, Here I Come!, died Nov. 20 in
Manhattan; The 1966 nomination, for a role in what has become one of
playwright Brian Friel's greatest hits, was part of a 30 year career for
Mr. Bedford. He worked in Dublin, acting and directing at the Gate Theatre,
and performed on Broadway and in films. He was 67. The cause of death was
cancer. He lived in New York; Samuel Leve, 91, a Broadway and New York
scenic, lighting and costume designer whose work for Orson Welles' Mercury
Theatre appeared during the politically and artistically feverish late
Depression years, died Dec. 6 in Manhattan.
The Russian immigrant designed Welles' famous staging of Julius Caesar in
1937, and The Shoemaker's Holiday in 1938. For the latter, he designed a
London skyline from slats of orange crates, to offer just a suggestion of
the world; Welles was fond of making the audience use its imagination.
Mr. Leve also designed sets and costumes for a play called Revolt of the
Beavers, a piece that figures prominently in Tim Robbins' fanciful,
partly-fictionalized film, "Cradle Will Rock," about Welles, the Federal
Theatre Project, Depression leftism and censorship.
Mr. Leve was scenic designer for The Wild Duck, Big Blow, Who is Who (all
in 1938), Medicine Show (1940), The Beautiful People (1941), The Distant
City (1941), Macbeth (1941) and dozens of other New York productions over
the next several decades (Comes a Day in 1959, the musical, Cafe Crown, in
1964); Betty Rea, a Montreal native who acted in Canada and later on
Broadway before becoming a soap opera casting director, died Dec. 23, 1999,
in Los Angeles. Ms. Rea was 82. The cause of death was respiratory failure;
*******************
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PLAYWRIGHT - EDWARD ALBEE (1928- )
Born in Washington, the adopted grandson of the vaudeville magnate. Edward
was in and out of many schools, and turned to playwrighting at the
suggestion of Thornton Wilder. His first play The Zoo Story was produced in
Germany in 1959 and in New York the next year. Also in 1960 he presented
The Sandbox, followed by The American Dream the next year as well as The
Death of Bessie Smith.
But it was his study of a troubled marriage, Who's Afraid of Virginia
Woolf, which made him the darling of the critics and audiences alike. I was
most fortunate to be in attendance opening night. It won the New York Drama
Critics Award. All his other plays have paled by comparison, from The
Ballad of the Sad Cafe, Tiny Alice (1964), Malcolm, the libretto for
Breakfast at Tiffanys, but A Delicate Balance has had greater success,
although Everything in the Garden, All Over (1971), Seascape (1975), The
Lady from Dubuque (1980), The Man Who Had Three Arms (1983) were all
short-lived.
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DESIGNER - LUCINDA BALLARD (1906-1993)
Born in New Orleans, she studied in New York and France. Her first designs
were seen on stage in As You Like It (1937), and her costumes were seen in
such shows as The Three Sisters (1939), Mornings at Seven, I Remember Mama
(1944), The Glass Menagerie (1945), Show Boat (1946), Annie Get Your Gun
(1946), Happy Birthday, Another Part of the Forest (1946), Silk Stockings
(1955), The Dark at the Top of the Stairs (1957), J.B. (1958) and the Sound
of Music (1959). Her costumes have won various awards and during the war
her murals highlighted the Stagedoor Canteen.
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COMPOSERS - HAROLD ARLEN (1905-1986)
Born in Buffalo, he began his career writing songs for cabaret productions
and his first success was Get Happy. He composed most of the music for Earl
Carroll's Vanities (1930), You Said It (1931), Life Begins at 8:40 (1934),
Hooray for What (1937), Bloomer Girl (1944), St. Louis Woman (1946), House
of Flowers (1954), Jamaica (1957) and Saratoga (1959).
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Theater Services Guide Theatre Services Guide
is an
entertainment industry directory for businesses, organizations and
individuals who provide services and products to the entertainment industry:
theater, movies, and television; and entertainment services to the general
public, i.e. live theaters. In addition to listing specific services and
products, other categories include 'Shows For Rent', 'Call Board', 'Product
News', 'Classifieds', 'Production Schedules', 'Calendar Of Events' and more
covering the US and Canada. For information on listing, visit the site or
Write Us
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email may be stopped at no cost to you by
sending a reply to this email address with the
word "remove" in the subject line.
