GIVE 'EM THE OLD RAZZLE DAZZLE FEBRUARY 1999 (Volume 3) National Library of Canada ISSN 1481-7934 © 1998, Clair Sedore,Editor Peter Poullos, Assistant Editor. No reprints without written permission from the publisher, although permission is granted to forward a copy to your friends and business associates Now available Online: Give 'Em The Old Razzle Dazzle Monthly Newsletter http://www.freeyellow.com/members5/peterpoullos/index.html This newsletter is not sent unsolicited. All the e-mail addresses in our database have been submitted to us for inclusion. If you received this message and you haven't subscribed, a friend or colleague may have forwarded it to you, or you may be on a theatre listing.

If you wish to receive back copies, please just ask: 927121@ican.net And let me know which issue you would like. Our December (Volume I) issue had articles on nudity on stage,Leonard Bernstein,Oliver Smith,Dancers and Choreographers,Elia Kazan,My Top Tens,Tennessee Williams,Gay Theatre,Aids and its effects on Broadway, In January (Volume II) we featured Andrew Lloyd Webber,Jean Rosenthal,Mike Nichols,Demolished Toronto Theatres,Arthur Miller,Musicals and Plays to Films,Frances Hyland,Canadian National Exhibition IN THIS ISSUE A LETTER FROM THE EDITOR-CLAIR SEDORE; STEPHEN SONDHEIM; SANTO LOQUASTO; STARS THAT FADED; BARBARA COOK; GEORGE ABBOTT; WILLIAM INGE; LARS LUBOVITCH; OPERA - AIDA; AUTOGRAPHS; FOR THE NEWCOMERS TO THE INTERNET SOME REVIEWS OF OUR SECOND ISSUE Hi Clair - Your new Newsletter is very interesting and I enjoyed it very much What I enjoyed in this one is that you mention the movie "Good News" because I was in the play in Toronto in the early 60's which took place at the Toronto Library Theatre and ran for three long months... I did not become famous but enjoyed every minute of being in this musical... Thanks, Frank What an incredible memory you must have to remember all this. We congratulate you on a great newsletter. We are anticipating the next one already. Our thanks The Franklins Surrey, U.K. I would appreciate hearing from you as soon as possible regarding your permission to use the article on my web site. Thanks Clair. All the best. Heath Miller, Melbourne, Victoria, Australia Thank you for supporting Broadway Cares/Equity Fights AIDS (BC/EFA) through iGive.com. link: and then sign in. For every new referral you send, $2 is donated to Broadway Cares/Equity Fights AIDS (BC/EFA) just for signing up (and that only takes about ten seconds or so) Broadway Cares/Equity Fights AIDS (BC/EFA) "Do you have any plans for including professional listings of this kind in your newsletter? I can tell you, Clair, that to my knowledge, no one else on the Internet provides such content [except for Playbill's Casting and Jobs page in the U.S.]. I think it would be an excellent addition to your newsletter, would raise its appeal to industry professionals as well as theatre lovers, and increase your exposure. For example, Inklings, which is a free newsletter to writers, has over 20,000 subscribers now. It would sure make me want to subscribe." James Vincent Fusco THE VISITS TO SUMMER: A Multi-Award Winning Illuminated Story Site http://www.computan.on.ca/~fusco With RealAudio orchestral music, original artwork, and Thematic Links James Vincent Fusco's FAMILY CONCERT THEATRE Programs Site http://www.computan.on.ca/~fusco/fct Musically illuminated stories for symphonies. With RealAudio and original Artwork Editor's Note: I told Mr. Fusco that the reason I wouldn't consider such listings is the monthly frequency of my ezine. Such listings require almost daily listings, weekly at the maximum. Hence the importance of Daily Variety. In Toronto, other than the dailies, the only publication that tells of casting calls is Now magazine. Mr. Fusco please note article later on in this newsletter. Just found out the wonderful news on Christmas Day, that my article would be published in TIP Newsletter in January. What a great Christmas gift. I have now been mentioned or had an article printed