Status: OR GIVE 'EM THE OLD RAZZLE DAZZLE
OCTOBER 1999 (Volume 11)
© 1998 all rights reserved worldwide by Clair Sedore
National Library of Canada ISSN 1481-7934
(C) 1998,Clair Sedore, Editor
Peter Poullos, Assistant Editor
A New Monthly Theatre E-zine
No reprints without written permission from the publisher, although permission is granted to forward a copy to your friends and business associates.
To subscribe to "Give 'Em The Old Razzle Dazzle," just put SUBSCRIBE RAZZLE in subject, or body, and send an email to 927121@ican.net If you are wondering why a lot of this ezine is in html coding, it is because it is also available online, http://www.freeyellow.com/members5/peterpoullos/index.html where this coding makes sense. It would be very difficult to do two versions of the newsletter, one for the web, and one for emailing. Please excuse the coding. Thanks for your patience, Clair Sedore, Editor
******************** This Ezine Is Listed At FreeZinesOnline. http://Globemark.net/FreeZinesOnline.htm ********************* IN THIS ISSUE
MY ARTICLE NOMINATED FOR ADLAND DIGEST SUCCESS STORY OF THE YEAR
MEMORIES - MY YEARS OF THEATREGOING 1955-1999 - Part 2
CIRQUE DU SOLEIL
JOHN KANDER AND FRED EBB
FREDDY WITTOP
BOB FOSSE
TONY RICHARDSON
HAROLD PINTER
LIVING THEATRE
MERCURY THEATRE
MAGGIE SMITH
PORGY AND BESS
MAKE MONEY BROWSING THE WEB
*******************
COMING IN NOVEMBER
MEMORIES - MY YEARS OF THEATREGOING 1955-1999 - Part 3
(1958/1959/1960-the opening of The O'Keefe Centre for the Performing Arts)
RICHARD RODGERS AND OSCAR HAMMERSTEIN
PATRICIA ZIPPRODT - see Obituaries
GRACIELA DANIELE
JOHN HOUSEMAN
JOE ORTON
CIRCLE REPERTORY
THEATRE GUILD
RAUL JULIA
THE PEARL FISHERS
*************
>From The Web-TV Terminal Of
Bill Springer
frumpledauthor@webtv.net
August 24, 1999
Theatres - New York, London,
Toronto & International
Attn: Clair Sedore
Dear Clair ,
Congratulations on winning the 'Bill's Theatre Site Award.' Your site is
impressive and certainly helps put the "information" into the Information
Super Highway!
You will find yourself listed on the "Winner's" page at
http://members.tripod.com/~frump_author/billstheatresiteaward/award_winners.
html within the next 7 days.
Below this letter you will find a link to the needed information for
placing the award on your page. Feel free to choose the one that you like
best (or that looks best on your page). However, whichever one you choose,
please do not alter the coding. Thank you!
Always,
Bill Springer
P.S.: Please Take Note! The page you are reading along with the URLs for
the award graphics will cease to exist in approximately seven (7) days from
today. Be sure that you have downloaded your choice of the award graphics
and 'Copy & Pasted' the HTML code fragment within that time. - Bill.
****************************************************************************
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THEATRE OBITUARIES
Film and stage actor, Brion James at 54, seen off-Broadway in Long Day's
Journey Into Night, Picnic, West Side Story and Lady Windemere's Fan, as
well as 103 motion pictures including Blade Runner (82), 48 Hours (82),
Another 48 Hours (90), Wishman (92); Charles Macaulay, 72, actor in Perry
Mason TV movies in role of district attorney, Hamilton Burger, in the 1980s
and 1990s, as well as roles in Star Trek and Columbo. He stopped performing
after his friend Raymond Burr died in 1993. Mr. Macadulay was a New York
stage actor in the 1950s and created the title role in The Winslow Boy, and
appeared in The Dark is Light Enough; playwright-director Hanoch Levin, 56,
a major voice in Israeli theatre, but little known in the U.S.; Norman
Wexler, 73, playwright/screenwriter - his plays include Red's My Color,
What's Yours? And Forgive Me, Forgive Me Not, and his screenplays include
Saturday Night Fever, and the sequel Staying Alive, Joe and Serpico; Don
Howard, 47, an actor and stage manager who appeared on Broadway in Alone
Together with Janice Paige and West Side Waltz with Katharine Hepburn, died
Aug. 14 of liver disease in Manhasset, NY, ; Elizabeth McCormick, an
American theatre director in the 1930s and '40s -- a time of few women
directors -- died Aug. 15 in New York after a long illness.