We do not make our mailing list publicly
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****************************
MEMORIES - MY YEARS OF THEATREGOING 1955-1999 - Part 6
In 1963 a friend and myself drove to New York for the weekend just to see
the production of Eugene O'Neill's "Strange Interlude," with a dream cast -
William Prince, Franchot Tone, Geraldine Page, Ben Gazzara, Pat Hingle,
Betty Field, Richard Thomas, Jane Fonda and Geoffrey Horne. The play itself
doesn't work by today's standards as it is difficult to accept all the
asides, but what a performance. While there, I also got to see Judy
Holliday's final Broadway show, the musical "Hot Spot." She died shortly
afterwards of cancer. We get so used to seeing these stars on stage, that
when something happens it is like losing a friend. But we are left with the
wonderful performances which will stay with us for a lifetime. And after
seeing most of Judy Holliday's hits, it was a pity that her final show was
a disaster.
Productions in Toronto included the pre-Broadway "The Girl Who Came to
Supper," with Tessie O'Shea, Florence Henderson, Roderick Cook and Jose
Ferrer. It would later reach the screen as the Prince and the Showgirl with
Marilyn Monroe and Laurence Olivier. We also got a production of "School
for Scandal," with John Gielgud, Gwen Ffrangcon-Davies, Ralph Richardson,
Geraldine McEwan and Laurence Naismith; Jack Benny with special guest Jane
Morgan, touring productions of How to Succeed in Business Without Really
Trying and I Can Get It For You Wholesale, appearances by Danny Kaye, Steve
Lawrence and Eydie Gorme, Ballets Folklorico de Mexico, and Frankie Avalon.
The Royal Alexandra presented Charlottetown Festival's Sunshine Town, based
on the work by Stephen Leacock, Sabrina Fairby Samuel Taylor, later to be a
vehicle for Audrey Hepburn, T.S. Eliot's The Cocktail Party, a revival of
Desert Song with Howard Keele, a Canadian production of Godspell with a
great cast, Jane Eyre from England, and Johnny Belinda from Charlottetown
Festival, as well as touring productions of Philadelphia Here I Come, with
Donal Donnelly and The Philanthropist.
*************************
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THEATRES -
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CURTAIN UP - Job Postings for Theatre, Television and Films - (covers
auditions,career opportunities,job postings,openings,workshops,voice-overs.
SUBSCRIBE TODAY - cheque or money order 20.00 per year (12 issues) -
payable to: Clair Sedore, 811-85 The Esplanade, Toronto,
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DANCERS/CHOREOGRAPHER - MICHAEL KIDD (1919 - )
New Yorker Michael's plans changed from chemical engineering to ballet, and
he performed with the Eugene Loring Dance Players and Ballet Theatre before
choreographing Finian's Rainbow (1947). This was followed by such hits as
Love Life (1948), Guys and Dolls (1950) and Can Can (1953). To me, his
masterpiece is L'il Abner, which will be available for posterity on film.
*********************
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DIRECTORS - ROUBEN MAMOULIAN (1897-1987)
Born in Russia, educated in both Russia and Paris, he worked at the Eastman
School of Music before coming to New York to work with the Theatre Guild.
He staged Porgy (1927), Marco Millions (1928), Wings Over Europe, and went
on to direct musicals of the calibre of Porgy an Bess (1935), Oklahoma
(1943), Carousel (1945) and Lost in the Stars 1949). He moved on to
Hollywood where he became a famous film director as well.
*******************
We do not make our mailing list publicly
accessible. We respect your privacy as our subscribers.
**************************
PRODUCERS - JOHN MURRAY ANDERSON (1886-1954)
Born in Newfoundland, Mr. Anderson moved to New York as a ballroom dancer,
and shortly after he was in cabaret revues and on to staging and producing
the first Greenwich Village Follies (1919) which was produced until 1924.
He also produced What's in a Name (1920) and his own John Murray Anderson's
Almanac (1929 and 1953). He also directed such musicals as Music Box Revue
(1924), Dearest Enemy (1925), Ziegfeld Follies of 1934, Life Begins at 8:40
(1934), Jumbo (1935), Ziegfeld Follies of 1936, One for the Money (1939),
Two for the Show (1940), Ziegfeld Follies of 1943, Three to Make Ready
(1946) and New Faces of 1952.