in 33 issues of Newsletters, with articles in such newsletters as Good Work If You Can Get It, Adland's Digest, Paychecks (U.K. Jerry), and AMT E-zine From: "Thomas T. Getts" To: <927121@ican.net> Subject: Your article, Give 'em the whole Razzle Dazzle Date: Thu, 24 Dec 1998 17:20:57 -0500 Thank you for submitting the article. you should be pleased to know that we have chosen it to be in the Jan.1999 "TIP" (The Internet Post) If you have not recieved yet you will be notified that you have also be subscribed to the TIP List that broadcasts The Internet Post on the 15th of each month An interesting Ezine from U.K. Jerry, give it a try! "A1 Paychecks On-line" for the International Online Marketer. Where Earning & Learning is FUN & FREE Subscribe: http://www.onelist.com/subscribe.cgi/paychecks mailto:paychecks-subscribe@onelist.com COMING IN THE MARCH ISSUE MY RARE PLAYBILLS; MARTHA GRAHAM; MADAMA BUTTERFLY; JERRY HERMAN; MOTLEY; JULIE HARRIS; EUGENE O'NEILL; JOSHUA LOGAN

Per Section 301, Paragraph (a)(2)(C) of S. 1618, further transmissions to you by the sender of this email may be stopped at no cost to you by sending a reply to this email address<927121@ican.net> with the word "removerazzledazzle" in the subject line.

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If you would like to join the Playbill On Line Club, simply go to: http://www.playbillclub.com An interesting website for Celebrity Addresses, but I cannot vouch for their authenticity. http://www.springrose.com/celebrity/ LETTER FROM THE EDITOR: In our first ezine (December 98), we did an article on Nudity on Stage. Once again Broadway, Off-Broadway and Off-Off Broadway are in the limelight because of nudity, particularly Nicole Kidman and Iain Glen in the British export "The Blue Room," by David Hare, a two character comedy where Nicole bares all for less than a half-minute, and Iain even does a nude cartwheel. Swan Lake, Matthew Bourne's new adaptation has fleeting nudity. Off-Broadway shows like The Most Fabulous Story Ever Told by Paul Rudnick has a lot of male nudity and brief female nudity, Killer Joe has stars Scott Glenn and Amanda Plummer nude, Wit, Margaret Edson's drama has nudity, Stop Kiss has nudity, Secrets Every Smart Traveler Should Know and Jodie's Body both have nudity. Is there a resurgence? All this at a time when the mayor wants to close the Broadway strip clubs. As an aside, because of the large theatre content, I will tend to lessen my material for new webmasters, other than articles I feel might be important. Otherwise our ezine will end up being too large. HELPFUL TIP I just discovered one has to clean one's mouse about every month or so. You just turn off your computer, unscrew the cover over the ball, and clean out the inside with tweezers. You will find that lint etc. collects in the tiny crevices. STARS THAT FADED IN 1998: In 1998 we lost a great many Hollywood stars and directors. Those stars who touched Broadway more than Hollywood included Roddy McDowall who starred in the musical Camelot; Brendan Gill, a writer for the New Yorker for many years; Bob Merrill, lyricist for Funny Girl, Carnival, Breakfast at Tiffanys and Sugar; Henny Youngman, stand-up comic who appeared in many burlesque houses; Daniel Massey, who appeared in the musicals She Loves Me and Gigi; Dorothy Stickney who appeared in the original Life With Father; Maureen O'Sullivan, star of Mornings at Seven and Sabrina Fair, survived by daughter Mia Farrow; Joseph Maher, star of Loot; the exciting choreographer Jerome Robbins, whose hits included Call Me Madam, King and I, Pajama Game, On The Town, Bells Are Ringing, West Side Story, Gypsy, Fiddler on theRoof, A Funny Thing Happened on the Way to the Forum; Peter Pan and Wonderful Town; E.G. Marshall, star of The Gin Game; Marshall Barer lyricist of Once Upon a Mattress; Allen Drury, author of Advise and Consent; James Goldman, playwright and author of Lion in Winter and librettist for Follies;French film and stage star Jean Marais. They will all be greatly missed.