Ms. McCormick, who was 89, had been a playwright, director and producer and
her notion to offer affordable theatre in New York City is thought to be
one of the seeds of the Off-Broadway theatre movement; film actress
Marguerite Chapman, 81, who appeared in many 1940s co-features and other
films like The Seven Year Itch; TV's "Candid Camera" personality Allen
Funt, 85; Charles Lowe, producer of television's "George Burns & Gracie
Allen Show" and, for four decades, husband-manager of actress Carol
Channing, died Sept. 2 at the age of 87, according to the Associated Press;
Stanley Simmons, a theatre costume designer whose credits included Lena:
The Lady and Her Music and original productions of Tennessee Williams'
Garden District and Bar of a Tokyo Hotel, died Sept. 4 of heart failure.
Mr. Simmons, who was 71, was a ballet costume designer whose work was seen
in the ballets of Jerome Robbins, Eliot Feld, Agnes de Mille, Michael Kidd,
Michael Smuin and others. He also designed costumes for 1966 revival of The
King and I at City Center and for Shirley MacLaine's television special,
"Gypsy in My Soul."
**********************
Theater Services Guide -< http://www.theaterservicesguide.com>
is an
entertainment industry directory for businesses, organizations and
individuals who provide services and products to the entertainment industry:
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covering the US and Canada. For information on listing, visit the site or
write< info@theaterservicesguide.com>
************************
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CIRQUE DU SOLEIL
It has taken me 15 years to see the renown Cirque Du Soleil. When it
appeared here at Ontario Place, approximately 1984, the first time, my
friend would not go as he has an aversion to circus performers. Even when I
told him there were no animals, he still did not budge.
Their new production "Dralion" which is currently at Ontario Place in the
huge blue and gold tent, is definitely worth the wait. The production is
nothing less than magical and spectacular, the costumes, the lighting, and
the unbelievable acrobats make the 2 hours plus something very special. The
artists, more than 50, are adept at handbalancing, clowning, juggling,
trapeze, teeterboard, ballet, hoop diving and skipping ropes. They have
mastered all of these skills. It is a must for children and adults alike.
They now have permanent homes in Las Vegas at the Bellagio, Biloxi
Mississippi at the Beau Rivage, Treasure Island at the Mirage, and Walt
Disney World at La Nouba.
****************************
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MEMORIES - My 50 Years of Theatregoing 1950-1999 - Part 2
During Teacher's College I boarded with friends of my parents who lived in
Scarborough. In addition to my room and board, my parents gave me 25.00 a
week for lunches, books etc., but I discovered that for 2.50 I could sit in
the second balcony of the Royal Alexandra Theatre. So whenever I had no
homework or was not out of town "practice teaching" I was at the theatre.
In the 1950s the Royal Alexander was the only viable theatre in Toronto.
This new world was my life. I saw musicals like The Boy Friend, by Sandy
Wilson, a spoof of 1920s musicals; Salad Days by Julian Slade and Dorothy
Reynolds, directed by Barry Morse and choreographed by Alan and Blanche
Lund; Rodgers and Hammerstein's South Pacific, directed by the incomparible
Joshua Logan, with sets by Jo Mielziner; Royal Flush, a pre-Broadway tryout
starring Kaye Ballard; Richard Adler and Jerry Ross' Pajama Game,
choreographed by the brilliant Bob Fosse and Carol Haney, directed by
George Abbott and Jerome Robbins; Morton DaCosta's The Music Man; Frank
Loesser's Guys and Dolls; Florenz Ziegfeld's last touring production of
Ziegfeld Follies starring Billy DeWolfe; Rodgers and Hammerstein's The King
and I, with sets by Jo Mielziner, costumes by Irene Sharaff and
choreography by Jerome Robbins; Johnny Mercer's L'il Abner with a perfect
cast, Stubby Kaye, Peter Palmer, Wynne Miller, Billie Hayes, Deedee Wood
and Al Nesor; Bertolt Brecht and Kurt Weill's Threepenny Opera; a Canadian
musical from McGill University, music by Galt MacDermot (later to write the
music for Hair); Finian's Rainbow and Stop The World I Want To Get Off.
Plays included such greats as Auntie Mame by Jerome Lawrence and Robert E.
Lee, with sets by Oliver Smith; Guy Bolton's Anastasia; Luther; The Visit
and The Great Sebastians with final appearances by the great Alfred Lunt
and Lynn Fontanne; Frances Goodrich's Diary of Anne Frank, designed by
Boris Aronson and directed by Garson Kanin; Terrence Rattigan's Separate
Tables with the wonderful Geraldine Page; Gore Vidal's Visit to a Small
Planet and Best Man; Hatful of Rain; Seidman and Son; William Inge's Dark
at the Top of the Stairs, designed by Ben Edwards; Dore Schary's Sunrise at
Campobello; The World of Carl Sandburg with Bette Davis; Ketti Frings Look
Homeward Angel based on Thomas Wolfe's novel; J.B., directed by Elia Kazan;
Advise and Consent; William Gibson's The Miracle Worker; Prescription
Murder; Tennessee William's Cat on a Hot Tin Roof; Traveller Without Luggage.