***********************
ACTORS - COLLEEN DEWHURST (1926-1991)
Born in Montreal, she studied at the American Academy of Dramatic Arts
before making her Broadway debut in Desire Under the Elms as a neighbour.
Many of her performances have been off-Broadway, Children of Darkness
(1958), she has received Tonys for All the Way Home (1960), and A Moon For
the Misbegotten (1973). She also appeared in Ah Wilderness, and Long Day's
Journey Into Night.
**********************
OPERA - MIDSUMMER NIGHT'S DREAM
Opera in 3 acts, written by Benjamin Britten and Peter Pears, based on
Shakespeare's play. Premiered at Aldeburgh in 1960
****************************
ACTOR - MAUREEN STAPLETON (1925- )
Born in Troy, N.Y., Ms Stapleton made her New York debut in 1946 in Playboy
of the Western World and rose to stardom in The Rose Tattoo (1951). This
was followed with William's Orpheus Descending (1957), Toys in the Attic
(1960), Plaza Suite (1968), The Gingerbread Lady (1970), she replaced
Jessica Tandy in The Gin Game (1978) and appeared with Elizabeth Taylor in
The Little Foxes revival (1981). She also appeared in revivals of Richard
III, The Seagull, and The Glass Menagerie (1965 and 1975).
**********************
To subscribe to CURTAIN UP-Job Postings for Theatre, Television and Films,
send cheque or money order for $20.00 to: Clair Sedore, 811-85 The
Esplanade, Toronto, Ontario M5E 1Y8, Canada. This ezine is by subscription
only and is printed monthly on email and sent out on the 15th of the month.
DO NOT MISS OUT ON A NEW AND STIMULATING CAREER IN THE ARTS.
**************************
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MY BOOK , called "Give 'Em The Old Razzle Dazzle (50 Years of Theatre and
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Lee Remick, Julie Harris, etc., (258 pages total) is available for 49.95
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Clair Sedore, 811-85 The Esplanade, Toronto, Ontario, Canada M5E 1Y8
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From 927121@ican.net Sat Jan 15 10:14:30 2000
Received: from mail2.tor.primus.ca (mail2.tor.primus.ca [216.254.136.134])
by locust.etext.org (8.9.3/8.9.3) with ESMTP id KAA11905
for
FEBRUARY 2000 (Volume 15) © 1998 all rights reserved worldwide by Clair
Sedore
National Library of Canada ISSN 1481-7934
(C) 1998,Clair Sedore, Editor
Peter Poullos, Assistant Editor
A New Monthly Theatre E-zine
No reprints without
written permission from the publisher, although permission is
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To subscribe to "Give 'Em The Old Razzle Dazzle," just put SUBSCRIBE RAZZLE
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If you are wondering why a lot of this ezine is in html coding, it is
because it is also available online, and many of our subscribers have html
email.
READ ONLINE
Thanks for your patience,
Clair Sedore, Editor
********************************
DEDICATED TO MY LIFE PARTNER OF 16 YEARS, PETER MICHAEL POULLOS (Aug. 13,
1948-Nov. 15, 1999), WITHOUT WHOM THIS PUBLICATION WOULD NOT HAVE COME ABOUT.
********************
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*********************
IN THIS ISSUE
MEMORIES - MY YEARS OF THEATREGOING 1955-1999 - Part 6
CLEVELAND PLAYHOUSE
EDWARD ALBEE
LUCINDA BALLARD
JOHN MURRAY ANDERSON
COLLEEN DEWHURST
HAROLD ARLEN
MICHAEL KIDD
ROUBEN MAMOULIAN
MIDSUMMER NIGHT'S DREAM
MAUREEN STAPLETON
*************
COMING IN MARCH 2000
AMERICAN CONSERVATORY THEATRE
PHILIP BARRY
FLORENCE KLOTZ
P.T. BARNUM
JULIE ANDREWS
FEUER AND MARTIN
PETER GENNARO
BUSBY BERKELEY
DIE KONIGSKINDER
NOTRE DAME DE PARIS - REVIEW
THE NEEDFIRE - REVIEW
********************
Envelope-to: 927121@ican.net
X-Mailer: Microsoft Outlook Express Macintosh Edition - 4.5 (0410)
Date: Thu, 16 Dec 1999 21:51:33 -0500
Subject: Encyclopedia News; Goodbye 1999
From: "Gaetan Charlebois" ****************************
*********************
IMPORTANT NEWS FROM LONDON
Just this week, after months of speculation, negotiations
have finally closed in the great Stoll Moss sell off and
Andrew Lloyd Webber has emerged victorious. Lloyd Webber
beat off stiff competition from the likes of Cameron
Mackintosh and US giant SFX Entertainment with a £87.5m
deal. He now adds the ten Stoll Moss houses to the
three he already possesses to become the leading theatre
owner in London, with control of nearly a third of the
West End. It's the biggest shake-up in theatreland in 80
years.