PLAYWRIGHTS - WILLIAM INGE (1913-1973 suicide) - One of America's finest playwrights who understood loneliness, sexual repression, and a great understanding of the human psyche. Mr. Inge could not accept his homosexuality, unlike his peer Tennessee Williams, who relished in it. Mr. Inge was born in Independence, Kansas and was both a schoolteacher and an actor before becoming drama critic for the St. Louis Star-Times (1943). His first play "Farther Off >From Heaven (1947)"opened in Dallas, but never reached New York. His second play was another story, "Come Back Little Sheba (1950)" was an immediate hit on Broadway. It was followed by "Picnic (1953)" which is probably Inge's greatest play and a close runner-up to William's "Streetcar Named Desire" and to Miller's "Death of a Salesman." It won the Pulitzer Prize and the New York Drama Critics Circle Award. This was followed by two more successes, Bus Stop (1955), and The Dark at The Top of the Stairs (1957). This was a reworking of his first play, "Farther Off From Heaven," and is probably his most autobiographical play. This success was followed by some dismal failures like A Loss of Roses (1959), Glory in the Flower (1959), Natural Affection (1963), Where's Daddy (1966), and his last play "The Last Pad (1970), and not long after Mr. Inge took his own life, frustrated by failure and being a homosexual, which he was never able to accept. DIRECTORS - GEORGE ABBOTT (1887-1995) born in Forestville, New York, started off as both a playwright and an actor who debuted in 1913 in "The Misleading Lady." He performed until the mid 1920s and turned his hand to directing, with nothing major until he directed Broadway (1926), which he also co-wrote with Philip Dunning, and also staged. This was followed by Chicago, Four Walls (1927), Coquette (1927), Twentieth Century (1932), Three Men on a Horse (1935), Boy Meets Girl (1935), Brother Rat (1936), Room Service (1937), What a Life (1938). His directed came into full play with Jumbo (1935), On Your Toes (1936) which was also his swan song when the revival was staged in the 1980s. Boys From Syracuse (1938), Too Many Girls (1939), Pal Joey (1940), On the Town (1944) with the great Leonard Bernstein, and Betty Comden and Adolph Green, High Button Shoes (1947), Where's Charley (1948), Call Me Madam (1950), A Tree Grows in Brooklyn (1951), Wonderful Town (1953), The Pajama Game (1954), Damn Yankees (1955), Fiorello (1959), Funny Thing Happened on the Way to the Forum (1962). He also produced many of the shows which he directed. Music Is (1976) which failed and at the age of 95 he both co-produced and staged the revival of On Your Toes (1983). Mr. Abbott's shows are like a study of the Broadway Theatre. Show business was his life line until his death in 1995. COMPOSERS/LYRICISTS - STEPHEN SONDHEIM (1930- ) Probably one of Broadway's most creative talents, always daring and controversial. A joy to the critics but sometimes not as popular with audiences. When I first saw "Pacific Overtures" at a New Year's Eve preview, the audience was leaving in droves. It was not until the reviews that the audience returned and paid attention. That is Mr. Sondheim. Born in NYC and educated at Newtown, Penn., he befriended James Hammerstein, who introduced him to his father, Oscar, who became a role model for him. His lyrics were first heard in West Side Story (1957), Gypsy (1959), Funny Thing Happened on the Way to the Forum (1962), on which he wrote both the words and the music, Anyone Can Whistle (1964) which didn't click, Do I Hear a Waltz (1965), Company (1970), which is probably his piece de resistance, Follies (1971) of which it is said that if everyone saw Follies who said they did, it would still be running, A Little Night Music (1973), Pacific Overtures (1973), a love/hate musical and I loved it and saw it many times, Sweeney Todd (1979) a very black musical with wonderful performances by Angela Lansbury and Len Cariou, Merrily We Roll Along (1981), a disaster, Sunday In The Park With George (1984) won the Pulitzer Prize, and Into The Woods (1987). We can only await what new pastiche he has in store for us. DESIGNERS- SANTO LOQUASTO (1944- ) Probably the second greatest set designer, next to the wonderful Oliver Smith. Among his shows has been King of Hearts with Don Scardino, Murder Among Friends (with Janet Leigh and Jack Cassidy in his final performance before being burned to death in a hotel