What a period for theatrical masterpieces. The 1950s and early 1960s were
like no other period since.
These days there are years in between great plays or musicals, at that time
there seemed to be several great hits each season.
I was introduced to dance with the National Ballet of Canada, a company
which had started in 1951 and by the late 1950s there were some great
dancers including Earl Kraul, Hazaros Surmejan, Jeremy Blanton, Karen Kain,
Veronica Tennant, Angela Leigh, Lois Smith, Martine Van Hamel, Lawrence
Adams, Yves Cousineau, Glenn Gilmour, Howard Marcus, Vanessa Harwood, Frank
Augustyn, Eric Braun, David Adams, Irene Alpine, Grant Strate, Nadia Potts,
Robert Ito and Howard Meadows, all under the wings of Celia Franca.
I also got to see visiting companies like the Bolshoi Ballet, Royal
Winnipeg Ballet, Les Grands Ballets Canadienne, Jose Greco and his Spanish
dance troupe, Ballet Folklorico, Bathsheva Dance Company, the Royal Ballet,
the Mazowsze Dance Company; the Moiseyev; the Royal Danish Ballet; Robert
Iglesias Ballet Espagnol..
I learned of the majesty of the world of opera from The Canadian Opera
Company, the Metropolitan Opera's touring company featuring Richard Tucker,
Marilyn Horne, Leonard Warren, Dorothy Kirsten, Roberta Peters..
I was introduced to the talents of the one-man shows with the likes of
Joyce Grenfell, Stanley Holloway, Elsa Lanchester, Anna Russell, Gypsy Rose
Lee, Victor Borge.
In the world of comedy, I was introduced to John Patrick's Teahouse of the
August Moon; Samuel Taylor and Cornelia Otis Skinner's The Pleasure of His
Company; The Reluctant Debutante; The Happiest Millionaire; Leonard
Spiegelgass' A Majority of One with Gertrude Berg as well as Dear Me The
Sky is Falling; William Gibson's Two For The Seesaw; Under the Yum Yum
Tree; Pajama Tops with the curvacious June Wilkinson; Neil Simon's Come
Blow Your Horn; A Shot in the Dark; Murray Schisgal's Luv with the great
Dorothy Loudon, directed by Mike Nichols and designed by Oliver Smith; The
Mad Show; The Chinese Prime Minister, and many years of Canada's own
"Spring Thaw," which starred many talented people over the years - Jane
Mallett, Peter Mews, Dave Broadfoot, Robert Goulet, Barbara Hamilton, Jack
Duffy, Dean Regan, Johnny Wayne, Frank Shuster, Alan Lund, Mavor Moore,
Roderick Cook, Dinah Christie, Doug Chamberlain, Don Harron, Catherine
McKinnon, Bob Jeffrey, Rita Howell, Ed Evanko, Pat Galloway, Tom Kneebone,
Robin Ward and Salome Bey.
The Crest Theatre was Toronto's only alternative-type theatre at that time.
It was a very important part of Toronto, with the theatre being run by
Donald and Murray Davis, and their sister Barbara Chilcott.
They produced such plays as Thornton Wilder's The Matchmaker; J.B.
Priestley's The Glass Cage, written for the Davis brothers and sister; John
Osborne's Epitaph for George Dillon; Noel Coward's Hay Fever; Edward
Albee's American Dream; Double Image; and Agatha Christie's The Mousetrap.
Among the stars, other than the Davis family, there was Charmion King,
Betty Leighton, David Hemmings, Larry Perkins, Jane Mallett, Jack Creley to
name a few.
Also during this period there was a tent called "Music Fair" operating in a
shopping mall parking lot. They did such musicals as Redhead, The Most
Happy Fella, Song of Norway, Happy Hunting and Goodbye Charlie, featuring
actors like Irra Petina, Lawrence Brooks, Nancy Andrews and Eve Arden.
(Next Issue 1958/1959/1960 (The Opening of the O'Keefe Centre for the
Performing Arts)
*************************
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THEATRES - NEW YORK, LONDON, TORONTO & INTERNATIONAL
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You may read some of my other articles here:
Trying to Make Money on the Web
http://www.smallbusinessresources.com/tryingtomake.htm
Where Do You Want To Go Today?
http://www/smallbusinessresources.com/wheredoyou.htm
A Short History of the Art and Compulsion of Downloading
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E-Zines: I've Tried Them All
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The Making of an E-zine
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The Computer Has a Life of It's Own
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SOME REVIEWS OF OUR TENTH ISSUE