*********************************
2X - MUSICAL THEATRE LEGENDS ON VIDEO
A 5-video, 10 hour history of the American musical featuring live
interviews with:Sondheim, Prince, Bennett, Kander/Ebb, Comden/Green,
Bock/Harnick, Styne, Herman, Abbott, MackIntosh, Webber, Drake, Raitt,
Kert, Andrews, Verdon, Cook, Kiley, Lupone, Orbach, Peters, 46 more. See
our web site: Broadway! A
History of the Musical Voice mail: 415/552-2222,
or write: MTLU, P.O.B. 460482, San Francisco, CA 94146-0482
***********************
2X - Bonnie Weiss, MUSICAL THEATRE LOVERS UNITED.
A club for Broadway & Hollywood Musical Buffs
P.O.Box 460482, San Francisco, CA 94146-0482
415/552-2222 (24 hour hotline)
WEBSITE
***************************
Do check out the Encyclopedia
of Canadian Theatre
It is a fantastic site and well worth the time you will spend there. I have
contributed to the site with updating and adding some Canadian artists to
its pages.
*****************************
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THEATRE - CLEVELAND PLAYHOUSE
Organized in 1914, most of the original members were painters rather than
actors. By 1921 it was a professional company, and by 1927 opened a
two-theatre complex. In 1983 it opened a new theatre complex including the
Kenyon C. Bolton Theatre.
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THEATRE OBITUARIES
John Berry, 82, a film and stage director who performed with and assisted
Orson Welles' during the time of Welles and John Houseman's Mercury
Theatre, died Nov. 29 in Paris.
The onetime stage actor, a Bronx native, made his stage debut as a child in
vaudeville and appeared in Welles' Julius Caesar (1937) and became Welles
assistant; The Times reported that John Houseman didn't think Mr. Berry
could act, so he did not get the role of Marc Anthony.He also staged the
Broadway production of Romulus Linney's Love Suicide at Schofield Barracks
(1971-72) and The Crucible for Lincoln Center; Patrick Bedford, 67, the
Irish actor who shared an unusual dual Best Actor Tony Award nomination
with Donal Donnelly for Philadelphia, Here I Come!, died Nov. 20 in
Manhattan; The 1966 nomination, for a role in what has become one of
playwright Brian Friel's greatest hits, was part of a 30 year career for
Mr. Bedford. He worked in Dublin, acting and directing at the Gate Theatre,
and performed on Broadway and in films. He was 67. The cause of death was
cancer. He lived in New York; Samuel Leve, 91, a Broadway and New York
scenic, lighting and costume designer whose work for Orson Welles' Mercury
Theatre appeared during the politically and artistically feverish late
Depression years, died Dec. 6 in Manhattan.
The Russian immigrant designed Welles' famous staging of Julius Caesar in
1937, and The Shoemaker's Holiday in 1938. For the latter, he designed a
London skyline from slats of orange crates, to offer just a suggestion of
the world; Welles was fond of making the audience use its imagination.
Mr. Leve also designed sets and costumes for a play called Revolt of the
Beavers, a piece that figures prominently in Tim Robbins' fanciful,
partly-fictionalized film, "Cradle Will Rock," about Welles, the Federal
Theatre Project, Depression leftism and censorship.