fire), That Championship Season, and his most current, the wonderful "Ragtime," for the Livent Company, now in Chapter 11. DANCERS - LARS LUBOVITCH (c1940 - )Chicago born dancer who started with the Martha Graham Company after having debuted with the Pearl Lang Dance Company in 1962. He formed his own dance company in New York in 1968, and has done choreography for such noted companies as the New York City Ballet, American Ballet Theatre, Paris Opera Ballet, Royal Danish Ballet, Stuttgart, Alvin Ailey Dance Company, Nederlands Dans Theater, Ice dancing for olympic star John Curry (1949-1994) AIDS, Peggy Fleming, Dorothy Hamill and the French ice dancing sensations, Isabella and Paul Duchesnay, as well as the Broadway shows, Into the Woods (1987), (Tony nomination), revival of The King and I, with Yul Brynner. ACTORS/ACTRESSES - BARBARA COOK - (1927- ) A native of Atlanta, Georgia, Ms. Cook made her Broadway debut in Flahooley (1951), toured in Oklahoma (1953), and became a Broadway favourite in Plain and Fancy (1955). She was the first Cunegonde in Candide (1956) and introduced "Glitter and Be Gay" to her doting public. She followed this with a revival of Carousel and won a Tony Award for her performance as Marian the Librarian in The Music Man (1957). She did a revival of the King and I, and appeared in Toronto in the pre-Broadway musical The Gay Life (1961), followed by a revival of Showboat (1966). She followed this with She Loves Me (1963). When the Broadway roles started to disappear, she started to appear in small nightclubs like Brothers and Sisters and Reno Sweeney. She took New York by storm. The engenue is now one of New York's leading singers. If you have not heard her, rush out and buy her recordings. Her Barbara Cook at Carnegie Hall is a collectors item, as is As Of Today. As Rex Reed said "if he gets to Heaven and the angels don't sound like Barbara Cook, God will have something to answer to," or something to that effect. I have seen Ms. Cook many, many times. The first time was at Brothers and Sisters, and I had gooseflesh during most of her concert. I have followed her around like a groupie. What an inspiring talent she is. We have been fortunate in Toronto, as Ms. Cook has appeared at the Crest Theatre, the Music Hall and at the Stratford Festival Theatre. She now has a male counterpart in the person of Mandy Patinkin. AUTOGRAPHS - In New York it is so easy to get autographs. One just has to stand around the stage door and most of the "big" stars are only too happy to sign your programme. I recently sold a huge collection of my autographs of everyone from Katharine Hepburn, Yul Brynner (who grabbed the programme out of my hand when I was waiting for Joan Denier's autograph), Lee Remick, starring in Wait Until Dark, who invited us in because we were from Toronto, and she adored Toronto, and chatted with us for probably an hour, Angela Lansbury when she was in Gypsy, Janet Leigh and Jack Cassidy (we were the only ones at the stage door and were invited to join the cast onstage for their opening night party-what a coo), Liza Minnelli, before she got too big to come out the stage door, and left by secret exits, the great Raul Julia, Ellen Greene, Alan Bates, who we got to talk to for a long period about his film The Go Between, which we saw in Paris, before it was released to North America, Vincent Price and Corale Brown, when they were in Toronto with the pre-Broadway "Darling of the Day," (later changed to Married Alive). I even got to hold Julie Harris' dog while she signed autographs at Belle of Amherst. I am not really an autograph collector, but I love seeing the celebrities that I like, and that seems like the only way to start up a conversation. I guess I'm a stage door Johnnie. Some of the other greats I have had the privilege to meet are Geraldine Page, James Coco, Sir Ralph Richardson, Hermoine Gingold, Larry Kert, Tammy Grimes, Leslie Caron, Dorothy McGuire, John Gielgud, Eleanor Parker, Betty Comden and Adolph Green, Kate Reid, Jack Gilford, George C. Scott, Jane Powell, Howard Keel, Colleen Dewhurst, John Lithgow, Liv Ullmann, Dorothy Loudon, Estelle Parsons, Judd Hirsch, Jerry Orbach, Ann Reinking, Lynn Redgrave, Frank Langella, Marsha Mason, Neil Simon, Hal Holbrook, Eartha Kitt, Pearl Bailey, Sylvia Miles, Edward Villella, Joan Rivers, Valerie Harper, Mandy Patinkin, John Cullum, Georgia Brown, Eli Wallach and Anne Jackson, Doris Roberts, Donna