Mr. Leve was scenic designer for The Wild Duck, Big Blow, Who is Who (all
in 1938), Medicine Show (1940), The Beautiful People (1941), The Distant
City (1941), Macbeth (1941) and dozens of other New York productions over
the next several decades (Comes a Day in 1959, the musical, Cafe Crown, in
1964); Betty Rea, a Montreal native who acted in Canada and later on
Broadway before becoming a soap opera casting director, died Dec. 23, 1999,
in Los Angeles. Ms. Rea was 82. The cause of death was respiratory failure;
*******************
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PLAYWRIGHT - EDWARD ALBEE (1928- )
Born in Washington, the adopted grandson of the vaudeville magnate. Edward
was in and out of many schools, and turned to playwrighting at the
suggestion of Thornton Wilder. His first play The Zoo Story was produced in
Germany in 1959 and in New York the next year. Also in 1960 he presented
The Sandbox, followed by The American Dream the next year as well as The
Death of Bessie Smith.
But it was his study of a troubled marriage, Who's Afraid of Virginia
Woolf, which made him the darling of the critics and audiences alike. I was
most fortunate to be in attendance opening night. It won the New York Drama
Critics Award. All his other plays have paled by comparison, from The
Ballad of the Sad Cafe, Tiny Alice (1964), Malcolm, the libretto for
Breakfast at Tiffanys, but A Delicate Balance has had greater success,
although Everything in the Garden, All Over (1971), Seascape (1975), The
Lady from Dubuque (1980), The Man Who Had Three Arms (1983) were all
short-lived.
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DESIGNER - LUCINDA BALLARD (1906-1993)
Born in New Orleans, she studied in New York and France. Her first designs
were seen on stage in As You Like It (1937), and her costumes were seen in
such shows as The Three Sisters (1939), Mornings at Seven, I Remember Mama
(1944), The Glass Menagerie (1945), Show Boat (1946), Annie Get Your Gun
(1946), Happy Birthday, Another Part of the Forest (1946), Silk Stockings
(1955), The Dark at the Top of the Stairs (1957), J.B. (1958) and the Sound
of Music (1959). Her costumes have won various awards and during the war
her murals highlighted the Stagedoor Canteen.
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COMPOSERS - HAROLD ARLEN (1905-1986)
Born in Buffalo, he began his career writing songs for cabaret productions
and his first success was Get Happy. He composed most of the music for Earl
Carroll's Vanities (1930), You Said It (1931), Life Begins at 8:40 (1934),
Hooray for What (1937), Bloomer Girl (1944), St. Louis Woman (1946), House
of Flowers (1954), Jamaica (1957) and Saratoga (1959).
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Theater Services Guide Theatre Services Guide
is an
entertainment industry directory for businesses, organizations and
individuals who provide services and products to the entertainment industry:
theater, movies, and television; and entertainment services to the general
public, i.e. live theaters. In addition to listing specific services and
products, other categories include 'Shows For Rent', 'Call Board', 'Product
News', 'Classifieds', 'Production Schedules', 'Calendar Of Events' and more
covering the US and Canada. For information on listing, visit the site or
Write Us
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MEMORIES - MY YEARS OF THEATREGOING 1955-1999 - Part 6
In 1963 a friend and myself drove to New York for the weekend just to see
the production of Eugene O'Neill's "Strange Interlude," with a dream cast -
William Prince, Franchot Tone, Geraldine Page, Ben Gazzara, Pat Hingle,
Betty Field, Richard Thomas, Jane Fonda and Geoffrey Horne. The play itself
doesn't work by today's standards as it is difficult to accept all the
asides, but what a performance. While there, I also got to see Judy
Holliday's final Broadway show, the musical "Hot Spot." She died shortly
afterwards of cancer. We get so used to seeing these stars on stage, that
when something happens it is like losing a friend. But we are left with the
wonderful performances which will stay with us for a lifetime. And after
seeing most of Judy Holliday's hits, it was a pity that her final show was
a disaster.
Productions in Toronto included the pre-Broadway "The Girl Who Came to
Supper," with Tessie O'Shea, Florence Henderson, Roderick Cook and Jose
Ferrer. It would later reach the screen as the Prince and the Showgirl with
Marilyn Monroe and Laurence Olivier. We also got a production of "School
for Scandal," with John Gielgud, Gwen Ffrangcon-Davies, Ralph Richardson,
Geraldine McEwan and Laurence Naismith; Jack Benny with special guest Jane
Morgan, touring productions of How to Succeed in Business Without Really
Trying and I Can Get It For You Wholesale, appearances by Danny Kaye, Steve
Lawrence and Eydie Gorme, Ballets Folklorico de Mexico, and Frankie Avalon.