McKechnie, Len Cariou, Dixie Carter and Barbara Hamilton. OPERA - AIDA - When a friend and I arrived in Verona in the early 1980s, to visit such hysterical sites as Juliet's Tomb complete with K-mart flowers, we happened by the Arena and saw a great number of people working on the sets for the performance of Aida. We were so impressed with just the beginnings of the settings that we booked tickets for a performance some two weeks away, and made our way back to Verona, totally unplanned in our itinerary. What an unbelievable spectacle. I have never seen such a performance. Hundreds of performers, breathtaking sets with took anywhere up to an hour to change in between scenes. I could never see another performance of Aida, without remembering what it should be like, complete with camels, elephants, horses, and great voices. We finally had to leave at 12:30 a.m. long before the opera finished as we had to catch a train. Seeing Aida at the Baths of Caracalla, is definitely not the same, nor an ordinary prosenium stage. Does anyone know what happened to the Aida production at Skydome, in Toronto. I have written to a number of people including Myra Friedlander, and did not receive the courtesy of a reply. There never were any reviews, so I can only assume it was cancelled due to seat sales. MAKING COMMISSIONS WITH INTERNET BUSINESSES

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IMPORTANT ANNOUNCEMENT TO OUR READERS THIS IS TO INTRODUCE A NEW EZINE CALLED "CURTAIN UP," an email subscription ezine (or snail mail at a slightly higher fee due to postage), covering auditions, show openings, work shops and classes, playwrights, grants, volunteers needed, voice overs, career opportunities, film projects including extras, including "out of town. " Our website is: http://www.freeyellow.com/members5/clairsedore/ Our first issue will be sent out MARCH 15, 1999, or before as we already have employment wanted ads coming in, and will be sent out the 15th and 30th of each month thereafter, with a HOT LIST being sent out in case of a very important notification. Deadline for postings in the first issue will be March 10th , 1999. ALL LISTINGS FOR THEATRES, FILM COMPANIES ETC., ARE FREE up to 100 words. 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Many larger companies are just starting to realize this and are entering into this exciting new advertising medium. Compared with the high costs of web site banner advertising, E-zine advertising is a real bargain. From: Michael S. DeVries Subject: Re: E-Zine advertising Scott Frangos wrote: >I have had "good success" (2-3% response) from advertising in targeted newsletters.< Possibly one of the critical success factors in your successful advertising in e-zines, which you did not include in your factoring with your post, is your point that you advertised in targeted newsletters. IMHO, it is very important, and possibly overly obvious, that the e-zine's subscriber-ship consist of your target market. Targetting your ads in both the placement in the right e-zines and in targetting your message to the audience gives you the best chance for a successful response. ADVERTISING RATES FOR 1999 100 words or less $10.00 per issue or 3 issues for only $25.00. 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AS OF THE MARCH 1999 ISSUE ONLY ADS OF AN ENTERTAINMENT NATURE WILL BE ACCEPTED. Send suggestions and comments to : 927121@ican.net To subscribe send a blank e-mail with SUBSCRIBE to: <927121@ican.net> To unsubscribe send a blank e-mail with UNSUBSCRIBE to: 927121@ican.net Ezine Advertising Finally Made Easy! Lifestyles Publishing, Home of the original Directory of Ezinestm, is the solution for helping you place your ads in ezines. They perform the time-consuming, pains-taking task of gathering and organizing the advertising details you need at your fingertips: publication date, ad deadlines, ad rates, circulation, payment options and more! This is a must have for the serious online marketer! Details and free gift at: http://www.lifestylespub.com FREE Ezine Ad Directory Now all the information you need to make an informed decision on your ezine or newsletter advertising is right at your fingertips. Circulation, Ad Rates, Rules, Deadlines, Subject Matter and more is available Free at http://foxcities.com/ims/ezine.htm The Reader's Retreat: for those who love books and love to read

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