The Royal Alexandra presented Charlottetown Festival's Sunshine Town, based
on the work by Stephen Leacock, Sabrina Fairby Samuel Taylor, later to be a
vehicle for Audrey Hepburn, T.S. Eliot's The Cocktail Party, a revival of
Desert Song with Howard Keele, a Canadian production of Godspell with a
great cast, Jane Eyre from England, and Johnny Belinda from Charlottetown
Festival, as well as touring productions of Philadelphia Here I Come, with
Donal Donnelly and The Philanthropist.
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CURTAIN UP - Job Postings for Theatre, Television and Films - (covers
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SUBSCRIBE TODAY - cheque or money order 20.00 per year (12 issues) -
payable to: Clair Sedore, 811-85 The Esplanade, Toronto,
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DANCERS/CHOREOGRAPHER - MICHAEL KIDD (1919 - )
New Yorker Michael's plans changed from chemical engineering to ballet, and
he performed with the Eugene Loring Dance Players and Ballet Theatre before
choreographing Finian's Rainbow (1947). This was followed by such hits as
Love Life (1948), Guys and Dolls (1950) and Can Can (1953). To me, his
masterpiece is L'il Abner, which will be available for posterity on film.
*********************
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DIRECTORS - ROUBEN MAMOULIAN (1897-1987)
Born in Russia, educated in both Russia and Paris, he worked at the Eastman
School of Music before coming to New York to work with the Theatre Guild.
He staged Porgy (1927), Marco Millions (1928), Wings Over Europe, and went
on to direct musicals of the calibre of Porgy an Bess (1935), Oklahoma
(1943), Carousel (1945) and Lost in the Stars 1949). He moved on to
Hollywood where he became a famous film director as well.
*******************
We do not make our mailing list publicly
accessible. We respect your privacy as our subscribers.
**************************
PRODUCERS - JOHN MURRAY ANDERSON (1886-1954)
Born in Newfoundland, Mr. Anderson moved to New York as a ballroom dancer,
and shortly after he was in cabaret revues and on to staging and producing
the first Greenwich Village Follies (1919) which was produced until 1924.
He also produced What's in a Name (1920) and his own John Murray Anderson's
Almanac (1929 and 1953). He also directed such musicals as Music Box Revue
(1924), Dearest Enemy (1925), Ziegfeld Follies of 1934, Life Begins at 8:40
(1934), Jumbo (1935), Ziegfeld Follies of 1936, One for the Money (1939),
Two for the Show (1940), Ziegfeld Follies of 1943, Three to Make Ready
(1946) and New Faces of 1952.
***********************
ACTORS - COLLEEN DEWHURST (1926-1991)
Born in Montreal, she studied at the American Academy of Dramatic Arts
before making her Broadway debut in Desire Under the Elms as a neighbour.
Many of her performances have been off-Broadway, Children of Darkness
(1958), she has received Tonys for All the Way Home (1960), and A Moon For
the Misbegotten (1973). She also appeared in Ah Wilderness, and Long Day's
Journey Into Night.
**********************
OPERA - MIDSUMMER NIGHT'S DREAM
Opera in 3 acts, written by Benjamin Britten and Peter Pears, based on
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****************************
ACTOR - MAUREEN STAPLETON (1925- )
Born in Troy, N.Y., Ms Stapleton made her New York debut in 1946 in Playboy
of the Western World and rose to stardom in The Rose Tattoo (1951). This
was followed with William's Orpheus Descending (1957), Toys in the Attic
(1960), Plaza Suite (1968), The Gingerbread Lady (1970), she replaced
Jessica Tandy in The Gin Game (1978) and appeared with Elizabeth Taylor in
The Little Foxes revival (1981). She also appeared in revivals of Richard
III, The Seagull, and The Glass Menagerie (1965 and 1975).
**********************
To subscribe to CURTAIN UP-Job Postings for Theatre, Television and Films,
send cheque or money order for $20.00 to: Clair Sedore, 811-85 The
Esplanade, Toronto, Ontario M5E 1Y8, Canada. This ezine is by subscription
only and is printed monthly on email and sent out on the 15th of the month.
DO NOT MISS OUT ON A NEW AND STIMULATING CAREER IN THE ARTS.
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